The new Central Park was opened on Monday, 21 April 1930 by Mr. W.H. Everard, M.L.A. followed by a sports carnival. The Advertiser reported on Friday, April 25, 1930 that – “Perfect weather prevailed on Monday for the sports gathering in aid of the recently-acquired park near the railway station, and from every point of view the day was a success. The Central Park contains 9½ acres, and has the Diamond Creek on one side and the railway line on the other. It cost £760, of which the council contributed £500, and the citizens, are finding the balance. Already about £80 has been spent in levelling, and a pavilion has been erected by the footballers, who will use the ground for training until it is sufficiently, improved for matches. There is ample shade along the banks of the creek, where there were numerous picnic parties. The committee has already done some planting on the railway side of the park, and where the trees grow on the higher side, overlooking the arena, the natural stand will have shade, command a view of the events, and have the trees on the banks of the creek in the distance. There were between 600 and 700 people present, many in motor cars having a little difficulty in, finding their way under the aqueduct to the ground, but the council is at present effecting improvements to the road. A merry-go round was a source of pleasure to the children, and the Northcote Soldiers and Citizens Band under Bandmaster Gore, de-lighted everyone with their varied selections of good music.” “Cr. E. J. Andrew, president of the Park Committee, said it was the first function held in the park, and although the citizens have guaranteed £420 towards it, there is still some-thing owing. Mr. W. H. Everard, M.L.A., who can always be relied upon to attend any gathering which draws the people together, said that he and Mrs. Everard had great pleasure in being present to declare the park open. He congratulated the Eltham people upon their public spirit, and the new park would be more appreciated in years to come. The other park is a splendid one, but it is far away, and one is required close to the station, so that young people can have a day's enjoyment, without having to go far from the station. The trouble in Victoria is not having enough parks. The early settlers did a lot in getting park lands, but the present generation is not doing enough. Eltham people are entitled to the highest commendation for their action, and Cr. Andrew and the council are to be thanked for what they have done. What is wanted is ingress and egress so that people can get in comfortably. When he was motoring in his wife said, "Surely you are not going down that precipice," and he replied that he would go anywhere where the people were. In the future it will be the big centre of Eltham.” Reproduced on page 96 of 'Pioneers & Painters'This photo forms part of a collection of photographs gathered by the Shire of Eltham for their centenary project book,"Pioneers and Painters: 100 years of the Shire of Eltham" by Alan Marshall (1971). The collection of over 500 images is held in partnership between Eltham District Historical Society and Yarra Plenty Regional Library (Eltham Library) and is now formally known as the 'The Shire of Eltham Pioneers Photograph Collection.' It is significant in being the first community sourced collection representing the places and people of the Shire's first one hundred years.Digital image 4 x 5 inch B&W Neg 9 x12.5 cm printsepp, shire of eltham pioneers photograph collection, eltham, eltham central park, automobile, central park, cricket match, pioneers and painters

Site of original tea rooms opposite what was then Eltham Park, now Eltham Lower Park on Main Road, present-day 573 Main Road since early 1970s, immediately prior to which it was 271 Main Road. It is believed a Mrs M Willoughby operated the tea rooms around October 1919. Arthur James McDonald became proprietor of the Eltham Park Tea Rooms some time between 1942 and 1945. In the 1942 Electoral Roll he was recorded living in Moonee Ponds as an aircraft fitter and was then recorded as a tea-room proprietor at Main Road, Eltham in the 1946 Electoral Roll. By 1949 he had moved to Leongatha where he was a café proprietor. A picture of the 1934 floods (EDHS_00103) shows the tea rooms surrounded by waist height flood waters. This building was a different structure. It is not known whether the building was demolished and rebuilt because of this flood event or sometime later to the building seen in this photograph, however it appears to be of a mid-1950s style. During the 1950s it was a milk bar as seen in this photograph and served Devonshire teas in the late 1950s, open only on weekends to service the park and miniature railway opposite. Locals who were children of the late 1950s on recall buying bags of lollies and drinks such as Blue Heaven Spider (ice cream float) and crackers for cracker night. At one point the shop also had pinball machines. It is believed the section of the building to the right was a residence. By the time the Shire of Eltham celebrated its centenary in 1971, the Eltham South Milk Bar was under new management. During the 1980s the shop was operated by Ansell and Muir and they offered takeaway fast food, such as spring rolls and especially hot chicken and chips. Locals also fondly recall their chicken schnitzel with lemon juice. It is remembered as one of the best takeaway food shops, fresh food and fast service with great parking. The residence section to the right was developed as an art, pottery and crafts gallery, Bimbadeen, run by Don Brown, then a local artist. It was taken over in the late 1980s as River Clay run by Leo Haanappel and Coeny Dommers. Unfortunately, the store stood within the 1934 flood zone and the property was unable to be redeveloped. The former Shire of Eltham acquired the land, and the building was subsequently demolished. In December 1993 company registration for Ansell and Muir Prestige Catering was cancelled and the business dissolved. The location is now the site of the current Fleur de Feliss flower stall tent. 17 December 1993 company registration cancelled for Ansell and Muir Prestige Catering Pty. Ltd. [CORPORATIONS LAW Subsection 574(1) (1994, January 12). Commonwealth of Australia Gazette. Periodic (National : 1977 - 2011), p. 20. Retrieved May 24, 2026, from http://nla.gov.au/nla.news-article238039370]Black and white photograph of Eltham South Store later Ansell & Muir c.1960573 main road eltham, 1960, a.j. mcdonald, ansell, ansell and muir, arthur james mcdonald, bimbadeen gallery, eltham, eltham park tea rooms, eltham south, george w. bell collection, main road eltham, milk bar, muir, riverclay craft gallery, shops, take away food

