Showing 21233 items
matching work
-
Whitehorse Historical Society Inc.
Article, History off the sheep's back, 22/02/1989 12:00:00 AM
A graduate degree in Chinese enabled Mrs Faggetter to work for 2 years in China teaching English to Chinese scientists.A graduate degree in Chinese enabled Mrs Faggetter to work for 2 years in China teaching English to Chinese scientists. She established the National Wool Museum in Geelong, the Children's Museum in the Museum of Victoria. Was first female vice-master of Ormond College.A graduate degree in Chinese enabled Mrs Faggetter to work for 2 years in China teaching English to Chinese scientists. museums, faggetter, rachel, australian wool museum, geelong, ormond college, cuttler, bob, children's museum -
Whitehorse Historical Society Inc.
Audio - Clock Radio
Purchased in 1973 with a group of fellow office workers. Used by Ted Arrowsmith for 33 years as a bedside alarm and later as a clock in our back room.1973 Clock Radio FM - AM. Cream attached casing - black face - electrical - Peak DC 12|It worked through a ratchet arrangement which enabled the time disc to drop after each minute and then hourly. It was a 24 hour clock.'Peak DC 12'audio-visual technology, audio appliances -
Whitehorse Historical Society Inc.
Craft - Framed embroidered sampler, 04/03/1831
Came from Glen Waverley, family home of donor Melva Horne nee RichardsonFramed embroidered sampler dated 1831. Worked by Sarah Ann Gauntless, aged 6 Triumph over death And must this body die? This mortal frame decay? And must these active limbs of mine lie mouldering in the clay? March 4 1831As abovesampler, biblical motifs, sarah ann gauntless, children's needlework, embroidery -
Whitehorse Historical Society Inc.
Photograph, Site Office for the Construction of new crossing and station, 1/06/2009
One of a collection of photographs taken of the Nunawading Railway Station prior to the lowering of the railway line and building of the new railway station on the western side of Springvale Road so that the Springvale Road Rail Crossing can be eliminated. Black & white photograph of the precinct surrounding the Nunawading Station and the Springvale Road Railway crossing. This photograph is of the Site Office for the work associated with lowering of railway line and construction of new railway station. See NP 3545 to NP3567for the complete set of photographsnunawading railway station, redevelopment of railway line/springvale road., springvale road nunawading -
Williamstown High School
High tide 2000
Williamstown High School year book for the 2000 school year. A4 size white card cover with colour illustration. 48 pages, with photographs and illustrations, some colour. Contains student work, sports results, class photographs, school news.williamstown hgh school, 2000, year books, high tide -
Williamstown High School
High Tide 2009
A4 sized book, with coloured card cover and comprising 61 pages. This book records the Williamstown High School 2009 school year. It contains reports from all departments, sport results, student work and many photographs, some in colour.williamstown high school, 2009, high tide, year books -
Williamstown High School
High Tide 1983
Williamstown High School yearbook for the year 1983. Comprising 28 pages and glossy black and white card cover, this yearbook contains reports from all departments and year levels, sport results, student work and many black and white photographs.williamstown high school, yearbooks, high tide, 1983 -
8th/13th Victorian Mounted Rifles Regimental Collection
Photograph - mealtime
One of a collection of photographs of 8th/13th Victorian Mounted Rifles Regiment between 1948 and 1951.One of a collection of photographs of 8th/13th Victorian Mounted Rifles Regiment between 1948 and 1951.Black and white photograph of soldiers being served food. All are wearing work dress and khaki drill berets. All are carrying mess tins. One of a collection of photographs of 8th/13th Victorian Mounted Rifles Regiment between 1948 and 1951.1. Laurie Melgard ( Lt.) military, rations, training, meal, uniform -
Southern Sherbrooke Historical Society Inc.
Tom Breen at stump of tree
B&W photo showing Tom Breen with two other men (unidentified) beside the root ball of a large tree. Tom Breen is perched on the root ball. They are all dressed in casual work clothes and have a shovel, pickaxe and other tools. -
Ballarat Tramway Museum
Photograph - Black & White Photograph/s, Sep. 1977
Photo of Richard Gilbert drilling a hole through the kitchen wall of the BTPS's first Bungaree house as part of the installation of the gas stove. Note the use of a track auger drill to do the work. Stove on right side of photo and parts on the kitchen table.On rear in ink "Bungaree" & "9/77".tramways, trams, bungaree, btps -
Ballarat Tramway Museum
Document - Instruction, Peter Winspur, "Roadworks in Wendouree Parade", 23/11/2014 12:00:00 AM
Instruction or Notice titled "Roadworks in Wendouree Parade", issued by Operations Manager on 23/11/2014 regarding the roadworks at Depot Junction. Was taped to the desk by the sign-on book. Advises of the work and the procedures for tram operations. Printed on the back of an old sheet of letterhead.trams, tramways, road works, depot junction, btm -
Bendigo Historical Society Inc.
