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The Beechworth Burke Museum
Drawing, Ernest Marcuse, Beechworth – Old Court House, 1972
Ernest Heinrich Marcuse was born on the 1st of December 1900 to Hedwig and Siegmund Marcuse in Berlin Germany. While Marcuse's artistic talent was apparent from a younger age, his earliest existing artwork was from when he was approximately 20 years old. Ernest's formal art training commenced in 1918 with a three year course at the Berlin school of Interior design. After completion he found work until 1924 when Germany's Great Depression took effect. To broaden his career opportunities he undertook a further 12 months study of fashion, drawing and advertising at Berlin's Reiman school of art. From 1925 to 1934 Ernest was primarily a freelance press artist specialising in industrial, architectural and figurative drawing. Prominent newspaper The Berliner Morgenpost was his largest client along with Gross Deutsche Rundfunaustellung (Germany's organisation for major trade shows). During this period he would create many significant works. Two months after Hitler and the Nazi part came to power in 1933, Ernest received a life changing letter stating that being Jewish he could no longer continue employment in Germany. Up until 1938 he would only be able to undertake private commissions and occasional unofficial work as a book illustrator and games designer. This was by arrangement with non Jewish artists who claimed his work as their own, they would then share the income with Ernest. With increasing unrest in Germany during late 1938 Ernest decided to move to London and there he married his girlfriend Lotte. In late 1939 Ernest and Lotte Marcuse embarked on an eight week journey to their new home in Australia where they had been accepted as refugees. Shortly after arriving in Australia Ernest presented his portfolio to an editor at the Argus newspaper and gained employment as a war events illustrator. He soon became well respected and known in particular for his detailed illustrations and cross sections of ships , artillery and aircrafts. His detailed depictions of battles were displayed on the front pages of The Argus newspaper on a number of occasions. In May 1940 as the war intensified Ernest was dismissed from The Argus newspaper due to his Australian government classification of 'stateless person of enemy origin' and was considered a potential security risk. The editor of the time commented "don't blame us, blame Hitler". Marcuse then began to establish himself as a commercial artist. Ernest was de-classified as a 'stateless person of enemy origin' and in early 1942. The Australian army heard of Ernest's artistic abilities and began to utilize his designs for visual training aids and posters. Ernest became Private E.H Marcuse V377746, his first army posting was as staff artist at The infantry officer's training school at Bonegilla. When off duty he was inspired by the beauty of the surrounding area creating the works in North east Victoria 'Kiewa river bridge', 'Hume weir', ' Dried up river bed' and 'Hawksview gold reef mine' from his 1942-1943 period at Bonegilla Victoria. Ernest returned to the area to create drawings and paintings from 1948 to 1983 in locations including Bright, Wandilligong, Bogong High plains and Wallace's Hut, Mt Buffalo, Beechworth, Pretty valley, Kiewa Hydro, Yackandandah and Bontherambo homestead. These sketches were often completed on location, photographs were also taken onsite to assist the works back at the studio. Occasionally Marcuse also painted in the field. Ernest's preferred choice of medium was pencil and ink. Up until 1952 he would often incorporate watercolour into his work. Later into his career he began introducing pastels, acrylic and mixed media. In earlier years Ernest Marcuse often signed his work Mar, later on the signing of works ranged from Marcuse, E.Marcuse, Ernest Marcuse, EHM or simply EM . If a work was considered incomplete or Marcuse did not like the work it would remain unsigned. From Bonegilla Marcuse was transferred to Woodside South Australia before his final posting in Melbourne until the end of 1945. Ernest's work from within his army posting 'Troop Train at Night' from his 1945 exhibition Australia at War are part of the permanent collection at Canberra's War Museum. Between 1946 and 1969 Ernest largely worked from home and concentrated on a career as a freelance commercial artist and graphic designer. During that time he created work for well known household names including CRA/Conzinc, Vacuum oil (Caltex), Cottee's Brand (Schweppes and Heinz), Home Beautiful magazine Fulton garden supplies, International Iveco trucks, Ego pharmaceuticals, QV and Sunsense. After retirement Ernest concentrated on his true love of fine art and focused on painting images of personal interest both across Australia and Internationally. Earnest never drove a car. He would often walk or use public transport or enlist