Miss Eva Carmichael is one of two survivors of the Loch Ard shipwreck.. Loch Ard was bound for Melbourne in 1878 loaded with passengers and cargo when it ran into a rocky reef at the base of Mutton Bird Island, near Port Campbell. Of the 54 crew members and passengers on board, only two survived: an apprentice, Tom Pearce and a young woman passenger, Eva Carmichael, who lost all of her family in the tragedy. The wreck of Loch Ard still lies at the base of Mutton Bird Island and much of the cargo has been salvaged. Some was washed up into what is now known as Loch Ard Gorge following the shipwreck. Cargo and artefacts have also been illegally salvaged over many years before protective legislation was introduced. The photograph is significant for its association with the wreck of the Loch Ard. This wreck has been protected as a Historic Shipwreck since 11 March 1982, under the Commonwealth Historic Shipwrecks Act (1976) Flagstaff Hill’s collection of artefacts from Loch Ard is significant for being one of the largest collections of artefacts from this shipwreck in Victoria. It is significant for its association with the shipwreck, which is on the Victorian Heritage Register. The collection is significant because of the relationship between the objects, as together they have a high potential to interpret the story of the Loch Ard. The Loch Ard collection is archaeologically significant as the remains of a large international passenger and cargo ship. The Loch Ard collection is historically significant for representing aspects of Victoria’s shipping history and its potential to interpret sub-theme 1.5 of Victoria’s Framework of Historical Themes (living with natural processes). The collection is also historically significant for its association with the Loch Ard, which was one of the worst and best known shipwrecks in Victoria’s history. The Loch Ard collection meets the following criteria for assessment: Criterion A: Importance to the course, or pattern, of Victoria’s cultural history. Criterion B: Possession of uncommon, rare or endangered aspects of Victoria’s cultural history. Criterion C: Potential to yield information that will contribute to an understanding of Victoria’s cultural history. Photograph of Miss Eva Carmichael sitting on a chair holding a curtain. Text below photograph is partly unreadable but gives the name of the photographic studio. A printed on the back "County of Gloucester Studio Cheltenham" with the address and other informaion.Reverse has crest that includes “PRIZE MEDALIST PARIS EXHIBIT’N 1867” Printed text “No. …………” “COUNTY OF GLOUCESTER STUDIO / 20a / PROMENADE VILLAS / CHELTENHAM” and “Autotype Prints or Permanent Porcelain enlargements can be made from this plate” flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, photograph of miss eva carmichael, eva carmichael, loch ard shipwreck, county of gloucester studio

Black and white photograph and negative of Sturt St, north side, looking to the east of Armstrong Street, Saturday 14 August 1971 at the corner of Armstrong St. Has two single truck trams at the intersection with Lydiard St. North and a few parked cars. Original print by David Endacott, duplicate print (1262A) by John Phillips 12/99. Second copy added 5/2001. Original neg scanned at hi res and updated 11/5/2020.On original print "From Cnr Sturt & Armstrong Sts / Sat 14 Aug 1971" in pencil.trams, tramways, ballarat, sturt st., armstrong st.

Sixteen page knitting pattern book featuring black and white printed graphics and text. The black and white cover shows a woman wearing a knitted top.front: [printed] Handknits / for / Leisure / Hours / 1'. / LINCOLN / BOOK 704 NUMBER / Model No. L1641. See page 2knitting, pattern, fashion, knitwear, women

Classic Australian Poster Series. Limited edition reproduction No.15. All gifts and souvenirs P/L - Melbourne (03) 328 4025.1. Poster - paper, white print on poster, illustration in colour, woman holding a large bouquet of flowers. Red Cross depicted bottom right corner. Poster stored in cardboard tube. 2, Tube - storage. Cardboard with two plastic caps. Adhesive label in colour depicting small copy of poster and edition information.Printed on poster "Welcome Back - by the/ Australian/ Red Cross/ Society"red cross, poster

Used for pinning onto clothing or other accessories. Advertisement on TravelCard is printed on one side. Two copies held.One of the marketing methods for the TravelCard, the main ticketing system for public transport in Victoria during the 1980s.White, round plastic badge with "I Like TravelCard" printed in front. Two black, directionally opposite arrows flank the top and bottom of the text. In the back the text "BLADON MARKETING" is inscribed below the safety pin. 2 copies held.BLADON MARKETINGtravelcard, the met, metropolitian transit authority, badge, public transport, tickets