The Ballarat School of Mines was established in 1870. The first enrolments took place in 1871 making this group of documents historically important.Paper documents relating to the advice being sought by the Sandhurst Mechanics' Institute from Ballarat School of Mines in relation to starting a School of Mines at Bendigo. .8) Correspondence to the Ballarat School of Mines from Joseph Phillips of the Sandhurst Mechanics' Institute and Free Library. The letter seeks advice on setting up a School of Mines in Bendigo. The correspondence was dated 01 January 1871, was signed by Joseph Phillips, and was answered on 04 January 1871. .14) Ballarat School of Mines Council Agenda, 20 January 1871. Signed by James Baker, secretary. .18) Letter from R.M. Serjeant to the Ballarat School of Mines dated 09 January 1871. .22) Letter from prospective student A. Ansaldi regarding starting at the Ballarat School of Mines. .24) Letter from prospective student James Hore regarding starting at the Ballarat School of Mines. .26) Memorandum during the Mechanics' Institute Sandhurst requesting information concerning teachers. Dated 25 April 1871. .27) Sandhurst Mechanics' Institute & Free Library requesting information from the Ballarat School of Mines in relation to numbers of pupils, number of paid staff, number of honorary staff, salary of head master and whether the school was a success. It is dated 19 April 1871 and is signed by Joseph Phillips. .35) My dear sir If it will suit youor convenience I take the liberty of appointing Friday the 2nd of June for my lecture on Geology at the School of Mines. You expressed a wish to assist me in any diagrams that it might be possible to obtain. In am very anxious to have a large map of the solar system. One that might be clearly seen from any part of the Hall. It will be of great importance to my lecture. [ ? ] diagrams I will find it necessary to prepare myself. I am most faithfully H. B. de la Poer Wall R.W. Newman Esqr Vice President PS as the whole of my lecture depends on the hearing the early part it might be well to put in the Advt at 8.00 punctually. In announcing my name it might be well to put ex-Fellow of the Royal Geological Society. Asking your pardon for these suggestions. Sebastopol June 14th 1871 Gentlemen, I am desirous of joining the classes of Surveying, drawing, &c in your valuable Institution.i am 16 years of age, and been through the 1st first book of Euclid, Decimals &c. Trusting to meet with your approbation. I am gentlemen, Yours obedietly A. Ansaldi To the Administrative Council School of Mines Ballarat Darling Streetl Ballarat July 1871 To the secretary of the School of Mines Ballarat. Sir, I called on Monday but you were not present but I saw Mr Phillips and he informed me that I might commence at once, and that my nomination &c might be going on in the mean time. If there be any objection to my joining the classroom Monday night, will you be good enough to let me know. Yours &c John Hore. Sandhurst April 25 1871 To The secretary School of Mines, Ballarat, Please let me know what subjects your paid instructor teachersl JP By Jas Philipsballarat school of mines, bendigo school of mines, sandhurst school of mines, sandhurst mechanics' institute, bendigo, sandhurst, joseph phillips, phillips, hore, john hore, james phillips, ansaldi, ballarat school of mines establishment, robert borugh smyth, robert m. sergeant, james baker, de la poer wall, warrington rogers, h.b. de la poer wall, r.w. newman, lecture, royal geological society, a. ansaldi, mechanics' institute sandhurst, r.m. sergeant

Built in 1953, the Rice House was leading Melbourne architect Kevin Borland's first commssion and was one of two houses of its kind. The design of the shell-like structure was inspired by the Arch of Ctesiphon, built in the second century south of Baghdad. Cement with a waterproofing agent was applied in layers to a form of regularly spaced timber arches covered in hessian. This ctesiphon system was developed in the United Kingdom by engineer J.H. de Waller in 1947. Commissioned in 1951 by Harrie and Lorna Rice, after Harrie, then an art student, met Borland at The Age Small Homes Service. Borland suggested they buy land in Eltham because at that time it was the only council in Melbourne that would grant a permit for such an innovative house. Covered under Victorian Heritage. Inspired by an ancient arch in Iraq, a house stands on top of a hill in a private position, off Ryans Road, Eltham. One of only two houses of its kind, it was leading Melbourne architect Kevin Borland’s first commissioned house, which he built in 1953. The shell-like structure, partially screened by giant trees and cacti, was inspired by the Arch of Ctesiphon south of Baghdad, built in the second century.1 Cement with a waterproofing agent was applied in layers to a form of regularly spaced timber arches tightly covered by hessian. This ctesiphon system was developed in the United Kingdom by engineer J H de Waller in 1947. This house was the first of three such structures built in Victoria, of which only one other remains, although substantially altered.2 It is the Wood House and supermarket, at the corner of Cleveland Road and High Street Road, Ashwood, designed by Robin Boyd in 1952. The Rice House demonstrates Kevin Borland’s innovative and experimental work. It is an outstanding example of the post-war period of experimentation in domestic architecture in Melbourne – by Robin Boyd, Kevin Borland and others – for The Age Small Homes Service from 1947 to 1953. This was partly an expression of late-Modernism and also necessitated by the post-war shortage of building materials. In Eltham, the post-war shortage of building materials largely resulted in mud-brick houses. Examples of Borland’s public work include contributions to the Olympic Swimming Pool in Melbourne and the Preshil Junior School in Kew. After more than 50 years of living