Bendigo Advertiser "The way we were" from 1999. Meeting venue: Temperance hall, View Street, circa 1900. For many years the temperance section of the community was housed in a small building in View Street, Sandhurst. The Temperance Society was formed in 1857 and the foundation stone for a new building was laid in 1895. The new building was designed and erected under the supervision of Mr. J. Blair at a cost of 1,500 pounds. The large hall was used for meeting purposes and the offices were leased out. The free library attached to the hall was upstairs.newspaper, bendigo advertiser, the way we were

The Collingwood Campus library of NMIT was redeveloped in 2007 and renamed the Bill Freeman Library and Student Centre. The new centre was designed to meet changes in thelibrary to a more student-focused service. It provides spaces for a variety of learning needs and styles. The library was named after Bill Freeman, a long-standing institute council member of Collingwood College of TAFE and later NMIT, serving as NMIT Council President 2002-2006. He retired from the Council in 2007.As the first 'student centre' the Bill Freeman Library and Student Centre was a design model for the development of Fairfield, Heidelberg and Epping campus libraries.2 copies of colour brochure, printed on A4 and folded to A5. Includes photographs of Collingwood campus library and background on Bill Freeman.student centres, libraries, collingwood college of tafe, bill freeman, ccot, nmit,

"The fine structure of St. Peter's, with its prettily-decorated interior, which holds crowded congregations at Holy Mass on Sundays, is alone an eloquent testimony of the piety and devotion which permeates the whole parish. Attached to the church is a circulating library, and Catholic papers and other literature are distributed at the church door. Branches of the H.A.C.B. Society and Catholic Federation are doing much good work. (Melbourne Advocate, 17 January 1914) "OPENING AND CONSECRATION OF THE NEW CATHOLIC CHURCH OF ST. PETER’S, DAYLESFORD Cross on St. Peter'sNotwithstanding the inclemency of the weather, the opening of the new Catholic Church of St. Peter’s, yesterday (Sunday), attracted a crowded congregation. Although the rain, which has poured almost incessantly for some days past, had left our roads and streets in the condition for which Daylesford is celebrated in winter weather, and although he storm and rain seemed to increase as the hour announced for the ceremonies approached, the church was filled by a large congregation, comprising all sects and denominations of Christians in and around the district. The beautiful edifice, erected mainly through the zeal, liberality and energy of the respected pastor, presented a most imposing appearance, and reflects infinite credit upon the Rev. Mr. Slattery, and the flock committed to his charge. The church was commenced in November 1863 and has been in the hands of the workmen up to the present time, work being uninterruptedly carried on. On commencing the foundations, it was necessary to excavate until solid clay was reached, which in consequence of the deep rich chocolate soil on the site of the building, had to be carried down to an average depth of 6 feet 6 inches. The foundations were laid with massive stones in courses of 12-inch, and four feet thick, reducing to 3 feet below the floor line. The style of the building is decorated Gothic, and consists of a nave, 80 feet by 30 feet in the clear, and a chancel 18 feet high; from floor line to apex of roof, 47 feet, which is elegantly constructed, consisting of six spans or frames with puncheons resting on carved corbels, low down between the windows. The north side consists of a handsome entrance, near the north-west angle, approached by nine steps of cut stone, and four bays of windows on nave, and a small door on side of chancel, intended as an entry from the sacristy. The south side presents a very handsome view to Victoria street, a beautiful porch entrance giving access to the building on the south-east end of nave; and on the south-west angle a handsome octagonal spire, terminating in an iron cross, with gilt floriations; the height of top of cross, from floor line, is 88 feet. A stone stairs gives access to the organ gallery and the belfry. The whole of the windows are of a handsome geometrical design, and carved in stone, with mullions and tracery, and glazed with amber-tinted glass, the chancel window being 15 feet high, and 8 feet wide. The chancel arch is unusually large, 27 feet St. Peter's interiorhigh and 18 feet wide, and handsomely moulded, and presents a fine appearance from the body of the church. The roof is stained a rich oak, with heavy cornice, and all the walls are smoothly plastered, and colored peach color, giving the amber-tinted glass a beautiful soft cathedral appearance to the interior. The altar is of a very chaste design, the panels being moulded with Gothic heads, and finished in white and gold; the altar rail was not completed, but is intended to be of polished cedar, with carved pillars. The interior fittings will be proceeded with immediately, and to complete the design, an organ gallery, with sittings for about 100 persons besides the choir, will be constructed on the west end. It is intended also to place pillar gaslights on each side of the main entrance, for lighting during vespers in winter. The style of architecture has been strictly carried out, and in the best and most substantial manner. The building has been erected under the superintendence of