Showing 3825 items
matching tape
-
Flagstaff Hill Maritime Museum and Village
Container - Bottle, 1840s to 1910
This handmade ‘gallon’ style of bottle was generally used for storing and transporting wine and ale. Many bottles similar to this one have their bases embossed with “6 TO THE GALLON”. It is one of many artefacts recovered from unidentified shipwrecks along Victoria’s coast between the late 1960s and the early 1970s. It is now part of the John Chance Collection. The capacity of this is one-sixth of a gallon (imperial measure), which is equal to 758 ml. (American bottles were often inscribed “5 TO THE GALLON”, which is one-fifth of an American gallon, equal to 757 ml.) Contemporary home brewers can purchase new ‘6 to gallon’ bottles that hold 750 ml. and are sold in cases of 36 bottles, which is equal to 6 gallons of wine. Glass was made thousands of years ago by heating together quartz-sand (Silica), lime and potash. Potash was obtained from burnt wood, but these days potash is mined. The natural sand had imperfections such as different forms of iron, resulting in ‘black’ glass, which was really dark green or dark amber colour. The ‘black’ glass was enhanced by residual carbon in the potash. Black glass is rarely used nowadays but most beer, wine, and liquors are still sold in dark coloured glass. Glass vessels were core-formed from around 1500 BC. An inner core with the vessel’s shape was formed around a rod using a porous material such as clay or dung. Molten glass was then modelled around the core and decorated. When the glass had cooled the vessel was immersed in water and the inner core became liquid and was washed out. Much more recently, bottlers were crafted by a glassblower using molten glass and a blow pipe together with other hand tools. Another method was using simple moulds, called dip moulds, that allowed the glass to be blown into the mould to form the base, then the glassblower would continue blowing free-form to shape the shoulders and neck. The bottle was then finished by applying a lip. These moulded bottles were more uniform in shape compared to the free-form bottles originally produced. English glassblowers in the mid-1800s were making some bottles with 2-piece and 3-piece moulds, some with a push-up style base, sometimes with embossing in the base as well. Improvements allowed the moulds to also have embossed and patterned sides, and straight sided shapes such as hexagons. Bottles made in full moulds usually displayed seam seams or lines. These process took skill and time, making the bottles valuable, so they were often recycled. By the early 20th century bottles were increasingly machine made, which greatly reduced the production time and cost. This bottle is historically significant as an example of a handmade, blown inscribed glass bottle manufactured in the mid-to-late 1800s for specific use as a liquor bottle with a set measurement of one-sixth of gallon. It is also historically significant as an example of liquor bottles imported into Colonial Victoria in the mid-to-late 1800s, giving a snapshot into history and social life that occurred during the early days of Victoria’s development, and the sea trade that visited the ports in those days. The bottle is also significant as one of a group of bottles recovered by John Chance, a diver in Victoria’s coastal waters in the late 1960s to early 1970s. Items that come from several wrecks have since been donated to the Flagstaff Hill Maritime Village’s museum collection of shipwreck artefacts by his family, illustrating this item’s level of historical value. Bottle, brown glass, handmade. Tall slim Gallon style liquor bottle. Applied, double collar lip; square upper with flared lower. Neck has seams and shoulder seam from 3-piece mould. Body with horizontal ripples tapers inwards to base. Push-up base with pontil mark and embossed inscription. Tape over wire around mouth. Cork remnants inside mouth. Embossed on base "6 TO THE GALLON"flagstaff hill, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, shipwreck artefact, john chance, glass bottle, antique bottle, gallon bottle, 6 to the gallon bottle, handmade, dip mould, mouth blown, pontil mark, blown bottle, liquor bottle, ale bottle, double collar, 19th century bottle, collectable -
Flagstaff Hill Maritime Museum and Village
Container - Bottle, 1840s to 1910
