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matching australian soldier
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Hume City Civic Collection
Photograph, 1939 - 1940
This photograph is part of a collection of World War II returned soldiers from Sunbury. The collection was collated by Jeff Cossum, curator of the George Evans Museum from 1989-1995.A photograph of the bust of airman Max Davis.world war 2, raaf, royal australian air force, portraits, davis, max, george evans collection -
Hume City Civic Collection
Photograph, 1939 - 1945
This photograph is part of a collection of World War II returned soldiers from Sunbury. The collection was collated by Jeff Cossum, curator of the George Evans Museum from 1989-1995.A head and shoulder photograph of John H. Moran, a sailor in the Royal Australian Navy.world war 2, hmas cerebus, hmas cerberus, royal australian navy, portraits, sailors, moran, john h., george evans collection -
Hume City Civic Collection
Photograph, 1939 - 1945
This photograph is part of a collection of World War II returned soldiers from Sunbury. The collection was collated by Jeff Cossum, curator of the George Evans Museum from 1989-1995.A head and shoulders photograph of RAAF aircrew trainee Forbes. There is a white band around the top of his hat band.world war 2, raaf, royal australian air force, armed forces, uniforms, clothing and dress, hats, forbes, john, cossum, jeff, george evans collection -
Hume City Civic Collection
Photograph
Probably taken between 1911 and the 1920s when Australia operated a system of conscription which included school boys in cadet units. Children who did not attend could be prosecuted.Mounted b/w photograph of three boys in army uniform, at ease, holdiing rifles. Unidentified.Printed on front: THE SWISS STUDIOS MELBOURNEarmed forces, soldiers, george evans collection -
Hume City Civic Collection
Photograph
Mounted b/w phtograph of Edward VIII (Prince of Wales) walking and smiling with his left hand on his sword.Typewritten on white paper and attached to front: THE PRINCE OF WALES! = THEN DUKE OF WINDSOR Printed on back: AUSTRALIA AT WAR, REFLEX-ART COMPANY 88 ALBERT STREET WINDSOR VIC. Handwritten on back: EDWARD VIIIedward viii, the prince of wales, duke of windsor, royalty, soldiers, george evans collection -
Hume City Civic Collection
Photograph
Circa 1916 - 1918 Field Artilleryman Australian GunnerA sepia postcard portrait of a soldier identified only as Austin. He is pictured with his arms folded.POSTCARD / THE MARLBOROUGH POST CARD, 125 SWANSTON STREET, MELBOURNE TWO DOORS FROM LT. COLLINS ST.|Typewritten on front: AUSTIN Handwritten on back: 12015 AUSTINworld war 1, austin, - (mr), soldiers, uniforms, clothing and dress, portraits, armed forces, postcards, george evans collection -
Hume City Civic Collection
Photograph, circa 1915
c1914-1915 Field ArtillermenA sepia postcard of a group of soldiers in front of the Pyramids, Egypt.Handwritten on back: (a letter) Mr. A. Boardman - Dear Sir- This is our first visit to the pyramids. Thses are all the 12th Bty Corps 4th BGDE, Jim Patterson, Aleck Accers and Bob and I are getting our snap taken together and we will forward one to you. Hoping this finds you are all Sunbury friends well. / Yours sincerely / Pr. Will Deverall 6732 / 12 BTY / 4th Field Artillery Bgde / 2nd Australia Division / Intemediate Base Depot / Egyptworld war 1, deverall, will, patterson, jim, accers, aleck, boardman, a. (mr), soldiers, armed forces, uniforms, clothing and dress, egypt, postcards, george evans collection -
Hume City Civic Collection
Photograph, 2/11/1915
Sargent Medical Corps. 2nd Australian Casualty Clearing StationA b/w postcard portrait of soldier H. Martin.Typewritten on front: Private H. Martin Printed on front: TALMA MELBOURNE Handwritten on back: PRIVATE H.J. MARTIN, 2ND AUST CASUALTY CLEARING STATION A.M.C. (ON ACTIVE SERVICE) 2/11/15world war 1, martin, h. j. (private), soldiers, armed forces, uniforms, clothing and dress, postcards, george evans collection -
Hume City Civic Collection
Photograph, 1916
A b/w photograph postcard of a group portrait of World War 1 soldiers. They are only identified as the class of Ist Australia Training School for Officers, England 1916.Handwritten on front: 1st Australia Training School for Officers.....England / with my best wishes Alf Ozanne 22/10/16world war 1, soldiers, ozanne, alf, uniforms, clothing and dress, armed forces, portraits, george evans collection -