in the house, Harrie and Lorna Rice still love it. Facing north-east with large windows overlooking the garden and two courtyards, it is well lit and benefits from a through breeze. The couple commissioned the extraordinary house after Harrie, then an art student, met Borland in 1951 at The Age Small Homes Service. Harrie was so impressed by the recently graduated Borland’s enthusiasm, that he asked him to design them an interesting house for a low budget. The unusual design presented several hurdles for the young couple before they could construct it. Borland suggested that they buy land in Eltham, because at that time it had the only council in Melbourne that would allow such an innovative house. Another hurdle was to gain finance for this remarkable house. The State Savings Bank Manager refused finance on the grounds that it was ‘unliveable’ and a ‘disgrace’. Fortunately, through a family connection, the couple borrowed money from the National Bank. But they discovered years later, that the bank’s evaluation stated the two ‘concrete sheds’ were of no value! The house built in off-white concrete, consists of two sections. The main house has four arches supported by brick and concrete walls that create a series of inter-connected rooms. Inside, the ceiling follows the roofline. Originally this section was only ten square metres, because of building restrictions at the time. But in 1973 Borland added two rooms and a carport. The second structure of two arches was originally a garage and a studio for art teacher Harrie Rice. To accommodate the growing family, in the mid 1950s, Borland converted the second structure into two children’s bedrooms, a kitchenette, a bathroom and a living room. The two structures were originally linked by a covered way of suspended draped-concrete, but this collapsed in the 1980s. The design has several maintenance problems. Cracks developed where two halves of the shells were joined. Then the material sprayed over the cracks became brittle, causing leaks. Fortunately Harrie found another material he could use. The valleys between the arches collect water, requiring annual painting with a waterproof material to prevent leaking. Lorna framed the house with native and exotic plants, which provide privacy and as a bonus, the garden attracted the rare Eltham Copper Butterfly. Published: Nillumbik Now and Then /​ Marguerite Marshall 2008; photographs Alan King with Marguerite Marshall.; p157 Comments about the Rice House on Lost Eltham page on Facebook June 2018 https://www.facebook.com/Lost-Eltham-1535993463348408/ Kate Borland:  My dad designed this house. It is the Rice house and it is being renovated to its original glory as we speak.... Katherine Fox: I remember Harry and Lorna's, there was a secret room...! And the best loo with a view as I recall. Katherine Fox: Love this house! Wish I'd known it was up for sale. Looking forward to seeing progress if possible...If I recall correctly, the concrete swag over the walk-way collapsed at some stage. Marcus Skipper: In our little green Landrover, my dad and Alister Knox drove up dirt roads, a dirt track through the bush and finally to the ridge to check out this joint in about 1960. After the war at some time, they were all together at RMIT studying building design. Alister was the only one to graduate. A situation that resulted, my father would joke, in Alister having a career wherein his qualifications exceeded his talent. World Peace had broken out and all were hip to the ‘People’s’ century. Kevin went with the Modernist’s concrete, Alister went with the peasant’s mudbrick. “If this is the future,” my dad said,”I don’t like it.” And we drove back to medieval Montsalvat.This collection of almost 130 photos about places and people within the Shire of Nillumbik, an urban and rural municipality in Melbourne's north, contributes to an understanding of the history of the Shire. Published in 2008 immediately prior to the Black Saturday bushfires of February 7, 2009, it documents sites that were impacted, and in some cases destroyed by the fires. It includes photographs taken especially for the publication, creating a unique time capsule representing the Shire in the early 21st century. It remains the most recent comprehenesive publication devoted to the Shire's history connecting local residents to the past. nillumbik now and then (marshall-king) collection, eltham, rice house, ryans road, kevin borland

Postcard image of W. Morris Evelyn Hotel, cnr. Main Road and Pitt Street, Eltham, opposite present hotel. Built in 1852 as the Fountain of Friendship Hotel, later named the Fountain Hotel it was located on the southwest corner of Maria (Main) and Pitt streets. Also later known as the Evelyn Hotel, it was de-licensed in 1919. The hotel was totally destroyed by fire on Wednesday, February 18, 1931 Sometime between June 1851 and 1854, the property at the top of the hill of Little Eltham described as Lot 235 of plan of subdivision, of portion number 12, of section number 4, of the parish of Nillumbik, on the county of Evelyn was purchased from J.M. Holloway and the Fountain of Friendship Hotel was built using prefabricated sections constructed from cedar timber, imported from Singapore. By 1854, John O’Brien, a somewhat shady character was the proprietor of the hotel when he put it up for sale in November 1854. It is not clear whether he was the original owner / builder. John O’Brien purchased several other lots in Little Eltham from a Robert Wells but did not pay the balance for these lots and skipped town as soon as he sold the Fountain Hotel to Charles Roberts. Following the somewhat dodgy business practices of John O’Brien, little is known of Charles Roberts but it is possible he enjoyed several years of ownership. It was put up for sale again in 1858 but no outcome of that sale is known, and it was advertised to let in 1863, again possibly to no avail. James Trew took it over in July 1864 but his association was short lived with his premature death in December of that year leaving his widow Mary to take over and run the enterprise. No other details regarding ownership or issuances of licenses to run a public house have been identified so it is possible that Mary Trew managed the business until it was eventually advertised To Let in December 1870. George Merrick took