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Mission to Seafarers Victoria
Article, New Light on the Light of the World
Abstract William Holman Hunt's Light of the World (1851-53) was a remarkable painting that depicted an idealised vision of his conversion to Evangelical Protestantism. The derogatory critics and fierce debates that greeted the Pre-Raphaelite paintings at Royal Academy exhibitions from 1850 in no way abated when the Light of the World and other PRB works were hung in 1854. Acceptance of the Light of the World was gradual, significantly aided by a long explanatory letter from John Ruskin published in The Times (5 May 1854 p. 9) that explained the symbolism in great detail, championing the work as the principal Pre-Raphaelite picture in the Exhbition and one of the noblest works of sacred art ever painted. Curious Londoners flocked to see it, but there was no inkling then of its influence on religious art, poetry and illustration that would continue well into the twentieth century; no less influential was its impact on stained glass. Almost immediately it was embraced as a new subject for church windows of all denominations. The global tour of Hunt's larger copy of the Light of the World reached Australia in 1906 where, preceded by clever pre-publicity, it generated huge interest in cities and country centres here and in New Zealand. The effect of the 'blockbuster' tour was far-reaching, with hundreds of stained glass windows appearing in churches across the country for the next fifty years. This paper explores William Holman Hunt's co-option of illumination as metaphor and reality, the factors behind the longevity of the Light of the World as a stained glass phenomenon in Australia, and its universal appeal to Protestant church-goers.non-fictionAbstract William Holman Hunt's Light of the World (1851-53) was a remarkable painting that depicted an idealised vision of his conversion to Evangelical Protestantism. The derogatory critics and fierce debates that greeted the Pre-Raphaelite paintings at Royal Academy exhibitions from 1850 in no way abated when the Light of the World and other PRB works were hung in 1854. Acceptance of the Light of the World was gradual, significantly aided by a long explanatory letter from John Ruskin published in The Times (5 May 1854 p. 9) that explained the symbolism in great detail, championing the work as the principal Pre-Raphaelite picture in the Exhbition and one of the noblest works of sacred art ever painted. Curious Londoners flocked to see it, but there was no inkling then of its influence on religious art, poetry and illustration that would continue well into the twentieth century; no less influential was its impact on stained glass. Almost immediately it was embraced as a new subject for church windows of all denominations. The global tour of Hunt's larger copy of the Light of the World reached Australia in 1906 where, preceded by clever pre-publicity, it generated huge interest in cities and country centres here and in New Zealand. The effect of the 'blockbuster' tour was far-reaching, with hundreds of stained glass windows appearing in churches across the country for the next fifty years. This paper explores William Holman Hunt's co-option of illumination as metaphor and reality, the factors behind the longevity of the Light of the World as a stained glass phenomenon in Australia, and its universal appeal to Protestant church-goers.jesus, stained glass windows, bronwyn hughes, pre-raphaelite, william holman hunt (1827-1910) -
Glenelg Shire Council Cultural Collection
Book, Winifred M. Hilliard, The People In Between, 1968
Dark red cloth covered book. Gold lettering on spine. 253 Pagesaboriginal, australia, colonisation, culture -
Glenelg Shire Council Cultural Collection
Book, Virgil et al, Bell's Illustrated Classics: Aeneid and Caesar De Bello Gallico, 1903
Light green cloth-covered board covers and spine. Black text on front cover and spine. Free Library label on inside front cover. Bell's Illustrated Classics: Vergil's Aeneid Book 2 and Caesar De Bello Gallico Book 2poetry, history, ancient rome, caesar, virgil -
Glenelg Shire Council Cultural Collection
Book, Aeneid - Book 1, 1903