Hume City Civic Collection
Photograph, c1915
Battlefield scene after charge Gallipoli 1915 Dead Turks on battlefield.A b/w photograph of a battle scene at Gallipoli during World War 1.JACKO - BATTLEFIELD AFTER AUSTRALIANS .................... ...FAMOUS CHARGES GALLIPOLI ...............15world war 1, soldiers, gallipoli, george evans collection -
Forests Commission Retired Personnel Association (FCRPA)
Presentation plaque from the "Woodpeckers"
In the post-war era from 1947 to the mid-1980s, the Forests Commission sponsored Australia's only military sawmilling unit, the 91 Forestry Squadron. It was a special reserve unit of the Royal Australian Engineers (RAE). Established and commanded by Commission forester and WW2 veteran, Major Ben Benallack, the "Woodpeckers" as they were known comprised a small pool of specialised soldiers capable of rapid mobilisation in the event of need. Several other Victorian departments such as the State Electricity Commission (SEC) did the same thing who supported a construction squadron based at Newborough in the Latrobe Valley. The scheme created a very active and capable part-time military group that completed many worthy projects across the State. In addition to their military training, the Woodpeckers operated bush sawmills, built timber bridges along the Murray River, the Snake Island Jetty, forest roads and performed various demolition tasks.Presentation plaque from the "Woodpeckers" Mounted on polished wooden burl -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Postcard, Raphael Tuck and Sons England, 1914 c
... Australian soldier waiting to go into battle World War 1914-1918 ...message continued from 05475...we went out snow balling one another and had some fine fun, and then we made a snowman had our photo taken alongside him. Well little Dorothy I am going to France next week so I will not get a chance to write very often so I will say goodnight for this timeAustralian soldier waiting to go into battleBlack and white postcard of British soldier and a little girl. Englandworld war 1914-1918, communications -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Book, Soldiering On. The Australian Army at Home and Overseas, 1942
... . Soldiering On. The Australian Army at Home and Overseas Book ...Personal experiences of Australian Army Personnel during the Second World War to 1942. Illustrated with sketches and photographs. Table of contents.world war 1939 - 1945 -
Stawell Historical Society Inc
Photograph, WW 1 soldiers in Camp in Australia.with Sergeant James Sumner in front with no hat & KIA 1914-1918
... WW1 soldiers in Camp in Australia. Sergeant James Sumner... grampians WW1 soldiers in Camp in Australia. Sergeant James Sumner ...WW1 soldiers in Camp in Australia. Sergeant James Sumner 1914-18 in front with no hat KIA.stawell ww1 -
Chiltern Athenaeum Trust
Accessory - Revolver (Luger) Case, 1917
Owned by Martin Balsarini, a resident of Chiltern Valley, for use in WW1. Service Number 1682. Martin Balsarini enlisted on the 21/7/1915 and served with the 4th Australian Lighthorse, AIF. He participated in what is known as the last great cavalry charge, the charge of the 4th Australian Lighthorse at Beersheba on the 31/10/1917. WW1 owned by Chiltern Valley Resident Soldier Martin Balsarini who was in the Charge of the Lighthorse at Beersheba with the 4th Australian Lighthorse on the 31/10/1917. Brown Leather Luger Revolver Case for attachment to belts webbing WW1. 1. Etched into the inside leather cover : J. A. Stanien... 1917 Berlin. 2. Stamped into the inside leather case black ink in Black Markings : B.A.X1 ww1, revolver case, balsarini, chiltern., martin balsarini -
Chiltern Athenaeum Trust
Brass Pencil Case and Pencil Miniature, 1916
For issue to WW1 soldiers both abroad and back in Australia on leave. Issued to Australian troops both overseas and on leave from 1916 on for the duration of WW1. Brass Pencil Case with slide out pencil, miniature. AUST COMFORTS FUND is etched onto the external face of the pencil casebrass pencil case and pencil miniature, australian comforts fund, ww1 -
Chiltern Athenaeum Trust
Photograph, 1915-1920
