Showing 2857 items
matching the australian home
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Vision Australia
Photograph - Image, Friends at Elanora
Two pairs of friends smile as they embrace each other. 2 b/w photographs of Elanora residentsassociation for the blind, elanora home (brighton) -
Vision Australia
Photograph - Image, Residents at Elanora, June 1989
Two images of Elanora residents chatting and one of Myrtle Scoble assisting a resident from the dining room.3 colour photographs of Elanora residentsassociation for the blind, elanora home (brighton), myrtle scoble -
Vision Australia
Photograph - Image, Various residents at Elanora and Woodburn Lodge, 1993
Various residents of Elanora with staff members. 1. Residents Ron Watt, Merle Herdhom (?) and Florence Pinner. 2. Merril Dunlop - Resident, Judy Hammer - Receptionist. 3. Judy Parker SEN, Ernie Clarke Resident. 4. Residents Singalong. 5. Singalong Group. Volunteer Piano Lillian Egan. 6. Woodburn Lodge Residents lunch.6 colour photographs of Elanora residents1. Residents Ron Watt, Merle Herdhom (?) and Florence Pinner. 2. Merril Dunlop - Resident, Judy Hammer - Receptionist 1993. 3. Judy Parker SEN, Ernie Clarke Resident 1993. 4. Residents Singalong 1993. 5. Singalong Group. Volunteer Piano Lillian Egan 1993. 6. Woodburn Lodge Residents - lunch 1993.association for the blind, elanora home (brighton), ron watt, merle herdham, florence pinner, merril dunlop, judy hammer, judy parker, ernie clarke, lillian egan -
Vision Australia
Photograph - Image, Portraits of Elanora residents, 1997-1998
Various residents around Elanora. 1 and 5 - Mavis Gumley and Florence Lenton 2 - Sister Wendy Bateman and unknown resident 3 - unknown 4 - Mr Bettat and Mr Lacy 6 - unknown6 colour photographs of Elanora residentsassociation for the blind, elanora home (brighton), mavis gumley, florence lenton, wendy bateman, mr bettat, mr lacy -
Vision Australia
Photograph - Image, Portraits of female residents at Elanora, c.1980-90
Images of various unknown Elanora residents.3 b/w photographs of Elanora residentsassociation for the blind, elanora home (brighton) -
Vision Australia
Photograph - Image, Laurie Levy, Elderly man with crocheted shawl and knitted cap
An unnamed man, wearing a crochet shawl and knitted cap, sits in a chair with his head low to the pillow in front of him.2 b/w photographs of unknown manassociation for the blind, elanora home (brighton) -
Vision Australia
Photograph - Image, Woman dressed in costume
Female Elanora resident raises her black skirt and smiles for the camera. She is wearing a white lacy cap, white pinafore and holds a flower. In the background, balloons are decorating a room, so possibly a fancy dress party.1 b/w photograph of smiling elderly womanassociation for the blind, elanora home (brighton) -
Vision Australia
Photograph - Image, Herald and Weekly Times, Older male resident at Elanora
Older whiskered man with combed down hair sits as speaks to someone on his left.1 b/w photograph of seated elderly manassociation for the blind, elanora home (brighton) -
Vision Australia
Photograph - Image, Herald and Weekly Times, Elanora resident accepting a kiss from a young girl
A elderly woman, dressed up in hat, jacket, dress and gloves leans over in her chair to kiss a young girl lightly on the lips.1 b/w photograph of seated elderly woman kissing a young girlassociation for the blind, elanora home (brighton) -
Vision Australia
Photograph - Image, Elanora resident wearing large floral hat
An Elanora resident wearing a large floral hat, possibly for the Easter Bonnet parade.1 coloured photograph of woman in hatassociation for the blind, elanora home (brighton) -
Vision Australia
Photograph - Image, Male Elanora resident smoking a pipe
An older man looks to camera as he smokes his pipe. He wears a flannelette shirt, jumper and jacket as he sits on a couch.2 black and white photographs of an elderly manelanora home (brighton), association for the blind -
Vision Australia
Photograph - Image, Laurie Levy, Isadore Smith, 1968
A well dressed lady sits in a lounge room reading Braille. "Isadore Smith was presented with the Royal Humane Society's Silver Medal for bravery when she tried to put out her husband's blazing clothing in their South Yarra home in 1967. Mrs Smith is now (sic) a resident at the hostel at Brighton Beach." - 1968 AFB Annual Report3 b/w photographs of Isadore Smithassociation for the blind, elanora home (brighton), isadore smith -
Vision Australia
Photograph - Image, Unknown Elanora resident with smiling girl
A young girl sits next to an Elanora resident and places her hand on top of those beside her. The older lady smiles as her head inclines towards the girl.1 b/w photograph of unknown Elanora resident and young childassociation for the blind, elanora home (brighton) -