Booklet - Victorian Cornwall
40-page soft cover booklet 'Victorian Cornwall' by S. Daniell Life in 19th Century Cornwall illustrated with B&W photos. Two Chapters- The Cornish at Work and The Cornish at Home Printed by Tor Mark Press, Penryn. Cornwall, 1989 cornwall, work & life -
Brighton Historical Society
Dress, Child's dress, circa 1900
This dress was worn by Nancy Kirsner (nee Rosenhain, b. 1906) and her older sister Mona (b. 1903) as children in England. Nancy Bertha Rosenhain was born in Worchestershire to German-Australian metallurgist Walter Rosenhain and Australian Louisa Rosenhain (nee Monash). Louisa was the sister of Sir John Monash; the couple met through a synagogue in Melbourne before settling in England. Nancy travelled to Melbourne in 1929 and was married to Marcus Kirsner on 24 July 1932. Nancy and Marcus lived together at 3 Baroona Court in Brighton.White cotton piqué dress. Square neck. Skirt gathered at waist. Broderie anglais trim around neck and sleeves. Hand-embroidered cornelli work on sleeves, bodice, and skirt. Small frill on skirt. Three self-covered buttons at back.children's clothing, 1900s, nancy bertha rosenhain, mona henrietta rosenhain, jewish diaspora -
Federation University Art Collection
Painting - Watercolour, McGeorge, Norman, Untitled, c mid 1940s
Norman MacGEORGE (08 July 1872– 2 September 1952) Born Adelaide, South Australia Norman Macgeorge taught drawing at Wesley College, Melbourne from 1902-06. He also taught at Melbourne Teachers' College and at Melbourne Church of England Grammar School. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed landscape depicting the confluence of the Darebin Creek and the Yarra River. Purchased by the Ballarat Teachers' College in 1964. This work was exhibited in "Norman MacGeorge: Man of Art" at the Ian Potter Museum of Art, The University of Melbourne, 22 September to 25 November 2001.art, artwork, norman mcgeorge, mcgeorge, watercolour, available, landscape, darebin creek, yarra river, ballarat teachers' college art collection -
University of Melbourne, Burnley Campus Archives
Album - Colour prints, Plants
Photograph Album. Bound, with plastic pockets for photographs. 155 colour photographs of plants for ID purposes, wide variety. Photographs taken at Burnley, some in the Gardens and some in classrooms. Some photographs of trees have been scanned. Presumably Student work.First page, handwritten, "Indoor Plants 1st Year."indoor plants, burnley, plants, plant id, trees -
University of Melbourne, Burnley Campus Archives
Booklet, Australian Council of Environmental Deans and Directors, 31.03.2011
award programmes, employment opportunities, environment -
Friends of Ballarat Botanical Gardens History Group
Letter - Letter to the Mayor, Ballarat City Council from Friends of the Ballarat Botanical Gardens, The Upkeep of James Russell Thomson's Grave, 9/7/2009 Letter drafted by the History Group, FBBG
The FBBG History Group found in their research at the Public Records Office of Victoria that the Trustees of Thomson's Estate arranged for the City of Ballarat to undertake the care of Thomson's grave following the transfer of 10 pounds. However, the grave needs restoration and it was found that the Council still bears responsibility for its upkeep.James Russell Thomson had been a generous benefactor to the City but as a bachelor, he had no descendants to care for his grave, which had fallen into disrepair. It was found that the Ballarat City Council still had responsibility for the upkeep of this grave.A one page letter to the Mayor, Councillor Verlin, Ballarat City Council from FBBG and 2 pages of black and white photographs of Thomson's grave and headstone and a coloured photograph of the Thomson tablet at the Town Hall plus a quotation for work needed on the grave.3 corrections in biro to the letter, 2nd and 2nd last line.doctor john garner, ballarat botanical gardens, friends of the ballarat botanical gardens, ballarat city council, james russell thomson, noble wilson, public record office of victoria, benefactors of the gardens and their graves, old ballarat cemetery, john garner collection, gradens, ballarat, thomson -
Bacchus Marsh & District Historical Society
Book, John Lloyd, The Road District Years, 1853-1871: Local Government in Bacchus Marsh
