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Kiewa Valley Historical Society
Boots Riding, late 1800's - early 1900's
The early Kiewa Valley farmers opened up the Bogong High Plains for cattle grazing in the late 1800's and early 1900's. Many farmers of the Kiewa Valley built huts on the Bogong High Plains to stay in during the summer mustering season. The Roper family had their own cattle run on the High Plains with several version's of Ropers Hut being built and used for this purpose. These boots were owned by Fred Roper whose father was one of the first pioneers of the Upper Kiewa Valley and Tawonga farming district. These boots were made around the late 1800's to early 1900's and are of a quality hide and a very good example of historical clothing worn at the time. These boots are very significant to the Kiewa Valley because the mark a period of early farming within the Kiewa Valley and Bogong High Plains as they were worn by Fred Roper who comes from one of the farming pioneering families of Tawonga. These boots were used when mustering the families cattle up to the Bogong High Plains for summer grazing and also around his farm in Tawonga when riding his horses. They were donated by his great grand daughter Leonie Roper in 2011, therefore the manufacturing of these boots could be anything from the late 1880's to early 1900's. They are made of high quality leather and were made to last the tough conditions of mustering and farming cattle. They also had wooden stock which fitted into them "KVHS 0445"These knee high "riding" boots have a 4 "rung" laces at the base of the upright boot and a strap at the top of the boot. They are made of brown leather and have a small heel (not the usual higher heel for stirrups)riding boots. footwear. cattle mustering footwear. roper family. cattlemen. bogong high plains. -
Kew Historical Society Inc
Costume - Maroon & gilt dress, 1980s
The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories.This theatre costume was made Thea Sartori for her daughter to wear in a Ruyton Girls' School theatre production. It is one of a number of items donated to the Fashion Collection by Thea Sartori, which were made by, or for four generations of her family: her grandmother Frances Ethel Winifred Jones; her mother Dorothea Fush (nee Winstanley); by Thea Sartori (nee Morris), and her daughter. Burgundy coloured long theatre costume in the Medieval style. The high waisted dress has a square neck and gilding to the long sleeves. The dress was worn in a Ruyton school play. character “Anne of Cleeves”women's clothing, theatre costumes, ruyton girls school, thea sartori -
Geelong RSL Sub Branch
Service Records VX 110629 Sig F T Purcell, Mid 20th Century
The documents belong to VX 110629 Sig F T Purcell who served in the Australian Miliraty Forces from 18 April 1941 to 27 March 1946These are the original Documents belonging to VX 110629 Sig F T Purcell3 x Oblong Books, 1 x Quarto Size Certificate of Discharge, 1 x Final Statement of Final Account - Discharged Member, set of Dog TagsVX 110629 Sig F T Purcell Record of Service Book AAB 83 VX110629 Sig F T Purcell Demobilization Proceedure Book AAB 87 V 59307 Special Clothing Ration Book Discharged Setrvice Personnel Certificate of Discharge VX 110629 Sig Francis Thomas Purcell Form WF 88 Final State of Account - Discharged Member Mr F T Purcell VX 110629 Dog Tags - one tag round VX110629, RC, Purcell FT, one tag octagional VX110629, RC, Purcell FTdocuments, records service, book, australia military -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Accessory - Clothing, lady's cream nylon gloves, c1950
Ladies' gloves for formal and semi-formal wear come in three lengths for women: wrist, elbow, and opera or full-length (over the elbow, usually reaching to the biceps but sometimes to the full length of the arm). In the late 19thC and early 20thC Gloves were expected to be worn for both daytime and evening wear with most types of outfits. The most expensive gloves are custom-made of kid leather. These gloves were probably made in Hong Kong, then as now, a place where fashions can be made cheaply because the cost of labour is inexpensiveThe family of Carole Pedersen-Green were early settlers in Moorabbin Shire. Carole was a founding member of CMHSA pair of cream, nylon, lady's wrist length gloves There are 4 cotton flower shapes at centre back of wrist with a tiny pearl in each centreclothing, gloves, nylon, moorabbin, bentleigh, brighton, early settlers, market gardeners, hong kong, pedersen-green carole, green carole, denmark -
Streatham and District Historical Society
Picture Post Card, Jack Kerr
