The Melbourne Hunt Club was founded by Mr George Watson in 1852 with hounds brought to Australia from Ireland and moved its headquarters a number of times as the city grew between 1897 and 1929, The kennels were originally at Kirk's Bazaar, in Bourke Street, Melbourne, subsequently they moved to St Kilda, Caulfield, Deer Park, Oakleigh, Cranbourne and finally to their current location in Packenham. Oakleigh was the favoured spot, mainly because of the railway and the unloading ramp at the station. Riders and horses arrived on special trains and hunted over the surrounding market gardens, but not without friction. After 1929, significant numbers of Hunt Club members had access to motorized horse transport and besides, Oakleigh was becoming too built up. The Hunt Club moved on to Cranbourne The club maintains the oldest continual pack of hounds in Australia. The Melbourne Hunt Club was founded 1852 by George Watson and imported foxhounds from Ireland. As the Melbourne suburbs spread the Club moved several times. 1920 it was in Oakleigh and now is possibly situated in Packenham Black & White photograph showing men riding horses with a pack of hounds coming down a dirt road . Houses and vacant land in backgroundwatson george, oakleigh, melbourne hunt club, smith j l; smith mary ann, stanley helen, smith vic, smith harry redvers, chaff cutter, horse drawn carts, toll gates brighton, motor cars 1900, steam engines, early settlers, bentleigh, parish of moorabbin, city of moorabbin, county of bourke, moorabbin shire, king richard, charman s, highett william, ormond francis, maynard dennis, market gardeners, vineyards, orchards

bentleigh, city of moorabbin, bentleigh recreational reserve, william burgess, fundraising, volunteers, sportbentleigh, city of moorabbin, bentleigh recreational reserve, william burgess, fundraising, volunteers, sport

These type of brown paper grocery bags were commonly supplied by SSW Supermarkets, and also by other Supermarkets. The customers generally packed their own grocery purchases into the bags, while the checkout people were engaged in the time consuming process of accurately entering by hand, the price of each item into the cash registers. One local SSW Supermarket was situated on Sun Crescent in Sunshine. The introduction of stronger plastic film grocery bags and barcode scanning saved time, and the checkout person took over the role of packing the grocery purchases. In recent times customers who use the self check out terminals have again assumed the role of packing their own groceries. The environment polluting plastic bags however still remain, unless the customers bring their own 'green' bags.These two brown paper grocery bags provide a historical reminder of how grocery purchases were taken home from Supermarkets in the not too distant past. It is likely that many of the younger generation have no idea of how the paper grocery bags looked like, or that they were once used instead of plastic bags.Two brown paper bags which were available for free in SSW Supermarkets, so that customers could pack their grocery purchases to be able to take them home. The bags have SSW advertising printed on them in red, yellow, and navy blue inks.Large Bag: We Shop at .... SSW FOODSTORES STILL THE CHEAPEST DAY IN, DAY OUT! Smaller Bag: SSW SUPERMARKETS Still THE CHEAPEST DAY IN .... DAY OUT!brown paper grocery bag, ssw supermarket, food, grocery purchases, groceries.

Vipoo Srivilasa works predominantly in ceramics, creating unique contemporary porcelain sculptures, vessels and figures to transmit a universal message of cross-cultural experience. His works explore similarities between the cultures of homeland, Thailand and his adoptive home, Australia. His work is both a playful, and at times a political, blend of historical figurative and decorative art practices with contemporary culture. For more than 20 years, Vipoo has exhibited both internationally and throughout Australia, including Museum of Fine Arts, Boston; Saatchi Gallery, London; Ayala Museum, Philippines; Yingge Ceramics Museum, Taiwan; Nanjing Arts Institute, China and the National Gallery of Thailand. His work is held in national and international collections including the National Gallery of Australia, the Art Gallery of South Australia, GOMA, and the Craft Council, UK.