WW1 soldier who served in The Great War from 1915 to 1920. Resident of Chiltern. Son of Will Martin and Christina Campbell Martin. Served with 1st Division Signals Company. WW1 history 1915-1920.Black and white photograph of WW1 soldier Sapper John Ewan Campbell MARTIN, born in Chiltern 1890. He served with 1st Division Signals from 1915 to 1919. Caption under the photograph reads : John Ewan Campbell Martin. "Campbell" : was born in Chiltern in 1890, the son of Will Martin and Christina Campbell. He enlisted on November 10, 1915 and served in Europe as a Sapper with the First Division Signals Company. He returned to Australia on May 20, 1919. ww1, john ewan campbell martin, chiltern resident -
Chiltern Athenaeum Trust
ANZAC Commemorative Medallion (instituted in 1967) P. T. Bernard, 1967
Manufactured in 1967 to commemorate the WW1 ANZAC Gallipoli Peninsular Campaign in 1915. Issued to recipient P. T. Bernard. For commemoration of service throughout the Gallipoli Campaign in 1915. Issued to P. T. Bernard.Cast in Bronze. 75mm high and 50mm wide. Obverse depicts Simpson and his donkey carrying a wounded soldier to safety. It is bordered on the lower half by a laurel wreath above the word ANZAC. Reverse shows a map of Australia and New Zealand superimposed by the Southern Cross. The lower half is bordered by the New Zealand Fern leaves. The name and initials of the recipient is engraved and the medallion is issued in a presentation box. Engraved for P. T. Bernard. Engraved for recipient P.T. Bernard. ww1 anzac gallipoli campaign 1915, anzac commemorative medal, ww1 1914-1918, gallipoli and anzac, p. t. bernard soldier. -
Chiltern Athenaeum Trust
AIF Return from Active Service Badges WW1 (x2), circa 1914-1918
Badges such as this one were issued to soldiers by the Department of Defence to indicate they had returned from active service. It showed they had helped the war effort by serving their country. Sometimes returned soldiers were wrongfully accused of showing disloyalty to their country because they were not seen wearing a military uniform so wearing the badge helped avoid this. A number was often stamped on the reverse and a certificate was provided as authentication. Issued 1914 - 1919WW1 The Great War, issued to soldiers who had returned from active duty so as not to confuse the general public that the person whilst not in uniform or displaying medals had in fact served their country on active duty. Two crowned gilt bronze badges with two lugs on back. The obverse has the rising sun behind a crown AUSTRALIAN MILITARY FORCES; A.I.F; around the bottom, ISSUED BY DEPT. OF DEFENCE . RETURNED FROM ACTIVE SERVICE. The reverse has been stamped with number and has the maker's name, AMOR / SYDNEY and Stokes and Sons MELBThe obverse has the rising sun behind a crown AUSTRALIAN MILITARY FORCES; A.I.F; around the bottom, ISSUED BY DEPT. OF DEFENCE . RETURNED FROM ACTIVE SERVICE. ww1 the great war, aif return from active service badge -
Chiltern Athenaeum Trust
AIF Australia Brass Shoulder Epaulettes WW1, Circa 1914-1918
WW1 shoulder Uniform epaulettes made of brass. Worn on soldiers dress uniform or coat. WW1 uniform accoutrements, the Great War 1914-1918. Brass WW1 Uniform shoulder Epaulettes (x3). Two fastening lugs on the reverse side for a pin (missing) to adhere epaulette to uniform.Australia inscribed. ww1 dress uniform brass epillettes, australia epillettes ww1, aif uniform epillettes ww1 -
Chiltern Athenaeum Trust
WW1 Framed Photograph of soldier Adde Cooper, WW1 1914-1918
Photograph relates to Chiltern resident and soldier of the first world war Adde Cooper. Service number 5002 Rank Private Unit 21st Australian Infantry Battalion Service Australian Imperial Force Conflict/Operation First World War, 1914-1918 Award Military Medal Commonwealth of Australia Gazette 27 August 1917 on page 1828 at position 38 London Gazette 11 May 1917 on page 4601 at position 9photograph relates to WW1 Soldier Adde Cooper, a Chiltern Resident. Brown framed photograph of WW1 Soldier Adde Cooper. Small sign at the bottom of the photograph identifying soldier as being Adde Cooper, Chiltern Resident and WW1 soldier. ww1 1914-1918, the great war ww1, soldier adde cooper -
Chiltern Athenaeum Trust
Card : WW1 (Adde Cooper collection), Circa 1914-1918
Associated with WW1 good news card to and for loved ones. Connected to Adde Cooper WW1 soldier and Chiltern Resident. Associated with WW1 loved ones. Sent on behalf of family, friend and loved ones at home to their WW1 soldier abroad. Faded grey and white card with message associated with WW1. 130mm x 65mm. Depicts a map of Australia with a man and woman sitting and reading. Wording on the card is associated with good news and prays about their loved one. A Boomerang above the man and woman gives a message of good news and prayers for their WW1 loved one. Boomerang on card says : Anxious ever anxious good news of you to learn. Praying ever praying for your speedy safe return. ww1 card, card of prayer and good news ww1 -