This work describes the early evolution and history of local government in the Bacchus Marsh area. Local government bodies in Victoria and in other places had their origins in committees and local boards which were established to regulate over pressing local issues, raise revenue, and expend it in a limited range of social and economic ways. The early areas of responsibility were dominated by the need for local roads and this book primarily looks at this period of local government history in the Bacchus Marsh area. Overtime the range of areas local government bodies took responsibility for expanded and this work begins to trace this transformation in its earliest stages. It is a fascinating and detailed account of the early history of local government in Bacchus Marsh containing many amusing anecdotes among the wealth of administrative historical data. The author who was at one time an employee of the Shire of Bacchus Marsh has drawn directly from the early local records such as minutes of meetings, records of expenditure, newspaper reports and notices in the Victoria Government Gazette.Soft cover foolscap size book. 128 pages with b & w illustrations, maps and plans. No publisher is indicated in the work but it is likely to have been privately published by the author John Lloyd. Year and place of publication is 1986, Bacchus Marsh, Victoria.non-fictionThis work describes the early evolution and history of local government in the Bacchus Marsh area. Local government bodies in Victoria and in other places had their origins in committees and local boards which were established to regulate over pressing local issues, raise revenue, and expend it in a limited range of social and economic ways. The early areas of responsibility were dominated by the need for local roads and this book primarily looks at this period of local government history in the Bacchus Marsh area. Overtime the range of areas local government bodies took responsibility for expanded and this work begins to trace this transformation in its earliest stages. It is a fascinating and detailed account of the early history of local government in Bacchus Marsh containing many amusing anecdotes among the wealth of administrative historical data. The author who was at one time an employee of the Shire of Bacchus Marsh has drawn directly from the early local records such as minutes of meetings, records of expenditure, newspaper reports and notices in the Victoria Government Gazette.bacchus marsh shire council, local government bacchus marsh history -
Tarnagulla History Archive
Photograph of the newly completed bridge at Newbridge, Victoria, c.1894, The newly completed bridge at Newbridge, Victoria, c.1894, 1894
Murray Comrie Collection. This photograph is a well-preserved original. Monochrome photograph depicting the newly completed wooden bridge at Newbridge, Victoria. Thirteen men are in the image, standing at one end of the bridge. These are most likely men who worked on constructing the bridge. Position of photographer is on the west bank of the Loddon, looking east.newbridge, bridge, loddon river, infrastructure, construction, roads, workers, farms, people -
Bendigo Historical Society Inc.
Photograph - LONG GULLY HISTORY GROUP COLLECTION: WORK FORCE OF THE HORSEFIELD FOUNDARY LONG GULLY
Black and white photocopy on cream paper of a photo of the Work Force of the Horsefield Foundary, Long Gully at the turn of the Century. Photo has a large crack down the centre. Title of the photo is printed on a piece of white paper which is glued at the bottom of the photo.horsefield foundry, long gully history group -
Glenelg Shire Council Cultural Collection
Artwork, other, Portland Hospital
Watercolour painting of Portland Hospital. The painting shows a bluestone building with a red roof. Above the front entrance is 'Portland Hospital'. Bottom left hand corner of the work has 'Portland Hospital' written and underlined. There are three doors with two lanterns on the wall.K. J / 20.1.'48 -
Bendigo Historical Society Inc.
Slide - DIGGERS & MINING. LIFE OF THE SELECTORS, c1860
BHS CollectionDiggers & mining. Life Of The Selectors. Women were always willing helpers with men's work. Markings; Life Of The Selectors Set 432 No. 13 ''The Pioneers'' by George Bell in '' The Story of the Camera in Australia.'' Cato, J., p33 (1955). Used as a teaching aid.Visual Education Centreeducation, tertiary, goldfields -
Flagstaff Hill Maritime Museum and Village
Textile - Drawn thread tablecloth
Drawn thread was an embroidery technique that appeared in the 17th century. In the late 19th and early 20th century it was used on linen and cotton to create decorative functional items such as this tablecloth. The item is of significance socially as an example of a decorative domestic object from the early 1900s. It is a fine example of drawn thread embroidery.Handmade decorative tablecloth created from soft white linen. A crochet lace edge decorates the outer edge of the tablecloth and drawn thread work has been used to create two large inner borders as well as fine edging borders.flagstaff hill maritime museum and village, great ocean road, shipwreck coast, great ocean road, tablecloth, linen, crochet lace, drawn thread work, textile, domestic object, decorative lace edging -
Bendigo Historical Society Inc.