Light green cloth-covered board covers and spine. Black text on front cover and spine. Portland Free Library label on inside front cover.poetry, roman, ancient, aeneid, classical poetry -
Glenelg Shire Council Cultural Collection
Book, The Poetical Works of Percy Bysshe Shelley, n.d
Cloth-covered covers and spine, coloured red. Text and graphics in gold on spine.poetry, shelley, percy bysshe shelley -
Glenelg Shire Council Cultural Collection
Book, Paradise Lost, n.d
The poem concerns the biblical story of the fall of man.Green cloth covered spine and cardboard covers. Dark green and gold pattern around border of cover. Text in gold.The poem concerns the biblical story of the fall of man.poem, epic poetry, epic poem, milton, john milton, paradise lost, religion, biblical -
Greensborough Historical Society
Magazine, Society of Women Writers Victoria et al, Sparx. Issue 1, 2017_
Sparx is an anthology of writing by the Society of Women Writers Victoria76 p., black and white text, paperback.poetry, prose -
Glenelg Shire Council Cultural Collection
Book, Thomas Campbell, The Poetical Works of Thomas Campbell, n.d
Brown cloth-covered spine and board covers, impressed graphics and text in black, green and gold.thomas campbell, poetry -
Glenelg Shire Council Cultural Collection
Book, Dante, Alighieri et al, Inferno, c. 1860
The epic poem follows Dante's journey through hell.Green cloth-covered spine and cardboard covers. Dark green and gold pattern around border of cover. Text on cover in gold.The epic poem follows Dante's journey through hell.religion, 14th century, italy, poetry, epic poem -
Glenelg Shire Council Cultural Collection
Photograph - Copy of Photograph - Mount Clay Aboriginal Tribe, 1859
Vern Mc Callum CollectionDigital copy of monochrome photo taken in Portland in 1859. Group of 14 men of a large tree trunk. They are dressed predominantky in European clothes. Several men have boomerangs and spears. -
Glenelg Shire Council Cultural Collection
Book, HENRY WORDSWORTH LONGFELLOW, The Falcon of Ser Federigo & King Robert of Sicily, c. 1919
Two poems by Longfellow, edited by Ethel G Skeat. Soft cover, tan, black printpoetry, poem -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Book, Pownall, Eve, Australian Pioneer Women, 1975
Traces the history of Pioneer Women in Australia from the Stone Age ( Aboriginal Women) up to 1975. The author has concentrated on women that settled firstly in the bush with their families and the hard life they endured in this environment.296 p. : ill., ports A hard cover book with a dust cover and a plastic clear cover over that. On the dust cover front and back there is a picture of a man and a woman ( early settlers) out in the bush.On the back cover the woman is holding a baby. The inside covers front and back show an old photo of a man leaning on a gate talking to a woman in the front garden of a house. non-fictionTraces the history of Pioneer Women in Australia from the Stone Age ( Aboriginal Women) up to 1975. The author has concentrated on women that settled firstly in the bush with their families and the hard life they endured in this environment. australia, pioneer, women, history, pastoral, goldfields. -
Greensborough Historical Society
Report, Lower Plenty River Archaeological Survey; Fiona Weaver, 1989_
Archaeological survey of the Lower Plenty River undertaken in 1989-1990 by Fiona Weaver for the Board of Works. Indigenous heritage sites along the Plenty River are examined and recommendations made for the preservation and to lessen the impact of development on these sites.Printed on white A4 paper. Approx 92 pages (not numbered). Illus., maps. 2 copies.plenty river, board of works, aboriginal heritage sites -
Kiewa Valley Historical Society
Book - Poetry, Rubaiyat of a Modern Bachelor by John Power
The book consists of short poems each illustrated and each about bachelorsSense of humour regarding the state of bachelors in 1943.Small book with hard light brown cover. The title and author's name are printed in black with the picture in green of a glass of champagne between the title and author. The book is bound and has 92 pages. Dated: 1943poetry -
Kiewa Valley Historical Society
Papers - Community Newspapers and newspaper cutting, This Week & Bogong Moth Festival
