This photo was taken in Penshurst in 1903 which shows the late David Brown, late of Colerain Balmoral and his son, Albert, now residing at Gritjurk, transporting a load of sixty bales of wool from “Yat Nat Estate” near Balmoral to Port Fairy —a distance of 108 miles.Black and white photograph from a newspaper article with a large wool laden wagon with 14 bullocks yoked up The above photo was taken in Penshurst in 1903 which shows the late David Brown, late of Colerain Balmoral and his son, Albert, now residing at Gritjurk, transporting a load of sixty bales of wool from “Yat Nat Estate” near Balmoral to Port Fairy —a distance of 108 miles.transport, rail, road, bullocks, wagon, carrier, penshurst, balmoral, albert brown, david brown, wool bales, yat nat estate, gritjurk

Vietnam warCream pugaree. Chinstrap with clip. Transport corps badge. Army standard green. Curled up on right side.Name on inside leather rim- C. J Challis. Batch 2slouch hat, pugaree, transport corps badge

Rose gold wind-up, ladies watch, with roman numerals on the face. Black cloth band with gold clips/watches

Antecedent unit of 5/6 RVRFlag made up of two horizontal recangles, purple over Maroon with a large off white "A" sewn in the middle 6 battalion, a comapany, melbourne rifles, wark vc club

Enlarged copy of black and white photograph which shows children lined up in the schoolyard. Trees form the background.linton primary school 880, state school, grade 5 and 6

Black and white photograph of the fishing ketch Topsy with all sails up, jetty in background, at Lakes Entrance, Victoria.fishing industry, fish, occupation, waterways

One of two sets of stereographs donated by the O'Beirne family along with a stereoscope for viewing (Stereoscope is Registration no. 2014-51).Large crowd of people lined up along Collins Street, Melbourne watching Light Horse Brigade pass by."12,916 THE FAREWELL PARADE OF THE AUSTRALIAN EXPEDITIONARY FORCE. The Light Horse / in Collins Street, Melbourne."stereographs, australian expeditionary force

Notice was placed in tram windows to remind students travelling on concession fares that they had to offer their seats to Adult passengers. Demonstrates the signs the MMTB used to advise passengers.Sign - printed on paper, stating that "Students Travelling on Concession Tickets must give up seats to Adult Passengers"tramways, trams, passengers, student concessions, behaviour, signs

LDHS trip to Emu Hill, November 1982.Colour photograph showing close up front and side view of old brick homestead with pitched roof and verandah.emu hill homestead, ldhs activities, ldhs trip to emu hill 1982

Standard issue item as used by Australian servicemen during the conflict in Vietnam (1962 - 19720A vinly bag which was rolled up and carried by soldiers. The bag contained vials with medication to treat diarrhoea or constipation. first aid, paracetamol, constipation, diarrhoea, vietnam

Colour photograph of a portion of the "Views of Charlton" Lithograph. The photo is a close up of the Charlton Sale yards portion of the Lithograph.DANAHER BROS,. Stock & Station Agents, Donald & Charlton. E F Danaher B P. Trainor, Auctioneers.business, charlton, lithograph

East Charlton weir across the Avoca River about 60 metres upstream from Bridge.Colour photograph of a portion of the "Views of Charlton" Lithograph. The photo is a close up of the East Charlton Wier portion of the Lithograph.East Charlton Wier Across the River Avoca.charlton, lithograph, charlton weir, avoca river, flour mill, foreman, avoca water works trust

White Naval Jacket with zip up front. Trade badges in Blue, Leading Seaman, Diver and Australia Titles

Objects. Two tram tickets - 8c, 13 c. State Electricity Commission of Victoria. Provincial Tramways, A 944462, A 985872State Electricity Commission of Victoria. Provincial Tramways A 944463, A 985872. Not Transferable. This cheque must shown on demand or another fare paid. Issued subject to the By-Laws , Electricity makes life better.tramways, history, sec tram tickets., refer to 11400.1153 and 11400.1154