Shows typical dress of the period. Preferred form of transport in the area.This is a typical representation of the people and the transport of the time and is relavent to the Western Districts.Rectangle, Black & White. Male sitting on a horse wearing a hat and clothes typical to the time. He has a garter on his sleeve. There are gum trees in the background.Back: "Jack Kerr" written in black pen. The words Post card, correspondence, address only, Kodak Australia and a line stamped in black ink.horse, clothing, east, western, hobbies, farming, streatham, westmere, mininera, nerrin, transport, districts -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Clothing, button hook, c1900
A button hook is a tool used for the closing of shoes, gloves or other apparel that uses buttons as fasteners. It consists of a steel hook fixed to a handle that may be simple or decorative. The hook end is inserted through the buttonhole to capture the button by the shank and draw it through the opening.The family of May Curtis were early settlers in Moorabbin ShireA metal button hook for shoes and gaiters with an 'Ivorine' handleclothing, footwear, gaiters, boots, craftwork, ivorine, moorabbin, brighton, early settlers, pioneers, cheltenham, curtis may -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Domestic object - Haberdashery, damask tablecloth, c1900
Damask is a reversible figured fabric of silk, wool, linen, cotton, or synthetic fibres, with a pattern formed by weaving. Damasks are woven with one warp yarn and one weft yarn, usually with the pattern in warp-faced satin weave and the ground in weft-faced or sateen weave. Twill damasks include a twill-woven ground or pattern. Damask weaves appear most commonly in table linens and furnishing fabrics, In the 1900s, the invention of the Jacquard loom made damask much easier to create. Jacquard fabric was woven with the direction of a series of punch cards that could be used to alter the position of the warp threads in the fabric. These punch cards automated the weaving process, allowing manufacturers to mass produce patterns and making the resulting fabric much less expensive than it once had been. Modern Jacquard weaving is accomplished with computer controls. Irish Linen was very popular because of its high quality and this table cloth may have been made in Ulster, Northern IrelandA white damask tablecloth.clothing, brighton, moorabbin, linen, pioneers, haberdashery, market gardeners, dressmakers, craft work, damask, weavers, jacquard loom -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Functional object - Laundry Equipment, wooden double wash trough, c1900
c1900 This large wooden double wash trough with 'Acme' clothes wringer came from the old 'Exchange Hotel' now known as The Tudor Inn, Nepean Highway, Cheltenham.The Exchange Hotel, Point Nepean Road, Cheltenham, (now The Tudor Inn Hotel Nepean Highway,) was built in the late 1800s. By 1915 it was a prominent meeting place for early settler families of Moorabbin Shire. The trough is typical of those used in large laundries c1900 The ACME wringers were used in most households until c1960 Wooden, double washing trough, on a wooden stand c1900moorabbin, cheltenham, brighton, nepean highway, exchange hotel, the tudor inn hotel, clothing, early settlers, pioneers, market gardeners, acme manufacturing company, glasgow. -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Accessory - Jewellery , lady's silver hatpins, Circa 1910
Hat-pins were worn to anchor hats to the head and could be considered a functional piece of jewellery. Traditionally inserted into the crown of the hat and through the hair piled atop the head.Hat-pins were needed to secure the large, lady’s hats fashionable at the time. The Maggs family were early settlers in Moorabbin Shirec1910, 2 lady's silver hat-pins, with hollow circular silver surround, around a thistle flowerHallmark Birmingham Assay Office Englandjewellery, clothing, dressmaking, craftwork, silversmiths, maggs geoff, early settlers, market gardeners, moorabbin, bentleigh, cheltenham, brighton -
Bendigo Historical Society Inc.
Photograph - LYDIA CHANCELLOR COLLECTION: PHOTO UNKNOWN FEMALE
A photo of an unknown female. Time, place and date unknown. Ferns are in the background. (She may be in the fernery at Rosalind park.) Is in a full length frock with a ruffled front and a decorated hat. A second photo appears to be the same female. This photo is damaged. She has a bow tied at the back of her neck and a brooch at the front.photograph, portrait, female, lydia chancellor, collection, photo, photograph, photography, women, fashion, clothing, portraits -
Bendigo Historical Society Inc.
Document - HANRO COLLECTION: FIFTH ANNUAL GENERAL MEETING
Report to Shareholders for Fifth Annual General Meeting to be held 10/9/1930. Items mentioned are Year's trading, Appropriation of Profit, Depreciation, Capital Expenditure, Future Prospects, Rotation of Directors, Remuneration of Directors, Rotation of 'B' Group of Directors, Auditors and Staff.hanro, clothing, share register, hanro collection - fifth annual general meeting, charles handschin, h f longstaff, g v lansell, h keck, w b h neill, mccoll rankin & stanistreet, r a rankin, j j stanistreet -
Bendigo Historical Society Inc.
