Ten striped blanket samples held together with split pins. Colours include brown, pink, blue and cream. Each sample has an ink printed Physician label and a Physician sticker with a number.wool, fabric, blankets, sample, physician, collins bros mill pty ltd

This tag came with the donation of two kilts. The donor's mother, Joy Newall owned these kilts. She lived on a wheat/sheep farm in the Wimmera where her husband also bred merino sheep. Joy was well known in the district for the way she dressed when out in public.Four page fold out paper tag with black and white graphics and text. Graphic on the front and back shows a full length portrait of a person wearing traditional Scottish clothing resting with their hand holding an upright rifle. A piece of string is attached through a hole in the top left corner. Printed: Authentic Clan Tartans / by Fletcher Jonesclothing, fashion, tartan, kilt, scottish, wool

The donor's mother, Joy Newall owned these kilts. She lived on a wheat/sheep farm in the Wimmera where her husband also bred merino sheep. Joy was well known in the district for the way she dressed when out in public.Maroon, brown, yellow and blue tartan kilt with eye and hook fastening clips and buttons on three different size settings. A metal clasp and large safety pin fastens on the left side.tag: Fletcher Jones / AUSTRALIA'S FINEST CLOTHING / MADE IN AUSTRALIAclothing, fashion, tartan, kilt, scottish, wool

Camp 1 German wool buyer Mr Eberhard Schuster, standing in front of the remains of Cafe Wellblach at camp 1. Colour photograph of a man in black hat and jacket standing in front of a stone wall. Trees in the background. german wool buyers, eberhard schuster, camp 1, cafe wellblach

Letter from Bennett and Fisher Limited, livestock and produce brokers, 1943, to W.R. Lang requesting a test on a wools sample.wool - testing world war ii, bennett and fisher limited, lang, dr w. roy, wool - testing, world war ii

Letter from the Hazeldean Pastoral Co to W R Lang 17th March 1943 regarding the testing of wool sampleswool - research wool - testing merino sheep - history world war ii, gordon institute of technology hazeldean pastoral co, lang, dr w. roy, wool - research, wool - testing, merino sheep - history, world war ii

Letter from the Kalabity Pastoral Co to W R Lang 4/9/1944, regarding the testing of wool samples.wool - research wool - testing merino sheep - history world war ii, gordon institute of technology kalabity pastoral co ltd, lang, dr w. roy, wool - research, wool - testing, merino sheep - history, world war ii

Letter from the Kalabity Pastoral Co to W R Lang 12/9/1945, regarding the testing of wool samples.wool - research wool - testing merino sheep - history world war ii, gordon institute of technology kalabity pastoral co ltd, lang, dr w. roy, wool - research, wool - testing, merino sheep - history, world war ii

Letter from the Kalabity Pastoral Co to W R Lang 9/2/1946, regarding the testing of wool samples.wool - research wool - testing merino sheep - history, gordon institute of technology kalabity pastoral co ltd, lang, dr w. roy, wool - research, wool - testing, merino sheep - history

Letter, 2nd June 1947, to W R Lang requesting research material for his book on the Wool Industry of Australia.wool - research wool - testing sheep breeding wool industry, gordon institute of technology, lang, dr w. roy munz, mr h., wool - research, wool - testing, sheep breeding, wool industry

Produced by the Australian Wool Corporation and the National Rural Industry Training Committee, along with booklet, "Improving Shearing Efficiency" and poster."Improving Shearing Efficiency"shearing, national rural industry training committee street, mr tony - australian wool corporation

Part of a four part series of posters describing the Australian wool industry from 1788 to 1988, produced for the Australian bicentenary.Part of series donated by Woolmark.wool - history, australian wool corporation

Trousers - khaki, wool serge fabric, plastic buttons, metal zipper fly. Fob pocket, two side pockets, one back pocket with button down flap. Lining - cotton and polyester. Manufacturers label on lining of back pocket with black print information. Mending patch attached to lining.Cotton label information - black ink print. "A.G.C.F./ VIC 1985/ ^/ 8405.66.025.6184/ McQUARIE 83/ BATCH T /SIZ/WAIST 89R/ DRY CLEAN ONLY/ CREASES SET/ BY SIRO SET/ MENDING PATCH/ ATTACHED/ ARMY. NO./ NAME".uniform, army, battle dress trousers

During the reign of Queen Victoria, whose long and conspicuous grief over the death of her husband, Prince Albert, appropriate dress for men and women for the period of mourning was strictly prescribed and rigidly adhered to. Widows were expected to wear special clothes to indicate that they were in mourning for up to four years after the death, although a widow could choose to wear such attire for the rest of her life. To change the costume earlier was considered disrespectful to the deceased and, if the widow was still young and attractive, suggestive of potential sexual promiscuity. Those subject to the rules were slowly allowed to re-introduce conventional clothing at specific time periods; such stages were known by such terms as "full mourning", "half mourning", and similar descriptions. For half mourning, muted colours such as lilac, grey and lavender could be introduced.. Special caps and bonnets, usually in black or other dark colours, went with these ensembles. There was special mourning jewellery, often made of jet. By the late 20th century, this no longer applied, and black had been widely adopted by women in cities as a fashionable colour. A lady's full length black fine wool dress with pleated bodice and skirt. A beaded detachable collar sits over the dress forming a V shape back and front and is attached by hooks and eyes on right shoulder . Centre front from neck to point is a row of small black circular sequins. clothing, dressmaking, craftwork, cheltenham, market gardeners, pioneers, early settlers, moorabbin, bentleigh