The Festival of the Bogong Moth was run by the Mt Beauty Chamber of Commerce under the directorship of Yvonne Evans. It was a highly successful event which took place in November in both 1994 and 1995.In 1994 and 1995 it was very under appreciated as to the significance of the Bogong moth and the Aboriginal people to this area and failed to continue due to lack of community support.This Week newspaper x3 covering Falls Creek and Mt Beauty containing a program for the Bogong Moth Festival November 1995. Newspaper cutting from Regional Extra advertising the Bogong Moth Festival November 1994bogong moth festival, mt beauty chamber of commerce -
Kiewa Valley Historical Society
Papers - "Yurnga: - Mount Beauty High School Magazine. 1963 x2, "Yurnga" Mt Beauty High School Magazine
The Mt Beauty Higher Elementary School was proclaimed on 25th May 1958 then in 1963 it was proclaimed the Mount Beauty High School with an enrolment of 213 pupils, 12 staff members and D.B.Bennett as Principal. The school began to publish its magazine.Yurnga is the aboriginal word for "view among the hills". Mt Beauty is surrounded by mountains. The names in the newsletter are important for the history of the school.2 typed pages with the headings 'Editorial', 'Magazine Committee' and 'Investiture of Prefects, House Captains and Form Captains'. 1963 Vol. 1yurnga, mt beauty high school, education -
Kiewa Valley Historical Society
Paper - Early Days of the Area and Poem by W. Baldwin
The introduction "The following information should jog the memories of the older employees and be of interest to those who missed the interesting construction days."Wally Baldwin lived at Bogong and was interested in history and poetry. 'Poet Laureate' meaning that he was officially appointed by a government or conferring institution.A4 sheet. One side titled "Early History of the Area" with headings - Location, Capacity of Staff and Wages, 'Date of Opening' and 'Date of Closing'. On reverse a poem titled 'Our Ruddy Hydro Scheme' by W Baldwin (Bogong Poet Laureate Wally Baldwin in the early days of the schemewally baldwin, poem 'hydro scheme', khes early days, poet laureate -
4th/19th Prince of Wales's Light Horse Regiment Unit History Room
Poetry, "Our Heroic Dead", "Standing To", and "Reconciliation"
A plastic sleeve containing three pieces of photo-copied verse. "Our Heroic Dead" by Alice Edwards in 1918, "Standing To" by Brentomman and "Reconciliation" by Gerardy about the Palestine campaignpoetry, ww1 -
Kiewa Valley Historical Society
T-Shirt - Mt Beauty Festival of Bogong Moths
See KVHS 1481 Run by the Chamber of Commerce in November in 1994 and 1995Held in 1994 and 1995 in the Kiewa Valley in recognition of the aboriginal people who lived and gathered in the Kiewa Valley.Orange T-shirt with a iron-on green square which has white print on it. The print includes that of a moth.White print: "Mt Beauty / Festival of the Bogong Moth"bogong moth festival, mt beauty chamber of commerce, aboriginal -
Eltham District Historical Society Inc
Book, Alan Marshall (1902-1984), Ourselves Writ Strange by Alan Marshall published by F.W. Cheshire Pty. Ltd, 1949
321 p. : plates, map (on lining papers) ; 23 cm[written on flyleaf] Hullo, John. Greetings from Australia - Alan Marshall Dec 61australian aboriginal -
Eltham District Historical Society Inc
Book, National Museum of Australia, Wrapped in a Possum Skin Cloak by Amanda Jane Reynolds, 2005
Debra Couzens, Vicki Couzens, Lee Darroch and Treahna Hamm revived their communities' craft of cloak-making. Comprises tools, artworks, ornaments and two magnificently worked possum skin cloaks.vii, 64 p. : chiefly col. ill., map, ports. ; 18 cm.ISBN 1876944366aboriginal culture, possum skin cloaks -
Burrinja Cultural Centre
Aboriginal painting - Paddy Jampin Jaminji, Paddy Jaminji, The Hills of Bedford Station, pre 1995