over the hotel and was granted a license at the end of March 1871 but he too was destined to follow in the footsteps of James Trew and died prematurely at age 40 just six months later, in September 1871. John Treloar then took over the hotel but sometime between 1872 and 1873 the license was transferred to Bejamin Gane. Gane it seems held the license for the majority of the 1870s At some point between December 1874 and September 1878 the name of the hotel is changed from the Fountain Hotel to the Evelyn Hotel. In March 1880, ownership is transferred to James Purcell, a former Councillor of the Shire of Eltham’s North Riding. Purcell’s ownership of the hotel is associated with the 1880s though there is a brief period in 1887 where the license is granted to a Lawrence Brennan, reasons unknown. In December 1889, James Purcell ownership of the Evelyn hotel throughout the 1880s comes to an end when William Morris purchases the property and the license is transferred to him. Ownership of the property remains within the Morris family for the next 40 plus years and it is the Morris name that is most associated with its history. William Morris was a Councillor with the Shire of Eltham for a continuous 24 year period. He served as Shire President for three terms. It appears he did very well with the Evelyn Hotel and his entertainment and dining experiences are well regarded. Morris is also closely asspotaieted with local horse racing events and often provided the hospitality for the Diamond Creek races and various races held at Eltham Park (Eltham Lower Park). It is during Morris’ stewardship that major changes occurred to the hotel. On June 2, 1892 a fire broke out in one of the lodger’s rooms from a candle that had been left burning. The hotel is constructed of timber and three rooms are destroyed. Christopher Watson, proprietor of the Eltham Hotel across the road comes to Morris’ assistance and the hotel is saved but there is significant damage. It is suspected that the lodgers rooms were at the southern end of the building in the two-story section. It is further suspected that it is a result of this fire that the building was modified and the two story section rebuilt as single story and the shingle roof converted to tin. From this point on, Morris appears to enjoy a relatively long and quiet period of ownership. He signs a 5 year lease to let the hotel out in 1903 and the license is transferred to an Ann Evans. Morris intended to live in a house near the railway station but the license ris renewed in his name just two years later in December 1905. Morris is charged with illegal Sunday trading in August 1917. The case is dismissed through lack of evidence. It seems that this was fairly commonplace amongst the various hostelries of the countryside. In June 1919 the Evelyn Hotel is de-licensed. Though considered clean and well maintained, the Licensing Board did not believe having two hotels directly opposite each other was warranted for the existing trade. The case for the Eltham Hotel to remain in business was stronger. Morris was subsequently awarded £480 in November of that year as compensation. The property then was used for various businesses such as hairdressing and dining rooms as well as lodging. William Morris died in December 1922 and his wife Mary inherited the property. She had listed it for sale in August 1929 but nothing eventuated from that. In February 1931, whilst occupied by Hector and Louise McLean and their young family, the old building caught fire. Ashes from one of the fires had fallen through the cracks in the floorboards and took hold in the basement. A firsthand account of that harrowing experience was recorded by Mrs Edith Jones (nee McLean) in 1998, who was six years old at the time, and held by Eltham District Historical Society (04749). It was published in EDHS Newsletter No. 226, October 2022. On July 3, 1931 the Advertiser published the following endnote to the Evelyn Hotel. Last Traces of Fire The traces of Eltham's largest fire are being obliterated by the removal of debris from the site of the old Evelyn Hotel, which was destroyed a few months ago, and all that now remains is a blackened spot and fire colored bricks and stones. The site is one of the most imposing in the district, being in the heart of the old township. The township is really in two sections, old and new, the latter is situated round the station. The passing of the old hotel was regretted by all, as it was so closely associated with the pioneering, days. - Research by Peter Pidgeon, EDHS, June 2026Postcard photoRetun to Garnet Burges c/o Judge Bookhotels, evelyn hotel, eltham, main road, pitt street, fountain hotel, william morris

Digitised from scanned print of original postcard of Fountain Hotel, Main Road Eltham (later Evelyn Hotel) early view showing two storey section. Built in 1852 as the Fountain of Friendship Hotel, later named the Fountain Hotel it was located on the southwest corner of Maria (Main) and Pitt streets. Also later known as the Evelyn Hotel, it was de-licensed in 1919. The hotel was totally destroyed by fire on Wednesday, February 18, 1931 Sometime between June 1851 and 1854, the property at the top of the hill of Little Eltham described as Lot 235 of plan of subdivision, of portion number 12, of section number 4, of the parish of Nillumbik, on the county of Evelyn was purchased from J.M. Holloway and the Fountain of Friendship Hotel was built using prefabricated sections constructed from cedar timber, imported from Singapore. By 1854, John O’Brien, a somewhat shady character was the proprietor of the hotel when he put it up for sale in November 1854. It is not clear whether he was the original owner / builder. John O’Brien purchased several other lots in Little Eltham from a Robert Wells but did not pay the balance for these lots and skipped town as soon as he sold the Fountain Hotel to Charles Roberts. Following the somewhat dodgy business practices of John O’Brien, little is known of Charles Roberts but it is possible he enjoyed several years of ownership. It was put up for sale again in 1858 but no outcome of that sale is known, and it was advertised to let in 1863, again possibly to no avail. James Trew took it over in July 1864 but his association was short lived with his premature death in December of that year