This handmade ‘gallon’ style of bottle was generally used for storing and transporting wine and ale. Many bottles similar to this one have their bases embossed with “6 TO THE GALLON”. It is one of many artefacts recovered from unidentified shipwrecks along Victoria’s coast between the late 1960s and the early 1970s. It is now part of the John Chance Collection. The capacity of this is one-sixth of a gallon (imperial measure), which is equal to 758 ml. (American bottles were often inscribed “5 TO THE GALLON”, which is one-fifth of an American gallon, equal to 757 ml.) Contemporary home brewers can purchase new ‘6 to gallon’ bottles that hold 750 ml. and are sold in cases of 36 bottles, which is equal to 6 gallons of wine. Glass was made thousands of years ago by heating together quartz-sand (Silica), lime and potash. Potash was obtained from burnt wood, but these days potash is mined. The natural sand had imperfections such as different forms of iron, resulting in ‘black’ glass, which was really dark green or dark amber colour. The ‘black’ glass was enhanced by residual carbon in the potash. Black glass is rarely used nowadays but most beer, wine, and liquors are still sold in dark coloured glass. Glass vessels were core-formed from around 1500 BC. An inner core with the vessel’s shape was formed around a rod using a porous material such as clay or dung. Molten glass was then modelled around the core and decorated. When the glass had cooled the vessel was immersed in water and the inner core became liquid and was washed out. Much more recently, bottlers were crafted by a glassblower using molten glass and a blow pipe together with other hand tools. Another method was using simple moulds, called dip moulds, that allowed the glass to be blown into the mould to form the base, then the glassblower would continue blowing free-form to shape the shoulders and neck. The bottle was then finished by applying a lip. These moulded bottles were more uniform in shape compared to the free-form bottles originally produced. English glassblowers in the mid-1800s were making some bottles with 2-piece and 3-piece moulds, some with a push-up style base, sometimes with embossing in the base as well. Improvements allowed the moulds to also have embossed and patterned sides, and straight sided shapes such as hexagons. Bottles made in full moulds usually displayed seam seams or lines. These process took skill and time, making the bottles valuable, so they were often recycled. By the early 20th century bottles were increasingly machine made, which greatly reduced the production time and cost. This bottle is historically significant as an example of a handmade, blown inscribed glass bottle manufactured in the mid-to-late 1800s for specific use as a liquor bottle with a set measurement of one-sixth of gallon. It is also historically significant as an example of liquor bottles imported into Colonial Victoria in the mid-to-late 1800s, giving a snapshot into history and social life that occurred during the early days of Victoria’s development, and the sea trade that visited the ports in those days. The bottle is also significant as one of a group of bottles recovered by John Chance, a diver in Victoria’s coastal waters in the late 1960s to early 1970s. Items that come from several wrecks have since been donated to the Flagstaff Hill Maritime Village’s museum collection of shipwreck artefacts by his family, illustrating this item’s level of historical value. Bottle, brown glass, handmade. Tall slim Gallon style liquor bottle. Applied double collar lip; square upper and flared lower. Neck has seams and shoulder seam from 3-piece mould. Body tapers towards base. Push-up base with pontil mark and embossed inscription. Base is uneven. Mouth has remnants of the seal in it and tape remnants around its outside. Embossed on base "6 TO THE GALLON"flagstaff hill, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, shipwreck artefact, john chance, glass bottle, antique bottle, gallon bottle, 6 to the gallon bottle, handmade, dip mould, mouth blown, pontil mark, blown bottle, liquor bottle, ale bottle, double collar, 19th century bottle, collectable -
Bendigo Historical Society Inc.
Clothing - PAIR OF SPATS, 1900-1920
Gentleman's fawn suede fabric spats. Seams and edges are lined with 2 cm wide cotton tape. The opening edges have four plastic one cm buttons, and four stitched buttonholes A tapered leather strap ( 2.5 cm tapering to 1.5 cm ) fastens with a nickel -(silver) buckle. This strap passes underneath the instep. Leather lining at top of spats, gives a piping of leather effect on the outside.Mansfield and Sons Ltd. An english Manufacturer.costume, male footwear, spats -
Bendigo Historical Society Inc.
Document - COHN BROTHERS COLLECTION: DOUBLE LAYER PARCEL
[a] Related to 2218 - 501. Paper double layer parcel fastened with adhesive tape captioned in handwriting, 'Register of Company Annual Returns of Cohn Bros' 1907-1962. Handprinted inside; Attention Mr Moyles, Cohns Bros Ltd, Bridge St Bendigo. From Containers Ltd, Newman St Thornbury Vic. [b] Stack of Annual List of Summary and Shares for years 1907-1962 enclosed in parcel.bendigo, industry, cohn bros brewery -
Bendigo Historical Society Inc.
Clothing - WOMEN'S KNEE LENGTH WHITE COTTON BLOOMERS
Clothing. Women's knee length white cotton bloomers with straight waistband (6 cm wide). Two side openings (21 cm). Originally fastened with cotton tape ties attached to waistband. Ties have been removed. Leg sections gathered into waistband with pleating. Triangular gusset n back seam.Legs trimmed at hem with cream coloured crocheted lace (11.5 cm) edged with light blue.costume, female underwear, women's white cotton bloomers -
Bendigo Historical Society Inc.