This photograph is of Tom Pearce, one of only 2 survivors from the shipwreck LOCH ARD. Loch Ard was bound for Melbourne in 1878 loaded with passengers and cargo when it ran into a rocky reef at the base of Mutton Bird Island, near Port Campbell. Of the 54 crew members and passengers on board, only two survived: an apprentice, Tom Pearce and a young woman passenger, Eva Carmichael, who lost all of her family in the tragedy. Coleman Jacobs composed the music “The Young Hero Schottische” and dedicated it, by permission, to Mr. Thomas R. (Tom) Pearce. The sheet music was published in 1878 by the Messieurs Roberts, professors of dancing etc. Melbourne. It was on sale for 3/- (3 shillings) and in aid of the “LOCH ARD” fund. [This is Coleman Jacobs’ only surviving musical work Coleman Jacobs, accomplished pianist, musical performer, singer, composer, professor of music and music teacher, was born in 1827 and died on 4 July 1885, aged 58 years. Coleman Jacobs was buried in the Melbourne Cemetery (grave 461, Church of England section).] The wreck of Loch Ard still lies at the base of Mutton Bird Island and much of the cargo has been salvaged. Some was washed up into what is now known as Loch Ard Gorge following the shipwreck. Cargo and artefacts have also been illegally salvaged over many years before protective legislation was introduced. The photograph is significant for its association with the wreck of the Loch Ard. This wreck has been protected as a Historic Shipwreck since 11 March 1982, under the Commonwealth Historic Shipwrecks Act (1976) Flagstaff Hill’s collection of artefacts from Loch Ard is significant for being one of the largest collections of artefacts from this shipwreck in Victoria. It is significant for its association with the shipwreck, which is on the Victorian Heritage Register. The collection is significant because of the relationship between the objects, as together they have a high potential to interpret the story of the Loch Ard. The Loch Ard collection is archaeologically significant as the remains of a large international passenger and cargo ship. The Loch Ard collection is historically significant for representing aspects of Victoria’s shipping history and its potential to interpret sub-theme 1.5 of Victoria’s Framework of Historical Themes (living with natural processes). The collection is also historically significant for its association with the Loch Ard, which was one of the worst and best known shipwrecks in Victoria’s history. The Loch Ard collection meets the following criteria for assessment: Criterion A: Importance to the course, or pattern, of Victoria’s cultural history. Criterion B: Possession of uncommon, rare or endangered aspects of Victoria’s cultural history. Criterion C: Potential to yield information that will contribute to an understanding of Victoria’s cultural history. Photograph of Mr Tom Pearce dressed in a uniform with a medal pinned on it. Standing with his arm resting on a masonry pillar. Reverse has piece of tape centre top and bottom. Also has printed maker’s information. Printed by the Photographic Society of Victoria, Melbourne.Printed green text “PHOTOGRAPHIC / SOCIETY OF VICTORIA / MELBOURNE / REGISTERED COPYRIGHT / JULY 24th 1878” and “NONE ARE GENUINE UNLESS WITH / SIGNATURES THUS” and “PRESIDENT / VICE PRESIDENT / SECRETARY” flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, loch ard shipwreck, tom pearce, thomas r pearce, eva carmichael, mutton bird island, loch ard survivor, loch ard hero, coleman jacobs, the young hero schottische, photograph of tom pearce

Valentine's Series postcard, printed in Great Britain by Valentine’s Co. Ltd. (Valentine & Sons 1825-1963) for Australian distributionEarly postcard of the Hawthorn to Burnley Railway Bridge on the River Yarra. Station picnic on left. Tay Creggan on right. Buildings and location identified by Marshall Slattery in 1977. The postcard was printed in Great Britain and was published as one of Valentine's Series. "KH.87. Donated by Mrs B. Challen 2.2.76. Burnley to Hawthorn Railway Bridge. Station Picnic on left. "Tay Creggan" on right. Marshall Slattery 1977".river yarra, railway bridge - hawthorn, postcards -- hawthorn (vic.)