In around 1924 a band of Gija people crossed fences onto their traditional land near Bedford Downs Station in the East Kimberley 2000 km northeast of Perth and killed nine head of cattle. This act precipitated one of the massacres to become known as the 'killing times'. Paddy Quilty, the station owner of Bedford Downs had his men collect wagon loads of firewood which was distributed around the camp. He then invited everyone to assemble for their rations. The food, laced with strychnine, was handed out. As the Gija people fell down dying in agony, they were shot. The firewood was used to burn the bodies. One boy escaped to the the story. Paddy Jamin Jaminji (c.1922-1997) painted The Hills of Bedford Downs Station as part of a series of painting about the Killing Times. It depicts the story and sites of the massacre. At least twelve killing sites are recorded within a radius of 150 km of Turkey Creek, WA. The painting was possibly discarded due to its damage in one corner and later collected from an old shelter at Warmun on a field trip by collector Neil McLeod in 1995.Large painting on board of symbolic landscape. Brown, yellow, cream and white. Framed.bedford downs station, massacre, killing, gija, paddy quilty, turkey creek, warmun -
Burrinja Cultural Centre
Aboriginal painting - Rover Thomas Joomala, Mount House, c 1994
Mostly black surface with an area of white on the right side and a brown band near the top, lined with white dots. Work show the 'black soil country'. Ochres on Canvas. -
Burrinja Cultural Centre
Aboriginal painting - Jack Wherra, Jack Wherra, Ancestral Spirit Dancers: Djumba, 1982
Two Djumba figures, both male on black background. Ochres on Canvas. -
Warrnambool and District Historical Society Inc.
Book, Loch Ard Gorge, Early 20th century
This is a booklet containing an epic-style poem by Alice Goldstraw on the subject of the wreck of the ‘Loch Ard’. Alice Goldstraw (died 1967) was the daughter of George and Robina Goldstraw who were pioneer farmers in the Cudgee area. The Goldstraw families were prominent in the early history of Warrnambool and district, especially as timber millers. The ‘Loch Ard’ wreck (1878, Mutton Bird Island near Port Campbell) is Victoria’s most famous wreck – 51 lives lost with only two survivors. The story of the survivors, Eva Carmichael and Tom Pearce has legendary status in the stories of shipwrecks in Victoria and has been the subject of articles, songs, poems, plays, novels and films. This booklet is of great significance because it is a well-written poem by Alice Goldstraw, a member of a pioneer family in the Cudgee area. It is a notable early poem about the wreck of the ‘Loch Ard’ which has attracted much interest in the Warrnambool area and beyond. Flagstaff Hill Maritime Museum in Warrnambool specializes in promoting stories of this wreck and features many relics of the wreck in its collection – the Loch Ard Peacock, the Carmichael watch, the Tom Peace binoculars etc. The laser night show at this Museum currently features the story of the wreck. Original copies of this poem are now rare.This is a soft cover booklet of 20 pages containing a poem about the wreck of the ‘Loch Ard’. The cover is cream-coloured with the front cover having blue print and a sepia-coloured photograph of the Loch Ard Gorge. The booklet has a page of photographs connected to the ‘Loch Ard’ and an ornamental black border around each page of the stanzas. The front cover is somewhat blotched and stained. The booklet has been stapled but the staples have been removed.poetry, loch ard shipwreck, warrnambool authors, alice goldstraw, warrnambool history -
Warrnambool RSL Sub Branch
Poem, Framed, Avis Quarrell, Night at Mersa Matruh, C 2016
This poem references Mersa Matruh, a port town on the Mediterranean coast of Egypt where Tom Meagher of the 14th Battalion may have served. Mersa Matruh was the backdrop for a series of battles between the German and British forces from mid- to late-1942.This poem was written by Avis Quarrell, an active community member of the Warrnambool RSL. Avis Quarrell was a former driver during the Second World War and is well known as a photographer and author in the Warrnambool area. The poem is well provenanced, bearing a dedication from the author herself and has significant interpretive capacity to discuss the North African campaigns, experiences of war and the history of the 14th Battalion when paired with the sketch.Poem printed in black ink on marled biege coloured paper in serif font, centred on page and signed by hand. Frame comprises of