Arthur Henry Miers, pictured in the photograph played for cricket, football and baseball teams in Kew for a number of decades in the first half of the twentieth century. He was born on 22 November 1901, the son of Rodolph Theophilus Miers (1874-1951) and Margaret Frances (Margaretta) Fry (1875-1958). He had two brothers, Rodolph Cecil Miers (1904-80) and Charles Wilfred Miers (1906-88), and a sister Marjorie Elizabeth Miers (1911-84). Arthur Miers died in Kew on 25 January 1966, and after his body was cremated, his body was interred in the Mausoleum of Boroondara General (Kew) Cemetery.Modern print copy of an original photograph of Kew Cricket Club team members in Sydney in 1939. The donor assumes that the photograph was taken by Bob Galley.DONOR NOTE: KEW CRICKET -- SYDNEY / BACK ROW - ??TILLEY; ???; FRANK LITTLEFIELD; JACK FOX / MIDDLE ROW - ARTHUR MIERS; JACK LAURIE; ???; ??? / FRONT ROW - ???; DAD RICHARDS; ???; BERES GALLEY; ???; JACK SIMONTON, BILL YOUNG / (I AM ASSUMING BOB GALLEY TOOK THE PHOTO.sports -- kew (vic.), kew cricket club

THE CLUNES HOSPITAL WAS DESTROYED IN A BUSHFIRE IN JANUARY 1944..1 SEPIA REPRODUCTION PHOTOGRAPH OF GROUP OF ADULTS AND CHILDREN TAKEN AT THE OPENING OF THE TOURELLO WARDS AT THE REDEVELOPED CLUNES HOSPITAL 1936 .2 BLACK AND WHITE COPY OF THE ABOVE PRINTED ON MATTE PAPER .3 Original black and white photograph mounted on buff coloured matt board .3 OPENING OF THE TOURELLO WARD AT THE REDEVELOPED CLUNES HOSPITAL, CRESWICK ROAD, 1936 "Thornton" Studios Ballarat imprinted in mount board BACK ROW. BILL KINNERSLEY, DICK LENEGHAN, BILL MOORE, JIM COOK, ARTHUR PICKFORD, BILL GRENFELL, ERIC CLARKSON SECOND BACK ROW; MRS LESTER, GLADYS KINNERSLEY, IVY KNIGHT, GWEN PICKFORD, ALMA PICKFORD, PAM HENDER, JANE CAMPBELL, MRS RITCHIE, MARGARET WILSON, MARY RITCHIE, MARGARET LESTER (ADDED TO LIST HANDWRITTEN IN BLACK PEN) THIRD BACK ROW; EDNA RITCHIE, MISS DOUGAL, MRS SEARLE, NELL WEBB, ALAN SEARLE (SCHOOL TEACHER), MRS TROUP, HARRY PICKFORD, MRS COUTTS, EVELYN ROBERTS, MARGARET LESTER (CROSSED OUT) FOURTH BACK ROW; MAVIS KINNERSLEY, MRS W KINNERSLEY, MRS CLARKSON, MRS ANDERSON, IAN SEARLE, ARTHUR LEAD, DOCTOR BAKER, MRS PICKFORD, MISS ROSS, LENA HUTCHINS, MRS LENEGHAN, MRS GRANFELL, MURIEL KINNERSLEY. CHILDREN; BETTY CLARKSON, GRACIE ANDERSON, PEGGY LENEGHAN, REG KINNERSLEY, RICHARD LENEGHAN, BETTY LENEGHAN, LIONEL KINNSERSLEY, ALEX ANDERSON, BERT ANDERSON, MAX COUTTS, DON ANDERSON, LEO LENEGHAN, DAN LENEGHAN, JACK LENEGHAN, BILL ANDERSON, HAZEL KINNERSLEY, GEORGIA COUTS, AUDREY ANDERSON, BETH PICKFORD, JOAN LENEGHAN, AND BABY EAMON LENEGHAN.photography, photographs, hospital, hospital 1936