Book - HANRO COLLECTION: SHARE REGISTER - 8% CUMULATIVE PREFERENCE SHARES 1926
Book with a blue cloth type cover and dark red tape spine. Index at the front. Dated July 1926. Written inside the front cover. The Supreme Court of Victoria. This Register marked 'A' mentioned and referred to in the affidavit of Ernest Frederick Grangersworn on 18/6/1929, produced and shownto him at the time of swearing thereof. Signed, a Commissioner of the Supreme Court of Victoria for taking affidavits. Book only partly used.hanro, clothing, share register, hanro collection - share register - 8% cumulative preference shares 1926, mary anderson, william crowley, alexander lewis robertson goldie, caroline mary goldie, mabel gittins, francesca maranta, marie maranta, william bowman hanna neill, william hall russell -
Geoffrey Kaye Museum of Anaesthetic History
Blade, Laryngoscope, Soper, circa 1947
A Soper straight laryngoscope blade adult size with bulb only. The blade has minor scratches over its surface and below the arm's blade because of its use. Presence of an old sticky tape mark under the blade. The contact stud at the base of the blade is worn. The end of the blade has a perforated line as part of its design. The metallic base of the light bulb has an oxide spot on it. No inscriptions. No inscriptionssoper, laryngoscope, blade, adult, light bulb -
Hume City Civic Collection
Photograph
The Heffernan family posed outside their home. The house is a classical weatherboard surrounded by verandah. The surrounding area is very bare. The family group is comprised of a bearded gentleman, a woman, 1 young man with a bike, 3 boys and 2 young women.The photo is mounted on a grey cardboard matt. It is foxed and has 2 pin holes centre top and an area of residual staining from sticking tape centre top.Matson and Frazer HEFFERNAN FAMILY 264 Lt Collins St Heaves House High School On back: Eric Boardmaneric boardman collection, heffernan family, houses, racecourse road, macedon street, sunbury, heaves house, high school, george evans collection -
Yarrawonga and Mulwala Pioneer Museum
Leisure object - Child’s Nursery Rhyme colouring book, Mother Goose Rhyme book
At top of first page an inscription "St Luke's Sunday School" Alberton. Hector Irvine 3rd prize, Sister Winifred SuptA child's rhyme book with pictures to colour in. Ten pages printed on both sides with a card cover. Very poor condition, edges of pages dog eared and mended with sticky tape. The back cover has been replaced by card from a 1959 Bennett's store Wandiligong calendar. The spine has been reinforced with brown paper. Most pictures have been coloured in. Contains about 50 rhymes.Bottom of first page "With pictures to colour" No 10 An Australian Production, Copyright by Gunn and Taylor pty Ltd -
Whitehorse Historical Society Inc.
Textile - Tape Lace in large illustrated envelope
White tape lace on a card which is enclosed in a large illustrated envelope. The mid 19th century 'Renaissance Lace' is wound around cardboard which is in the large envelope. The lace depicts five petaled daisies with an eyelet on each side. The envelope is illustrated with drawings of snowdrops. It opens on the front with small snowdrops drawn around the square opening. On the right hand top corner there is a drawing of mountains with a village in the valley.'Snow-Bleach Embroidery' Man. in Switzerland. Guaranteed to retain its Snow-Whiteness. 'All Cotton' No. 83177 20yds E600handcrafts, lacemaking, documents, envelopes -
Tennis Australia
Racquet, Circa 1920
A wooden racquet with a convex throat, and altered handle. Inscription across throat on obverse: 1920/SPECIAL. Red and yellow Reach 'baseball' trademark features on throat on reverse. Manufacturing details feature across right side of stem: A.J. REACH/MAKERS. Trademark is also stamped onto butt cap. Materials: Wood, Gut, Metal, Lacquer, Glue, Ink, Paint, Leather, Cloth tape, Stringtennis -
Wangaratta High School
WHS 80th Anniversary History Book, A Diary of Five Years in the Life of a School, 1989