Salmon pink hand knitted woollen baby vest. Patterned yolk with rib pattern body. Cap sleeves with crocheted edges. Neckline with crocheted edge. Twisted wool tie around neck.This collection of knitted and sewn garments were made in the early 1940s and were intended for a baby that was stillborn.costume, children's, baby vest

Bendigo Advertiser "The way we were" from Tuesday, September 2, 2003. Tall Load: McCulloch carrying company employees take more than 50 bales of wool from Savernake station's merino sheep to the Yarrawonga rail terminal priior to shipment by rail to Melbourne, circa 1936.newspaper, bendigo advertiser, the way we were

Photograph (proof 69) of two teams of Clydesdales hitched to wagons that are loaded with bales of wool. The wagon on the left of the photo has two horses, and the team on the right has team of four. Only one of the drivers is visible ( on the left hand team) Trees are visible in the background and possibly some farm buildings.topic, farming, wool carting, working horses, clydesdales, carting wool, farming

See Ref No 4362White and maroon cotton knit football jumper. The collar, cuffs, V-shape on front are in white heavier rib and the body of the jumper is maroon. Placket front has two snap fasteners. The number '17' is on the back and is plastic and sewn on. The shoulder seams are reinforced on the inside with ribbed knit acrylic wool.costume, children's uniform

Colour photograph of Ann Gervasoni posing for a photograph with her Grandfather, Gus Gervasoni, on the first day of school. Ann is wearing the old St Anne's East Kew summer uniform. The winter uniform was the same, but the tunic was in wool, and the grey shirt had long sleeves. It was worn with a blue jumper and blazer.gus gervasoni, ann gervasoni, school uniform, first day of school, st anne's east kew

Full length black mayoral ceremonial robe with centre front opening. Black wool with dark brown ermine fur edging on centre front opening and cuffs. Dark blue silk lining in sleeves. Gathered/puckered at back and fur collar connected to back with black plastic button and loop.city of brighton, mayoral robe, robe, ceremonial wear, r.w. bredin & son, raymond w. bredin, brighton, mayor, bayside, mayoral regalia

The embroidered scarf was donated to the Kew Historical Society by Janet Gibson.The shawl is an outstanding example of North Indian weaving and needlework. North Indian scarf [or girdle], probably made in Delhi, hand-loomed of fine wool and heavily embroidered by needle at the ends and sides with multicoloured silk thread surrounding the central rectangular black field. The highly detailed embroidery includes stylised images of foliage and flowers. There is old damage to parts of the textile. women's clothing, shawls, indian embroidery, scarfs

A Slazenger (UK) 'Lawn Tennis Ball' box. Printed on lid: 'EXCLUSIVELY CHOSEN FOR / THE CHAMPIONSHIPS, WIMBLEDON, 1948'. Colour advertisement adhered to underside of lid. Contains two original balls and two unbranded white balls, hand-marked with ink: 'E.A.M.' Materials: Ink, Cardboard, Paper, Rubber, Wooltennis

This tabard is one of a small number that were produced/woven by Japanese master weaver Jun Tomita during the period that he was resident artisan at the Jam Factory in Adelaide. The tabard incorporates Ikat/Kasuri woven central panels. The donor purchased this tabard from an exhibition held at Wool House in Parkville, Victoria which was sponsored by the Australian Wool Board to promote the use of Australian Wool in textiles and fashion at that time, around April/May in 1977. At that time (1976-1977) the donor owned and run a retail/display shop for craft products such as ceramics, artworks and jewellery. The donor subsequently retained this in storage with some other items since the business closed.Double sided reversible tabard featuring woven centrals panels. One side is navy blue with white and blue detail panels, one side is grey with green, brown and cream central panel detail.textile, tabard, japan, art, clothing, weaving, fashion, design, ikat, kasuri

The jumper was donated to the National Wool Museum in early 2019 from the Geelong Football Club. The jumper is the fourth in the 'country game' range. The oringal 2016 jumper was designed to commemorate a 'country game' against the Essendon Football Club prior to the start of the 2016 AFL Season. The four themes depicted in that jumper included: livestock, wool, wine and wheat. the 2016 jumper can be viewed as entry 7613.White sleeveless Geelong football jumper. The jumper has a large number 4 printed on the back. On the front of the Jumper it has the words Cotton On printed bellow the neck line as well as the emblems for Powercor Country round, the AFL Ford and the Geelong Football Club.Wording. Printed: COTTON ON POWERCOR COUNTRY FESTIVAL AFL / Ford GEELONG CATS EST 1859 FOOTBALL CLUB Reverse. Wording. Printed: 4 Fordgeelong football club, country round