The Ring Ouzel can commonly be found in small flocks or pairs. They have a distinctive white strip across their chest which helps to identify this species. They generally reside in large open grassy spaces such as farmlands, and can be found in mountainous areas with large boulders and slopes. They are located across Western Europe, the Mediterranean and Northern Africa. In some countries such as Ireland, England and Wales, the Ring Ouzel is endangered due to human disturbances, however elsewhere the species thrives. Although this is a taxidermy mount, it is highly similar to the real female Ring Ouzel. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This female Ring Ouzel is a predominantly brown in color. It has a white strip across its chest. The torso is a lighter shade of brown. The tale of the Ring Ouzel is long and a darker shade of brown when compared to the red colouring of the body. This specimen stands upon a wooden perch and has an identification tag tied around its leg. The bill is thin and has a pointed appearance. It has been styalised by the taxidermist in an open position which conveys the idea that this bird is mid call.Swing tag: 109a / Ring Thrush / Catalogue Page 27 / Metal tag: 4139 /taxidermy, taxidermy mount, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, ring ouzel, ouzel, european birds, african birds, mediterranean birds

The Scarlet Tanager is an American songbird of medium size with bright coloured plumage. They are commonly located in eastern North America and in northwestern South America. They can often be found within woodlands that have oaks. On occasion, the Tanager can be seen in suburban areas including parks and gardens. These birds are sociable and often join with other foraging flocks. They are carnivores (insectivores) and feed on insects including wasps, ants, moths, beetles, butterflies and grasshoppers. The numbers of these birds in America are declining due to exposure and starvation during the colder months. These birds can also die from collisions with man made objects which includes the TV and radio towers, buildings and cars. They also have high rates of predation and brood parasitism. However, at current the IUCN classifies this species as Least Concern and note that their numbers are stable. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.The Scarlet Tanager specimen stands perched on a wooden platform looking forwards in a raised position. It has bright red/orange feathers on the main body and head with dark black feathers on the tail and wings. Overall, whilst retaining a bright appearance the bird has faded in contrast to it's original colouring. The bill is short and pale and the specimen has been provided with glass eyes made in a dark colour. The specimen has two paper identification tags attached to the right leg.Swing tag: 143a / unnamed / catalogue page 59 Metal tag: A4439 /taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, australian birds, american, american birds, scarlet tanager, tanager, medium bird, small bird

The Magpie-Lark, also commonly known as a Mudlark, is a carnivorous bird found in many regions of Australia, Indonesia, Timor, and Southern New Guinea. They are a non-migratory species and are extremely adaptable to a variety of environments. These environments include dry forest, savannah, grassland, and even urban areas. Magpie-Larks are typically monogamous and are often found in pairs. They are black and white, with a white underbelly, long legs, and a long, thin beak. The females of this species have a white throat, while the males have a white eyebrow and a black throat. While juveniles have dark eyes, mature adults have light irises. This information helps identify this specimen as an adult male. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.The Magpie-Lark is a small to medium-sized bird which has distinctive black and white colouring. The bill is long and thin and is a whitish colour which differentiates it to other Magpie species. When mature, like this particular specimen, the Magpie-Lark have distinctive light irises. The glass eyes provided for this specimen are accurate in colour. This male specimen has a white 'eyebrow' marking and a black chest or bib. This Magpie-Lark stands on a wooden mount with a swing tag attached to its leg.Swing-tag: 20a. / Reed Grallina / See catalogue page 10 / taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, mudlark, magpie-lark

The Long-eared owl is one of the most widely distributed and most numerous owl species in the world. It is a rather slim and long-winged bird with usually prominent erectile ear tufts, which are positioned closer to the center of the head than in many other types of owl. Long-eared owls prefer open landscapes with groups of trees, hedges or small woods, as well as pastureland with rows of trees and bushes, any type of forest with clearings, forest edges, semi-open taiga forest, swampy areas and bogs, orchards with old fruit trees, parks, even gardens and timbered areas in villages, towns or cities. In many parts of the world, Long-eared owls have even adapted to deserts, though more commonly semi-desert, and may nest and roost in available oases and hunt prey over the open desert ground. This particular specimen has been mounted in a correctly stylised fashion. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This Long-Eared Owl is a rather slim, long-winged bird with prominent erectile ear tufts. The coloration of this Long-eared Owl is a hue of ochraceous-tawny with a brownish wash. The wings, back and chest are patterned and the facial disc is visibly well developed and light brown in colour. The ear tufts are dusky in front and darter tawny on the back. This Long-eared owl possesses a light-coloured bill and its eyes are yellowish-orange. The specimen stands upon a wooden platform. Swing tag: 33 / Virginian / Bee-boo Owl / Catalogue, page 52 / Other tag: No 19 / STRIX Virginian / N. America / taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, owl, long-eared owl

