Showing 2791 items
matching sketches
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Eltham District Historical Society Inc
Photograph, Sketch of Watson's Eltham Hotel, cnr. Main Road and Pitt Street, Eltham by Walter Withers, c.1902
Black and white photograph reproduced on p111 of 'Pioneers & Painters'pioneers and painters, eltham hotel, main road, pitt street, walter withers, eltham -
Kew Historical Society Inc
Book, James Bonwick, A Sketch of Boroondara, 1968
40 p. ; 23 cm. non-fictionborondarra (vic.) - history. -
Wangaratta RSL Sub Branch
Sketch - Football Team, 7-12-1940
Aussie Rules football match between D Coy and C Coy of the 2/5 Australian Infantry Battalion played at 1.30 on 7-12-1940 at unknown location possibly Egypt/North Africa List of team players, officials and umpire names and nicknames including AR Wills ("Gaza Kid")Light blue lined note paper with oval shape marked with names written in pencil. On reverse side in pencil list of names under heading of Team. Alongside seven names are signatures in black ink.1.30 D Coy V C Coy 7-12-1940 Two columns marked "President and Officials" followed by names Reverse side - "Team"- followed by two columns of nicknames and names some with signatures in ink. 2/5 aust. infantry battalion, d & c coy, ww2, football match, 7/12/1940, north africa -
Robin Boyd Foundation
Document - Sketch, Robin Boyd
A plan of double storey small apartment/house.Handwritten (pencil), quarto, 1 pagessketch plan, robin boyd -
RMIT Design Archives
Work on paper - Design drawings, Sketch of Lepidoptera Chair or 'Lepi' winner of the 2009 Cecily and Colin Rigg Contemporary Design Award
The name of this chair, Lepidoptera, refers to the insect species of moths and butterflies as LeAmon drew upon the anatomy of a butterfly to develop the concept of the chair?s structure, colour and pattern. Another key feature of the design was the use of textile remnants from automotive textile manufacturer Autofab,recalling LeAmon's redeployment of leather offcuts from the manufacture of cricket balls to make her 'Bowling Arm' series of bangles.industrial design, furniture -
RMIT Design Archives
Diazotypes, Analysis Sketch Plans of Proposed Residence in Cantala Ave Caulfield
architecture, domestic architecture -
RMIT Design Archives
Diazotypes, Sketch Plan: Garden Layout - 13 Edward St. Kew
John and Phyllis Murphy designed this house and garden in Kew for Sir Frank and Lady Macfarlane Burnet in 1959, the year before Burnet and Peter Medaware received the Nobel Prize for discovering acquired immunological tolerance. For the most highly honoured scientist to have worked in Australia, Burnet's house is modest - single storey with two bedrooms. Typical of post-war suburban housing thought, the garden is a generous, and the planting a mix of existing shrubs and trees, old favourites such as camelias, hydrangeas, lilacs, and a unusually 'a thick copse of native trees'. John Murphy (1920-2004) and Phyllis Murphy (nee Slater) (1924-) are alumni of RMIT. John commenced his architectural studies at Swinburne Technical College prior to WW2, and subsequently studied at Melbourne Technical College (now RMIT University) from 1944 to 1946. Phyllis studied architecture at Melbourne Technical College from 1942, before transferring to Melbourne University's Architectural Atelier in 1944 They both completed their Bachelor of Architecture in 1949, with Phyllis topping the fourth year, and John coming in second. They established their architectural practice in 1950. One early project was their design with Kevin Borland and Peter McIntyre for the Olympic Swimming Pool (1956). Ann Carew 2018dye, paper, garden design, kew -
Brimbank City Council Art Collection
Pencil Sketch, Marilyn Mendenbach (Cardinal), Daffodils, 1979
Marilyn Medenbach was a local community craft worker at Deer Park community health centreGraphite drawing of a daffodils, loose treatment, pencil -
Brimbank City Council Art Collection
Drawing - Pencil Sketch, The Transplant, 1982
UnknownMendenbach, Marilyn. The Transplant. 1982, pencil sketch, Brimbank City Council Art Collection, BrimbankMixed media, water soluble pencil and gouchemarilyn mendenbach, 1982 -
Brimbank City Council Art Collection
Pencil sketch, Marilyn Mendenbach (Cardinal), Leaf study, 1982