Vision Australia
Photograph - Image, Elanora resident Munie Clark, 1993
With his hat on his head, possibly ready to go out, Elanora resident Munie Clark sits in a front lounge with windows that face the driveway.1 colour photograph of Elanora resident Munie Clarkassociation for the blind, elanora home (brighton), munie clark -
Vision Australia
Photograph - Image, Elanora resident bedrooms, 1990s
Three images of bedrooms and some of their occupants at Elanora.3 colour photographs of Elanora bedrooms and residentsassociation for the blind, elanora home (brighton) -
Vision Australia
Audio - Sound recording, Paterson Hall Story: an oral history told by the people who were there, 2002
Paterson Hall Story is told through the reminiscences of 23 people who played an active part in the life of a popular recreational and entertainment hub from 1929 to 1999. They relate how a simple concrete structure in Glenferrie Road, Kooyong became a 'home away from home' for people who were blind or vision impaired, their families and friends. The hall was originally built as a clubhouse for blind cricketers in 1927, but by 1929 it had been extended to include a social hall and other facilities including a verandah where spectators could watch the cricket. Over the years the hall was used for activities as diverse as square dancing, singing, craft classes, ball games, art and craft shows, drama groups and annual meetings.60 MP3 sound files of oral history interviews and book excerptsNarrated by Maurice Lockie, Bill Charles and Norah Tooheypaterson hall, association for the advancement of the blind, victorian blind cricket association -
Vision Australia
Audio - Sound recording, Recollections of RVIB School by Molly Miller, interview conducted by Jim Smith and Reuben Ryan, 28/3/1989
Oral history interview of Molly Miller. Former students recall their days at RVIB, the impact of what they learned and experienced there, and how the attitudes to blindness and low vision changed over the years. It was recorded in the Villa Maria Nursing home.1 audio recording of recollections from former RVIB attendeesroyal victorian institute for the blind, oral history, jim smith, reuben ryan, molly miller -
Vision Australia
Audio - Sound recording, Interview with Alice McClelland by Alan Nuske, 1/4/1987
Oral history interview of Alice McClelland by Alan Nuske. Recorded as part of 'The Years Between: an oral history of the RVIB 1866-1991'. Former students and staff recall their days at RVIB, the impact of what they learned and experienced there, and how the attitudes to blindness and low vision changed over the years. Interview conducted at the Villa Maria Nursing home.2 audio recording2 of recollections from former RVIB attendeesroyal victorian institute for the blind, allan nuske, oral history, alice mcclelland -
Vision Australia
Photograph (item) - Image, Support around the home
As well as assistance in education and employment, agencies also provided support for adapting around the home. In this example, one woman is shown by a worker how to feel the temperature points in a pressure cooker. They stand in a kitchen, in front of an upright Davell cooker, next to a fridge and with steel utensils hanging on the wall behind the cooker.orientation and mobility, royal blind society of nsw -
Vision Australia
Photograph (item) - Image, Ballarat Home for the Aged Blind
Kelaston (Ballarat Day Centre) was formerly known as the Ballarat Home for the Aged Blind. This plaque recognises work that was done by the home during the Governor's visit in 1964.From Shire of Ballarat to The Ballarat Home for the Aged Blind In recognition of services rendered during The visit by the Governor on 17th July 1964kelaston, plaques -
Vision Australia
Photograph - Image, Charles Nettleton, AFB Brighton branch, circa 1875
Black and white photograph of the Brighton branch for the Association for the Blind at 7 Mair Street, Brighton. Known as Elanora, it provided nursing home support for elderly people who were blind or had low vision. The building still stands in 2020, albeit with some facade changes and the addition of a covered area to the entrance that is set back from the street. 1 black and white image of Brighton branch of the AFB buildings, association for the blind -
Vision Australia
Administrative record - Text, 78th Annual report 1973 Association for the Blind of Victoria, 1981