J.H Hicks, refer cat No 1363 for service details.Two Leave Passes, cream coloured cardboard with black print.Printed in black on front: “Form P/P26 Royal Australian Air Force Leave Pass Leave for the period & destination shown on the inside of this pass is granted to” In red handwriting: “51964 LAC HICKS J H” Printed in black: Whose signature appears on back On back: Unit Stamp to be Impressed hereunder No 2 OPERATIONAL TRAINING UNIT ROYAL AUSTRALIAN AIR FORCE Signature of Airman to whom this Pass is issued LEAVE GRANTED from standdown until 2359 hours daily except Mondayadministrative, leave, raaf

Set of eight colour prints of the Ballarat COTMA Conference 2000 visits to the MTPA depot at Haddon, the township of Clunes and to CMR Muckleford Photographed on 22/11/2000 at Haddon and on 23/11/2000 at Clunes and Muckleford. Photographs by Carolyn Dean. .1 - No. 663, 670 and 407 at Haddon MTPA depot .2 - COTMA delegates at Haddon BBQ .3 - No. 407 on operating track at Haddon .4 - Clunes war memorial .5 - Clunes township main street .6 - Muckleford station nameboard .7 - J549 at Muckleford station .8 - ditto Printed on Kodak paper.On rear of each print is "263.3 or .4, or .5" and date "22.11.00" or "23.11.00" in ink.btm, haddon, cotma, muckleford, clunes, tram 663, tram 670, tram 407

Twenty page book with black and white printed text and graphics. The front cover features a black and white image of a child sitting on grass with his arm around a dog. front: [printed] Patons Knitting Book / No. 167 / “KEVIN” / See page 17 / 7d. / A PATONS AND BALDWINS PUBLICATIONfashion, women, knitting, crochet, home life, patterns

Sixteen page knitting pattern book featuring black and white printed graphics and text. The black and white cover shows a man wearing a vest standing with a camera light.front: [printed] Hand Knitted / SLEEVELESS / SLIPONS / for men / LINCOLN / BOOK No. 680 / MODEL No. L 1313 / 6dknitting, pattern, fashion, knitwear, women

Framed print 'The Figtree' Tobruk by Eddie Marlow. Print from a small book, has centre fold line and 2 staples.illustrations - oil/watercolour, frame accessories, tobruk

Rural City of Wangaratta CollectionA rectangular print of a comical depiction of the Kelly Gang diving at the Great Barrier Reef, printed in brown and black ink on white paperObverse: AP/ "Ned's Gand Dive on the Great Barrier Reef"/ Leon Pericleswangaratta art gallery, leon pericles, ned kelly, kelly gang

The Buninyong and District Old Boys' Association was a group of men who lived across Victoria who were former residents of the town. The members' booklet was printed in 1918. Further research is needed on when the group started and how long it operated. Small printed booklet with tan coloured card cover with red decorative design. Includes committee and membership of the association for former male residents of Buninyong.A. Lippiattbuninyong, buninyong and district old boys association

Pack of playing cards featuring a Melbourne A class tram, No. 235 in Victoria Parade. Photo is different to the one used in item 6707. Has the name Randa on the plastic case and the Joker notes that the cards were printed in British Hong Kong.Shows the use of a Melbourne tram on a souvenir.Pack of playing cards,within a plastic case, printed with a photo of an A class tram on one side. Has a price label of $3.35 on rear of case.melbourne, trams, a class, tram 235, playing cards

John Gartner was a fine printer and publisher, an author, a noted philatelist, and also collector of Australian banknotes and coins. He was born on 16 July 1914 and was largely self-educated, leaving school at fourteen for work following the death of his father. Gartner developed a strong interest in the history of typography and printing and was apprenticed at the Advocate where his father had been a linotype operator. Aged 17, Gartner bought a hand press and some fonts of type, and in 1937 acquired a platen press from which he set and printed his private press books, published under the imprint of The Hawthorn Press. Gartner had a strong collection of Australian bookplates. He also looked at the work of artists overseas and commissioned personal plates. He subsequently built an international collection with preference for artists who printed from wood. His initial searches were in Belgium and Holland.(http://www3.slv.vic.gov.au/latrobejournal/issue/latrobe-84/t1-g-t7.html)Black and white print showing a domed gazebo with boat on a lake in the foreground and trees in the backgroundkeith wingrove memorial trust, bookplate, australian bookplate design awards, printmaking, johm gartmer

Australia converted to decimal currency on 14 February 1966. This coin purse is printed with a simple conversion table to help the user navigate the switch from pounds, shillings and pence to the new dollars and cents.Cream vinyl coin purse with conversion table for pre-decimal and decimal currency printed in black on each side. Hinged silver metal opening and kiss clasp. Unlined.coin purse, decimal currency, 1960s

ticketDemonstrates a variety of daily tickets used by the Provincial Tramways in Victoria.A collection of tramways tickets known as 'flimsies', produced by the Electricity Supply Department for the State Electricity Commission of Victoria. The tickets are for use on the provincial tramways of Ballarat, Bendigo and Geelong. The daily tickets, printed on beige, pink or cream colored paper, have a value between 3 pence and 4 pence. The tickets are all individually numbered, and show the value by displaying a large, colored number on the face of the ticket.Some of the tickets are stamped with the word "Concession". One of the 4d tickets has the date of issue hand printed where the identification number is usually printed. tickets, tramways, esco