Stawell Post Office on corner of Wimmera and Main Streets. Erected 1875. Telegraph pole and streetlamp in foreground. Akins store visible at right of photo. The building has 3 arched doors & 6 arched windows on the ground floor and 8 square windows on the top story. Two chimneys on the roof and a wrought iron square fence on the roof. The outside of the building has not changed while the interior has been remodelled several times. The early Postmasters and their families lived upstairs. The main room originally included the Telegraph office where operators worked at machines, sending and receiving Morse code messages. Later alterations were made for a telephone switchboard room downstairs, with trunk line equipment upstairs. In 1965 the telephone system was converted to automatic.Black & white photo of a two story building on the corner of Wimmera & Main St. The building the Stawell Post and Telegraph Office. Out the front of the Post office is a telegraph pole and a light post. Next door in Main St is a single story building with a sign over the building Argus Australasian, underneath Akins, Age/Leader possible a newsagent. stawell

Construction of the Colac-Beech Forest railway line commenced in 1900 and the first activities were the work gangs and their camps. About 100 men were engaged in laying and ballasting the track while others formed the earthworks and the building of culverts and bridges. The first camp was established eight kilometres from Colac, the second 12 km south, and the remainder spaced at similar distances as the work progressed. The camps were served by butchers and bakers from Colac that visited them as many times each week to satisfy the mens' requirements. Many of the men had their families with them. They all lived in tents that consisted of a wooden floor around which the canvas cover was built. A calico partition divided the eating and sleeping quarters, and all cooking was done in camp ovens or at open fires.B/W. 158mm x 203mm. Near Colac, a narrow gauge construction camp comprising 21 workmen, a horse, and two tipping trays.construction camp; railways; colac;

Used SEC 2/6 weekly ticket, ticket numbers B 209600. Originally printed and stapled into blocks of 20 tickets. The ticket is printed on a manila 210gsm card and printed using red ink to give day numbers, monthly, week number, transfers, and day of the week, excluding Sunday. Numbered on the right end of the ticket. Static number (1 - 7) on left indicates maybe the day of the issue. The ticket has been nipped in the day spaces 8 times and has been nipped for the month of April and week 1. On the rear of the ticket is the details of the ticket use, allowing the passenger one return journey between City and section 3 or 4. Not available on Sundays. The ticket was located on a tram behind a sandbox during maintenance works. Possibly lost by the original user.Yields information about the use of SEC Ballarat weekly tickets.Medium weight manila card weekly ticket used by the SEC Tramways in Ballarat - No. B209600.trams, tramways, tickets, weekly tickets, ballarat, secv tramways

Typed copies of documents regarding the use of Season, weekly tickets and other tickets on the Ballarat Tramways, operated by the Electric Supply Co. of Victoria (ESCo). These sheets are not necessarily in the correct order and other sheets may be missing. Notes the proposed system, a trial, advantages, disadvantages, whether two or four trips per day (that is allow for lunch times), extension from 8.30 am to 9am?, costs, where weekly tickets would be sold (at the Showroom in Sturt St, near Lydiard St), order for tickets from ticket printers, instructions to crews, schedule of tickets issued for each run, ticket order letter - placed with J J Miller Printing, copy of a change of the agreement with the ATEA regarding Conductor's Shorts and Overs (similar conditions applied to Ballarat), and extension of 1d and 2d sections.Yields information about the use of Weekly tickets on the Ballarat tramways in 1924 to 1926Set of nine sheets on blue foolscap paper, typed - Notes on Weekly Tickets, Ballarat Tramways 1924 to 1926trams, tramcars, tickets, weekly tickets, conductors, ballarat, esco, shortages, overs and unders