Marilyn Medenbach was a local community craft worker at Deer Park community health centreWater soluble pencil and gouache -
University of Melbourne, Burnley Campus Archives
Plan, Percy Everett, Sketch for Administration Office for the Egg-Laying Competition, 1947
Coloured architect's drawing of proposed Administration Office for the Egg-laying Competition, by Percy Everett, Chief Architect dated 2.12.47. Not sure if ever executed but may have been sold off to Amrad/GEegg laying, competition, percy everett -
University of Melbourne, Burnley Campus Archives
Plan - Photocopy, Sketch Plan, 1929
Photocopy of hand drawn plan of Section of Site indicating proposed irrigation. Probably from A.W. Jessep memos 1929.irrigation, a.w. jessep -
Surrey Hills Historical Society Collection
Digital photo, Original indian ink sketch of Rotunda by Alan J Holt at Surrey Hills garden
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Federation University Art Collection
Drawing - Ink sketch, "Man in Circle" by John Brisbane, 1960
This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.art, artwork, john brisbane, brisbane, ink, ink sketch, sketch, drawing -
The Dunmoochin Foundation
Oil Painting, Sketch of 'Mim Karlin', 1975
Portrait of a woman with red hair standing in front of a draped window. Dated (L.r) 'Nov '74 Jan '75'.clifton pugh, painting, portrait, mim karlin -
Kew Historical Society Inc
Drawing - Property Illustration, Margaret Picken, 1 Adeney Avenue, Kew, 1995
After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for real estate agents in Melbourne between c.1983 and c.2005. Each work is signed and dated by the artist. Gift of Margaret Picken, 2020Pen and ink drawing on drafting film of 1 Adeney Avenue, Kew by Margaret Picken. The drawing, created in 1995, was commissioned from the artist by Woodards, Hawthorn. 1 ADENEY AVE., KEW / MARGARET PICKEN ~95 / WOODARDS, HAWTHORNarchitectural sketches -- houses -- kew (vic.), artist -- margaret picken 1950-, 1 adeney avenue -- kew (vic.) -
Kew Historical Society Inc
Drawing - Property Illustration, Margaret Picken, 7 Adeney Avenue, Kew, 1994
After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c.1983 and c.2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink drawing on drafting film of 7 Adeney Avenue, Kew by Margaret Picken. The drawing, created in 1994, was commissioned from the artist by Woodards, Kew.7 ADENEY AVE., KEW / MARGARET PICKEN ~94 / WOODARDS ~ KEWartist -- margaret picken 1950-, 7 adeney avenue -- kew (vic.), architectural drawings -- houses -- kew (vic.) -
Kew Historical Society Inc
Drawing - Property Illustration, Margaret Picken, 12 Adeney Avenue, Kew, 1991
After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c.1983 and c.2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink drawing on drafting film of 12 Adeney Avenue, Kew by Margaret Picken. The drawing, created in 1991, was commissioned from the artist by Woodards.12 ADENEY AVE., KEW / MARGARET PICKEN ~91 / WOODARDSartist -- margaret picken 1950-, 12 adeney avenue -- kew (vic.), architectural drawings -- houses -- kew (vic.) -
Kew Historical Society Inc
Drawing - Property Illustration, Margaret Picken, 38-40 Adeney Avenue, Kew, 1997
After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c.1983 and c.2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink drawing on drafting film of 38-40 Adeney Avenue, Kew by Margaret Picken. The drawing, created in 1997, was commissioned from the artist by Woodards, Camberwell.38-40 ADENEY AVE., KEW / MARGARET PICKEN ~91 / WOODARDS C'WELLarchitectural sketches -- houses -- kew (vic.), artist -- margaret picken 1950-, 38-40 adeney avenue -- kew (vic.) -
Kew Historical Society Inc
Drawing - Property Illustration, Margaret Picken, 38-40 Adeney Avenue, Kew, 1996
After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c.1983 and c.2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink drawing on drafting film of 38-40 Adeney Avenue, Kew by Margaret Picken. The drawing, created in 1996, was commissioned from the artist by Woodards, Balwyn.38-40 ADENEY AVE., KEW / MARGARET PICKEN ~96 / WOODARDS ~ BALWYNartist -- margaret picken 1950-, 38-40 adeney avenue -- kew (vic.), architectural drawings -- houses -- kew (vic.) -
Kew Historical Society Inc
Drawing - Property Illustration, Margaret Picken, 46 Adeney Avenue, Kew, 1988