the architect Mr. John Townsend Brophy, a member of the congregation, and who has discharged his duty with great ability and care. The hour of half-past eleven has scarcely passed when from the sacristy entered His Lordship the Right Rev. Dr. Gould, Bishop of Melbourne, preceded by the Very Rev. Dean Hayes (Sandhurst), the Rev. P. J. Slattery, and a number of boys dressed in white surplices. The Right Reverend Prelate proceeded to the foot of the altar, the Very Rev. the Dean on his right, and the Rev. P. J. Slattery on the left. The prayers usual upon the occasion were read by the Bishop. A procession was then formed, and went around the church in the following order. Several youths bearing wax candles first, next the Very Rev. the Dean, then the Bishop and his train bearers, and following were the Rev. Mr. Slattery and acolytes. Having returned to the altar in the same order, the Deacon (Dean Hayes) and Sub-Deacon (Rev. P. J. Slattery) proceeded to robe his Lordship, who had taken his seat at the epistle side of the altar, for the solemn High Mass, at appropriate times wearing his mitre and bearing his crozier. The mass, which was chanted by the Bishop with touching simplicity and earnestness, was then commenced. The choir, under the direction of Mr. Meunsch, organist, was full and most effective. Mrs. Testar, of Melbourne, having generously offered her valuable services, took the leading soprano solos, and it is scarcely necessary to add, rendered them with exquisite taste and feeling – her beautiful voice being heard with great effect throughout the entire building. The choir consisted of the following ladies and gentlemen who volunteered to aid in the ceremonies upon this most interesting occasion. Ladies: Mrs. Tresar, soprano; Mrs. J.J. McCormick, alto; Miss Julia Conry, soprano; Mrs. Vincent, soprano; Mrs. Aitken, soprano. Gentlemen: H. Guthiel, tenor; Master John Murphy, tenor; James Knox, bass; J. M. Murphy, bass; Mr. Staunton, baritone; Mr. Sourby, alto; Mr. Short, bass. The chant, “Let us adore,” during the procession, was given by Mrs. Vincent with considerable power. The selection of the “Imperial Mass” (Haydn’s No. 3) was felicitous, and the highly artistic and finished manner in which the different parts were sustained, demonstrated that great and persevering care must have been bestowed on the preparation for “the opening day.” The “Kyrie” was given with the full strength and power of the choir. The swelling of the voices in complete harmony, and the pealing of the organ in the midst of incense and prayer, produced a most marked effect upon the congregation. In the “Gloria,” the solos of Mrs. Testar were really beautiful and Mrs. McCormick rendered the alto solos with considerable merit. Mr. Knox sang the part commencing with the words “Qui tolles” with much taste and power. The “Credo” than which we believe there is not a more magnificent piece of sacred music extant, was most successful in its rendering, nor do we ever remember to have heard anything more touching than the manner in which the line “Vetam Venturi in Seculi,” was given by Mrs. Testar. The offertory hymn “Come unto Me all ye that labor,” was given by Mrs. Testar with the most thrilling effect. The “Sanctus” having been sung, in which Mr. Sourby ably rendered an alto solo, the “Agnus Dei” was commenced with a solo by Mrs. McCormick and was given with great taste and feeling, Mrs. Testar, at the conclusion of the “Agnus,” taking up the soprano part. Mass being concluded, the Very Reverend Dean Hayes ascended the altar and proceeded to preach the opening sermon, taking as his text Second Paralipomenon [Chronicles II], 7th chapter and 16th verse – “For I have chosen and have sanctified this place that My hand may be there for ever, and My eyes and My heart may remain there perpetually.” St Peter's manseAt the close of the sermon a collection was made by the very reverend preacher, assisted by John Egan, Esq., Corinella, on behalf of the church, and about fifty pounds were contributed. When it is remembered that 500 tickets had been issues at 10s each, and the inclemency of the weather taken into consideration, the collection may be regarded as a large one. Benediction was sung by the Rev. P. J. Slattery, assisted by Dean Hayes, the choir singing the “O! Salutaris Hostia” and “Laudate.” Handel’s Hallelujah Chorus was sung at the termination of the ceremonies. The vestments issued at Benediction, as well as at the Mass, were of the most gorgeous and beautiful character. When the Benediction was over, the Rev. P. J. Slattery, standing at the front of the altar said– “I wish to say one or two words before the congregation leave. I feel most deeply indebted to all of you who have attended here today for the honor and glory of God, not withstanding the difficulties you had to encounter from this most inclement season. I am truly delighted at such a manifestation of feeling, and will not easily forget it.” The rev. gentleman having disrobed, thanked the members of the choir for their kindness in assisting at the ceremonies, and more especially Mrs. Testar, who had braved all the storm and rain to be present at, and give the advantage of her great musical abilities on, the “opening day.” (Daylesford Mercury, 15 May 1865.)A number of photographs of St Peter's Catholic Church, Daylesford, taken at the 150th anniversary celebration. st peter's catholic church daylesford, decoration, altar decoration, anniversary, daylesford, religion, painting, interior, slattery, gough, d'alton, mcmahon