Shrapnel and Semaphore. My grandfather's diary of Gallipoli is an amazing story of courage, faith and service. It provides a graphic account of the horrors of the fateful ANZAC landing and of the courageous attempt to take the peninsula against impossible odds.Soft cardboard cover, purple print on beige background on front, spine & back beige print on dark brown background. Sepia photo of 3 men in uniform on front. Sepia portrait photo on back (New Zealand uniform). 60 pages, cut plain paper, illustrated with black & white photos. Biography & diary of Walter EDMUND (Bill) LEADLEY Reg No 6/1122 Lance Corporal 1st Battalion, 2nd Corps, Canterbury Regiment of New Zealand.books, military, nz, shrapnel

One of a collection of three Ventnor State School student photographs.Ventnor State School No. 3895. School Student Photograph 1941. Back Row L-R: Mr Patrick Healy, Harry Harris, Alberta Harris, Alice Clark, Una Coels, Joan Hunter, Shirley Hunter, Ken Clark. Middle Row L-R: Bill Trew, Ruth Harris, Cefn Price, Adele Justice, Beryl Hunter, Isobel Justice. Front Row L-R: Peter Justice, Sylvie Trew, Adele Jenner, Audrey Harris.ventnor state school phillip island, school student photo, alice robinson (nee clark)

One of a collection of over 400 photographs in an album commenced in 1960 and presented to the Phillip Island & Westernport Historical Society by the Shire of Phillip IslandPhotograph of the Cowes Premiership Football Team of 1919. Back row: Dad Pretty, H T West, J Anderson, N McLardy, A McLardy, A P Smith, W McLardy, E Jenner, G Jenner, C Leeson. Middle row: Arthur Leeson, Harmon West, H Gulliver, A Brown, F Hatfield, W McFee, C Campbell. Front row: Fred Jenner, Leo Turnlivan, Bill Smith, Norman Leeson, Bert Smith, Fred Richardson.local history, photography, photographs, cowes football team 1919, black & white photograph, cowes football club, cowes football team premiers 1919, john jenner, bryant west

Book. ALEC H CHISHOLM COLLECTION. 107 page paperback of Place Names in Victoria and Tasmania by A. E. Martin. [2 copies, (a) and (b)]. Published in 1944 BT NSW Bookstall Co Pty Ltd, Sydney and printed by NSW Printing Co. Catalogue stickers ''2225.1 MAR'' and ''2225.2 MAR'' on front covers. Handwritten in ink on a separate piece of paper inside front cover of copy (a) ''This book was prepared by me and trust it will prove of value to you. Bill Burrell''A. E. Martinbooks, collections, place names, alec h chisholm collection, a.e.martin, place names, victoria, tasmania, bill burrell

Black and white photograph. 3 rows of cricketers. Brick wall at back, corrugated water tank at left. 16 men, seated at far left, male holding a cricket ball. 2nd. from front male wearing cricket pads and wicket keeping gloves. Some men wearing whites, some men wearing hats and ties. On the back in ball point pen, ' Mandurang Circket Club 1923 ' Bill Drechsler' ' Jim Charleworth' Cr. Les Nankervis'organization, club/society, mandurang cricket club

Postcard - Souvenir of Bendigo - Black and white. 15 assorted pictures of Bendigo. Card addressed to Master J.Devlin, Mine Road, Korumburra. Written 'Dear Cobber Jack, we have not wrote for a long time. How is all the family getting on. Where is bill brown now and would you send me billie maroners adress if you know it remember me to all the old mates. I remain your old mate. Willie White, writ street, Back.place, bendigo, picturesque views of bendigo., bendigo views.

