The source of the images is unknown. The date has been estimated in reference to catalogue items 2989 (approx 1945) and 2990 (approx 1970) - both aerial photos of the area.Two black and white aerial photos of J Kitchen & Sons factory prrecinct, approximately 1960s. .01- Looking towards the East with Ingles St in the centre and Port Melbourne cricket/football ground on the right. Rail line is at the top. The Kitchen property is outlined. .02 - Looking towards the North with Port Melbourne cricket/football ground at the bottom, Kitchens (outlined) in the centre and other industrial to the North.built environment - industrial, industry - manufacturing, sport - australian rules football, business and traders - soaps/candles, j kitchen & sons pty ltd, port melbourne football and cricket ground, north port oval

Invoice from William Farmer Undertaker & Embalmer dated January 25, 1927 to Miss L. Prout, Quick Street, Ironbark for funeral expenses of the late Jane Theresa Prout. Supply polished casket , limousine and attendance to Bendigo Cemetery - Paying cemetery charges - Funeral notices for a total of 14 pounds, 7 shillings and 6 pence. At the bottom - Paid in full 24/02/1928document

Bass Strait passenger ship Nairana. Built for Bass Strait ferry operator Huddart Parker & Co. Ltd. of Melbourne during World War One, the Nairana was requisitioned by the Royal Navy and completed as a seaplane carrier, HMS Nairana. Serving from 1917 to 1920 participating in the capture of Archangel during the Bolshevik Revolution. After 1920 she was decommissioned as a seaplane carrier and returned to her Australian owners crossing Bass Strait until she was laid up in 1948. Just off Port Phillip Heads on April 12 1936, a strong wave struck the Nairana, tipping her over for two minutes before she righted herself again. During the horrifying two minutes, four people were drowned, and eight people were injured. The ship was reportedly carrying roughly one tonne of concrete in the hull when she tipped. Reports from the local papers said that it was a tidal wave meanwhile others were saying it was either an earthquake or a total lie. A later paper said that the ship had been caught in a rip at the mouth of the bay, causing the tragedy. The S.S Nairana, was sold for £4,000 (over $170,200 in today’s money!) in 1951 after two years of being stranded on the beach at Port Melbourne, when the moorings broke one night during a storm and drifted ashore, causing her to wreck.Items associated with the TSS/HMS Nairana in its military and civilian roles and items relating to Capt. JF Spence, navigation Officer and possibly later the captain who sailed with the Nairana out of Plymouth after WWI. .01 Barometer and Clock from Dining Saloon .02 Commemorative plaque describing the HMS Nairana's WWI service with timber mount for plaque with information sheet attached. .03 Clock Key .04 Two 2 Log books owned by Capt. Spence containing the navigation calculations for the journey from Plymouth to Melbourne. .05 Huddart Parker hat badge [Capt. JF Spence].Barometer and Clock from dining saloon, TSS Nairana 1917 - 1951 Clock Key - 4 50-No9 Hat badge - HPtss nairana, wwi, bass strait, huddart parker, capt. spence

Three articles including: Perilous Summer - Thin Edge of the Wedge at Eltham - Eltham A lifestyle in peril published in "The Age" 21/08/1976 All articles thought to be from "The Age" in the 1970s. Written by John March. This was the pen name of former Kangaroo Ground resident Bill Baly. They relate to the people of Eltham and its hinterlands, their problems with planning, rates and politicians and thier artistic inclinations. 14 pageseltham, bushfires, lifestyle, green wedge, bill baly

This object relates to Richard TRUDGEON. He was born on 1/06/1888 in Newstead, VIC. Richard served in the AIF (2502) enlisting on, 08/05/1916 in Welshman's Reef, VIC before being killed in action on duties with the 46 BATTN as a Army Non-Commissioned Private (PTE) on 11/11/1917. Richard TRUDGEON was not a prisoner of war. His next of kin is Richard TRUDGEON (Father).second world war (ww2), 1939 - 1945, medals, ballarat rsl, ballarat