Originally this teaching model belonged to Prince Henry's hospital library and was transferred to the Monash Medical Centre, Clayton in the 1970s.by Sister Gertrude Berger, a famous nurse-educator, who is best known for her work leading up to the transfer of nursing education in Victoria from hospitals to universities in 1986.Gerty (as she was known in the School of Nursing) bought them in Europe in the late 1940s and early 1950s . Has lables on base of stand. "Model 6A Female Pelvis on Stnd". AU 618.1/ 01 FemaleModel of female pelvis in cross-section, painted plaster on stand.teaching model, anatomy, female, pelvis

Originally this teaching model belonged to Prince Henry's hospitla library and was transferred to the Monash Medical Centre, Clayton in the 1970s by Sister Gertrude Berger, a famous nurse-educator, who is best known for her work leading up to the transfer of nursing education in Victoria from hospitals to universities in 1986.Gerty (as she was known in the School of Nursing) bought them in Europe in the late 1940s and early 1950s . Has labels on base of stand. "Model 6A Female Pelvis on Stnd". AU 618.1/ 01 FemaleModel of female uterus with partial cross-section, vagina, fillopian tubes and ovaries. Painted plaster with label "AV618.1 / 01 Female".teaching model anatomy, female uterus

Originally this teaching model belonged to Prince Henry's hospit�l library and was transferred to the Monash Medical Centre, Clayton in the 1970s by Sister Gertrude Berger, a famous nurse-educator, who is best known for her work leading up to the transfer of nursing education in Victoria from hospitals to universities in 1986.Gerty (as she was known in the School of Nursing) bought them in Europe in the late 1940s and early 1950s.Model of a foetus, approximately seven weeks. Painted plastic on metal rod with round wooden stand. Labelled on base "AV618.2 / 01 Fetus/ FOETUS". Stamped on base, "PRINCE HENRY'S HOSPITAL/ NURSES LIBRARY." Label on base"Adam Rouilly/ London England". The model has anaaatomical numberings in black ink. There must have been an acompaning information booklet [missing].teaching model anatomy, female foetus