Newspaper - JENNY FOLEY COLLECTION: MEMORIES
The paddle steamer "Gem was first launched in 1876 as a passenger and cargo mode of transport on the Murray River. In the '30's and '40's it operated as a tourist passenger boat. In 1948 it sunk in 15 feet of water but was repaired and refloated. It was retired in 1950. In 1962 it was sold to the Swan Hill pioneer Settlement. The Swan Hill Folk Museum was Australia's first open air museum and opened to the public in 1966, It was renamed the Pioneer Settlement.Bendigo Advertiser ''The way we were'' from 2003. Memories: the paddle steamer Gem arrives at Swan Hill in 1963. the pioneer Settlement Museum is seeking contact with people who have worked at the museum in the past 40 years. The clip is in a folder.newspaper, bendigo advertiser, the way we were -
National Vietnam Veterans Museum (NVVM)
Photograph, Gibbons, Denis, Early Morning Check
Denis Gibbons (1937 – 2011) Trained with the Australian Army, before travelling to Vietnam in January 1966, Denis stayed with the 1st Australian Task Force in Nui Dat working as a photographer. For almost five years Gibbons toured with nine Australian infantry battalions, posting compelling war images from within many combat zones before being flown out in late November 1970 after sustaining injuries. The images held within the National Vietnam Veterans Museum make up the Gibbons Collection. A colour photograph of the Loadmaster on board an RAAF Caribou transport aircraft carrying out an early morning check, including washing the windscreen, prior to commencing the days alloted tasks. The Caribou's of 35 Squandron were Australia's aerial work horses in Vietnam.photograph, raaf, caribou, 35 squadron, gibbons collection catalogue, denis gibbons, photographer, vietnam war, loadmaster -
Bendigo Historical Society Inc.
Document - MISS G ALICE JONES COLLECTION: ACCOUNT
New Oswald G. M. Co. N. L. to Miss G. Alice Jones. Paper details work and costs of extra-ordinary Meeting 22/3/29. Total cost of £2.2.0. R489 Delivered 21/5/1929 by B?miss g alice jones - solicitor - account, new oswald g. m. co n l, gazette -
Bendigo Historical Society Inc.
Photograph - ROSELLA FACTORY
Land, bordered by Brougham, Havlin and Mundy Street was purchased in 1911 and the distillery onsite was modified to suit the needs of the Rosella Company. Renovations and additions, including a 21 metre high steel chimney, were completed in time for the 1911/12 tomato season. First manager was Owen WIlliams (1883-1948), a Welshman. He was married to Amy Price (1882-1949). Full history available "Bendigo's once flourishing tomato industry" by James A Lerk. Item 5985sepia photograph. Interior at workshop - anvil at back left., centre, drum standing on bench, used as small furnace ? Portion of man wearing work apron at back right. On back in ball point pen 'Rosella Preserving Factory, Brougham St. 'organization, business, rosella factory -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph - Maasbanker, Patterson Kevin, 1993
Date made February 1993Colour photograph showing fishing vessel Maasbanker at eastern wharf slipway. Vessel painted dark red. View of Esplanade far left, bow of another fishing vessel on right, work gear on wharf, workmen and vehicle. Lakes Entrance Victoriaships and shipping, fishing industry -
Bendigo Historical Society Inc.