in the help of family or artist friends to drive him. Throughout his career Ernest Marcuse's artworks were purchase by private collectors these included ACTU, Melbourne City council, Holland Constructions, Melbourne Metropolitan Tramways Board, GJ Coles and Australian Resources Bank. Ernest Marcuse permanent collections can be viewed at The National Gallery of Victoria , Sydney Jewish Museum, Jewish Holocaust Centre Melbourne, Canberra's War Museum, City of Melbourne, Shire of Yarra ranges and now the Burke Museum. © 2020 Art by Marcuse https://www.artbymarcuse.com.au/aboutDonated to the Burke Museum through the Australian Government's Cultural Gifts Program by Peter and Evelyn MarcusePen and coloured pencil landscape drawing on paper.Obverse: Marcuse / Beechworth Old Courthouse / Reverse: B4 / BEECHWORTH OLD COURTHOUSE / BW - 09 (on masking tape) COURTHOUSE / BEECHWORTH / VICTORIA / NATIONAL TRUST / CLASS (A) ERNEST MARCUSE / 17 CADDOCK AVE / CAUFIELD / VIC / 53-7374 001 (pencil) ernest marcuse, marcuse, art, artbymarcuse, beechworth, burke museum, indigo shire, landscape, illustration, drawing, pen and pencil, australian army, war events illustrator, the age, the sun, the argus, germany, refugee, industrial drawing, architectual drawing, figure drawing, berliner morgenpost, grosse deutsche rundfunaustellung, berlin’s reiman school of art., cultural gifts program -
Robin Boyd Foundation
Book, John Walker, Self-Portrait with Donors: Confessions of an art collector, 1974
Hardcover w/ Dust JacketTwo newspaper clippings inserted at p. 104: Clark K 1976, 'The National Gallery of Art: Mellon's 'Triumph of Foresight', Washington Post, Tuesday October 19, p. B4 and p.? (article in two parts)walsh st library -
Robin Boyd Foundation
Book, Martha Boice, Cuisine Minceur, 1977
Hardcover w/ Dust JacketSlip of Paper inserted inside book - partial sheet from minutes of National Gallery Women's Association meeting, 11th October 1977. On reverse, diagram of table seating plan, with names including Dame Peggywalsh st library -
Wangaratta High School
WHS Building Opening Plaque, 2004
Small rectangular plaque with an gold brushed metal plate on the front. This plate has a black border and a WHS logo sticker on the top left, as well as text reading:WANGARATTA HIGH SCHOOL MULTIMEDIA / SKILLS CENTRE OFFICIALLY OPENED ON 27th April 2004 By the Federal Member for Indi Sophie Panopoulos Funding for the project was provided by the Australian Government through the Australian National Training Authority. -
Kew Historical Society Inc
Photograph, J F C Farquhar, A View in Studley Park Road, 1891
At the beginning of the 1890s, the Kew businessman and Town Councillor, Henry Kellett, commissioned J.F.C. Farquhar to photograph scenes of Kew. These scenes included panoramas as well as pastoral scenes. The resulting set of twelve photographs was assembled in an album, Kew Where We Live, from which customers could select images for purchase.The preamble to the album describes that the photographs used the ‘argentic bromide’ process, now more commonly known as the gelatine silver process. This form of dry plate photography allowed for the negatives to be kept for weeks before processing, hence its value in landscape photography. The resulting images were considered to be finely grained and everlasting. Evidence of the success of Henry Kellett’s venture can be seen today, in that some of the photographs are held in national collections.It is believed that the Kew Historical Society’s copy of the Kellett album is unique and that the photographs in the book were the first copies taken from the original plates. It is the first and most important series of images produced about Kew. The individual images have proved essential in identifying buildings and places of heritage value in the district.This is the earliest known photograph of the exterior of Byram (later Tara Hall). It shows the original red brick fence, its asymmetrical gate and gateposts, with a large terra cotta gargoyle surmounting the higher of the two. The architect, Edward Kilburn designed Byram in the Arts & Crafts style for the industrialist George Ramsden. Construction began in 1888 and was reputed to have lasted three years. The mansion had frontages to Studley Park Road and Stevenson Street, including gardens laid out with great taste, including pleasure grounds, tennis lawn, fruit and flower garden, and paddock. The size of many of the trees in the garden indicate that many survived from the garden of Clifton Villa, the previous single-storeyed house built on the site by the Stevenson brothers. Byram had views to Melbourne and Port Phillip Bay. The house was demolished in 1960, despite opposition from the National Trust (Victoria), and its gardens subdivided into residential allotments.A View in Studley Park Roadkew illustrated, kew where we live, photographic books, henry kellett, byram, tara hall, goathlands -
Phillip Island and District Historical Society Inc.