Newspaper clipping, Bendigo Advertiser 19.10.1970. . Image shows six men, members of the Rotary Club of Bendigo South standing at the foot of the Nell Gwynne Poppet head. Men in image are: Professor Lewis ( lecturer in architecture, Melbourne University) , Don Allen, Albert Richardson, Vic Wodetski, Bill Rodd and Jack Bright. 'Caption reads: Professor Lewis is keen to see Bendigo do something about restoring the surface workings of a goldmine to working condition as a tourist attraction.'bendigo, mining, minimg museum

Bendigo Advertiser "The way we were" from Friday, November 28, 2003. Boy scouts: the Fifth Bendigo Boy Scouts in 1944. Back row from left: Bob Charlto, Bill Clemens, Ian McClelland, Peter Lunt, John Read, John Goyne, Graeme Lowther, Brian Dellar, Austin Phillips, Malcom Bush. Front row: Doug Nuttall, Bruce Amstrong, Ian Hamilton, Paul Lowther, John Giovanetti, Ian Smith and Kingsley Green.newspaper, bendigo advertiser, the way we were

Bendigo Advertiser "The way we were" from Monday, August 2, 2004. Rochester's pride: the Rochester Country week cricket team, 1952. Back row: Vic Spiers (manager), Greg Francis, Doug Collins, Frank Collins, Jack Neilsen, Mac Hay and Rex Turner. Front row: Brian Florence, Norm Ryan, Bill Connell, Jack Anderson (captain), Vin Burke and Leo Francis. The photo was taken at Western Oval (now Whitten Oval) in Footscray.newspaper, bendigo advertiser, the way we were

Copy of a poscard photo of the Long Gully State School 3rd Grade 1921. A boy in the centre of the front row is holding a blackboard with Long Gully 2120 3rd Grade 1921 written on it. Written on the back is: 2120 Long Gully State School 3rd Grade 1921. 2nd R. Bill Rowe 7 Johnnie Rawe. F.R. Far Right Pierce Phillips. Front Row 2120. 13 Girls 19 Boys Long Gully School 3 Grade 1021.bendigo, history, long gully history group, the long gully history group - long gully state school 3 grade 1921, bill rowe, johnnie rawe, pierce phillips

The Northern District School of Nursing opened in 1950 to address the issues around nurse recruitment, training and education that had previously been hospital based. The residential school was to provide theoretical and in-house education and practical training over three years. The students would also receive practical hands-on training in the wards of associated hospitals. The Northern District School of Nursing operated from Lister House, Rowan Street, Bendigo. It was the first independent school of nursing in Victoria and continued until it closed in 1989.School 66, 1969 One colour photo and two black and white wedding photos donated at a social get together at the Shamrock Hotel, of former Mildura nurses on July 5th 2016. 8590.48a June Phemister Kallock, ?, married 1975 8590.48b 1969 Jan 18 Ian and Noelene Wild (nee French) 8590.48c 1969 Feb Catherine Scott married Brendan Hempenstall. The groomsman (scratching his head) is Bill Krioeger who later married Pam Calvert (School 66)nurse training, ndsn, lister house, school 66

Article written by Bill Scott on the reconstruction of the Horse Tram, No. 1, by the BTM in the Feb. 2000 issue of 'Old Glory', a UK Magazine that features items on the restoration/reconstruction of old vehicles. Article tells the story of the horse tram in Ballarat, the recovery of the vehicle, its reconstruction and return to service. Features five photographs. The magazine 84 page, A4 size with colour and black and white photographs of steam and other vintage vehicles. Published by CMS Publishing. Details of publisher in front cover.trams, tramways, horse trams, btm, reconstruction, restoration

Yields information about Ballarat Trams and streetscapes and the city terminal area, late 1950's.Black and white print of Ballarat of No. 36 in Wendouree Parade, northern side of the lake. Tram has the destination of Gardens Via Drummond St, a roof advertisement for "Edmonds" Two copies. Photographed by Wal Jack 28/2/1962. Photo print courtesy of Port Dock Railway Museum, now the National Railway Museum. See worksheet 4311 for letter and details of prints sent to Bill Scott, 19/10/2001. Any photo credit to mention NRM Collection.On rear of copy 1"SEC Ballarat / 35 / Wendouree Parade / 28/2/62 2116 / " Copy 2 "Ballarat car 35" in ink, bottom right hand corner.trams, tramways, wendouree parade, tram 35