Articles in annual report include: President's report, finance report, auditor's report, balance sheet, nursing homes, social work, rehabilitation, low vision clinic, honorary services, auxiliary income, blind members, sport and recreation, life governors. There are reports on John Wicking taking on the President's role from Pat Lightfoot, increasing costs, opening of the Geelong Regional Day Centre and a training course developed for volunteers who do home visitation.1 printed volume with illustrationsassociation for the blind, annual reports, john wicking, h.m. lightfoot, barry farnsworth, patricia heath, john bright, edith lain, edith currell -
Vision Australia
Administrative record - Text, 79th Annual report 1974 Association for the Blind of Victoria, 1981
Articles in annual report include: President's report, finance report, auditor's report, balance sheet, nursing homes, social work, rehabilitation, low vision clinic, honorary services, auxiliary income, blind members, sport and recreation, life governors. There are reports on launch of the Guiding Light Appeal, purchase of land near Elanora, Kelaston extensions and a property secured at Geelong as well as the awarding of Elsie Henderson's MBE.1 printed volume with illustrationsassociation for the blind, corporation records, henry bolte, rohan delacombe, john taylor, arthur wilkins, bruce small, hubert opperman, john wicking -
Vision Australia
Administrative record - Text, 80th Annual report 1975 Association for the Blind of Victoria, 1981
Articles in annual report include: President's report, finance report, auditor's report, balance sheet, nursing homes, social work, rehabilitation, low vision clinic, honorary services, auxiliary income, blind members, sport and recreation, life governors. There are reports on the purchase of a property in Shepparton, results from the Guiding Light Appeal and congratulations to Kitty Rose for her New Year's Honours award.1 printed volume with illustrationsassociation for the blind, corporation records, john wicking, arthur wilkins, hubert opperman -
Vision Australia
Administrative record - Text, 81st Annual report 1976 Association for the Blind of Victoria, 1981
Articles in annual report include: President's report, finance report, auditor's report, balance sheet, nursing homes, social work, rehabilitation, low vision clinic, honorary services, auxiliary income, blind members, sport and recreation, life governors. There are reports on the loss of George Vowell before approval of the nursing home named in his honour, death of Elsie Henderson, conversion of garage into Low Vision Clinic at Kooyong and opening of Illawarra in Geelong.1 printed volume with illustrationsassociation for the blind, corporation records, john wicking, henry winnecke, patricia heath, nellie shaw, gordon baxter, kevin heinze, hubert opperman, bruce small, bob pearson, arthur wilkins -
Vision Australia
Administrative record - Text, Elanora account books 1950-1970s
This book lists names and sums either spent or paid by them. Unfortunately there is no title or page titles that refer to why these amounts were tallied, however it is believed to be from the Elanora Home in Brighton, possibly between 1950's and 1970's.1 book listing names and sums of various peoplecorporation records, elanora home (brighton) -
Public Record Office Victoria
Legal record (item) - Criminal Trial Brief for Harry Bruin and Benjamin Morris
This collection of approximately 20 letters between Melbourne men Ben Morris and Harry Bruin, covering a period of several months in 1919, consists of original letters handwritten by Morris and carbon copies of Bruin’s replies. Love letters between men from this period are extremely rare in an Australian context, and globally. They were seized by police from Bruin’s home in Harcourt Street, Auburn in October 1919. The police were investigating a report that Bruin and Morris were conducting an intimate affair. The relationship came to light when the mother of one of Morris’ friends, having failed in her attempt to blackmail Bruin, went to the police. Blackmail was an ever-present danger to homosexual men at that time. Homosexual sex was against the law and even gossip alone could ruin reputations, careers and social standing. In refusing the demands of his attempted blackmailer, Bruin took an enormous risk. However, Morris and Bruin were lucky that their letters contained no descriptions of sex acts. It was not illegal to express love for a person of the same sex and when the matter came before the court, the police had no choice but to let the matter drop without laying charges. Letters like these are rare as potentially incriminating correspondence between men was usually destroyed by the writers or the recipients, to prevent it falling into the hands of the authorities, blackmailers, or disapproving third parties. These letters survived only because they were seized by the authorities for the purpose of prosecution. Morris and Bruin’s letters are also important because, together with the statements taken from the two men and others involved in the case by police prosecutors, they provide insight into the development of the liaison over an extended period. The emotional letters provide rare evidence of a deep romantic affection between two men in their own words. Quoted from "A History of LGBTIQ+ Victoria in 100 Places and Objects" by Graham Willett, Angela Bailey, Timothy W. Jones and Sarah Rood. -