leaving his widow Mary to take over and run the enterprise. No other details regarding ownership or issuances of licenses to run a public house have been identified so it is possible that Mary Trew managed the business until it was eventually advertised To Let in December 1870. George Merrick took over the hotel and was granted a license at the end of March 1871 but he too was destined to follow in the footsteps of James Trew and died prematurely at age 40 just six months later, in September 1871. John Treloar then took over the hotel but sometime between 1872 and 1873 the license was transferred to Bejamin Gane. Gane it seems held the license for the majority of the 1870s At some point between December 1874 and September 1878 the name of the hotel is changed from the Fountain Hotel to the Evelyn Hotel. In March 1880, ownership is transferred to James Purcell, a former Councillor of the Shire of Eltham’s North Riding. Purcell’s ownership of the hotel is associated with the 1880s though there is a brief period in 1887 where the license is granted to a Lawrence Brennan, reasons unknown. In December 1889, James Purcell ownership of the Evelyn hotel throughout the 1880s comes to an end when William Morris purchases the property and the license is transferred to him. Ownership of the property remains within the Morris family for the next 40 plus years and it is the Morris name that is most associated with its history. William Morris was a Councillor with the Shire of Eltham for a continuous 24 year period. He served as Shire President for three terms. It appears he did very well with the Evelyn Hotel and his entertainment and dining experiences are well regarded. Morris is also closely asspotaieted with local horse racing events and often provided the hospitality for the Diamond Creek races and various races held at Eltham Park (Eltham Lower Park). It is during Morris’ stewardship that major changes occurred to the hotel. On June 2, 1892 a fire broke out in one of the lodger’s rooms from a candle that had been left burning. The hotel is constructed of timber and three rooms are destroyed. Christopher Watson, proprietor of the Eltham Hotel across the road comes to Morris’ assistance and the hotel is saved but there is significant damage. It is suspected that the lodgers rooms were at the southern end of the building in the two-story section. It is further suspected that it is a result of this fire that the building was modified and the two story section rebuilt as single story and the shingle roof converted to tin. From this point on, Morris appears to enjoy a relatively long and quiet period of ownership. He signs a 5 year lease to let the hotel out in 1903 and the license is transferred to an Ann Evans. Morris intended to live in a house near the railway station but the license ris renewed in his name just two years later in December 1905. Morris is charged with illegal Sunday trading in August 1917. The case is dismissed through lack of evidence. It seems that this was fairly commonplace amongst the various hostelries of the countryside. In June 1919 the Evelyn Hotel is de-licensed. Though considered clean and well maintained, the Licensing Board did not believe having two hotels directly opposite each other was warranted for the existing trade. The case for the Eltham Hotel to remain in business was stronger. Morris was subsequently awarded £480 in November of that year as compensation. The property then was used for various businesses such as hairdressing and dining rooms as well as lodging. William Morris died in December 1922 and his wife Mary inherited the property. She had listed it for sale in August 1929 but nothing eventuated from that. In February 1931, whilst occupied by Hector and Louise McLean and their young family, the old building caught fire. Ashes from one of the fires had fallen through the cracks in the floorboards and took hold in the basement. A firsthand account of that harrowing experience was recorded by Mrs Edith Jones (nee McLean) in 1998, who was six years old at the time, and held by Eltham District Historical Society (04749). It was published in EDHS Newsletter No. 226, October 2022. On July 3, 1931 the Advertiser published the following endnote to the Evelyn Hotel. Last Traces of Fire The traces of Eltham's largest fire are being obliterated by the removal of debris from the site of the old Evelyn Hotel, which was destroyed a few months ago, and all that now remains is a blackened spot and fire colored bricks and stones. The site is one of the most imposing in the district, being in the heart of the old township. The township is really in two sections, old and new, the latter is situated round the station. The passing of the old hotel was regretted by all, as it was so closely associated with the pioneering, days. - Research by Peter Pidgeon, EDHS, June 2026Digital file scan of photo print copy and photocopy of original image of Fountain Hotel, Main Road Eltham (later Evelyn Hotel) early view showing two storey section Also 9 x 12.5 cm print copy (with more scratches)hotels, eltham, fountain hotel, evelyn hotel, main road, pitt street

Elizabeth (Lizzie) Ann Shillinglaw born August 15, 1879 at Bundoora, Victoria was the fith child of Phillip Shillinglaw and Sarah Ann (nee Kidd). She commenced school at Eltham State School No. 209 (Register No. 391) in 1883 at age 3 years, her final year being 1892. She was engaged to a local Eltham lad who enslisted in the First World War and presented her with a gold ring with Lizzie inscribed on it. He never returned from war and Lizzie never married. Lizzie was quite involved with the local Methodist church where father Phillip was a Lay Preacher. She also had a dress making business in Smitrh Street, Collingwood. At the time of her father's death in 1914 she was living at 18 Stanley Street, Richmond. She returned to Wattle Brae in Eltham where she and her unmarried sisters, Mary and Ada and brother Ernest Samuel continued to live. Mary Shillinglaw born November 5, 1880 at Bundoora, Victoria was the sixth child of Phillip Shillinglaw and Sarah Ann (nee Kidd). She commenced school at Eltham State School No. 209 (Register No. 423) in 1885 at age 4 years. Mary did not marry and spent most of her life at Wattle Brae (Shillinglaw Cottage). In his Will, Phillip Shillinglaw