Product label in tones of red, green, yellow and gold showing printed text and a graphic of a sheep. Hand written blue text is shown on the back. front: [printed] THE WERRIBEE / PURE MERINO / WOOL RUG / MANUFACTURED BY / THE ALBION WOOLLEN MILL CO. / GEELONG, VICTORIA. / No. / WEIGHT / SIZEalbion mills, archives, wool industry, blankets, rugs, products, advertising, geelong, packaging, label, graphic design

Four page knitting pattern booklet featuring black and white printed graphics and text. The colour cover shows a woman wearing a knitted jumper.front: [printed] 1083 / PRICE / CODE / G / PURE NEW WOOL / VillaWOOL / 5 PLY / Machinewash / THE GREAT AUSSIE YARNknitting, pattern, fashion, knitwear, women, villawool

Yields information the first tram to be driven from the BTPS depot building under power.Colour photograph of the inauguration of No. 27 to be moved under power on 12 Oct. 1974 - Vice President Bill Jessup drove the tram - see Page 2 of the 1974/75 Annual report and page 23 of December 1974 Trolley Wire for a similar photo by Bob Prentice. Richard Gilbert on the "podium", prior to the launch. Printed on Kodak paper.On Rear in red ink machine printed "Nov 74.M"trams, tramways, depot construction, btps, operations, tram 27

A collection of Australian folk songs and traditional ballads, published by Folk Lore Council of Australia, notation reads 31/10/68 with compliments from Mrs. Rose Sayers 6 Blossom St Mitcham 3132 Victoria Hon. Secretary, Folk Lore Council of Australia. Blue soft cover printed by Technaprint Abbotsford Victoria.Folk Lore Council of Australia. Printed by Technaprint Abbotsford Victoria.performing arts, music, folk songs

This card is an invitation to attend the opening ceremonies with the dedication of memorial chapel on the 6th of September 1917 by the Archbishop, and the official opening of the Flinders Street Mission on the 11th of September 1917 by the Governor, Sir, Arthur Lyulph Stanley.This 1917 invitation marks the commencement of official ceremonies to dedicate both the new Mission Building and Chapel and associated services and celebratory concert. This building which has housed the multitude of continual services to Seafarers will attain the Centenary year in 2017.Commercially printed invitation on heavy card printed with blue ink ; features a Flying Angel flag of the Mission to Seamen in top left crnrprinted in copperplate script:"The Committee and Chaplains of / the Victoria Missions to Seamen / request the pleasure of your and your friends' company at / The Opening Ceremonies of the New Institute in Flinders Street extension. / On Thursday, 6th September, 1917 /...The Official Opening / will be performed by His Excellency the Governor / THE HONOURABLE SIR ARTHUR STANLEY, K.C.M.G/..."invitation, 1917, opening ceremony, flinders street, walter richmond butler, seamen missions, mission to seafarers, lord mayor of melbourne, dedication, sir arthur lyulph stanley (1875-1931), archdeacon hayman

Items from a photo album (Cat.No. 01588), with the printed funeral service for Lt Colonel Donovan Joynt held on 12 May 1986 (Cat.No. 01596). The newspaper clipping was written by John Lahey as part of the 'Lahey at Large' column he wrote for The Age between 1982-1996. He noted that Joynt 'was the last survivor of the 66 Australians who won Victoria Crosses in World War 1.' and mentions Joynt's work for Legacy, and the Shrine of Remembrance. Items have been removed from adhesive pages and stored in archive quality sleeves.Part of the collection of material held by Melbourne Legacy on Legatee Donovan Joynt, a prominent Australian.Newspaper clipping and printed pamphlet about the funeral of Dono Joynt.donovan joynt, funeral, shrine