Originally this teaching model belonged to Prince Henry's hospital library and was transferred to the Monash Medical Centre, Clayton in the 1970s by Sister Gertrude Berger, a famous nurse-educator, who is best known for her work leading up to the transfer of nursing education in Victoria from hospitals to universities in 1986.Gerty (as she was known in the School of Nursing) bought them in Europe in the late 1940s and early 1950s.Teaching model. Female Pelvis, cross section, flat 3D panel. Painted plaster on painted timber. Originally from Prince Henry's Hospital Nurses Library [ traces of stamp "PRINCE HENRYS HOSPITAL NURSES LIBRARY" on l.l.].teaching model, anatomy, female pelvis

Originally this teaching model belonged to Prince Henry's hospital library and was transferred to the Monash Medical Centre, Clayton in the 1970s by Sister Gertrude Berger, a famous nurse-educator, who is best known for her work leading up to the transfer of nursing education in Victoria from hospitals to universities in 1986.Gerty (as she was known in the School of Nursing) bought them in Europe in the late 1940s and early 1950s.Teaching model- 3D Female Reproduction Organs on stand. Plastic. Demonstration model for the insertion of cervical diaphragm. Manufacturer: Ortho, New Jersey. Barcode label Monash Medical Centre Clayton.teaching model, anatomy, female reproduction organs

This a cast of the first baby to be delivered under anaesthesia, by the use of ether, in Edinburgh on 19 January 1847. The famous physician James Young Simpson, Professor of midwifery at Edinburgh University, attended this birth and wrote about it in the Monthly Journal of Medical Science 1846-7 Vol.7, p649-640. The cast of the baby's head was given to Lance Townsend, Professor of Obstetrics and Gynaecology, University of Melbourne by Robert Kellar, then Professor of Midwifery and Diseases of Women at the University of Edinburgh, when Professor Townsend was visiting Edinburgh. There is at least one other plaster copy; one is located at Wood Library-Museum of Anesthesiology, 520 North Northwest Highway, Park Ridge, IL 60068-2573, USAReplica of a new born baby's head, painted plaster, life size. The model of the head shows a large indentation of two and a half inches in the skull on the left side. The baby was delivered through a severely deformed pelvis, suffered a large indentation to the skull and did not live.obstetric delivery, anaesthesia

[8] l., 405 p., with woodcuts and illustrations. Vellum covering.non-fictionhuman dissection, early works to 1800

Used by the librarian in the mid 20th Century to stamp each new book at the Stanley Athenaeum, the stamp identified the library's ownership of the books in the library. The stamp is still used today when new books are acquired by the Stanley Athenaeum. This item is historically significant as part of the Stanley Athenaeum collection and can be used to identify the age of books and when they were acquired by the Stanley AthenaeumWooden block with wooden handle and inscribed rubber stamp on front faceInscribed relief in elliptical shape with words and stars in reverse. "Stanley Athenaeum" stanley, stanley athenaeum, stamp, ownership

Statue presented by Andrew Stenhouse, 3 December 1914. Donated by Mr Andrew Stenhouse, a retired contractor who lived at Beaconsfield Parade, St Kilda, he was interested in the reclamation of the foreshore in front of his dwelling Captain James Cook FRS (1728-1779) was a British explorer, navigator, cartographer, and captain in the Royal Navy. During three voyages to the Pacific Ocean he achieved the first recorded European contact with the eastern coastline of Australia and the Hawaiian Islands, and the first recorded circumnavigation of New Zealand. He was killed in the Hawaiian Islands in 1779. The statue appears to have been the first monument erected to him in Victoria and is a replica of one in Whitby, England. It was unveiled on Monday December 7th, 1914 by the Governor of Victoria, Sir Arthur Stanley in front of Commonwealth and State dignitaries and hundreds of St Kilda residents. It was donated by philanthropist Mr. Andrew Stenhouse, a member of the St. Kilda Shore committee.colour photograph unmountedCaptain Cook HMS Endeavour, August 26, 1768. Presented by Andrew Stenhouse, 3rd December 1914. A plaque on the rear of the pedestal (no image provided) lists the crew of the Endeavour. st kilda, captain cook, plaques, catani gardens, captain cook statue, andrew stenhouse