provided that any of his unwed sisters would be able to live at Wattle Brae, rent free. When Eltham Shire Council aquired the property in 1963 to build new Shire Offices, both Mary and her sister Lizzie (also unmarried) were still living at the cottage. Council paid for the women to relocate. Mary moved to Elizabeth House, a nursing home in Ivanhoe but found it very hard to adapt to her new surroundings and living consdtions. She died there only a few months after departing Eltham on October 29, 1963 at age 83 years. Lizzie died June 28, 1972 at age 93 years. Post Card printed on back with photographer's details: W. Mason & Co., 144 Bridge Road, Richmond. W. Mason & Co. operated from this adress from 1903-c.1932 POSTCARD 1905-1940s Like the carte-de-visite, postcards enjoyed a collecting craze by large numbers of people, and were often kept in albums through which the interested visitor could browse. Postcards were posted or exchanged in huge numbers. Postal authorities in Australia only allowed the private printing of postcards from 1898. At this time the back of the card was reserved for the address and postage stamp, and the front was used for the message and a picture. In 1902 British authorities allowed a "divided back", so that the left side could be used for the message, the right side for the address and stamp, and the whole of the front was devoted to the picture. France followed suit in 1904, Germany and Australia in 1905, and the United States in 1907. - Frost, Lenore; Dating Family Photos 1850-1920; Valiant Press Pty. Ltd., Berwick, Victoria 1991marg ball collection, postcard, 1925, elizabeth (lizzie) ann shillinglaw (1879-1972), elizabeth docherty (nee shillinglaw 1861-1942)*, mary ann shillinglaw (1880-1963), reading

Les Stone was the last Shire President of Wodonga and first Mayor of the Rural City of Wodonga. Born in Collingwood, Victoria on 24th August 1919, he was the first of his family to obtain a post-secondary education. He became a Christian Brother but left the ministry after 10 years and became a trained primary school teacher. Les held various teaching appointments in and around country Victoria and Wodonga, the last as Principal of Wodonga West Primary School. It was in Wodonga that Les and his wife Pam settled with their family. Their contribution to the Wodonga community and local government was outstanding. Les established a strong network in the local migrant community, helping many new arrivals at Bonegilla Migrant Reception Centre with language issues and settling them into their new environment. He worked in support of all underprivileged people in the community. In 1967 Les was elected as a Councillor for the West Riding of Wodonga Council. The following year he was elected Deputy Shire President. He was the last Shire President of Wodonga and in 1971 became the inaugural Mayor of the Rural City of Wodonga. The City of Wodonga was proclaimed on 14th March 1973 and Les was re-elected as Mayor. He chose to serve one full term as Mayor having previously served two terms as Shire President. Les Stone passed away at the Mercy Hospital Albury on 28th December 1974 at 54 years of age. He left behind an enduring legacy which included the proactive encouragement of industry to Wodonga. He also championed the selection of Wodonga as a Growth Centre. A champion and defender of local government, Les served as Chairman of the North East Region of Municipalities which comprised 13 Councils including Wodonga and Wangaratta. He also played a critical role on the Albury Wodonga Development Corporation for five years in the early period of the Whitlam decentralization scheme. Les Stone’s life of giving wasn’t just about local government and teaching. He was an old-fashioned community activist who gave far more than he took from the community. Les worked tirelessly for numerous organizations including the Royal Children’s Hospital, Royal Melbourne Hospital (he was made a Life Governor of both), the Wodonga Good Neighbour Council, and Knights of the Southern Cross, Rotary, the St. Vincent de Paul Society and St. Augustine’s Parish Council. However it is in local government that he remains best remembered. He was an active and vocal councillor and gave over 16 years of service to the people of Wodonga - his election and re-election was never once opposed. Les Stone was interned in the Lawn Cemetery in Wodonga. He was aged 54 years. The naming and dedication of the Les Stone Park in West Wodonga is an important acknowledgement of Les Stone’s life. The inscription reads: '’Leslie Edwin Stone JP was the first Mayor of Wodonga from 1972 to 1974 and a former Shire President (1972). A school teacher and principal by profession Les had a long history of involvement with the migrant community and Catholic Church. He was an acknowledged champion of decentralisation’’. These photos are significant because they document the service of an important civic leader in Wodonga.A collection of coloured images related to Les Stone, Mayor of Wodongales stone, wodonga civic leaders, wodonga council

Published: The Age 4 April 1934 p11 Published title: "DEMOLITION AND BUILDING ACTIVITIES IN THE CITY." Published caption: "Interesting studies in the building activities in the city are afforded by the above three photographs taken yesterday when work ceased owing to the rain. That on the left is a striking picture of the remains of the Palace Hotel buildings, running back from Bourke street to Little Collins street, better known as the Bijou Theatre. This is the largest demolition contract ever undertaken in Melbourne. The view is towards Bourke street, from a vantage point in Little Collins street. In the right centre of the ruins may be seen a large portion of the light frame and lattice work which extended over the once well known arcade. In the background three stories of Melbourne Coffee Palace, on the opposite side of Bourke street rise above the front of the theatre in the photograph, and the Melbourne General Hospital is just discernible through the mist at the top. The steel frame work in the centre picture is readily identifiable as that erected for the extension of the State Savings Bank at the south-west corner of Bourke and Elizabeth streets. The steel skeleton to the right, suggestive of immense strength, is that nearing completion in