"Villa Alba is of significance for the outstanding late Victorian painted decoration throughout its interior. The consistently high standard of design in the decoration, and high, and at times, superb quality of its execution, the variety of illustrative techniques, the variety of illusionist effects and the hierarchy of treatments between the rooms of the house all contribute to the significance. The decorative scheme is also of significance as a fine example of the work of the leading Melbourne decorators, the Paterson Brothers. It is one of their first interiors to depart totally from the use of pre-prepared wallpapers of repetitive designs and it is a rare and comprehensive extant example of their domestic work. The decorative schemes in the ground floor hall, the dining room, the drawing, the vestibule, the stair hall, the upper hall, bedroom 1 and the boudoir are also individually of significance as outstanding examples of Victorian decoration.." (Victorian Heritage Database, 2023)This work forms part of the collection assembled by the historian Dorothy Rogers (1905-1973), donated to the Kew Historical Society by her son in 2015. The manuscripts, photographs, maps, and documents were sourced by her from both family and local collections or produced as references for her print publications. Many were directly used by Rogers in writing ‘Lovely Old Homes of Kew’ (1961) and 'A History of Kew' (1973), or the numerous articles on local history that she produced for suburban newspapers. Most of the photographs in the collection include detailed annotations in her hand. The Rogers Collection provides a comprehensive insight into the working habits of a historian from the 1960s to the 1970s. Original print monochrome photograph of a section of the drawing room ceiling in 'Villa Alba', Walmer Street (Kew)Annotation on reverse: "Villa Alba ceilings. [Stamp - The Royal Women's Hospital, 212 Cardigan Street, Carlton. With Compliments of Public Relations Office]"dorothy rogers, villa alba museum, paterson bros, interior decoration -- 1880s

"Villa Alba is of significance for the outstanding late Victorian painted decoration throughout its interior. The consistently high standard of design in the decoration, and high, and at times, superb quality of its execution, the variety of illustrative techniques, the variety of illusionist effects and the hierarchy of treatments between the rooms of the house all contribute to the significance. The decorative scheme is also of significance as a fine example of the work of the leading Melbourne decorators, the Paterson Brothers. It is one of their first interiors to depart totally from the use of pre-prepared wallpapers of repetitive designs and it is a rare and comprehensive extant example of their domestic work. The decorative schemes in the ground floor hall, the dining room, the drawing, the vestibule, the stair hall, the upper hall, bedroom 1 and the boudoir are also individually of significance as outstanding examples of Victorian decoration.." (Victorian Heritage Database, 2023)This work forms part of the collection assembled by the historian Dorothy Rogers (1905-1973), donated to the Kew Historical Society by her son in 2015. The manuscripts, photographs, maps, and documents were sourced by her from both family and local collections or produced as references for her print publications. Many were directly used by Rogers in writing ‘Lovely Old Homes of Kew’ (1961) and 'A History of Kew' (1973), or the numerous articles on local history that she produced for suburban newspapers. Most of the photographs in the collection include detailed annotations in her hand. The Rogers Collection provides a comprehensive insight into the working habits of a historian from the 1960s to the 1970s. Original print monochrome photograph of a section of the entrance hall ceiling in 'Villa Alba', Walmer Street (Kew)Annotation verso: "Villa Alba, Walmer Street (Kew)"dorothy rogers, villa alba museum, paterson bros, interior decoration -- 1880s

"Villa Alba is of significance for the outstanding late Victorian painted decoration throughout its interior. The consistently high standard of design in the decoration, and high, and at times, superb quality of its execution, the variety of illustrative techniques, the variety of illusionist effects and the hierarchy of treatments between the rooms of the house all contribute to the significance. The decorative scheme is also of significance as a fine example of the work of the leading Melbourne decorators, the Paterson Brothers. It is one of their first interiors to depart totally from the use of pre-prepared wallpapers of repetitive designs and it is a rare and comprehensive extant example of their domestic work. The decorative schemes in the ground floor hall, the dining room, the drawing, the vestibule, the stair hall, the upper hall, bedroom 1 and the boudoir are also individually of significance as outstanding examples of Victorian decoration.." (Victorian Heritage Database, 2023)This work forms part of the collection assembled by the historian Dorothy Rogers (1905-1973), donated to the Kew Historical Society by her son in 2015. The manuscripts, photographs, maps, and documents were sourced by her from both family and local collections or produced as references for her print publications. Many were directly used by Rogers in writing ‘Lovely Old Homes of Kew’ (1961) and 'A History of Kew' (1973), or the numerous articles on local history that she produced for suburban newspapers. Most of the photographs in the collection include detailed annotations in her hand. The Rogers Collection provides a comprehensive insight into the working habits of a historian from the 1960s to the 1970s. Original print monochrome photograph of a section of a ceiling in 'Villa Alba', Walmer Street (Kew)Annotation verso: "Villa Alba, Walmer Street (Kew)"dorothy rogers, villa alba museum, paterson bros, interior decoration -- 1880s