St Kilda Library was designed in 1971 by Enrico Taglietti (1926-2019). It was to be constructed in two stages. Stage 1 was completed in 1973. Stage 2 as designed by Taglietti did not proceed. Instead, alterations were designed in 1992-93 by Ashton Raggatt McDougall Architects (ARM). In 1993-94, the floor area of the library was enlarged to include a new entry and disabled ramp and a pedestrian thoroughfare between Carlisle and Duke streets. The original entry was blocked and a bluestone 'book' wall was constructed west of the new entry.colour photograph unmountedSK Libraryst kilda library, enrico taglietti, arm architects

Formerly New Bath & Criterion, built in 1856. New Bath demolished in the 1860s. A new hotel was built in 1878 and altered in 1921, when it changed hands and an entertainment venue was incorporated into the former exclusively residential building. Famed for live music, it is one of the earliest, largest and most prominent 19th-century resort hotels in Victoria. It has been altered many times since and this image predates extensive renovations and restoration work in 2018.colour photographst kilda, esplanade hotel, hotel esplanade, the espy, the esplanade

The church was opened and dedicated on 7/12/1884, and completed in 1922. http://skhs.org.au/SKHSchurches/Sacred%20Heart%20Church.htmThe church is of architectural significance due to its Italian Renaissance Baroque Style, with red bricks, cement dressings and a slate roof. It indicated the abandonment of the Gothic Revival style favoured by Victoria's Roman Catholics and set the new style for subsequent Roman Catholic churches in Victoria. It was designed by Reed, Henderson & Smart. colour photographst kilda, churches, catholic churches, sacred heart

The wooden pier was replaced by a reinforced concrete pier in 1970 and the kiosk was relocated. This photograph shows the two piers before the wooden pier was demolished. The concrete pier will be demolished after a new pier, being constructed in 2022-2023, is completed.Colour photographst kilda, st kilda pier, 1970

Colour photograph, mountedThe special things about Ripponlea is that it is really different to Tasmania because there are a lot more people here because it's very popular. Also there are older buildings in Ripponlea. The best thing about Ripponlea is that it is a new experience for me. By George Vaskoripponlea, glen eira road, ripponlea shops, 2009, ripponlea state school

A card encouraging customers to give a gift at Christmas to the boy who delivers or sells them their daily newspapers. Undated but perhaps early 20th century.Pink coloured card with greeting, verse and image of Santa Claus printed in blue. Stamped on the back.Printed on front: 'A Merry Xmas and a Happy New Year to You. Once a Year this Christmas comes - But I come round each day; I bring you all the news there is, in a most respectful way. A Christmas Gift just once a Year Would make me mighty glad; Although I'm only young you know - But an Honest Paper Lad. Stamped on rear: 'Cards, Books and Stationery. You will get satisfaction from McArthur's Agency St Kilda. Latest books & periodicals by every mail.'st kilda businesses, 20th century, st kilda - history, mcarthur's agency

The 'Council' to which the card is addressed is presumed to be St Kilda Council. The Board of Public Health operated from 1890 to 1920 and consisted of a Chairman, the Medical Inspector and seven representatives elected by the councils of municipal districts. Cream coloured card printed in goldStamped '6688' The Board of Public Health SENDS GREETINGS FOR THE NEW YEAR To the Council As the Local Health Authority, With all Good Wishes for Successful Co-operation in the Protection of the Public Health during 1909board of public health, 20th century, city of st kilda

Commemoration in London of the first anniversary of the landing at Gallipoli. On 25 April 1916, around 2,000 Australian and New Zealand soldiers marched through the streets of London to the Abbey. The service was held in the presence of King George V and Queen Mary.Two pages of paper, buff coloured with age, printed both sides, folded and stapled to make an 8 page document. The order of service is set out on pages 3-8.wwi, world war i, anzac, anzac day, gallipoli, aif