Collins street for the Bank of New South Wales." Trove article identifier: http://nla.gov.au/nla.news-article203828669 Description: Partial demolition of three-storied and five-storied buildings. One building has a large atrium. View of buildings taken from rear. Building at 225 Bourke Street (between Swanston and Russell, south side) contains Bijou Theatre. Also Victoria Arcade, built 1876, architect Joseph Reed. On other side of Arcade is Gaiety Theatre (formerly known as Oxford Theatre). Cityscape in background. Opposite is Melbourne Coffee Palace, built 1882, demolished c.1970. Featured in "Newsworthy: Melbourne in photographs 1933-1936" exhibition at East Melbourne Library, October to December 2023. Exhibition caption by project volunteer Louise McKenzie: "The largest demolition contract ever undertaken in Melbourne… The building on the left is a striking picture of the remains of the Palace Hotel buildings, running back from Bourke Street to Little Collins Street, better known as the Bijou Theatre. This is the largest demolition contract ever undertaken in Melbourne.” – The Age The Bijou Theatre was erected in 1877 and originally built as part of Victoria Arcade, which was entered through the Bourke Street frontage. The Theatre was “de rigueur with the gallants and belles of the period. Dainty ladies and white gloved, stiff collared dandies thronged the ‘promenade’ which runs under the theatre.” (Herald 5 Feb 1934) However by 1885, after a fire, the building had been rebuilt to include the three level Bijou Theatre. In November 1890, Arthur Streeton worked there briefly as a scenery painter. By 1909 it was the first “legitimate” theatre in Melbourne to screen films on a semi-permanent basis, while also covering vaudeville, pantomime and its wildly popular final program, “Mickey the Mouse” Revue. In this photo, it is being demolished by Whelan the Wrecker. The tiny iron spiral staircases that led to the dressing rooms (and down which more than one unwary actor sometimes fell) were salvaged and built into the fabric of Monsalvat at Eltham. References: https://theatreheritage.org.au/on-stage-magazine/stage-by-stage/item/52-bijou-theatrePhotographer notations on slide: "B20".demolished buildings, 1930-1939, joseph reed, theatres

This is a set of 24 photographs of Army Survey Regiment’s Lithographic Squadron personnel undertaking regimental training in an unknown location in April 1989. The purpose of the training was probably to provide personnel a practical knowledge of navigation and map reading, RATEL and Survival in the Field, vehicle camouflage, teamwork and leadership. The training did not include infantry and minor tactics due to the absence of weapons. Although these photos are not annotated other than the month and year, most personnel are positively identified.This is a set of 24 photographs of personnel from Lithographic Squadron, Army Survey Regiment, Fortuna, Bendigo, undergoing regimental training in April 1989. The photographs were on 35mm negative film and scanned at 96 dpi. They are part of the Army Survey Regiment’s Collection. .1) - Photo, black & white, 1989, background L to R: Frank Lenane, Bill Jones, foreground L to R: Gavin McLean, Colin Yeats, Peter Dillon. .2) - Photo, black & white, 1989, Rhys De Laine. .3) - Photo, black & white, 1989, L to R: Peter Breukel, Colin Yeats. .4) - Photo, black & white, 1989, L to R: Colin Yeats., Peter Dillon. .5) - Photo, black & white, 1989, L to R: Graeme Spong, Gavin McLean, unidentified (x2), Peter Breukel, Steve Burke, Bill Jones, Colin Yeats. .6) - Photo, black & white, 1989, L to R: Graeme Spong, Bill Jones, Colin Yeats, Peter Dillon, Peter Breukel, Steve Burke, Colin Yeats. .7) - Photo, black & white, 1989, L to R: Graeme Spong, Bill Jones, Colin Yeats, Peter Dillon, .8) - Photo, black & white, 1989, Colin Yeats. .9) - Photo, black & white, 1989, L to R: Gavin McLean, Colin Yeats. .10) - Photo, black & white, 1989, L to R: Steve Burke, Peter Breukel, Colin Yeats, unidentified. .11) - Photo, black & white, 1989, L to R: Steve Burke, Peter Breukel. .12) - Photo, black & white, 1989, L to R: Peter Breukel, Steve Burke. .13) - Photo, black & white, 1989, Craig Hersant. .14) - Photo, black & white, 1989, L to R: Rob Bogumil, Darren Maher, Paul Baker, Rob Jones, Shona Hastie, unidentified, Chad Hardwick. .15) - Photo, black & white, 1989, L to R: Chad Hardwick, unidentified, Rob Bogumil, Rob Jones, Darren Maher, unidentified, Paul Baker. .16) - Photo, black & white, 1989, L to R: Rob Bogumil, Darren Maher, Chad Hardwick, Rob Jones, unidentified (x2), Paul Baker. .17) to .22) - Photo, black & white, 1989, unidentified personnel applying camouflage to truck. Shona Hastie in truck, .23) - Photo, black & white, 1989, L to R: LT Dave Weston, LT Craig Hersant, Trevor Osborne, Bill Jones. .24) - Photo, black & white, 1989, L to R: Andrew Arman, unidentified, Peter Dillon, Steve Burke, Colin Yeats, Peter Breukel. No personnel are identified. Annotation dated April 1989.royal australian survey corps, rasvy, army survey regiment, army svy regt, fortuna, asr, litho

This collection of 20 photos was most likely taken in c1978. The AUTOMAP 1 computer assisted cartography and mapping system was introduced in 1975. The components of AUTOMAP 1 were the Input Sub-System of four Wild B8s stereoplotters and three Gradicon digitising tables, the Optical Line Following Sub-System – Gerber OLF, the Verification Sub-System – Gerber 1442 drum plotter, the General Purpose Sub-system – HP21MX computer and the Output Sub-System – Gerber 1232 flatbed plotter). The first map was published in 1978 (Strickland 3665-3, 1:50,000). AUTOMAP 1 was the first computer assisted cartography and mapping system utilised by the Survey Corps and was the first system used by Australian mapping organisations. The history of the AUTOMAP 1 system is covered in more detail with additional historic photographs, in pages 116-118 of Valerie Lovejoy’s book 'Mapmakers of Fortuna – A history of the Army Survey Regiment’ ISBN: 0-646-42120-4. See items 6122.20P, 6410.24P, 6183.19P, 6200.5P, and 6222.17P for additional photographs of the AUTOMAP 1 system.This is a set of 20 photographs of Air Survey Squadron military and civilian personnel operating AUTOMAP 1 equipment at the Army Survey Regiment at Fortuna, Bendigo, c1978-1980. Black