Spenceycroft was home of James and Elizabeth Rayment, who had a dairy farm in the area in the 1870s. The house was located in Canterbury Road next to the Surrey Hills Presbyterian Church. For many years, it was hidden behind a large fence sheltering it from the noise of traffic along Canterbury Road. It has been claimed that it incorporated part of the original farmhouse built on the site by George Klepper, who planted a vineyard in the area. George’s family was one of a number of German families who settled in Surrey Hills during the later part of the 19th century. In recent years Spenceycroft was sold several times and became increasingly derelict. Since its last sale, it has been demolished. Some of the above may be in error. Research is currently being undertaken to authenticate claims previously asserted.A black and white photograph of the rear of some buildings from Russell Street, at the rear of 'Spencecroft'.house names, spenceycroft, spencecroft, russell street, surrey hills, james rayment, (mrs) elizabeth rayment

Prior to the election of female Councillors and Mayors from the 1960’s onwards the Mayoress role was one of the few ways women could be active in civic life. Mayoresses made important contributions to their local communities through their charity work and as ambassadors for their region on a state and at times, international level. They also undertook some Mayoral duties on occasions when the Mayor was unavailable. Annie Irene Michelsen (nee Tussup) born Huntly (1870-1955). Mayoress 1926/1927, 1935/1936, 1942/1943. Wife of Cr John Andrew Michelsen OBE. Pioneer in the field of social work and regarded as a woman of tremendous vitality and versatility. Known as an outstanding horse woman and breeder of standardbreds for harness racing. Member numerous sporting clubs and foundation president of the Bendigo Nurses Association. Framed, oval photographic studio portrait. Hand coloured detail. Mrs. Michelsen wore a gown of black crepe eros, cut to mould the figure and fall into a train at the back. A cascade eflect of gold lame from one shoulder to the hem in front gave graceful movement to the front of the gown, and wing draperies lined with gold lame were shirred to the shoulders of the square neckline. She wore a shoulder spray of golden orchids and carried a bouquet of old gold roses and golden leaves (1). The Argus (Melbourne, Vic. : 1848 - 1957) Wed 3 Jun 1936 annie tussup, mayoress michelsen, mayor michelsen, vincent kelly photographer, city of bendigo, city of greater bendigo portraits

Prior to the election of female Councillors and Mayors in the 1960’s, the Lady Mayoress role was one of the few ways women could be active in civic life. Mayoresses made important contributions to their local communities through their charity work and as ambassadors for their region on a state and at times, national level. Mayoresses were also required to undertake Mayoral duties on occasions when their husband was unavailable. Mayoress Snell was born in Durham UK. Mayoress Snell was the first Mayoress to wear the gold medallion which came with the office. It was presented on April 11th 1956 at the municipal centenary dinner at the Shamrock and was a gift from Sir George Lansell who followed in the tradition of his late father George Lansell in making a mayoral presentation in gold. (1) p 209 Jackman.Framed, oval photographic studio portrait. Hand coloured detail. Image is flat, glass is domed.cl; Mrs H. W. Snell / Mayoress 1955 - 56 1958 - 59 / 1959 - 60vincent kelly, studio photography, edith margaret snell, city of bendigo mayoress, city of greater bendigo portraits, lansell pendant

Purchased by Mr. & Mrs. H. N. Lord in 1970.Purchased by Mr. & Mrs. H. N. Lord in 1970. Cloisonné, a French word meaning "enclosed", is a metal-working technique. It is an ancient technique for decorating metalwork objects. The resulting objects can also be called cloisonné. The decoration is formed by first adding compartments or cells to the metal object. This is done by soldering or sticking silver or gold wires or thin strips placed on edge. These are visible in the finished piece, separating the different compartments. Coloured enamel is the usual filling for the cells. Cloisonné enamel objects are worked on with enamel powder made into a paste, which then is fired in a kiln. In older times inlays of cut gemstones were often used. They were decorated with geometric or schematic designs, with thick cloison walls. ICloisonne Chinese bowl. Large brown with blue and yellow floral design on a carved wooden base.bowls