Marks the 80th Anniversary of Wangaratta High Schools educational service since opening in 1909 under the name Wangaratta Agricultural High School.A4 stapled book with black tape enclosing spine. Black and white cover printed on yellow paper feature the name of the school accompanied by the school logo and the dates 1984-1988. Below this is a black and white photo of Wangaratta High school students on an outdoor excursion simultaneously jumping for the photograph in front of a snowy mountain, with the caption 'students on top of the world'. Below this is the title and in the lower right corner is the publication information.WANGARATTA HIGH SCHOOL 1984-1988 students on top of the world A DIARY OF FIVE YEARS IN THE LIFE OF A SCHOOL. an 80th Anniversary publication 1909-1989 edited by D. & L. Barr -
Ballarat Tramway Museum
Audio - BTM Christmas running advert 3BA, 3BA radio station, Ballarat Tramways Ad, Dec. 1997
Used to promote the Ballarat Tramway Museum, Christmas Holiday period 1997. mp4 file added 22/12/2023Demonstrates a BTM radio advertisement.Audio cassette tape containing an approximate 20 second advertisement on the Ballarat Tramways Christmas running for use on the Ballarat Tourist Guide radio programme. Has Cafe Bysani? ads on either side as well. Produced Dec. 1997 by 3BA. Has 3BA and Power FM 103.1 logos on the paper cover. Written by Len Millar. 2nd copy ex Len Millar added 2/2004.tramways, trams, btm, 3ba, ballarat tourist radio guide -
Ballarat Tramway Museum
Newspaper, Herald Sun, "Bring back trams bid", 25/01/1996 12:00:00 AM
Item in the Melbourne Herald Sun newspaper, 25/1/1996 that the State Government had pledged excess W class trams to a planned Ballarat Tramway. Reports on the public meeting on the previous Tuesday, comments on proposals. Notes comments by Vern Robson, Chief Commissioner City of Ballarat, Public Transport Minister Alan Brown. Written by Claire Heaney. Has the newspaper details and date taped alongside item.trams, tramways, feasibility study, w-class trams, ballarat city tramway, ballarat revival -
Tennis Australia
Racquet, Circa 1950
Wooden racquet with a blue painted throat, and a yellow painted stem. Inscription featured across both sides of the racquet: HAWTHORNE/MEDALIST/M/W/SPEED FLEX/FIBRE FACE. Inscription around the inside of the base of the racquet head: MADE IN BELGIUM. Decal inscription across the crown on obverse: STRATA-BOW. Materials: Wood, Nylon, Ribbon, Fibreglass, Leather, Plastic, Adhesive tape, Ink, Glue, Lacquertennis -
Tennis Australia
Racquet, Circa 1965
A wooden racquet painted from throat to handle, with brown leather handle grip, and white plastic butt cap. Decal inscription across base of head on obverse: SLAZENGER. Below on throat is a decal image of the Slazenger 'Black Panther' trademark. Along the left side of the stem is inscription: DEMON. Materials: Wood, Paint, Leather, Ink, Adhesive tape, Nylon, Ribbon, Metal, Glue, Lacquer, Plastictennis -
Tennis Australia
Racquet, Circa 1972
A wooden racquet painted with a black and white design, from shoulders to handle, with black synthetic handle grip, and white plastic butt cap. Decal inscription across base of head on obverse: SLAZENGER. Below on throat is a decal image of the Slazenger 'Black Panther' trademark. Along the right side of the stem is inscription: DEMON. Materials: Wood, Paint, Adhesive tape, Nylon, Metal, Glue, Lacquer, Plastictennis -
Tennis Australia
Racquet, Circa 1942
An Ellsworth Vines Blue Ace tennis racquet. Decal head and neck image of Vines features on throat. Racquet features perforated leather handle grip. Inscription along left side of stem: WILSON SPORTING GOODS CO./MADE IN U.S.A. Scratched name, 'FRANK' features along stem on obverse. Materials: Wood, Plastic, Ink, Leather, Metal, Glue, Lacquer, Paint, Adhesive tapetennis -
Tennis Australia
Racquet, Circa 1960
A Wilson Speed Flo racquet, with 'SUPER-FLEX SHAFT', red painted throat and shaft, black-painted shoulder undersides, perforated black leather grip, and white cloth butt cover with red-stitched 'W' trademark. Inscription: WILSON/SPEED FLO/SPEED FLEX/FIBRE FACE. Materials: Wood, Nylon, Glue, Lacquer, Metal, Leather, Adhesive tape, Paint, Ink, String, Cloth, Ribbontennis -
Tennis Australia
Racquet, Circa 1942
A Wilson Famous Player Series, Don Budge Super Stroke tennis racquet. Shaft features a decal head and neck illustration of Budge. Base of head features Wilson logo in banner device behind 'W' trademark. Leather handle grip features four-leaf clover perforations. Materials: Wood, Nylon, Leather, Adhesive tape, Ink, Glue, Lacquer, Metal, Plastic, Paint, Stringtennis -
Tennis Australia