In November 2019, Peter Sharkey from England visited the Mission . In January 2020, he emailed scans of 3 letters from seaman Peter Donovan, a relative, written from Melbourne. The letters were written using printed paper from the Mission to Seamen.In total, there are 13 letters, written from various ports between 1920 and 1922; in many respects, they offer a glimpse of economic and social history. Although wages were higher in Australasia, the threat of unemployment appears as constant as it was in Liverpool, to where the correspondence was sent and from where the sender almost certainly hailed.Scan of letter written by seamen Peter Donovan to his sister peter donovan, peter sharkey, mission to seamen, seamen, sailors, ships, england, mission to seafarers, strikes, ss sealark, patrick steamship company, patrick s.s. co

In November 2019, Peter Sharkey from England visited the Mission . In January 2020, he emailed scans of 3 letters from seaman Peter Donovan, a relative, written from Melbourne. The letters were written using printed paper from the Mission to Seamen.In total, there are 13 letters, written from various ports between 1920 and 1922; in many respects, they offer a glimpse of economic and social history. Although wages were higher in Australasia, the threat of unemployment appears as constant as it was in Liverpool, to where the correspondence was sent and from where the sender almost certainly hailed.Scan of letter written by seamen Peter Donovan to his sister peter donovan, peter sharkey, mission to seamen, seamen, sailors, ships, england, mission to seafarers, strikes, ss sealark, patrick steamship company, patrick s.s. co

In November 2019, Peter Sharkey from England visited the Mission . In January 2020, he emailed scans of 3 letters from seaman Peter Donovan, a relative, written from Melbourne. The letters were written using printed paper from the Mission to Seamen.In total, there are 13 letters, written from various ports between 1920 and 1922; in many respects, they offer a glimpse of economic and social history. Although wages were higher in Australasia, the threat of unemployment appears as constant as it was in Liverpool, to where the correspondence was sent and from where the sender almost certainly hailed.Scan of letter written by seamen Peter Donovan to his sister peter donovan, peter sharkey, mission to seamen, seamen, sailors, ships, england, mission to seafarers, strikes, ss sealark, patrick steamship company, patrick s.s. co

Print document, dated 15/02/2004, about a boating accident at Lake Tyers on 29/12/1921, in which Alexander Finlay of Kumalong in Kooyong Road, and Darrell Ray died. They were later buried at Brighton Cemetery. Includes references. A photograph (248mm x 150mm) of the grave of Samuel Masters, taken by John Bergin, date unknown.brighton cemetery, finlay alexander kennedy, finlay eileen, moroney eileen, kooyong road, ray darrell dysart mackintosh, caulfield south, kumalong, brighton general cemetery, masters samuel

Policy provided by the Australian Temperance and General Mutual Life Assurance Society Limited (T & G) for $4,000.00. Life assured: Norman Thomas Colvin, Grantee Norman Fletcher Colvin, 01/05/1967. Annexure informs of the death of N. F. Colvin on 05/02/1972, Probate being granted to Marie Dulcie Colvin on 05/12/1972.3 double-sided pages, with annexure, folded twice. Black print on white papercolvin family

Demonstrates how the SEC used enamel signs to convey instructions to passengers or to confirm the advice of the conductor and how enamel signs were made.Enamel sign, black capital letters and lines on an off-white background, titled "Entering or leaving this tram on the wrong side is prohibited". Marks on rear from the enamelling process. The front of the sign has been covered with varnish. See also Reg Item 7118 for a later sign. Of the type that could have been fitted by the MMTB to its trams. 2nd copy added 25/11/2019 trams, tramways, tramcars, signs, passengers, btm, ballarat tramways