Documents, Birds of Phillip Island, 1970 and 1985
As described in the newspaper article, Bryant West was a very genuine and peaceful man. The Historical Society was very honoured to receive the album of photographs.Document congratulating Mr Bryant West on his representation of photographs for Adjudication by the National Photographic Index of Australian Birds. Also an article in the Phillip Island "Sun" on the 11/2/1985. Refers to an incident which happened at Cowes in 1934 and Bryant's life in Cowes. The following photographs No. 75-01 to 75-36 are those which Bryant selected for his representation.bryant west, birds of phillip island album -
Glenelg Shire Council Cultural Collection
Album - Renewal Receipt - Fire Insurance, Portland Free Library, 22/04/1942
Back: 'Mr. Hoggan's money in tin in safe account in folder' - handwritten in pencilglenelg shire council archives, portland free library, administration, insurance -
Glenelg Shire Council Cultural Collection
Award - Goblet- Syd Cuffe, Town Crier, n.d
Syd Cuffe was the Portland Town Crier from 1983 to 2013. The role of Town Crier was created for Syd Cuffe in 1983 in the lead up to Portland’s 150th anniversary celebrations held in 1984-85. 200 items from Mr. Cuffe’s estate were donated to the Glenelg Shire Cultural Collection. The items relate to his town crying activities and community work across the Shire and further afield.Identification numbers 8996 a, b a) Silver coloured metal goblet. City of Holroyd badge attached to base of goblet ' Memento of 6th National Town Criers Championships, 1994, Syd Cuffe, loudest cry' engraved on goblet b) Gobliet in purple velvet case Goblet measures a) 15cm high x top diameter 5.6, bottom diameter 6.0 -
Federation University Historical Collection
Book, Wrapped in a Possum Skin Cloak
Soft covered book with the image of sewn possum skin pelts on the cover. The book outlines the Toolyn Koortakay collection (National Museum of Australia) comprising of artwork, possum skin dance ornaments, tools, and two cloaks: a reproduction of the Maiden's Punt Yorta Yorta possum skin cloak collected in 1853 and a reproduction of the Lake Condah Gunditjmara possum skin cloak. aboriginal, aborigine, possum skin cloak, possum skin rug, debra couzens, vicki couzens, lee darroch, trehna hamm, amanda reynolds -
Bendigo Historical Society Inc.
Document - WITH COMPLIMENTS SLIP FROM BENDIGO AGRICULTURAL PASTORAL AND HORTICULTURAL SOCIETY & FREE TICKET
with compliments slip from Bendigo Agricultural pastoral and Horticultural Society & free ticket to Bendigo Agricultural Show Society 25-27.10.1951 / small ticket and compliments slip - paper / ticket for miss E.A. Geotze / envelope from Bendigo Agricultural Show Society National Bank Chambers , Pall Mall , Bendigo dated 24.8.1951/ 3 pence stamporganization, society, community services, bendigo agricultural pastoral and horticultural society /bendigo agricultural show society e.a. geotze / national bank chambers , pall mall , bendigo / 3 pence stamp -
Bendigo Historical Society Inc.