Document - HANRO COLLECTION: LETTERS - AUTHORITY TO SIGN CHEQUES
Typed letter on paper with Hanro letterhead and dated 30 November 1932. It mentions that the new company will execute the Bank Mortgage forms over the deeds at present held by the bank. Signed by four directors. Duplicate copy written across the top corner. A Draft Minutes, dated 30 the November 1932 mentioned those present, Messrs Longstaff, Lansell, Keck and Rankin. Those authorized to signing and endorse cheques, to draw, endorse and accept Bills of Exchange and Drafts and to make and endorse Promissory Notes on the Company's behalf in connection with the E S & A Bank. The second part refers to transfer of assets. The third,dated 29 November 1932 is the Resolution to be Taken.hanro, clothing, share register, hanro collection - letters - authority to sign cheques, the english scottish & australian bank ltd, harry francis longstaff, george victor lansell, herbert keck, ronald alexander rankin, william bowman hanna neill, ernest frederick granger, phillip henry mckean -
National Wool Museum
Textile - Men's Coat, c1940s
Franco Liburti was wearing this coat when he farewelled his wife Assunta in Naples, Italy in 1957, the day she departed for Australia. Tina Knitwear was a successful made to order knitwear business in Brighton from the mid-1960s to around 2010, run by Assunta and Franco Liburti. Daughter Melissa Persi writes: Our parents Assunta (Mum) and Franco (Dad) Liburti ran a successful made to order knitwear business in Brighton from the mid-1960s to around 2010. Assunta was affectionately known to her family as Assuntina, therefore the business was named "Tina Knitwear" after her. Assunta and Franco were born in the beautiful seaside town of Terracina in Italy in 1933 and 1930 respectively. As was so common in Italy in the 1950s, Assunta who was in her late teens and early twenties learnt the intricate skills of machine knitting, dressmaking and pattern making. Franco on the other hand, learnt the building trade with his 2 brothers and specialised in bricklaying and tiling. As was so common after the war, Assunta and Franco yearned for a better life so they decided that they would get engaged and then migrate to Australia to be married and raise their family in Australia, a land of much opportunity which they no longer felt their beloved Italy held for them. Assunta migrated to Australia first in 1957 and later Franco joined her in 1958 where they were married. For the first few years, Franco (also known as Frank) worked as bricklayer /tiler on buildings such as the Robert Menzies building at Monash University in Clayton and various buildings in the Melbourne CBD. Assunta on the other hand put her machine knitting skills to use working in factories doing piece machine knitting for various knitwear companies. The hours were long, the conditions were difficult, and travel was onerous without a car. After their 2 older children were born, it was decided that dad would leave the building trade and they would start their own made to order knitwear business. That way they could work from home and raise their family together. Mum taught dad everything he needed to know so he could operate the knitwear machinery. They purchased COPPO knitting machines from Italy and a Linking machine from Germany. Initially they had a knitwear shopfront in Bay Street Brighton where a store assistant would take the orders and client’s measurements and Assunta would then make the garments from a small workshop in their home. Unfortunately, the assistants were not skilled dressmakers and often measurements and orders were incorrectly taken. Assunta being the perfectionist and highly skilled machinist that she was, decided that she needed to oversee the entire process from meeting the client, to taking their order, right thru to the fittings and completion of the garment. It therefore made sense that they should close the shop front and run their business from their own home in Brighton and hence “Tina Knitwear” was born. Together, for more than 40 years they ran their very respected and successful business and were well known in the Bayside area. They specialised in made to order knitwear for both men and women using mainly pure wool (from Patons, Wangaratta Mills, Japan and Italy) but also lurex and estacel. Over those years, many of their clients became their close friends. It wasn't unusual for clients to come to order garments and then end up in the kitchen chatting over a cup of Italian espresso coffee and homemade biscuits. Some of their clients were especially memorable and became lifelong friends. Mrs Connell was a dear friend of mum’s, each year she would buy tickets for the “Gown of the Year” fashion show. She would insist on taking Assunta and her 2 daughters so that we could see the latest fashions. Then there was their dear friend Ms Griffiths. She had been a Matron nurse at the Queen Victoria Hospital when she met my parents in the 1970s. She returned to live in New Zealand in the 1980s but came back to Melbourne every year to stay for 2 weeks with the sole purpose of visiting my parents (she adored them) and order garments. For those 2 solid weeks, mum and dad would only knit for Ms Griffiths and she would go back to New Zealand with at least 