Yields information about Bendigo trams, the Golden Square route in the early 1960's prior to fitting dash canopy lighting.Black and white print of the Ballarat Scrubber tram, at the Bell Street loop, 28/2/1962, Photo by Wal Jack. Two copies. Photo print courtesy of Port Dock Railway Museum, now the National Railway Museum. See worksheet 4311 for letter and details of prints sent to Bill Scott, 19/10/2001. Any photo credit to mention NRM Collection. .1 - same photograph with Doug Colquhoun stamp on rear - see image i2..1 - On rear of copy 1"SEC Ballarat / Scrubber car /Bell St loop / 28/2/62 2125 / Wal Jack " In the top right hand corner "74)" .2 - On rear has Douglas Colquhoun stamp with photograph details - see image i2 trams, tramways, scrubber tram, bell st, tram scrubber

Yields information about Ballarat's trams in the early 1970's and the street scape from Lydiard St to Bridge St.Black and white print of Ballarat 32, in Wendouree Parade, north side of Lake Wendouree, near the depot. Two copies. Photo by Doug Colquhoun, 15/5/1971. Trams has the destination of Gardens via Drummond Nth. Photo print courtesy of Port Dock Railway Museum, now the National Railway Museum. See worksheet 4311 for letter and details of prints sent to Bill Scott, 19/10/2001. Any photo credit to mention NRM Collection.On rear of copy 1 "SEC Ballarat / 32 /Near Depot / 15/5/71 4162 / D.A. Colquhoun" . Copy 2 "DAC" in ink, bottom right hand corner.trams, tramways, wendouree parade, tram 32

Yields information about Bendigo's trams in the early 1970's and the Eaglehawk terminus.Black and white print of Bendigo 28 at the Golden Square terminus. Two copies. Photo by Doug Colquhoun, 16/5/1971. Trams has the destination of Nth Bendigo and roof advertisements for Briquettes. Also has the Golden Square hotel in the background. Photo print courtesy of Port Dock Railway Museum, now the National Railway Museum. See worksheet 4311 for letter and details of prints sent to Bill Scott, 19/10/2001. Any photo credit to mention NRM Collection.On rear of copy 1 "SEC Bendigo / 28 /Golden Square / 16/5/71 4187 / D.A. Colquhoun" . Copy 2 "DAC" in ink, bottom right hand corner.trams, tramways, golden square, tram 28

Yields information about Bendigo Trust's trams in the late 1970's and the depot.Black and white print of Bendigo Trust 28 at the depot. Two copies. Photo by Doug Colquhoun, 25/1/1978. The tram is in the Bendigo Trust "Talking Tram" livery, with a The Herald" roof advertisement. It has the destination of Gold Mine. Photo print courtesy of Port Dock Railway Museum, now the National Railway Museum. See worksheet 4311 for letter and details of prints sent to Bill Scott, 19/10/2001. Any photo credit to mention NRM Collection.On rear of copy 1 "Bendigo Tramways / 28 / Depot / 25/1/1978 6526 / D.A. Colquhoun" . Copy 2 in pencil on left hand edge "Bendigo Trust Car 28 depot 26.1.79 Douglas Colquhoun"trams, tramways, bendigo trust, depot, tram 28

Colour photograph printed onto white card as a BTM Membership card for 2014 - 2015. Photo of trams 27 running out on Wendouree Parade as the first tram, December 7, 1974. Has the words "Ballarat Tramway Museum" in yellow block printing on the upper edge of the card. On rear along bottom edge, has words "December 7, 1974, Tram 27 First Tram in Wendouree Pde. Photo Bill Kingsley" Two copies held. No label on rear.trams, tramways, membership cards, depot junction, first tram, btps

A wooden racquet featuring the decal inscription, along the throat on the obverse: BIG BILL TILDEN JUNIOR. Throat on reverse features red, gold and black decal of company logo, with the inscription 'CHAMPIONSHIP' across a ribbon situated in front of a tennis trophy, within a quartered shield. Butt cover features gold impressed inscriiption: HIGH [QUAL]ITY/J [C] H[IG]GINS/.../SPO[RTING G]OODS. Materials: Wood, Gut, String, Leather, Metal, Ink, Glue, Lacquertennis