Federation University Art Collection
Painting, Norman Hofmaier, 'Promethius 1 from the Mallee Mysteries Series', by Norman Hofmaier
Norman Keith HOFMAIER (12.08.1951- ) Born Beulah, Wimmera, Victoria Norman Hofmaier was a scion of a well-known family, he completed his secondary education at Hopetoun High School and Ballarat College. Later he studied Visual Art at University of Ballarat, including painting, design and sculpture. Hofmaier’s childhood in Beulah was spent on the family property running beside the Yarriambiack Creek. Both he and his father had an intimate knowledge of the flora and fauna of the Mallee. The Wyperfeld National Park, home to the Big Desert, was a favourite place for Norman’s uncle who planted acres of native trees at the family property. Dr Di Bresciani explains: “The colours and vastness of the Mallee are represented in many works which reflect, variously, the relentless quiet and swirling energies found in the ‘dust storm might’ of the Mallee area. Most works may be described as abstract, lyrical abstract or abstract expressionist." From the 1970s until the 1990s he began an outpouring of work, using oil-based paints overlaid manually on large, specially-prepared boards using brushes, cloths, sponges, sprays or rollers. Petrol solvents were used to soften, blur and enhance shapes and edges. His work reflected his exploration of his inner state, sometimes flowing and placid, sometimes tempestuous. After a brief sojourn into city-life Norman returned to working in the country, until finally submitting to mental illness and permanent care in the mid 1990s. Norman Hofmaier's works are represented in major collections including that of the well- known artist Mitch Pearson ( an important influence and lifelong friend). The work 'Pastel of a Nude' was shown in a widely distributed magazine and two works owned by Mark Shannon were planned to be published as record covers in 1993. He won an award during the bicentennial recognising his skill as a Wimmera artist. From the 1970s until the 1990s he began an outpouring of work, using oil-based paints overlaid manually on large, specially-prepared boards using brushes, cloths, sponges, sprays or rollers. Petrol solvents were used to soften, blur and enhance shapes and edges. This work was purchased from the exhibition 'Norman Hofmaier: Mallee Mysteries' at the Lost Ones Gallery in Camp Street, Ballarat. The exhibition explored the legacy of Hofmaier’s work as well as raising money for the Ballarat Art Foundation. The Hofmaier family donated 16 works of the artist to be sold to raise funds for the foundation, to support emerging artists.Original painting in square format, featuring abstract swirls of blue, white, red, yellow and green.On back of work: 1. pools of diluted oil paint covering approximately 8 cm from each edge, 2. in right hand corner in permanent marker "N Hofmaier" 3. middle right hand side, torn exhibition label, with the words, "Belauh", "Local Art", "Prome", "Local Art", "$350", "Collect A", "oin" 4. Bottom right corner, two exhibition labels on card. Cards read: The flowing of movement before any known bodies are formed. Matter and gases bubble forming kaleidoscopic colours and shapes. Promethius 1 Oil based pigment with petrol on prepared board 1320 x 1210 mm On front of work, bottom right hand corner, in white lettering, N Hofmaier. Bottom right hand olive green frame damaged on front of work.painter, mallee, beluah, norman hofmaier, wimmera, abstract, alumni -
Federation University Art Collection
Painting - Artwork, Artwork by Daphne Wallace, 2006