black plastic and is suspended by a wire on the reverse, which is screwed in on both the left and right hand sides. Poem is sealed in frame by framing tape, brown in colour. A gold adhesive label in the lower left hand corner indicates the framer and an inscription printed on paper is adhered onto the back of the frame.Underneath poem on front: “Avis Quarrell. C 2016.” On reverse, gold adhesive label reads: “Henna Street Picture Framers/74 Henna Street, Warrnambool/Ph/Fax (03) 5561 4795/ABN 88160473014” Printed inscription on reverse reads: “Warrnambool R.S.L./Please accept this Mersa Matruh sketch and poem/from Avis Quarrell and family (Anne and Murray/ Coverdale, Stephan and Jenny Quarrell, David/ and Janet Quarrell.)/Tom Meagher was a member of the 14th Battalion/in World War 2 and gave this to my husband while/ they were in North Africa./I wrote the poem because of the poignancy it/ created in my heart./We give this on the 100 Anniversary of the/ Warrnambool Sub-Branch, 26th of April, 2016 (16 crossed out and replaced with a 17).”north africa, mersa matruh, 14th battalion, poetry, quarrell, world war two, second world war, tom meagher -
Australian Queer Archives
Photograph, B-News, Lesbians and Gays for Reconciliation, Queers stick with Wik, Pride March, Melbourne, 1998 (5), 1998
aboriginal and torres strait islander -
Australian Queer Archives
Flyer, His own special friend, 1993
Associated text: "Cyclone Productions presents : His own special friend : a two man show by Darwin author Dino Hodge, based on the first chapter of his book : Did you meet any malagas? A homosexual history of Australia's tropical capital. 3 nights only Dec 9, 10, 11, Brown's Mart. In conjunction with the show will be an exhibition of Male nudes and Territory landscapes, by Ian Hanse. Exhibition opens 7:30pm. Performance at 8:30pm. Drinks and copies of the book available.darwin, gay, aboriginal and torres strait islander -
Warrnambool and District Historical Society Inc.
Archive - Scrapbook, Wartime Letters a compilation of newspapers, notices and letters, 1914-1930's
These letters etc were initially printed in the Warrnambool Standard and other newspapers during the First World War. They were collected by the Bonnett family and pasted into the exercise book, possibly by Jessie Bonnett. The book has been transcribed and republished by the Warrnambool and District Historical Society under the title Fields Of War. It contains the names of over six hundred soldiers from the Warrnambool District.This represents a valuable insight into the lives, experiences and feelings of WWI soldiers and nurses and their families. It has value in the individual letters collected with many of the originals no longer surviving but also as a collection. It has strong social and historical significance.Black cloth covered, rectangular, thick exercise book with lined page with glue and string binding. A recycled book with original mathematics notation overlaid by newspaper clippings pasted in three columns per page. Includes photographs, letters, poems, related cuttings and notices. WARTIME LETTERS a compilation of newspapers/notices/and/letterswartime letters, newspapers, jessie bonnett, letters, photographs, poetry, first world war, warrnambool standard -
Orbost & District Historical Society
poem, We Come, early 20th century
Daughter of George Temple and Mary McAuslane of Castlemaine, Hilda married James Kerr in 1893 and lived at Lincluden, Raymond Street, Orbost. Her husband, Dr James Kerr, was a Scot who had come to Australia as a ship's doctor and practised in NSW before visiting Orbost on a government vaccination programme. He liked Orbost and returned there, its first doctor, until his death in 1928. Hilda was sometimes referred to as 'Mrs Dr Kerr.' She and her sisters Mabel Stewart Temple and Margaret Ferrie Temple were all talented writers and musicians. This poem is an example of the talent of Hilda Temple Kerr. Hilda Temple Kerr (1874-1956) grew up in Orbost. She was very talented and published several books. It is reflective of the style of poetry in the early 19th century.A rectangular piece of paper with a typed poem titled, "We Come" by Hilda C. Temple-Kerr.poetry literature kerr-hilda-temple