Document - W. BABIDGE COLLECTION: AUSTRALIA NATIONAL FUR & SKIN CO. TAGS
Six buff coloured Australia National Fur & Skin Co. Rabbit, Fox, Hare, Water Rats, Horse Hair, Etc. Tags. Each tag has space for: From, of, Rabbit Skins, Sheep Skins, Horse Hair, Furred Skins, Calf Skins and Water Rats. Pink re-enforcement around hole in the tag with Union Tag printed on it.document, w. babidge collection - australia national fur & skin co tags, union tag -
Bendigo Historical Society Inc.
Photograph - HERCULES AND ENERGETIC MINE, 1930's
black and white photograph, overhead and underhand stoping 1930's ( James Lerk 26th. November, 1999 ) Note acetylene gas lamps illumination. 'down below' at Bendigo in black lead pencil on rear. ' Hercules and Energetic ' J.J. Stone' in black lead. ' Mine underground working, Bendigo ' Not to be reproduced unless by special permission of the Australian national Travel AssociationAustrralian Nat. Travel ?organization, business, hercules and energetic mine -
Bendigo Historical Society Inc.
Photograph - GREAT SOUTHERN EXTENDED MINE: GARDEN GULLY REEF, 25.2.1901
copy of black and white photo: group of miners at Great Southern Extended Mine, Bendigo, Vic. 25.2.02. 21 men pictured, in three rows. Men are spattered with mud. Handwritten on bottom of image 'G.S. Extended Bendigo/Vic/25.2.01 Rectangular purple stamp on adhesive label on back' Not to be reproduced without permission from National Library of Australia'unknownorganization, business, great southern extended mine, james l:erk 5.11.1999 ' great southern extended mine - garden gully reef' -
Bendigo Historical Society Inc.
Postcard - WES HARRY COLLECTION: 7 POSTCARDS, 1903 - 08
Seven assorted postcards with various themes : (a) Hand tinted photo of an unknown actress, (b) National Memorial, Adelaide to South Australians who fell in the Boer war, (c) Miss Billie Burke (actress), (d) Morleys Flat, Fernshaw (forest scene), (e) Harvest Time, (f) Miss Mabel Love , (g) The recipient's niece, Daisy.postcard, various themes, national memorial, adelaide, boer war, billie burke, morleys flat, fernshaw, harvest time, mabel love, daisy -
Bendigo Historical Society Inc.
Document - COHN BROTHERS COLLECTION: MANILLA ENVELOPE
[a] Manilla envelope printed by Cohns handwritten caption, 'Applications for Motor Spirit Consumers Licence, July 20th 1940 No 131. [b] Documents pertaining to above enclosed. 11 x forms -National Security (Liquid Fuel ) Regulations -Form C.O.B. 1. Application for a Motor Spirit Consumer's Licence -the forms show the reasons for the fuel Licence application .bendigo, industry, cohn bros brewery -
National Vietnam Veterans Museum (NVVM)
Poster - Poster, Information Board, Private Errol Wayne Noack
On a white Poster, Information Board with the 5 RAR insignia on top reads: Private Errol Wayne Noack. Born 1945, killed in action 1966. Private Noack was the first Australian National Serviceman killed during the Vietnam War. He was killed in action during Operation Hardihood on the 24th of May 1966. Under the comments is a coloured photograph of Private Noack.poster, information board, pte errol wayne noack, australian national serviceman, operation hardihood, killed in action, 5 rar -
National Vietnam Veterans Museum (NVVM)
Memorabilia, Memorabilia of James Archbold
Contains a letter to his father from the AMF re James's recruitment training; a photocopy of the National Service Termination Act; a copy of a cartoon titled, Lend me your body for 730 days, a copy of H.M.A.S. Sydney's Christmas Day Menu in 1967 and a laminated copy of the map of the HO Chi Minh Trail, Vietnam War (1964-1975)vietnam war, 1961 - 1975 -- veterans -- australia, australia. army. royal australian army provost corps -
Bendigo Historical Society Inc.