After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c.1983 and c.2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink drawing on drafting film of 46 Adeney Avenue, Kew by Margaret Picken. The drawing, created in 1989, was commissioned from the artist by Woodards, Hawthorn.46 ADENEY AVE., KEW / MARG PICKEN ~88 / WOODARD ~ HAWTHORNarchitectural sketches -- houses -- kew (vic.), artist -- margaret picken 1950-, 46 adeney avenue -- kew (vic.) -
Kew Historical Society Inc
Drawing - Property Illustration, Margaret Picken, 84 Adeney Avenue, Kew, 2000
After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c.1983 and c.2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink drawing on drafting film of 84 Adeney Avenue, Kew by Margaret Picken. The drawing, created in 1989, was commissioned from the artist by Woodards, Hawthorn.84 ADENEY AVE., KEW / MARGARET PICKEN ~88 / FLETCHERS REAL ESTATEarchitectural sketches -- houses -- kew (vic.), artist -- margaret picken 1950-, 84 adeney avenue -- kew (vic.) -
Kew Historical Society Inc
Drawing - Property Illustration, Margaret Picken, 86 Adeney Avenue, Kew, 1997
After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c.1983 and c.2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink drawing on drafting film of 86 Adeney Avenue, Kew by Margaret Picken. The drawing, created in 1989, was commissioned from the artist by Woodards, Hawthorn.86 ADENEY AVE., KEW / MARGARET PICKEN ~88 / WOODARDS ~ HAWTHORNarchitectural sketches -- houses -- kew (vic.), artist -- margaret picken 1950-, 86 adeney avenue -- kew (vic.) -
Kew Historical Society Inc
Drawing - Property Illustration, Margaret Picken, 67 Alfred Street, Kew, 1987
After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c.1983 and c.2003. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink drawing on drafting film of 67 Alfred Street, Kew by Margaret Picken.67 ALFRED ST., KEW / MARG. PICKEN '87architectural sketches -- houses -- kew (vic.), artist -- margaret picken 1950-, 67 alfred street -- kew (vic.) -
The Adam Lindsay Gordon Commemorative Committee Inc.
Book, Charlie Hammond's Sketch-Book- Introduced by Christopher Fry- Oxford University Press- 1980
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The Adam Lindsay Gordon Commemorative Committee Inc.
Sketch-book, Charlie Hammond's Sketch-Book- Introduced by Christopher Fry- Melbourne University Press
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Tatura Irrigation & Wartime Camps Museum
Sketch, Carl Kubler, 1937
Brown wooden framed, blue/grey mat, pencil drawing of plan of Sarona featuring streets and houses, fields and plantations.Sarona Deutsche Kalone Jaffa Palaestine Januar 1937 Prod Von Carl Kublercarl kubler, camp internee sketches, sarona palestine, magdalen kubler -
Tatura Irrigation & Wartime Camps Museum
Sketch, Mr. A Koenig, Portrait of a Lady, 1940's
Portrait of Gerda Decker in her role as Das Fuchen in Aus Dem Zerbrochenen Krug. Artist A. Konig was a graphic artist in Sydney and interned in compound A in camp 3 in 1940.Head and shoulders portrait of a lady with plaits wearing a Dutch bonnet, cream blouse and blue check, possibly apron, over the top of the blouse. Neck on the reverse of the bonnet match the check in the blouse.gerda decker, das fuchen, a. koenig -
Tatura Irrigation & Wartime Camps Museum
Photograph, Camp 2 sketch by Fred Lowenstein, 1942 (painting)
Photograph of painting by Fred Lowenstein (name changed to Fred Lowen).Photographic copy of a water colour painting of internment camp huts with timber posts in foreground.dunera, camp 2, fred lowen, fred lowenstein, ww2 internee artists, camp 2 artists, internment camp 2 artists -
Tatura Irrigation & Wartime Camps Museum
Sketch, 1941 - 1943
Army hut, 4 windows, door midway, tree partly covering door, lady in ankle length approaching door. A rainwater tank is on the end of the hut which has a central brown door with 4 1/2 brown stripes. Behind is a long pole and fence. The windows are yellow as are tall flowers along the side. Yellow wooden frame.Anni Lorenz und ihrer mutter frau Martha Graze zur erinnerung an labutt (?). Bottom left hand corner in Hospital Camp 3. Tatura Aust. 1941-1943 DV or 1943. B Comp C D S Tat.sketch - pencil, lorenz a, camp 3, tatura, illustrations, pencil