Colour photograph printed onto white card as a BTM Membership card for 2018 - 2019. Photo of Cuthberts939 at Depot Junction with Roger Gosney and Arthur Adams. Has the words "Ballarat Tramway Museum" in white block printing on the lower edge of the card. On rear along bottom edge, has words "Roger and Arthur Cuthberts 939. Photo Peter Waugh" Two copies held. No label on rear.trams, tramways, membership cards, depot junction, btm, wendouree parade, cuthberts 939

Black and white print of a donated negative. Print made 8/1998. Photo of a MMTB X2 679 in Droop St. Footscray, crossing Geelong Road, with the destination of "Ballarat Road". Tram has small advertisements on the front panel. Intersection has been remodelled since photo taken on 1-1-1959. Image i1 high res scan of the negatives added 18/1/2019.tramways, trams, melbourne, ballarat road, droop st, 679, tram 679

Single truck (4 wheels), drop end tram, modified open California combination- to closed car with 4 doors, 2 at either end, longitudinal seats, sliding internal doors, air brakes. For an article on the tram and progress during 2018 see October 2018 issue of Fares Please!. Image used by Mal Rowe 21/9/2019. See Destination Eaglehawk, Destination City.trams, tram 11

Balang [John MAWURNDJUL] (1952 - ) Born Mumeka, Northern Territory Country: Milmilngkan, West Arnham Land, Northern Territory Clan: Na-Kurulk Language Group: Kunwinjku Location: Milmilngkan John Mawurndjul is an Australian indigenous artist. He is a member of the Kuninjku people of West Arnhem Land, Northern Territory. Growing up John had only occasional contact with non-indigenous people and culture. He was tutored in rarrk, a traditional painting technique using fine cross hatching and infill, working on small barks. During the 1980s he started producing larger and more complex works. The artist has painted 'Wayarra', a generic term which can include both malevolent spirit beings which continually inhabit certain sites or objects but can also mean the Spirit of a recently deceased person. These spirits are one of two spirits of the dead, the other being the 'Kun-malng' soul. The 'Wayarra' is the shadow or 'shade' of the dead and may take on the form of the deceased and haunt areas where the deceased recently inhabited. In order to prevent Wayarra spirits from harassing relative of the recently deceased, a smoking ceremont is performed where Ironwood leaves are burnt around the camp of the recently deceased and ochre is rubbed on all objects belonging to the deceased. Ochre may also be rubbed on vehicles, houses and trees. Some Wayarra are a particular Dreaming totem for people of certain clans. This is why many artists depict Wayarra in their bark paintings and sculptures. They are depicting clan totems particular to their lineage and which are celebrated in major regional patrimoiety ceremonies. In 1989 the work of John Mawurndjul was included in the landmark exhibition "Magiciens de la Terra' at the Centre Pompidou and Grande Halle de la Vilette in Paris, France. His works have also been exhibited in numerous solo and group exhibitions in Australia, New York, Paris and Japan. Mawurndjul is one of eight artists whose work in part of the largest inernational commission of contemporary Indigenous art from Australia at the Musee du Quai Branly, Paris. The work was exhibited in the Australian survey "John Mawurndjul: I Am The Old And The New", at the Museum of Contemporary Art, one of the 160-odd works all chosen by Mawurndjul for inclusion in the exhibition. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.This artwork was chosen by John Murwurndjul as on of around 160 works for exhibition in the 2018 Australian Survey of his work at the Museum of Contemporary Art. The artist is known for his rarrk work, which is evident in 'Female Wayarra Spirit'.Aboriginal bark painting featurung rarrk. The artwork is associated with Dilebang, a duwa moiety place that belongs to the Kurulk clan. This work is currently on loan for exhibition in 'John Mawurndjul: I am the old and the new'. The exhibition will be shown at the Museum of Contemporary Art Australia (Sydney) from 6 July – 23 September 2018, and the Art Gallery of South Australia, Adelaide from 26 October 2018 – 28 January 2019.art, artwork, john mawurndjul, aboriginal, bark painting, rarrk, wayarra, kuninjku, maningrida, loan