Newspaper - JENNY FOLEY COLLECTION: STEPPING OUT
Bendigo Advertiser "The way we were" from Saturday, July 24, 2004. Stepping out: miss Dorothy Kerr (later Mrs Stan McCallum) and Miss Georgina Wills (later Mrs Bill Lienhop) shopping in Pall Mall, circa 1938. The photograph was taken outside the National Bank (now Mully's cafe) most likely on a Friday afternoon.newspaper, bendigo advertiser, the way we were -
Bendigo Historical Society Inc.
Document - LYDIA CHANCELLOR COLLECTION: CORRESPONDENCE
Three blue handwritten airletters to Lydia Chancellor from her friend Muriel, ie. Mrs. Hedley Jones c/- National Bank of Australasia Ltd. Strand Branch, London. Muriel is in London for 12 months and tells of her love of the city and of her travels in general . Her 3rd letter is her final one before she returns to Australia.communication, postal, airmail, lydia chancellor collection, collection, corrospondence, london, england -
Bendigo Historical Society Inc.
Book - AUSTRALIAN NATIVES ASSOCIATION COLLECTION
Exercise book with blue marbled with white, red and dark blue containing a list of the winning members and member names of the Australian Natives Association Sandhurst branch. Picnic Art Union 1890 and 1891. Pasted in the back is a receipt from A. N. A. National Fete and Art Union dated January 26th, 1891 to Mr Curnow for 484 Art Union Tickets.book, bendigo, a. n. a., australian natives association, mr curnow -
Anglesea and District Historical Society
Bale Fasteners (3)
Harold E. (Edward) Hurst (1888-1972) born on the banks of the Eumeralla River (near Macarthur) lived in a villa in Newtown called "Eumeralla" (Skene Street). "Boss" Hurst invented, patented and manufactured metal fasteners for wool bales and fencing. (Ref: 'Boss' Hurst of Geelong and Nauru : a life by Don Chambers) - held at the National Wool Museum, Geelong.Nonewool bale hooks, clips, fasteners, "grip bale fasteners", ev. hurst -
Clunes Museum
Document - BOOKLET & POSTCARDS, "THE DAY THE KELLY GANG PUT EUROA ON THE MAP"
BOOKLET ISSUED BY THE EUROA HISTORICAL SOCIETY INC..1 BOOKLET ON THE KELLY GANG HOLDING UP THE NATIONAL BANK AT EUROA - DECEMBER 10TH 1878. .2.3 TWO SEPIA POSTCARDS OF THE EUROA BANK WITH SEVERAL POLICE AND LOCALS STANDING ABOUT THE FRONT OF THE BUILDING .4 POSTCARD DEPICTING SOUVENIRS THE SERVICE CARD OF ROBERT DAVID BOOTH DATED MAY 1877 WITH INSET IMAGES OF A LEAD BALL AND A DISFIGURED SIXPENCElocal history, books, history, local history., euroa museum -
Whitehorse Historical Society Inc.
Pamphlet, A Special place to live, 1985 (addendum 1988)
A publication of the City of NunawadingA publication of the City of Nunawading explaining the regulations applying to the Special Residential (Nunawading) Zone No 5. The regulations cover proportions of land which may be built on and identifies trees which must be preserved. An addendum issued in 1988 includes a map of the area and identifies National Trust classified streets in Blackburn and the buffer areas in which less stringent regulations apply.A publication of the City of Nunawadingcity of nunawading, national trust of australia (victoria), special residential (nunawading) zone no. 5, jeffery street, blackburn, laurel grove, linum street, boongarry avenue, hill street, land use, by-laws, town planning, acacia avenue, waratah crescent -
Whitehorse Historical Society Inc.