Purchased by Mr. & Mrs. H.N. Lord in 1970. Purchased by Mr. & Mrs. H. N. Lord in 1970. Cloisonné, a French word meaning "enclosed", is a metal-working technique. It is an ancient technique for decorating metalwork objects. The resulting objects can also be called cloisonné. The decoration is formed by first adding compartments or cells to the metal object. This is done by soldering or sticking silver or gold wires or thin strips placed on edge. These are visible in the finished piece, separating the different compartments. Coloured enamel is the usual filling for the cells. Cloisonné enamel objects are worked on with enamel powder made into a paste, which then is fired in a kiln. In older times inlays of cut gemstones were often used. They were decorated with geometric or schematic designs, with thick cloison walls. IOrnamental miniature Chinese cloisonne vase. Has floral patterned design.vases

Purchased by Mr. & Mrs. H. N. Lord in 1970. Purchased by Mr. & Mrs. H. N. Lord in 1970. Cloisonné, a French word meaning "enclosed", is a metal-working technique. It is an ancient technique for decorating metalwork objects. The resulting objects can also be called cloisonné. The decoration is formed by first adding compartments or cells to the metal object. This is done by soldering or sticking silver or gold wires or thin strips placed on edge. These are visible in the finished piece, separating the different compartments. Coloured enamel is the usual filling for the cells. Cloisonné enamel objects are worked on with enamel powder made into a paste, which then is fired in a kiln. In older times inlays of cut gemstones were often used. They were decorated with geometric or schematic designs, with thick cloison walls. IBlue and gold patterned Chinese Cloisonne bowl with lid, with gold lion on top.bowls

After the first world war there was a decision made to create a memorial. Legatees were involved in the process at various times and capacities. In particular Legatee Kemsley was vocal when the idea of the St Kilda Road site, which was favoured early on, was overturned and in 1926 there was pressure to change to a "provision of square" and Cenotaph at the intersection of Spring and Bourke Streets. Legacy Clubs voiced their opposition to this proposal by passing a resolution "That the Melbourne Legacy Club, representative of the returned soldiers in business in this city, whilst welcoming the Anzac Square Scheme as a city improvement, cannot support it as a War Memorial scheme and affirms its support for the Shrine of Remembrance in the Domain as the only War Memorial worthy of Victoria's unparalleled efforts in the Great War." The document was in a file with other documents concerning the Shrine and it's history (01181 - 01190).A record of the events that led to the construction of the Shrine of Remembrance as noted by a Legatee. There was an effort to record historical events for the "Archive Committee" which collected this and other documents relating to the Shrine together in a file (see items 01181 - 01190)White A4 paper with black type written as a circular to Legacy members to outline Legacy's impact in the building the Shrine.memorial, shrine of remembrance

Black and white photo of a group of girls in elaborate costumes with headdresses in the backstage area of Melbourne Town Hall for an Annual Demonstration. They appear to be for the native American scene called 'Totem Tom Tom'. That routine was done several times with different costumes but this one matches the photo of a kayak on stage in 02314. The year is not known but it is in the 1940s or 1950s as the album was a collection of press photos taken during dress rehearsals from that time. Throughout the year Melbourne Legacy provided classes for Junior Legatees such as dancing, gymnastics and Eurythmics. The Demonstration was an annual event to showcase their skills. Melbourne Legacy conducted Annual Demonstrations / Parades from 1928 through to1979, usually held at Melbourne Town Hall. The beautiful costumes were made by members of the Junior Legacy Mothers' Club and the Melbourne Legacy Wives' Association.A record of the displays at the Annual Demonstrations. Also that Legacy provided classes for junior legatees and the skills learned were displayed in the Annual Demonstration.Black and white photo in an album of a group of girls in elaborate headresses backstage.junior legatees, demonstration, annual demonstration, girls classes, costumes