Newspaper - JENNY FOLEY COLLECTION: HARD AT WORK
Bill Packham (1920- 2015 ) was the son of William George and Bertha Packham. He was born at Inglewood and is buried at Newbridge. William George Packham (1883-1970) married Bertha Evlyn Perrett in 1919. Stanley Arthur Stone (1908-1973) married Muriel Ethlyn Leversha (1908-2004) in 1932. Albert Stephen Wicker (1890-1961)Bendigo Advertiser ''The way we were'' from 2002. Hard at work: Bill Packham, Harry Kay, William Packham, Stan Stone and Albert Wicker stack hay at Woodstock in 1945, while Tony the faithful dog looks on. The clip is in a folder.newspaper, bendigo advertiser, the way we were -
Federation University Art Collection
Sculpture - Artwork, 'The More Bones the Better' by Yhonnie Scarce, 2016
Yhonnie SCARCE (1973- ) Born Woomera, South Australia Language group: Kokatha, Southern desert region and Nukunu, Spencer region Yhonnie Scarce works predominantly in glass. She majored in glass withing a Bachelor of Visual Arts (Honours) course at the South Australian School of Art, Adelaide, and holds a Master of Fine Arts from Monash University. One of the first contemporary Australian artists to explore the political and aesthetic power of glass, Scarce describes her work as ‘politically motivated and emotionally driven’. Scarce’s work often references the on-going effects of colonisation on Aboriginal people, In particular her research focus has explored the impact of the removal and relocation of Aboriginal people from their homelands and the forcible removal of Aboriginal children from their families. (https://thisisnofantasy.com/artist/yhonnie-scarce/, accessed 10 September 2018)Artist's Statement 'The More Bones the Better', 2016 Yhonnie Scarce was born in Woomera, SA and belongs to the Kokatha and Nukunu peoples. Scarce embraces a non traditional approach to glass blowing using glass as more than a mere material, acting as a lens and a mirror, Scarce reflects and exposes the tragedies of Australia’s colonisation. She applies the technical rigours of traditional glass blowing techniques in an innovative and unconventional manner. In particular Scarce uses glass to explore the lives and histories of Aboriginal Australians. Hand blown glass is shaped, engraved, painted and smashed to create indigenous fruits and vegetables such as bush bananas, bush plums and long yams symbolic of her peoples culture and traditions. With their elongated, torso-like shapes, they even evoke human bodies. Akin to a gatherer of bush food Scarce creates glass-gatherings of the persecuted. The repetition of brittle ambiguous bodies collected for experimentation and examination conjures the relentless impact of colonisation and the litany of abuses suffered by Aboriginal people. Within her research Scarce encountered a variety of ethnographic studies examining the use of scientific interventions amongst Indigenous cultures. These include Government sanctioned illegal drug testing of children in orphanages and other dubious medical practices amongst indigenous prison inmates. This work metaphorically looks at these situations and poses questions of what might have gone on in such a laboratory. The judge of the 2017 Guirguis New Art Prize (GNAP), Simon Maidment, Senior Curator, Contemporary Art, National Gallery of Victoria said; “The winning work by Yhonnie Scarce captures the sensitivity to materials she displays throughout her artistic practice. The blown and shattered glass elements are a delicate contrast to the shocking and little discussed histories of Aboriginal exploitation and abuse in the name of science in Australia. Engaging this topic, this work is haunting, in the same way those lived and documented experiences continue to haunt the collective unconscious of this country. Yhonnie Scarce’s work, The More Bones the Better 2016, I believe makes an important contribution to the Collection of Federation University Australia and will engage and move diverse audiences with its technical accomplishment, beauty and message. Yhonnie Scarce was born in Woomera SA and belongs to the Kokatha and Nukunu peoples. Scarce embraces a non-traditional approach to glass blowing using her medium as more than a mere material. Applying the technical rigours of traditional glass blowing in an innovative and unconventional manner, Scarce’s glass objects act as a lens and a mirror to reflect and expose the tragedies of Australia’s colonisation and, in particular, explore the lives and histories of Aboriginal Australians. Hand-blown glass is shaped, engraved, painted and smashed to represent indigenous fruits and vegetables such as bush bananas, bush plums and long yams, symbolic of Scarce’s people’s culture and traditions. While these elongated shapes on the one hand represent fruit and vegetables, gathered and grouped as in the gathering of bush food, Scarce’s torso-like bodies and forms are glass ‘gatherings’ representative of the gathering of people. Here, the many brittle bodies act as a metaphor for the collection, experimentation and examinations undertaken by government authorities on Aboriginal communities researched by Scarce. Exposing a variety of ethnographic studies, examining the use of scientific interventions on Indigenous cultures, Scarce also revealed Government sanctioned illegal drug testing of children in orphanages and other dubious medical practices undertaken on indigenous prison inmates. Scarce’s gatherings also reflect the impact of colonisation and the relentless conjuring and litany of abuses suffered by Aboriginal people. The More Bones the Better metaphorically looks at these situations and poses questions of what was undertaken and investigated in these laboratories. guirguis new art prize, yhonnie scarce, glass, aboriginal