Daphne WALLACE (1964- ) Gomaroi, Ullaroi, Wurralli, Muralli Country Wallace is a Gamilaroi/Ullaroi-Yuwaaliaay artist whose intensely coloured and textured abstract and pictorial paintings are interpretations of the Yuwaaliaay stories passed down to her by her grandmother. They are evocative of her spiritual and emotional attachment to her home in Lightening Ridge.Daphne WALLACE Gomaroi, Ullaroi, Wurraili, Muraili country Artist's statement: This painting tells of many different stories, most of them I knew growing up and some were told to me since working on the Bubbles of the Surface Project. ... Reading this landscape through Murri / Murdi eyes and our relation to country. In the top, Yurri Yurri women/people, Rainbow serpents the other side of Coocoran Lake, Bunyip waterhol near Angledool, Ants nest believed to be where Baiame laid his tow wives, where the ants ate off the slime and brought them back to life, mining fields around Lightning Ridge, Bush tucker such as bumbull, burrigan, nappan, greewee, snotty gubbuls. In the middle, Gurra the crocodile, Gurra the crocodile himself, when Baiame killed him to retrieve the two wives, a rainbow shone no him and his scales turned inot opals, left to the Narran Lake was where Baiame sat down and left his bottom imprinted in the rock. he got up and moved onto the blue mountains where his wives gave birth to the three sisters. At the botttom of the painting, Walgett council dug up two old Kings sitting up face to face with their legs crossed, with their Tin King plates around their necks; Their head bands of kangaroo teeth were still inbedded in their skulls. The water dog stories are at spots along river "don't go down thereon the bend (Namour Researve River) the water dog witll get you" Nan used to tell us. It is believed that the water dog makes whirlpools and will drown you. He makes a druming sound, which can be heard along the Namoir, Barwon, Darling, Gwydir, Mihi and the Narran River; and the Duck is part of the creation story, with the twin platypus. It tells how the water dog kidnapped her and kept her in a cave on the river bank, she escaped back to her people. They knew she was bingal therefore vanished her fro that region, she travelled to New England region giving birth to twin platypus.daphne wallace, aboriginal, gippsland campus, churchill, gomaroi, ullaroi, wurraili, muraili -
Federation University Art Collection
Painting - Artwork - Painting, Duncan Lannan, 'Self Portrait at Home' by Duncan Lannan, c2006
‘Self portrait at home’ This artwork was conceived after a series of paintings depicting the interior of my home in Ballarat. Those paintings began as glimpses around the house, mostly captured at night, of hallways, darkened corners, and ominous entrances into bedrooms. Later on I began to fill these spaces with a figure, that of my girlfriend (now wife), and conducted portraits of her placed amongst the shadows in a deliberate attempt to conjure up associations of Baroque painting as well as still images from horror films. I wanted to see what was sinister in this house, to imagine it, as well as observing it directly. ‘Self portrait at home’ is an attempt at summarising the combination of imagination and observation, of wandering through interior spaces as well as being absorbed in it: that what we see is then also taken into our consciousness, or in the case of this painting what we see is about to be swallowed. This concept of combining what is observed with what is imagined and using references to the physical body as a kind of mediator of this process is expressed in Kenneth Slessor’s poem ‘South Country’, a poem that partly inspired my approach to this painting. The following verses provide an example: And over the flat earth of empty farms The monstrous continent of air floats back Coloured with rotting sunlight and the black, Bruised flesh of thunderstorms: Air arched, enormous, pounding the bony ridge, Ditches and hutches, with a drench of light, So huge, from such infinities of height, You walk on the sky’s beach ‘Self portrait at home’ may not express itself as seriously as Slessor’s poem does but I hope it shows the impact as well as the texture and flavour that houses of the Ballarat landscape, and those of the imagination, can have. Duncan LannanDuncan LANNAN (1972- ) Duncan Lannan undertook a Diploma of Arts (Visual Arts) at RMIT between 1995 and 1996. A further two years study at the University of Ballarat (now Federation University Australia) saw Duncan Lannan awarded a Bachelor of Arts (Visual Arts) in 2000. He completed a Graduate Diploma of Education at the University of Melbourne in 2001. Duncan Lannan's exhibition 'Young, Dumb and Full of Ambition!' was held at the Art Gallery of Ballarat from 13 July to 11 September 2014.ContemporarySelf portrait of the artist with mouth open, and a house on the tongue. This piece was exhibited at the Art Gallery of Ballarat in 2007 in the "Eye to I" exhibition which was curated by former Federation University Art theory lecturer Geoff Wallis. The exhibition was a survey of self portraits by Australian contemporary artists. Gift of Geoff and Nola Wallis, 2017duncan lannan, painting, portrait, alumni, available