Newspaper - Article, Kyle van der Kuyp, 4/09/1985
Kyle Van Der Kuyp, aged 13, wins national Aboriginal Sports Person award for 1985 for outstanding sporting achievements overseas. He won Under 15 Hurdles at Spenborough and Leeds. Currently he is training with Commonwealth track and field coach, Neville Sillitoe. His sporting affairs manager is Wayne Richards. Pictured with Bob Hawke.aborigines, van der kuyp, kyle, national aboriginal sports person award, sillitoe, neville, richards, wayne, hawke, bob -
Southern Sherbrooke Historical Society Inc.
Photograph - Farmland, Menzies Creek
Three colour photographs taken from the Belgrave-Gembrook Rd looking north, towards Ridge Rd over farmland at Menzies Creek. Land in the foreground belongs to Sam Frazzetto. Photos dated 1958 and copied from the National Archives of Australia.The fourth photo (from 14th August 2019) is taken by Will Ashburner from the Daffodil Farm as a comparison. -
Ballarat Tramway Museum
Photograph - Black & White Photograph/s, Charles Craig, early 1970's
Yields information about the use of the use of the City terminus during the last days of the SEC operated system.Black and White photograph of No. 34 at the City Terminus, Sturt St, south side - tram has an SEC Roof Advert re electric cooking. In the background is the National Mutual Building, Berry Anderson stationary shop, Golden Start Chinese Cafe and the Georges Oyster bar and fish shop. Photo by Charles Craig possibly early 1970's. trams, tramways, sturt st, city, tram 34 -
Ballarat Tramway Museum
Photograph - Digital image, John Ward, 28/02/1969 12:00:00 AM
Yields information about the appearance of the intersection of Sturt and Lydiard St North during 1969.Digital image of tram 43 turning from Lydiard St North into Sturt St with the National Mutual Building and Craigs Hotel n the background. Tram has destination of Sebastopol. Photo by John Ward 28 Feb. 1969. Slide title "01114 280269 SEC bogie tram 43 Lydiard St North to Sturt St Ballarat Vic"trams, tramways, sturt st, lydiard st north, tram 43 -
Ballarat Tramway Museum
Slide - 35mm slide/s, Peter Moses, Aug. 1971
Photo of SEC Ballarat Tram No. 39 completing its turn from Lydiard St. North into Sturt St. with the buildings between Lydiard St and Armstrong visible in the photo including the Town Hall and the National Mutual building. Shows the median strip along Sturt St. Kodak cardboard mount slide, taken by Peter Moses August 1971.On back of slide in red ink "Ballarat / Sturt St." and in bottom left hand corner in black ink "P. Moses" .tramways, trams, sturt st, town hall, national mutual, tram 39 -
Ballarat Tramway Museum
Photograph - Black & White Photograph/s, Late 1940's
Yields information about the appearance of Malop Street Geelong and its buildings and vehicles.Black and white photograph of Malop Street Geelong Has The title "Malop Street Geelong" in the bottom left hand corner and "V.22" in the bottom right hand corner. Shows the tram track, one bus, other vehicles, Elders or Dalgety's Wool Store, The National Mutual building and a service station. A commercial produced photograph - printer/publisher unknown.tramways, trams, geelong, malop st -
Bendigo Historical Society Inc.
Document - PETER ELLIS COLLECTION: CONDITIONS OF PERFORMANCE AGREEMENT
Conditions of Performance Agreement signed by Peter N Ellis on behalf of the Emu Creek Bush Band, dated 9/3/94. Letter dated 3/1/1994 To Peter Ellis, Dean Swift to confirm performance details, payments and accommodation details for Emu Creek Bush Band at the National Folk Festival 1994. Signed by Phil Wilson.entertainment, music, national folk festival, peter ellis collection, 28th national folk festival - canberra, peter n ellis, emu creek bush band, dean swift, edna kenny, phil wilson