5 or 6 new outfits. I actually think she enjoyed mum’s homemade pasta almost as much as her new clothes! Over the years, my parents learnt to speak English very well given that majority of their clients were not Italian speaking. Their oldest child John born in 1960 learnt to speak English with the help of those clients who were such a big part of our childhood. Mum and dad always went above and beyond to ensure their clients were satisfied. Mum was an absolute perfectionist and it showed in her attention to detail and the quality of their beautiful work. You only need to look at the garments that have stood the test of time or speak to their clients to know that this is true. Their clients would always comment on how well their clothes would last and much of their clients came via word of mouth and recommendations. Occasionally there would be disagreements because mum had found an error in dad's knitting (either a wrong stitch or a sizing mistake mainly) and would ask him to redo a piece, he would argue back saying that it was fine, but we always knew who would win the argument and that the piece would get remade! Similarly, we recall discussions where mum would ask dad to find a particular colour of wool in the garage where the stock was kept. He would try to convince her that they were out of stock of that colour and that the client should choose a different colour. She would insist they had it and then after hours of searching, he would return into the house sheepishly holding the wool! Our childhood is full of beautiful memories of mum and dad always being present, clients coming and going, mum humming her favourite songs as she worked often late into the night and sometimes, we even fell asleep to the hum of the machinery. They put their heart and soul into "Tina Knitwear" and took pride in providing only the best quality garments for their clients. In Italian there is a saying “lei ha le mani d’oro” which literally translated means “she has hands of gold”. Franco enjoyed his work but for Assunta, it was more than just work and there is no better way to describe her skills, passion and dedication to her machine knitting… she truly did have “hands of gold”. We will forever be grateful that our parents’ life journey gave us the opportunity to live in a home filled with creativity, dedication and passion, amazing work ethic and mutual respect, lifelong friendships and a lifetime of love. Men's coat featuring a charcoal herringbone weave, with three buttons down the front and on each sleeve cuff.knitwear, clothing, italy, migrants, brighton, knitting machine, linking machine, garments, business, family, community, naples -
Bendigo Historical Society Inc.
Photograph - ST ANDREWS FOOTBALL CLUB, 1st October 1894
Sepia photograph. Interior group studio portrait of football team. Five in front row, seven seated, seven standing and four men at rear not in football clothing. General pose is arms folded across in front of body. Mounted on fawn card with family photo on back. Inscriptions: Front 'RHSV stamp GP49', 'Presented to Mr F Richardson by the members of the St Andrews Football Club, First of October 1894'. On back - RHSV stamp. Photograph of family group - father, mother, children and young adults. Rear row: two males, four females. Middle row: mother, father? And two boys. Front row: baby held by mother, boy and two girls. 'STKing, Bendigo'. History Prev. Acc. No. GP49cottage, miners -
National Vietnam Veterans Museum (NVVM)
Photograph, Catholic Orphanage
A black and white photograph of Children at the Catholic Orphanage, Vung Tau which was supported by the Medical Staff of the 1st Australian Field Hospital (1AFH), vung Tau. The Diggers and the nurses, in particular, did an outstanding job of maintaining the health and well being of the orphans. The hospital staff conducted regular medcaps and provided food and clothing sent from relatives and friends back home in Australia. From time to time the orphaned children were taken for a day at Back Beach behind the 1AFH area. The children ranged in age from new born babes to teenagers. Quite a number, who were fathered by "round eyed" servicemen, were abandoned at birth, by Vietnames Bar girsl, particularly those with "dark" skin.photograph, 1st australian field hospital, vung tau, orphanage, gibbons collection catalogue, catholic orphanage, digger, back beach, vietnamese children, vietnames bar girls -
Kew Historical Society Inc
Photograph, J F C Farquhar, Ratting on the Yarra, 1891