MEYER COLLECTION - FALLS CREEK PHOTOS In 1947 a determined group of like-minded State Electricity Commission (SEC) staff including Ray Meyer, the chief surveyor of the Kiewa Hydro-Electric Scheme, had a common interest that revolved around the skiing potential of the snow-covered high plains which included what is now the resort of Falls Creek. The six SEC employees, Toni St Elmo, Ray Meyer, Jack Minogue, Lloyd Dunn, Adrian Ruffenacht and Dave Gibson (together with their families) banded together to secretly build a 'hut' that was the first ski lodge at Falls Creek. Using a road built in 1930s to gain access to Falls Creek, their hut project was carried out in secret as efforts by other skiers were blocked by H.H.C. Williams – the engineer in charge of the Hydro Scheme. In 1946 Ray Meyer made a trip to the Lands Office in Melbourne. He came away with a 99-year lease on three acres that was ideally suited for a hut designed by Lloyd Dunn. Adrian Ruffenacht (Design Engineer for the KHS) had suggested where the group should build because of easy access to a spring for water. Much of the building material required was scavenged from derelict huts on the high plains. Due to the need for secrecy, the determined group worked on the hut in the evenings and weekends to avoid detection. During the building period the group had met at Echidna Rock (now known as Eagle Rock) where Skippy St Elmo announced, "This is my favourite ‘Skyline’.” And so the first lodge in the area at Falls Creek Ski Resort came into existence. With the development of the International Poma in the 1970s, the Skyline Lodge, which was sited between the ski-lift’s pole one and pole two, was demolished. However, the legacy of Ray Meyer, Toni St Elmo, Jack Minogue, Lloyd Dunn, Adrian Ruffenacht and Dave Gibson and Skyline lives on in the vibrant atmosphere of Falls Creek Resort. The MEYER COLLECTION documents developments on the Kiewa Hydro Scheme and their life at Falls Creek from the mid 1930s to 1960s.These images are significant because they depict aspects of the life of a pioneering family of Falls Creek and the founders of "Skyline", the first lodge at Falls Creek.A collection of photos related to a sledge trip between Fitzgeralds Hut and Shannonvale in September 1937. 1. L - R:- Cyril Louder, Eileen McEvoy, Bill Burrows (?), Dad Fitzgerald, Olive Sandell (standing in front of Marie Hatters) 2. Little Jimmy Wheeler 3. Fitz's Hut - leaving for Shannonvale 4. Looking down Middle Creek valley from SEC Camp Bogong High Plains 5. Tom Fitzgerald has a nap at Fitz's Hutfalls creek, fitzgerald hut, shannonvale, sledge party 1937

Black and white photograph of Geelong No. 39, photographed at the Geelong depot, prior to an AETA Tour on 2/4/1955. Photo by Peter Duckett. Tram has Australian Electric Traction Association sign on the front bumper, a auxiliary sign showing "Chartered Tram" and showing destination of "Special". See also Reg. Item 487 for a similar photograph. Item from the ARHS Archives dated 14/7/2004 via Bill Kingsley. No indication of original source, date or photographer.On rear of photograph in red ink at top "39 Geelong Depot 2/4/1955, Ex MMTB 39, to Ballarat as No. 41". On base of photo in blue ink "Peter Duckett Photo" and in red ink "AETA Special Tour"tramways, trams, geelong, depot, special tours, aeta, tram 39

New Oswald Gold Mining Company No Liability to Miss G. Alice Jones. Pink paper dated from Nov 10, 1924, to April 8, 1925, and 30/6/25. Paper details work and costs involved in Oswald Co. to you Freeholds & G. M. Lease, Oswald G. M. N. L. Security, Bill of Sale, Mortgage and Agreement with Oswald Co. Total cost £14.4.6. r389 Delivered MCW 1/7/25.miss g alice jones - solicitor - account, new oswald gold mining company no liability, oswald co, mr stanistreet, mr kingsley, mccoll rankin & stanistreet, bank of nsw