First anniversary of the landing of Australian and New Zealand troops at Gallipoli on 25 April 1915. Event organised by the City of St Kilda; presided over by the Mayor.Single sheet of white paper that has discoloured with age, folded, printed in dark bluewwi, world war i, anzac day, 1916

Postcard advertising the Scarlet Troubadours, a troupe of around 9 entertainers that were popular in Australia and New Zealand over a period of 5 years in the early 20th century. They performed light opera and vaudeville. Managed by Edward Branscombe, who pioneered the use of open air venues with his 1909 season at St Kilda.Unused postcard printed in colour on the front, and in blue on the back. the scarlet troubadours, edward branscombe

Depicts Australian flag and soldier. Card is from 5th Divisional Signal Coy., AIF, France.Folded buff-coloured cardboard with paper insert fastened by faded red cord. Insert signed by George Arnold. Handwritten notation on back of card: Given to St K His Society by Mrs Parker 14/3/8214th battalion aif

'Extracts from the Bi-Centenary Presentation in 1970. An illustrated address presented by Mrs. Boyes at Albury and Wagga, New South Wales, Wodonga, Wangaratta, Benalla and Mornington Peninsula, Victoria, to the general public and schools. This Documentary was generously accepted by His Excellency, the Governor of New South Wales, also awarded the New South Wales Government Bi-Centenary Committee's Certificate of Honour. The manuscript of James Cook, the Man, has been placed in the archives of the Greenwich Maritime Museum, London, the largest of its kind in the British Commonwealth, the Captain Cook Landing Place Historic Museum, Kurnell, Botany Bay, Australia, the Newport Historic Marine Museum, Rhode Island, U.S.A., Newport being the last resting place of Cook's "Endeavour".'Cover of grey paper, folded, containing a single folded sheet of white paper, printed in black. Bound with 2 staples. captain cook

Program of a reception for the Duchess of York by the National Council of Women of Victoria on 26 April 1927 at the St Kilda Town Hall. Music by Melbourne Symphony Orchestra. In 1927, the Duke and Duchess of York, (later King George VI and Queen Elizabeth the Queen Mother) came to Australia to officiate the opening of the new Parliament House in Canberra on 9 May. They arrived in Sydney on 26 March and departed from Fremantle on 23 May. They were in Victoria on 21 - 29 April. Folded sheet of white paper, discoloured with age, printed in blue.royal visits, national council of women of victoria, duchess of york, melbourne symphony orchestra, mso

Entree card to afternoon tea at the official opening of the City of St Kilda's Children's Welfare Centre, at 171 Chapel Street, on 26 February 1938. The building was replaced in 1971 with a new Children's Centre and Maternal & Child Health Centre, which was later demolished and replaced in 2013 with the Bubup Nairm Children's Centre. Bubup means 'children' in local Boon Wurrung language, and Nairm is Port Phillip Bay: i.e. “ Children of Port Philip Bay”.Cream coloured card printed on one side in black.Stamped number 83city of st kilda, children's welfare centre

A Murray Views greeting card for Christmas and New Year. The photograph, 'Murray Views No. 3 St Kilda', appears to be of the Lower Esplanade, St Kilda, in the 1940s. Murray Views was established in 1929 by photographer Fred Murray in Gympie, Queensland, initially to supply postcards of local views. The company soon expanded its reach through Queensland and interstate.Cream coloured card, folded into thirds, and printed in green. A black and white photograph of St Kilda murray views, st kilda

Unused invitation to the official opening of the City of St Kilda's Children's Welfare Centre, on Chapel Street, on 26 February 1938. The building was replaced in 1971 with a new Children's Centre and Maternal & Child Health Centre, which was later demolished and replaced in 2013 with the Bubup Nairm Children's Centre. Bubup means 'children' in local Boon Wurrung language, and Nairm is Port Phillip Bay: i.e. “ Children of Port Philip Bay”.White card, discoloured with age, printed in black with the City of St Kilda logo in bluechildren's welfare centre, city of st kilda