At the beginning of the 1890s, the Kew businessman and Town Councillor, Henry Kellett, commissioned J.F.C. Farquhar to photograph scenes of Kew. These scenes included panoramas as well as pastoral scenes. The resulting set of twelve photographs was assembled in an album, Kew Where We Live, from which customers could select images for purchase.The preamble to the album describes that the photographs used the ‘argentic bromide’ process, now more commonly known as the gelatine silver process. This form of dry plate photography allowed for the negatives to be kept for weeks before processing, hence its value in landscape photography. The resulting images were considered to be finely grained and everlasting. Evidence of the success of Henry Kellett’s venture can be seen today, in that some of the photographs are held in national collections.It is believed that the Kew Historical Society’s copy of the Kellett album is unique and that the photographs in the book were the first copies taken from the original plates. It is the first and most important series of images produced about Kew. The individual images have proved essential in identifying buildings and places of heritage value in the district.In Farquhar’s close-up portrait of the rat catcher and his dog, the photographer excludes any extraneous data that otherwise might have provided a spatial or motivational context. The contemporary or the present day viewer is required to construct a narrative to explore or understand what is occurring. The title of the picture might incline a viewer to believe that what they see is an exercise in vermin control, and that the rat concerned might be an introduced black or brown rodent. A more likely scenario is that the rat catcher is focussed on catching ‘rakali’, a native water-rat once widely trapped for its fur. The trapping of rakali for use in the manufacture of fashionable clothing accelerated as introduced furs such as musquash became more expensive. It was not until 1938 that rakali were granted protected status.Ratting on the Yarrakew illustrated, kew where we live, photographic books, henry kellett, yarra river -
Orbost & District Historical Society
magazines, Needlework Illustrated; Australian Home Journal, September 1949; May 1963
Needlework Illustrated is issue 196 and cost 1/-. it was published quarterly. Australian Home Journal is the May 1963 issue. Women’s magazines just after WWII played a “reflecting role,” including topics of readers’ interests as well as containing news items. Women’s employment rate had grown during WWII. However, even though the number of women working outside the home grew rapidly most of them were still engaged entirely in homemaking. Therefore women’s magazines centered mostly home crafts. Articles as well as advertisements presented information on keeping the family healthy with guidelines for thrifty shopping and advice on how to look good through it all. Patterns and instructions were provided for women to create home articles and clothing. The main sources for kntting and needlework designs available to women were in journals, magazines and pattern books. Embroidery was an affordable way to personalise and add aesthetic value to domestic linen and examples of embroidered and crocheted pieces could be found in most Australian homes. These are examples of women's magazines. They give practical advice on needlework / knitting and evidences the widespread interest in contemporary fashion. In doing so it shows what were the fashionable, but broadly affordable, women's and children's clothing styles of their day. These magazines also reflect women's interests --------------------------------------------------------------------------------------------------------------------------------------------------------- Two magazines. 3097.1 contains patterns, instructions, advertisements and photographs. It has a coloured cover - a pink background, black print an drawings of a woman wearing a top embroidered with roses and examples of needlework. 3097.2 contains patterns, advertisements, correspondence, and stories. It has a coloured cover with a photograph of a woman wearing a knitted jumper and three sewing patterns.magazine- needlework-illustrated magazine-australian-home-journal -
Warrnambool and District Historical Society Inc.
Administrative record - Sales Docket Book, Cramond & Dickson Store, Warrnambool, 1960s
This docket book has been used to enter sales from the Cramond and Dickson department store in Warrnambool and to provide the customer with a copy of the invoice. It dates from about the 1960s. John Cramond and James Dickson, two pioneer settlers in Warrnambool, established the Carmond and Dickson store in Warrnambool in 1855, initially selling groceries, drapery and ironmongery but later, at the corner of Liebig and Timor Streets, this department store sold mainly clothing and drapery. In the 1860s a Cramond and Dickson store was opened in London. The Cramond and Dickson store, a most important business in Warrnambool, operated until 1973. The docket book was printed by Lamson Paragon, a British firm that was established in Australia in 1897 and specialized in printing sales docket books with a carbon paper insert.This docket book is of interest as a memento of the Cramond and Dickson Store, one of the most significant businesses ever to have operated in WarrnamboolThis is a docket book containing 46 pages of white printed sheets bound with green tape and enclosed in a green patterned paper cover on the front and a piece of cardboard on the back. The pages have ruled black lines, red and black print and an image in red of a building. Some of the pages have been used and removed. At the front of the pages are two sheets of carbon paper and tissue paper for copying purposes.Cramond & Dickson General Drapers and Importers Warrnambool 3280 Lamson Paragoncramond & dickson warrnambool, john cramond warrnambool, james dickson warrnambool, warrnambool businesses, lamson paragon printing firm -
Warrnambool and District Historical Society Inc.