Clunes Museum
Medal - RETURNED SERVICES BADGE, W. BISHOP
... 1920 RETURNED SAILORS & SOLDIERS IMPERIAL LEAGUE AUSTRALIA... RETURNED SAILORS & SOLDIERS IMPERIAL LEAGUE AUSTRALIA. ON REVERSE ...BADGE BELONGED TO D. COUNDON, RETURNED S/NURSE OF THE AUSTRALIAN NURSING SERVICE A.I.F 1914-1918 WAR; AN AUNT OF MISS MARY COUNDON OF CLUNES.BADGE, SHIELD SHAPED, TWO SOLDIERS IN CENTRE, SURROUND IN RED, WHITE AND BLUE, WITH CROWN.1920 RETURNED SAILORS & SOLDIERS IMPERIAL LEAGUE AUSTRALIA. ON REVERSE SIDE:COPYRIGHT B8156 W. BISHOPlocal history, numismatic, badges, medals & badges -
Clunes Museum
Badge
... FRONT - 67 RETURNED SAILORS SOLDIERS & AIRMEN, IMPERIAL... RETURNED SAILORS SOLDIERS & AIRMEN, IMPERIAL LEAGUE AUSTRALIA BACK ...ENAMELLED METAL BADGE TOPPED WITH A YELLOW METALLIC CROWN WITH A GREEN 67. ON BADGE - WHITE BACKGROUND WITH TWO GROUPS OF MARKS ON THE TOP RIGHT & TOP LEFT. BLUE CIRCLE UNDER THIS WHICH READS " RETURNED SOLDIERS SAIILORS & AIRMEN". INSIDE THE BLUE - A METAL COLOURED CIRCLE IN WHICH THREE FIGURES WEARING DIFFERENT HATS. UNDERNEATH THIS BLUE SECTION IS A METAL COLOURED BANNER - IMPERIAL LEAGUE AUSTRALIA.FRONT - 67 RETURNED SAILORS SOLDIERS & AIRMEN, IMPERIAL LEAGUE AUSTRALIA BACK - W A CUMPSTONS A7375local history, numismatic, medals, military, medals, military -
Clunes Museum
Photograph, CIRCA 1914/18
FIRST WORLD WAR SOLDIER UNIFORM DEPICTS CLOTH PUGAREES AND AUSTRALIAN SLOUCH HAT, ALSO TYPICAL ARMY BOOTS.BLACK & WHITE ORIGINAL PHOTO OF LANCE CORPORAL A. G. OGIER.LANCE CORPORAL A.G. OGIERlocal history, photography, photographs, military -
Nillumbik Shire Council
Print (Lithograph) Alice Blanch CHEHOVSKI, Alice B. (Blanch) Chehovski, Dunmoochin. Pugh's Gate, before the Fire, / Printed 2004
Alice Blanch Chehovski was born in Queensland to a Russian mother and Polish father. When her father died leaving three small children to bring up on her own, her took them back to Russia to visit her own parents. In the following fateful year, Stalin came into power and the family was trapped by Russia closing its borders. At the age of twenty three, 1944, Alice entered Moscow's Institute of Decorative Arts and Applied Arts to study ceramics. Neither the subject of ceramics nor the academic drawing in fine pencil inspired her. At that time Moscow was surrounded by German troops, Russian culture was inhibited by the war and generally speaking it was not the time for arts. Alice said 'My soul and my hands were needed as a volunteer, to help the wounded soldiers survive'. Alice struggled through a lifetime of hardship and triumph before returning to her native land of Australia in 1981 at the age of 60.This lithographic print is one of a set of ten produced at Dunmoochin at the time of Clifton Pugh.Black and white lithograph on paper depicting the elaborate stone and wrought iron (open) gate/ entrance to Pugh's artist colony 'Dunmoochin' situated at Cottles Bridge. Bottom left of print: ed. no. '4/10' and work title. Bottom right of print: artist signature 'Alice Blanch '04'chehovski, dunmoochin, pugh, gate, fire, lithograph -
Nillumbik Shire Council
Print (Lithograph) Alice Blanch CHEHOVSKI, Alice B. (Blanch) Chehovski, Dunmoochin, Sunlight, / Printed 2004
Alice Blanch Chehovski was born in Queensland to a Russian mother and Polish father. When her father died leaving three small children to bring up on her own, her took them back to Russia to visit her own parents. In the following fateful year, Stalin came into power and the family was trapped by Russia closing its borders. At the age of twenty three, 1944, Alice entered Moscow's Institute of Decorative Arts and Applied Arts to study ceramics. Neither the subject of ceramics nor the academic drawing in fine pencil inspired her. At that time Moscow was surrounded by German troops, Russian culture was inhibited by the war and generally speaking it was not the time for arts. Alice said 'My soul and my hands were needed as a volunteer, to help the wounded soldiers survive'. Alice struggled through a lifetime of hardship and triumph before returning to her native land of Australia in 1981 at the age of 60.This lithographic print is one of a set of ten produced at Dunmoochin at the time of Clifton Pugh.Black and white lithograph on paper depicting the elaborate stone and wrought iron (open) gate/ entrance to Pugh's artist colony 'Dunmoochin' situated at Cottles Bridge.Bottom left of print: ed. no. '4/10' and work title. Bottom right of print: artist signature 'Alice Blanch '04'chehovski, dunmoochin, pugh, sunlight, lithograph -