Tait collection: item 57 of 62 This document gives details of the Will and Probate of Thomas Sleeman, a Nirranda farmer. He died in 1900 at the age of 85 and left real estate to the value of £600. The main beneficiaries were his sons and £30 was left to Mary Le Couteur, his daughter. He also bequeathed to the Wesleyan Church the half acre of land that the church was on at that time (presumably in the Nirranda district). The document has been drawn up by the law firm of O’Mahony and Murray which operated in Warrnambool early in the 20th century. The document has been passed down to successive lawyers occupying the legal premises in Kepler Street and located there in 2014 in the same building, the premises last occupied by the law firm of Mackay Taylor. This document is of some interest as it gives details of the Will and Probate of Thomas Sleeman, a farmer from Nirranda.This is a piece of white paper folded in two to make four pages. Three of the pages are ruled with blue lines and have margins ruled in blue. There is handwritten material on three pages. A seal of the Supreme Court of Victoria is attached with green ribbon and there are nine red stamps of the Master in Equity of the Supreme Court and one purple stamp of the Savings Bank (Head Office). The document is a little stained and the writing is fading but legible. The document gives details of the Will and Probate of the Nirranda farmer, Thomas Sleeman who died in September 1900. In the Supreme Court of the Colony of Victoria in its Probate Jurisdiction in the Will and Codicil of Thomas Sleeman late of Naranda in the County of Heytesbury in the Colony of Victoria farmer deceased.o’mahony and murray, warrnambool lawyers, thomas sleeman, warrnambool history, tait collection, nirranda

Note from collector: I would stack plain blankets of the same base colour and arrange them by shade to make up a colour palette. It showed how particular colours were in fashion in the early decades, based mostly around depths of pastel pinks, mints, lemons and baby blues with brighter colours arriving in the 1960s then the browns and oranges in heavier tones in the 1970s. Note from collector- "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from." Queen Sized, dusty pink blanketGodfrey Hirst/Pure Wool Pelage Blanket/Mothproofed/Made in Australiawool, blanket, blanket fever, godfrey hirst, geelong

Collector says: "I would stack plain blankets of the same base colour and arrange them by shade to make up a colour palette. It showed how particular colours were in fashion in the early decades, based mostly around depths of pastel pinks, mints, lemons and baby blues with brighter colours arriving in the 1960s then the browns and oranges in heavier tones in the 1970s.Collector's note: "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from."Queen sized blanket, soft pastel pinkWarranted 100% Pure Wool/The Famous "Doctor" Regd/Blanket Made in Tasmania/in Emblem "K&K" (first K mirror image)/Regdwool, blanket, blanket fever, the famous doctor, kelsall and kemp, tasmania

A colour slide of a fete at Legacy House in Swanston St in 1959. There are tables set up around the room and boy playing with a blue balloon. Was with many other slides taken in the 1950s and 1960s. The slides have been photographed to make digital images and moved to archive quality sleeves. In many cases the original images were not well focussed and the digital image is the best available.A record of fetes being held at Legacy House.Colour slide of ladies in Legacy House, in a brown Super Anscochrome cardboard mount.Printed in red ink 'ANSCOCHROME / View from this side / Made in Australia". Handwritten on front ''Fun for everyone ILC Fete 1959'. Imprinted by indentation "Aug 59". Imprinted with black ink '8'.ilc, fete

A colour slide of a fete at Legacy House in Swanston St in 1959. There are tables set up with a mix of second hand kitchen items. Was with many other slides taken in the 1950s and 1960s. The slides have been photographed to make digital images and moved to archive quality sleeves. In many cases the original images were not well focussed and the digital image is the best available.A record of fetes being held at Legacy House.Colour slides x 2 of ladies in Legacy House, in a brown Super Anscochrome cardboard mount.Printed in red ink 'ANSCOCHROME / View from this side / Made in Australia". Imprinted by indentation "Aug 59". Imprinted with black ink '9' and '11'.ilc, fete