Bottle, Russell & Powell, Warrnambool, C 1900
This bottle came from the general store of Russell and Powell of Fairy Street Warrnambool. This store sold an extensive range of imported wines and spirits as well as tea, clothing materials and hardware. Samuel Giffen Russell, born in Belfast, Ireland, established his store in Warrnambool in 1878 and took Joseph Powell as a partner in 1881. The business premises in Fairy Street were built in 1882. Giffen Russell was Mayor of Warrnambool from 1898 to 1900. By the early 1900s the firm had a store in Bank Street, Port Fairy and was known as Giffen Russell and Company and the business continued under that name until the late 1940s, the proprietor at that time being Harry Lynch. The Lynch family carried on this business until the second decade of the 21st century. This stoneware bottle is of some importance as it is one of the few items we have that came from the long-established Warrnambool general store of S.Giffen Russell.This is a stone bottle in cream and brown tonings. It has a circular base and body with a short neck and a moulded top opening. There is a screw top. The inscription on the bottle is in black print.‘Russell & Powell Warrnambool and Port Fairy’ russell & powell, warrnambool, giffen russell & co., warrnambool -
Tatura Irrigation & Wartime Camps Museum
Sewing Machine, 19th Century
This sewing machine, made in Germany in the 19th Century, was used extensively in Tatura Camp 3. Its owner; Mrs Elisabeth Hoffmann, was permitted to bring it with her from Palestine on condition that she would make it available to everyone who wanted to use it. There was a roster system and the machine was in constant use for five years. Because normal dress material was scarce, the internees made clothes out of some of the grey army blankets and burgundy overcoats issued to them. The coats were boiled to remove the burgundy dye, then re-dyed green, navy or black, and converted into various items of clothing. The sewing machine coped well with this heavy use. After release from the camp in 1946, Mrs. Hoffmann continued to use it until 1972.Hand operated, table top model sewing machine, with decorative pattern and lettering in gold, hinged to wooden caseGM Pfaff, Kaiserlauternsewing machine, pfaff, polacsek e, uhlherr h, camp 3, tatura, domestic, sewing -
Kew Historical Society Inc
Decorative object - Hand Towel, 1950s
One of a collection of fourteen items of clothing and household textiles donated by Lisa Sylvan, a long-term resident of Kew, Five of the items are homemade aprons made and worn by her mother. Of the seven pinafores, three identical but differently sized pinafores were made in her parents' factory, while the other three are handmade. The handmade aprons and pinafores are representative samples of women's work, often using commercial or patterns using fabrics originally deigned for dresses. Typically the examples, contrasting fabrics and colours were selected to provide visual interest. The donation also includes a hand embroidered linen hand towel and a commercially produced 'birds of Australia' printed table cloth. Most of the collection derives from the 1950s.Cream linen hand towel, bordered at each end with bands of mustrad yellow linen. The towel is embroidered with a picture of a woman in period dress collecting flowers from a garden.lisa sylvan, household linen, supper cloths, fancy work -
Kew Historical Society Inc
Decorative object, Birds of Australia, 1950s
One of a collection of fourteen items of clothing and household textiles donated by Lisa Sylvan, a long-term resident of Kew, Five of the items are homemade aprons made and worn by her mother. Of the seven pinafores, three identical but differently sized pinafores were made in her parents' factory, while the other three are handmade. The handmade aprons and pinafores are representative samples of women's work, often using commercial or patterns using fabrics originally deigned for dresses. Typically the examples, contrasting fabrics and colours were selected to provide visual interest. The donation also includes a hand embroidered linen supper cloth and a commercially produced 'birds of Australia' printed table cloth. Most of the collection derives from the 1950s.Linen table cloth with printed images of birds of Australia with a two-tone green borderlisa sylvan, household linen, table cloths, australiana, australian birds -
Wodonga & District Historical Society Inc
Photograph - Higginson's Store, Wodonga, c 1980
Higginson's menswear store was located in High Street Wodonga. Mr. Higginson first worked as a grocery boy at Farmer and Sons in Wodonga. He later moved to Rudines in Dean Street, Albury. He worked at this store, which sold clothing for both men and women for several years until he joined the army in 1942. After the war, he went back to school for a while, but then returned to Rudines. This was followed by 2 years at Stiff and Gannon's in Wodonga. He set about saving to have his own business, spending 5 years as manager at Trim's in Albury. Lionel Higginson met his future wife, Dulcie, at a social dance a few years after returning from the war at a social dance. They both worked in menswear and were engaged 6 months later and started building their dream. This included building their own business. The business, L. A. Higginson's Menswear opened on 10 October 1958 and around 12 months later added a women's clothing line, Dee Gals. This became so popular that in 1995 Dee Gals moved in to its own shop in the arcade. When Lionel passed away in 1999, his eldest daughter Pauline, who supported the business from the time she was 15, helped her mother progress the business. At this stage managing 2 stores was very demanding so Dee Gals was closed. In 2000, Dulcie's daughter Michelle Williams and husband Phil took over the business. Due to changing shopping approaches and demands of online shopping, the business closed on June 2023 after 65 years serving the community.A coloured image of Higginson's Menswear in Wodonga.Above Shop : L. A. Higginson's Menswear / Dee Gals Lingerie Hosietyhigginson's wodonga, wodonga businesses, l. a. higginson wodonga -
Bendigo Historical Society Inc.