This pocket First Aid kit is small and compact which became available to those venturing out in the outback and required an easily managed first aid kit. It was manufactured in the mid 1900s well before vinyl and or plastic pouches or bags where used. It was in an era where valuable items were stored in durable containers due to the harsh and rugged conditions of the Australian bush. Cheaper and less durable containers from Asian manufacturers had been kept out by the heavy Tariff imposed on their goods. This changed in the 1980's when the Tariff Board was dismantled by a then Labour Government. The Australian manufacturing industry was severely reduced by the Influx of cheaper goods. This item was made by an Australian company when the motto "true blue" was the catch cry for quality Australian made goods. This was in the period where the isolation of many rural communities required the basic first aid kits to be of a tougher quality than those offered in large cities and towns.This pocket first aid kit was very compact and would have been easy to carry without taking up too much space for bush walkers, camping scouts, drovers and independent miners and cattlemen. The Kiewa Valley and surrounding rural settlements did not have the medical backup that the larger cities and towns had up until the mid 1900s when the Hydro Electricity Schemes were built and the additional influx of workers made it feasible to have a hospital and better local health facilities. This influx of the construction workers associated with the Hydro Scheme. also brought European workers who where more inclined to go bush walking and climbing the Victorian alps than the average Australian rural worker. This item is a Sanax pocket first aid round tin, gold in colour with red and white print. It's contents are: one small tube of Sanax antiseptic cream, one small one inch x six yards of gauze bandages, rubber band type ligatures with a cast iron tightener., one small tweezers three safety pins, and one lancet.On the lid there are: are outlined white cross on a blue circular background. underneath is a whiite circle encased with a red line with the following printed "Sanax pocket first aid case" (in red print underneath this is a small curved blue background and in black print "No. 26"medicine, first aid tin, camping medical supplies, personal first aid, sanax

Set of 4 - Timetables - Geelong buses that were introduced following the closure of the Geelong tram system. 1 - Trans Otway - Eastern Park and West Geelong dated 23/1/1956 - gives route and times. Printed - 111x142mm 2 - Benders Busways - Chillwell - gives times, fares, bus stop locations and route details - tri fold foolscap - 210 x 111 3 - ditto - for Newtown 4 - Corio bus lines - Belmon - City from 26/3/1956 - gives sections, fares, routes, times and route details - folded quarto - 205 x 164 All note that folded pushers carried at any times, unfolded between 9.30 and 3.30, no prams. See item 6812 for the Transport Regulation Board poster of 1956 and two other bus operators.Yields information about the bus timetables following the closure of the Geelong tram system.Set of four printed or duplicated documentstramways, geelong, closure, bus, buses, bus replacement, timeables, trans otway, corio bus lines, benders busways

A postcard of a photograph taken by socialite photographer Nicholas John Caire. N.J. Caire had a great love for the area and in the late 1800's took many photographs of Marysville and its surrounds.One of a series of postcards of photographs taken by socialite photographer Nicholas John Caire. N.J. Caire had a great love for the area in and surrounding Marysville and in the late 1800's took many photographs of Marysville and its surrounds. N.J. Caire was born in 1837 in Guernsey. He arrived in Adelaide about 1860 along with his parents who encouraged his early interest in photography. He opened a studio in Adelaide in 1867 after traveling extensively throughout the Gippsland taking photographs. After marrying in 1870 he moved to Talbot in Victoria until 1876 when he opened a studio in the Royal Arcade in Melbourne. After 1885 N.J. Caire gave up his city work and made his home in South Yarra and devoted the rest of his life to outdoor photography, specializing in the bush, the gullies and the mountains of south-eastern Victoria. POST CARD A.G.J. AFFIX/ STAMP THIS SPACE MAY BE USED/ FOR COMMUNICATION. THE ADDRESS ONLY TO BE/ WRITTEN HERE. Printed in Saxony COPYRIGHT. To Dear Emily/ With every loving/ Wish for many/ happy birthday/ with love from me/ Myrtlemarysville, victoria, george, george locke, nicholas john caire, cumberland valley, hermit, postcard, souvenir