Black and white photo of a group of girls in elaborate costumes on the stage of the Melbourne Town Hall for an Annual Demonstration. They appear to be for the native American scene called 'Totem Tom Tom'. That routine was performed several times over the years with different costumes, but this one matches the photo of the girls backstage in Item 02313. The year is not known but it is in the 1940s or 1950s as the album was a collection of press photos taken during dress rehearsals from that time. Throughout the year Melbourne Legacy provided classes for Junior Legatees such as dancing, gymnastics and Eurythmics. The Demonstration was an annual event to showcase their skills. Melbourne Legacy conducted Annual Demonstrations / Parades from 1928 through to 1979, usually held at Melbourne Town Hall. The beautiful costumes were made by members of the Junior Legacy Mothers' Club and the Melbourne Legacy Wives' Association.A record of the displays at the Annual Demonstrations. Also that Legacy provided classes for junior legatees and the skills learned were displayed in the Annual Demonstration.Black and white photo in an album of girls on stage with two kayaks.junior legatees, demonstration, annual demonstration, girls classes, costumes

noombapee is an etching and lithograph by Gunditjmara and Keerray Woorroong artist Vicki Couzens. Couzens is a multi-disciplinary artist focused on strengthening her language and culture through research and creative projects. noombapee was created during a 2018 Collie Print Trust Printmaking Fellowship at the Australian Print Workshop. The work is an example of Couzens’ reclamation and celebration of Indigenous languages. The title is a Gunditjmara term which approximately translates to ‘have mercy’ or ‘forgiveness’. The word ‘noombapee’ appears multiple times in the lower right corner of the composition. The left side of the work includes a letter to the editor of the Warnambool Standard, dated 3 April 1940 and authored by Vicki’s ngapoon (paternal grandfather), Nicholas Couzens. Couzens explains that ‘he was an activist and advocate for our rights living on the Framlingham mission.’

This exercise book records the details of Jack Ashworth's attempt to break the world record for marathon dancing in 1930. The event was held in the Oddfellows Hall in Warrnambool from 5.30 a.m. Monday June 23rd to 11.30 p.m. Saturday 28th June 1930 and broke the world record when 138 hours of dancing were completed. Mr Ashworth thus took back the world record which he held on 1929 and later lost. The event was open to the paying public and a prize of one guinea was offered to the lady who danced the longest with Mr Ashworth. The record book shows the signatures of those who verified the continuous dancing at given times throughout the six days. The Oddfellows Hall building in Koroit Street, Warrnambool is still extant and houses local businesses. This item is of particular interest as it contains details of an unusual event in Warrnambool's history.This is an exercise book with a black cloth cover. The pages are edged in red and have ruled blue lines, handwriting in black ink, two newspaper cuttings and a pasted-in poster.jack ashworth, oddfellows hall warrnambool, world record for marathon dancing

EDHS Newsletter No. 274 February 2024 Our EDHS member Irene Kearsey is forever searching, researching and at times discovering hidden historical gems. One such discovery is finding details about the life and career of “Senior Constable Dungey – Eltham’s third policeman” and what he and his wife had in the Eltham police house; now our Local History Centre at 728 Main Road, Eltham. At our meeting on Wednesday 14th February 2024, Irene with talk about the career of Arthur Eggleston Dungey leading him to Eltham and then describe what was in the house. We now know how he and wife Louisa furnished the house in 1890, down to the number of teaspoons. If you had ancestors in 19th century Victoria, Irene has a suggestion for your research that might reveal such details1:02:35 duration Digital MP3 file; 21.4MBaudio recording, eltham district historical society, meeting, society meeting, eltham, guest speaker, eltham police station, irene kearsey, snr constable arthur eggleston dungey, eltham police residence

The Northern District School of Nursing opened in 1950 in to address the issues around nurse recruitment, training and education that had previously been hospital based. The residential school was to provide theoretical and in-house education and practical training over three years. The students would also receive practical hands-on training in the wards of associated hospitals. The Northern District School of Nursing operated from Lister House, Rowan Street, Bendigo. It was the first independent school of nursing in Victoria and continued until it closed in 1989. The book "The First of its Kind" was published in 2015. Printed in Bendigo by Bendigo Modern Press. Single hand-written sheet from Leone Martin (April 2015), PTS School 67, thoughts and Reflections of times at Lister House and the NDSN.NDSN - single hand-written correspondence from Leone Martin to Mrs Ruth Piantra (nee Maxwell) PTS School 67, April 2015, for the NDSNGA Inc. publication - "The First of its Kind". Page is readable and unsigned by Leone Martin, addressed to Mrs Ruth Piantra (Maxwell) 11 Johnston St., Bellbird Park, 4301all documents were regarding the compilation of the ndsnga inc. book "the first of its kind"., single hand-written page of reflections