Photograph - FOSTERVILLE GOLD MINE COLLECTION: NORTHGATE MINERALS
Colour photo: group of 30 workers dressed in high visibility clothing and helmets, from Northgate Minerals Mine at Fosterville, 2009. People are standing in front of a jumbo drill rig, behind rig is canopy of eucalypt trees. Names from back left: John Keane, Andrew Aitkin, Warren Perrymen, Adrian Gath, Geoff Viney, Khan Oats, Ash Ryan, Dean Maltby, Vaughn Hobden, Gerard Sheppard, Brian Sewell ( standing on jumbo rig ) Simon Doyle, Chris Murrell, Brett Jensen, Tommy Donaldson, Stuart Lynn, Erran Matana, Gwen Aitkin, Chris Fellows, Greg Farmer, Kane Andrea. Sitting at front from left : (unknown) , Andrew Binks, Damien Slow, Jason McKinley, Jeff Norris, Ian Cowan. Photo was formerly in Folder 56.mine, gold, northgate minerals fosterville, fosterville, northgate minerals, crocodile gold, mining, gold -
Port Melbourne Historical & Preservation Society
Photograph - Port Melbourne Cricket Club, Victorian Sub-District Cricket Association Premiers, 1938
Black and white photo of 1937-38 Victorian Sub-District Cricket Association Premiers. Port Melbourne Cricket Club. 26 men shown, 12 in cricket clothing, named as follows: Back Row : B. ROWAN, J. TATE, J. HARVEY (Assistant Secretary), T. BOWMAN, H. CROMPTON, G. GLOVER, S. FINDLAY, W. WILSON Centre Row : F. STEVENSON (Hon. Treasurer), A. DOWNER, W. PAYNE, B. CULLEN, Cr. H. C. SOUTHWARD (President), J. WOODRUFF, E. LEE, W. J. PRICE (Hon. Secretary), A. NUGENT Front Row ; G. MOORE, B. DUNN, T. MARSHALL, T. LAHIFF (Captain), G. V. BEARD (Vice-Captain), W. JONES, A. YOUNG Seated : H. GAYsport - cricket, port melbourne cricket club, b rowan, j tate, j harvey, t bowman, h crompton, g glover, s findlay, w wilson, f stevenson, a downer, w payne, b cullen, henry carr southward, e lee, w j price, a nugent, g moore, b dunn, t marshall, tommy lahiff, g v beard, w jones, a young, h gay, jack woodruff -
Bendigo Historical Society Inc.
Newspaper - LONG GULLY HISTORY GROUP COLLECTION: JOHN EMERY AND HIS ASSOCIATES
Copy of an article from the Bendigo Weekly 30/12/1999 Discover Bendigo by James Lerk titled John Emery and His Associates. John Emery was a tailor who had a business in Raywood. He moved to Bendigo where he set up his business as a tailor, draper and clothing mercer at the corner of Pall Mall and Mitchell Street. The shop was close to the Beehive Exchange, where he invested in the quartz mining companies. He took on a partner, T S Gibson, who was a clothier. Emery was involved in the Bendigo Bowling Club and St Paul's Church. Later he travelled and became a collector of curios. He donated sculptures to the Bendigo Art Gallery and loaned a number of paintings. Article is accompanied by a portrait of John Emery taken by Bartlett Bros studio.bendigo, history, long gully history group, the long gully history group - john emery and his associates, bendigo weekly 30/12/1999, james lerk, pyke's corner, vincent pyke, beehive exchange, hunter family, perry hall, t s gibson, t taylor, bendigo bowling club, st paul's church, emery and gibson, bendigo art gallery, thomas sayer, cr j r hosking, w honeybone, j h abbott, t s gibson, w g jackson, j walker, j p b mcquie, v rymer, mrs heffer, the reverend h s begbie, the venerable archdeacon maccullagh, bartlett bros -
Mont De Lancey
Booklet - Knitting Patterns, Patons & Baldwins ( Australia Limited), 1. Patons Knitting Books, c.1940's and 1950's
Four small knitting pattern books for home knitters, c.1940's or 50's.Four small Patons knitting booklets, c.1940's or 1950's. 1. The front cover of three of the booklets show babies lying down or sitting, wearing hand knitted clothes. Inside are various patterns for clothing. Two covers are pink coloured and have the price 1/6d. and one is black and white coloured with the price of 1/-.No. R6 has p.67, R.11 has p.51, No.317 has p.23. 'Better Knitting with Patons - Use your Leisure Knit for Pleasure' is printed in black print on the grey cover of the fourth book. No price.It has general knitting instructions, diagrams, photographs, tables and some patterns, along with information about various Patons wool. p.51.non-fictionFour small knitting pattern books for home knitters, c.1940's or 50's. knitting, knitting patterns, knitting equipment -
Melbourne Tram Museum
Uniform - Badge, Melbourne & Metropolitan Tramways Board (MMTB), 1970's?