Although this book revolves around the supply of power(Electricity) from brown coal it does cover the period 1937 onwards when the Kiewa Hydro Electricity Scheme was first mooted. This area was believed to be far away from aerial bombardment should the coastal power stations be attacked by air in World War II(1939 -1945). After the war, post 1945, the demand for a continual power supply, not affected by seasonal coastal flooding was together with a lower cost of hydro electricity power the major incentive for the Victoria Government of the day to proceed (in the 1940s) with The Kiewa Hydro Electricity Scheme. In 1946 Victorian government sought greater independence from the New South Wales black coal supplies.The significance of this book to the Kiewa Valley and its outlying regions is that it details why the development of an Alpine region was and now still is pocketed with a European flavour both in buildings and in town vegetation(trees and flowers). European (post World War II refugees) where attracted to these alpine areas not only for hard labouring positions but also for their technical skills and some street names offer a distinct European lineage rather than convict or of earlier English settler. The construction phase accommodation continued after completion of the Kiewa Hydro Electricity Scheme to become popular venues for an increasing winter tourism industry. This book has a brown hard cover encapsulated by a cream sleeve with brown and black print. On the front of the sleeve is an embossed circular motif with centre piece S.E.C. emblem and around this the words "50 YEARS OF SERVICE" and below this" STATE ELECTRICITY COMMISSION OF VICTORIA". The book contains 313 double sided pages of black print and black and white photographs.On front of paper sleeve "Brown Power A Jubilee History of the State Electricity Commission of Victoria Cecil Edwards". On the second page, below the Title "Brown Power" there is a pasted, printed presentation certificate, with the S.E.C. emblem and these printed words " Presented by the Chairman and Commissioners to A.G. MILLIST, ESQ. in recognition of long and valued service with the Commission"electricity, victorian power supplies, hydro electricity, brown coal, cecil edwards

This framed print is part of a number of items from the St. Nicholas Seamen’s Church, 139 Nelson Place, Williamstown, Victoria, used during religious services there. The Church was operated by the Mission to Seamen organisation. THE MISSIONS TO SEAMEN (Brief History: for more, see our Reg. No. 611, Set of Pews) The Missions to Seamen, an Anglican charity, has served seafarers of the world since 1856 in Great Britain. Its symbol is a Flying Angel, inspired by a Bible verse. Today there are centres in over 200 ports worldwide where seamen of all backgrounds are offered a warm welcome and provided with a wide range of facilities. In Victoria, the orgainsation began in Williamstown in 1857. It was a Sailors’ Church, also known as ‘Bethel’ or the ‘Floating Church’. Its location was an old hulk floating in Hobson’s Bay, Port of Melbourne. It soon became part of the Missions to Seamen, Victoria. In the year 2000 the organisation, now named Mission to Seafarers, still operated locally in Melbourne, Portland, Geelong and Hastings. The Ladies’ Harbour Lights Guild was formed in 1906 to support the Missions to Seamen in Melbourne and other centres such as Williamstown. Two of the most significant ladies of the Guild were founder Ethel Augusta Godfrey and foundation member Alice Sibthorpe Tracy (who established a branch of the Guild in Warrnambool in 1920). The Guild continued its work until the 1960s. In 1943 a former Williamstown bank was purchased for the Missions to Seaman Club. The chapel was named St Nicholas’ Seamen’s Church and was supported by the Ladies’ Harbour Lights Guild, the Williamstown Lightkeepers’ Auxiliary and the League of Soldiers’ and Sailors’ Friends. It ceased operation in 1966. A Missions to Seamen Chapel and Recreation Room was a significant feature of ports during the late 1800s and into the 1900s. It seemed appropriate for Flagstaff Hill to include such a representation within the new Maritime Village, so the Melbourne Board of Management of Missions to Seamen Victoria gave its permission on 21st May 1979 for the entire furnishings of the Williamstown chapel to be transferred to Flagstaff Hill. The St Nicholas Seamen’s Church was officially opened on October 11, 1981, and closely resembles the Williamstown chapel. This print is significant historically for its origin in the St Nicholas Mission to Seamen's Church in Williamstown, established in 1857 to cater for the physical, social, and spiritual needs of seafarers. It originated in Bristol, England when a Seamen's Mission was formed in 1837. The item is historically significant for its connection to the Ladies Lightkeepers’ Auxiliary, an organisation of women, formed to support seafarers. The connection of this item to the Mission to Seamen and to the Ladies Lightkeepers’ Auxiliary highlights the strong community awareness of the life of people at sea, their dangers and hardships, and their need for physical, financial, spiritual and moral support. Print of a watercolour painting, framed in Huon pine wood behind glass.Depicts the artist's impression of the Biblical event referred to as The Last Supper. Inscription marked on the back. Australian, circa 1890. The print is part of the St Nicholas Seamen's Church Collection (NOTE: This is not a copy of Leonardo da Vinci's 'Last Supper'.)On rear of board: "156" flagstaff hill maritime museum and village, flagstaff hill, warrnambool, maritime museum, maritime village, shipwreck coast, great ocean road, religion, religious service, st nicholas seamen’s church, williamstown, missions to seamen victoria, last supper, worship, religious worship, ladies lightkeepers’ auxiliary