Nillumbik Shire Council
Print (lithograph) Alice Blanch Chehovski, Alice B. (Blanch) Chehovski, Dunmoochin, Pugh's Garden, Printed 2004
Alice Blanch Chehovski was born in Queensland to a Russian mother and Polish father. When her father died leaving three small children to bring up on her own, her took them back to Russia to visit her own parents. In the following fateful year, Stalin came into power and the family was trapped by Russia closing its borders. At the age of twenty three, 1944, Alice entered Moscow's Institute of Decorative Arts and Applied Arts to study ceramics. Neither the subject of ceramics nor the academic drawing in fine pencil inspired her. At that time Moscow was surrounded by German troops, Russian culture was inhibited by the war and generally speaking it was not the time for arts. Alice said 'My soul and my hands were needed as a volunteer, to help the wounded soldiers survive'. Alice struggled through a lifetime of hardship and triumph before returning to her native land of Australia in 1981 at the age of 60.This lithographic print is one of a set of ten produced at Dunmoochin at the time of Clifton Pugh.Lithographic print in black and white (very dark image) detailing Clifton Pugh's garden at Dunmoochin.Bottom left of print: ed. no. '4/10' and work title. Bottom right of print: artist signature 'Alice Blanch '04'chehovski, dunmoochin, pugh, garden, lithograph -
Nillumbik Shire Council
Alice Blanch CHEHOVSKI, Alice B. (Blanch) Chehovski, Dunmoochin, Print Studio, Printed 2004
Alice Blanch Chehovski was born in Queensland to a Russian mother and Polish father. When her father died leaving three small children to bring up on her own, her took them back to Russia to visit her own parents. In the following fateful year, Stalin came into power and the family was trapped by Russia closing its borders. At the age of twenty three, 1944, Alice entered Moscow's Institute of Decorative Arts and Applied Arts to study ceramics. Neither the subject of ceramics nor the academic drawing in fine pencil inspired her. At that time Moscow was surrounded by German troops, Russian culture was inhibited by the war and generally speaking it was not the time for arts. Alice said 'My soul and my hands were needed as a volunteer, to help the wounded soldiers survive'. Alice struggled through a lifetime of hardship and triumph before returning to her native land of Australia in 1981 at the age of 60.This lithographic print is one of a set of ten produced at Dunmoochin at the time of Clifton Pugh.Lithographic print in black and white depicting the Print Studio at Dunmoochin.Bottom left of print: ed. no. '4/10' and work title. Bottom right of print: artist signature 'Alice Blanch '04'chehovski, dunmoochin, pugh, studio, lithograph -
Nillumbik Shire Council
Print (lithograph): Alice Blanch CHEHOVSKI, Alice B. (Blanch) Chehovski, Dunmoochin, Artist's Gallery, Printed 2004
Alice Blanch Chehovski was born in Queensland to a Russian mother and Polish father. When her father died leaving three small children to bring up on her own, her took them back to Russia to visit her own parents. In the following fateful year, Stalin came into power and the family was trapped by Russia closing its borders. At the age of twenty three, 1944, Alice entered Moscow's Institute of Decorative Arts and Applied Arts to study ceramics. Neither the subject of ceramics nor the academic drawing in fine pencil inspired her. At that time Moscow was surrounded by German troops, Russian culture was inhibited by the war and generally speaking it was not the time for arts. Alice said 'My soul and my hands were needed as a volunteer, to help the wounded soldiers survive'. Alice struggled through a lifetime of hardship and triumph before returning to her native land of Australia in 1981 at the age of 60. This lithographic print is one of a set of ten produced at Dunmoochin at the time of Clifton Pugh.Lithographic print in black and white detailing the Artist's Gallery at Dunmoochin, located within bush surrounds at Cottles BridgeBottom left of print: ed. no. '4/10' and work title. Bottom right of print: artist signature 'Alice Blanch '04'chehovski, dunmoochin, pugh, gallery, lithograph