Set of 10 tram crew number badges, engraved into a layered plastic backing - black plastic with a white underlay, used by tram crews to indicate their assigned personal employee number. Used by MMTB drivers and conductors. .1 - No. 700 with a retained clothing pin on the rear. .2 - No. 399 - with brass clip on rear - eg a large tie clip or dress collar clip. .3 to .9 - same clip as .2 .3 - No. 1572 .4 - No. 1893 .5 - No. 2320 .6 - No. 2716 .7 - No. 3431 .8 - No. 3747 .9 - No. 5400 .10 - No. 6408 See Reg Item 3777.2 for another example. .11 - No. 1043 .12 - No. 1110 .13 - No. 1112 .14 - No. 1419 .15 - No. 1420 .11 to .15 advised by the donor that these were used for Student Conductors.trams, tramways, mmtb, badges, crews, drivers, conductors, personnel, employees -
Warrnambool and District Historical Society Inc.
Artefact, Textile: Beaded mourning collar, Circa late 19th century
Black has for centuries been associated with mourning but it rose to new heights during the Victorian times with Queen Victoria wearing black from the time of her husband’s death in 1861 until her death in 1901. There were different stages of mourning from the severe plain black clothing of the first period to items of decoration or adornment such as this collar with other items such as brooches, hair and dress adornments which were used at the later stages of mourning. This second stage often went for extended periods especially for widows who often remained in mourning until or if they remarried. Other colours such as dark greys and purples were also acceptable as mourning clothes. Such was the practice in England that jet from Whitby was used extensively by the more well to do. Later on black glass was used which was cheaper.An item which relates to customs which were prevalent in the late 19th and early 20th centuryBlack beaded collar with seven lengths of beads coming from a section which joins at the back with a hook and eye. The seed beads are stitched to a dark cotton backing. The neckline is square. It also has a number of larger flatter beads across the yoke and down the centre of each of the seven lengths of beads.warrnambool, mourning collar, black beaded mourning collar, beaded mourning collar, -
Warrnambool and District Historical Society Inc.
Document, Australian Comfort Fund Mrs Steward, C1946
The Australian Comforts Fund was formed during the first World War and was an amalgamation of various organisations which were sending items of comfort such as toiletries, clothing and food to Australian troops who were fighting overseas. It ceased its work and was dissolved in 1920 at the ceasation of the war but was started again to continue the same work in 1939.In Australia it rivalled the work of the red Cross and many of the volunteers involved were women. As well as making and providing items themselves there was major fundraising to purchase further items. Over the course of the war they provided over 1.5 million hampers. This certificate was presented to Mrs Steward for valuable services rendered to the Australian Comforts Fund during World War 1939-1945. The Australian Comforts fund was wound up in June 1946.This certificate recognises the work of one of our residents to a fund which was Australia wide and would have been one of numerous certificates presented around the country. The Australian Comforts fund was an organisation with which numerous people would have been affiliated and which also assisted many soldiers over the years. Cream certificate with black text, highlighted with red. The name Mrs Steward has been written in in blue ink. In comes enclosed in a dark grey soft card folder.Mrs Steward. Signed Valerie Heinze, Lady mayoress of Melbourne. Thomas S Neu*tefold, Hermen W *ohn, On front of grey folder "Mrs Steward Warrnambool.warrnambool, warrnambool history, australian comforts fund, mrs steward warrnambool