Racquet, Circa 1976
A Rawlings, John Newcombe Finalist tennis racquet, with ribbon whipping on shoulders and shaft, and leather handle grip with triangle-patterned perforations. Rawlings logo features across crown, and base of head. Model name features across throat. Cursive 'R' trademark features on lower shaft and in sunken butt cap. Materials: Wood, Nylon, Ink, Glue, Lacquer, Metal, Plastic, Adhesive tape, Leather, Ribbontennis -
Tennis Australia
Racquet, Circa 1940
A Cortland President tennis racquet, with string whipping on shoulders, and leather handle grip with quatrefoil perforations. Base of head on obverse features Courtland logo, and on reverse, the model name. Throat features decal of Courtland trademark, featuring stylised image of male playing tennis within a red triangle device. Materials: Wood, Nylon, Adhesive tape, Leather, Cloth, Ink, String, Glue, Lacquer, Metaltennis -
Tennis Australia
Racquet, Circa 1976
A Garcia International GT-77 tennis racquet, with string whipping around shoulders and shaft, and vinyl handle featuring X-formation perforations. Company logo features across base of head. Model name features along shaft. Garcia 'G' trademark features on lower shaft and plastic butt cap. Materials: Wood, Nylon, Vinyl, Plastic, Ink, Adhesive tape, Glue, Lacquer, Metal, Painttennis -
Tennis Australia
Racquet, Circa 1975
A Garcia Dreadnought Driver tennis racquet, with plastic ribbon whipping around shoulders and shaft, and leather handle featuring X-formation perforations. Company logo features across base of head. Model name features along shaft. Garcia 'G' trademark features on plastic butt cap (now missing). Materials: Wood, Nylon, Leather, Plastic, Ink, Adhesive tape, Glue, Lacquer, Metaltennis -
Tennis Australia
Racquet, Circa 1973
A Seamco International Cup tennis racquet, with string whipping around shoulders, and, leather handle grip with X-formation perforations. Model name features across base of head and throat, accompanied by star and wreath devices. Seamco logo features along the shaft. Seamco trademark symbol features on lower shaft. Materials: Wood, Nylon, Leather, Plastic, Ink, Adhesive tape, Glue, Lacquer, Metal, Stringtennis -
Tennis Australia
Racquet, Circa 1967
A Dunlop, Rod Laver, Professional tennis racquet, with ribbon whipping around shoulders, plastic whipping around shaft, and leather handle grip with patterned perforations. Model name features across base of head and throat. 'D' trademark in arrowhead device, in front of wreathed globe, features across base of the shaft. Materials: Wood, Nylon, Ribbon, Ink, Leather, Glue, Lacquer, Metal, Adhesive tapetennis -
Tennis Australia
Racquet, 1981
A Dunlop "McEnroe tennis racquet, with oversize frame, and ribbon whipping around shoulders. Model name features across base of head. Dunlop logo and trademark feature on left and right sides of shaft, across throat and along shaft. 'D' trademark in arrowhead device also features on plastic butt cap. Materials: Wood, Nylon, Plastic, Ink, Leather, Glue, Lacquer, Metal, Ribbon, Adhesive tapetennis -
Tennis Australia
Racquet, Circa 1983
A Dunlop McEnroe Junior tennis racquet, with midsize frame. Model name features across base of head. Dunlop logo and trademark feature on all four sides of shaft, and repeatedly across the handle grip. 'D' trademark in arrowhead device also features on black plastic butt cap. Materials: Wood, Nylon, Plastic, Ink, Leather, Glue, Lacquer, Metal, Ribbon, Adhesive tape, Enameltennis -
Tennis Australia
Racquet, Circa 1983
A Dunlop Maxply McEnroe tennis racquet, with fibreglass reinforced shoulders. Model name features across base of head. Dunlop logo and trademark feature on all four sides of shaft, and repeatedly across the handle grip. 'D' trademark in arrowhead device also features on black plastic butt cap. Materials: Wood, Plastic, Ink, Leather, Glue, Lacquer, Metal, Adhesive tape, Fibreglass, Nylontennis -
Tennis Australia
Racquet, Circa 1969
A Spalding Woodstar, "Interclub" model tennis racquet with whipping on shoulders, leather hand grip and white plastic butt cap. Manufacturer's name features along shaft. 'S' symbol on butt cap; model name across base of head. Star symbol spray-painted across net. Materials: Wood, Metal, Lacquer, Glue, Ink, Nylon, Paint, Leather, Plastic, Adhesive tape, Stringtennis