Bull & Mouth Hotel Main Street Stawell Built 1907. Photo c1921 with cars in front. The original wooden Hotel was built by Dawkin & Hickory in 1863. George Dawkin had the first license. It had 4 bedrooms and two sitting rooms. John Hunter had the license from 1876 to 1889 when he died. During this time it boasted 16 rooms with commodious premises. In 1907 when owned by H. Edhouse of Bryant & Co Brewery the old wooden building was pulled down and a new one erected. Tenders for this were in the vicinity of 2000 pounds. After the rebuilding Mary Oliver held a license from 1908 until 1921. Like most hotels it changed hands many times and was finally demolished to make way for a car park for Earles Supermarket in 1985. Two story brick Hotel with group of ladies on top verandah. Two 1920's cars parked at front hotel

Jack McMillan No 319 enlisted in D Coy 16th Batt AIF on 22.9.14 aged 20 years 2 months. Embarked for Eygpt 22.12.14, embarked for Gallipoli 12.4.15, Sprained ankle, classed as WIA on 27.4.15, embarked again for Gallipoli 8.6.15, hospital 21.7.15 with Diarrhoea, WIA 2nd occasion 8.8.15 GSW right hand turned Septic, hospital 11.4.16 with Pyorrhoea. Embarked for France 7.6.16, WIA 3rd occasion 10.8.16 GSW right thigh, WIA 4th occasion 5.2.17 shell wound to Forehead, hospital France with scalded right foot 30.5.17 then contracts Scabies 2.6.17, Boils on 28.7.17. While in England he goes AWL 3 times, embarks for France 8.5.18, goes AWL twice more, appointed L/ Cpl 2.9.18, discharged from the AIF on 13.1.19.Medals, court mounted, set of (3) re J McMillan. 1. 1914-15 Star, replica not engraved. 2. War Medal 1914-18 2. Victory Medal 1914 - 1919, replica not engraved."319 L/Cpl J McMillan 16 BN A.I.F"medals, military, ron mills collection

One of the three projectors used in every trip was this 16mm Portable Projector, which was used taken to about 60 towns and cities around Australia, as Mr Yiannoudes states. This projector is in working condition serviced by Mr Yiannoudes himself regularly. It is an optical and magnetic sound projector, a rare one of its type.Primary historic significance as well as rarity significanceFrom January 1959 and until 1982, “Cosmopolitan Motion Pictures”, owned by Mr Peter Yannoudes (Παναγιώτης Γιαννούδης) and Mr Stathis Raftopoulos (Στάθης Ραφτόπουλος) travelled around Australia to entertain the Greek, Turkish, Indian and Yugoslav speaking population of Australia and provide a significant cinema culture. They travelled as far as Perth in WA, Adelaide in SA, Tasmania, Darwin in Nt, Canberra in ACT and Sydney and NSW. However they found themselves also in places like Berri and Renmark in NSW, where concentrations of migrants lived and thrived during the period. Initially they were travelling by train, carrying all their equipment by hand and placing them in boxes and suitcases. However after 1962 when they acquired their first automobile, travelling became less of a burden, nevertheless cumbersome and laborious. They carried with them initially two portable projectors (second one as a backup) and at times travelled with a third in order to ensure that technology will not be letting them down at the time of film projection. At times the films were projected onto a white sheet of cloth because there was no proper screen to project it on at the venue they were using. One of the three projectors used in every trip was this 16mm Portable Projector, which was used taken to about 60 towns and cities around Australia, as Mr Yiannoudes states. This projector is in working condition serviced by Mr Yiannoudes himself regularly. It is an optical and magnetic sound projector, a rare one of its type. Apart from this projector these items were taken on each trip. -a- 3 projectors in total -b- 2 tripod stands -c- 1 20 feet x 10 feet screen -d- 6 projector lamps and 2 exider lamps for sound -e- 2 extra lamps per film to be shown -f- 1 film rewinder (see rewinder in same collection)Siemensprojector, film, magnetic, sound, optical, language, greek, siemens, german, γιαννούδης, προβολέας, yiannoudes, plutarch