and white photos .1P to .18P are on photographic paper and were scanned at 300 dpi. Photo .4P is in colour and mounted with a duplicate on manilla card. Black and white photos .19P to .20P are on 35mm negative film and scanned at 96 dpi.They are part of the Army Survey Regiment’s Collection. .1) - Photo, black & white, c1978-1980, Gerber Optical Line Follower (OLF), SSGT John Bennett. .2) - Photo, black & white, c1978-1980, HP21MX computer General Purpose Sub-system. .3) - Photo, black & white, c1978-1980, Gerber OLF .4) - Photo, colour, c1978-1980, unidentified digitising on Gradicon edit table. .5) - Photo, black & white, c1978-1980, Gerber verification drum plotter. .6) - Photo, black & white, c1978-1980, Gerber OLF, CAPT Rob Bridge. .7) - Photo, black & white, c1978-1980, Programming and system administration, SGT Alan Toogood. .8) - Photo, black & white, c1978-1980, Unidentified digitising on Gradicon edit table. .9) - Photo, black & white, c1978-1980, CPL Rick Downie digitising on Gradicon edit table. .10) - Photo, black & white, c1978-1980, SPR Dave Irving digitising on Gradicon edit table. .11) - Photo, black & white, c1978-1980, Gerber OLF and CPL Rick Downie. .12) - Photo, black & white, c1978-1980, 1130 Computer System administration, L to R: unidentified, SSGT Les Dixon, SPR Geoff Havelberg. .13) - Photo, black & white, c1978-1980, AUTOMAP 1 tape administration, Maryanne De Groot. .14) - Photo, black & white, c1978-1980, AUTOMAP 1 tape drive. .15) - Photo, black & white, c1978-1980, HP21MX computer General Purpose Sub-system. .16) - Photo, black & white, c1978-1980, digitising topographic features with a Wild B8 stereo plotter, L to R: unidentified, CPL John Smith. .17) - Photo, black & white, c1978-1980, digitising topographic features with a Wild B8 stereo plotter, CPL John Smith. .18) - Photo, black & white, c1978-1980, digitising topographic features with a Wild B8 stereo plotter, CPL Adrian Rynberk. .19) - Photo, black & white, c1978-1980, Programming and system administration, SGT Alan Toogood. .20) - Photo, black & white, c1978-1980, Gerber OLF, CPL Chris Edwards. .1P to .20P - No personnel are identified.royal australian survey corps, rasvy, army survey regiment, army svy regt, fortuna, asr, automap 1

Town Hall, Young Men's Christian Association of Bendigo Orchestral Society. Orchestral Concert, Town Hall, Bendigo. Wednesday, 30th, 1923, at 8pm. Conductor: Frank Grose. Assisted by: Lily Jackson, Soprano. Edith Lansell, Contralto. Muriel Boldt, Pianiste. William Cahill, Baritone. Mabel McGauchie, Accompaniste. Orchestral Society. Hon. Sec.: Thos. Shambrook. Pirates of Penzance: Romanza Scenza, Arabesque No. 2, Air De Ballet, Death and the Maiden, Sapphic Ode, Let me Love Thee, Russian Boatman Song. William Tell: O love from Thy Pow'r, Scherzo in Bb Minor, Abide with Me, Rock of Ages, Time was I Roved the Mountains, Eyes that used to Gaze in Mine, Invitation Vocal Valse, Coronation march. Bendigo YMCA Orchestral Society. First Violins: Miss Myrtle Knight, Agnes McNair, Olive Hannaford, Winnie Pithie, Louise Bolton, Louise Downie, Ruth Spier, Alison Smalley. Mrs. Grant, Swift. Second Violins: Mr. J E Fitt, A Richardson, Rex Matthews, Miss Lily Campbell, Elsie Stemmer, Myrtle Phillips, Alma Doxford, Evelyn Miles, Elva Hesse, Winnie Hobson, Master T Challen, J Watts. Cellos: Madame Dorothy Duval, Miss Maisie Field, Mr. E Minotti, W Ellis, G L Verey. Basses: Mr. J H Melrose, J Lavacombe, R Rule, W Jackson. Flutes: Mr. A E Sayer, R Crawford, Dilworth, Moon. Piccolo: Mr A E Sayer. Oboe: A B Challen. Clarinets: Mr. A B Challen, J Bowman, J McEwan. Horns: A Johnston, H Hilderbrande, J Tredinnick, L Rundle. , Trumpets: Mr. B Bowater, P Reed, N Banfield, A Old. Trombones: Mr. D Collier, H Bolton, W Pain. Euphonium: W Ketterer. Tubas: Mr. A Hoking, W Ketterer. Sassoon: Mr. T Francis. Timpani: Mr. J McLoughlin. Percussion: Mr. J Osborne. Organist: Mr. F C Stuart. Pianist: Miss Mabel McGauchie. Conductor: Frank Grose. President: Barkly Hyett. Treasurer: G W Lansell. Librarian: W J Wearne. Honorary Secretary: Thos. Shambrook. Three concerts per year will be given by the society. Next two concerts in August and November 1923. Subscribers Tickets are 1 pound 1 shilling. This ticket entitles holder to two booked seats for each concert. Picture of Harp with music book, laurel and bird on cover. 4 pages.F. H. Sparkman, Arcade Press, Bendigo.program, music, town hall, ymca of bendigo orchestral society. orchestral concert

These 18 photographs were taken at an Army Survey Regiment Open Day at Fortuna Villa, Bendigo on the 24th of February 1990. This occasion was one of several events held to commemorate the 75th anniversary of the formation of the Royal Australian Survey Corps. Although historical tours of Fortuna occurred on a regular basis, this was the first technical open day since 1972. The Royal Australian Survey Corps recognised that an Open Day was the best way for the local community in Bendigo to gain an insight into the unit’s important role as Defence’s map production agency, its technical equipment, and its economic importance to Bendigo. It also gave them an opportunity to tour through historic Fortuna Villa. This occasion is covered in more detail in page 143 of Valerie Lovejoy’s book 'Mapmakers of Fortuna – A history of the Army Survey Regiment’ ISBN: 0-646-42120-4. Refer to items 6434.27P and 6435.35P for more photos of the Open Day taken inside Fortuna, the garden areas and Map Production areas of Air Survey and Cartographic Squadron. Photo prints of some of these photos were scanned and catalogued in items 6247.30P and 6291.6P.These 18 photographs were taken at an Army Survey Regiment Open Day held at Fortuna, Bendigo on the 24th of February 1990. The 35mm colour and black & white negatives photographs were scanned at 96 dpi and are part of the Army Survey Regiment’s Collection. .1) - Photo, colour, 1990. Print Troop – WO2 Rob Bogumil with visitors. .2) - Photo, colour, 1990. Print Troop – L to R: SPR Ross Anza, LCPL Janet Murray with visitors. .3) - Photo, black & white, 1990. Print Troop – L to R: LCPL Janet Murray, MAJ Bob Coote, SPR Gary Lord with visitors. .4) - Photo, black & white, 1990. Photo Troop – L to R: WO2 Keith Fenton RE UK Exchange, SGT Steve Burke with visitors. .5) - Photo, colour, 1990. Photo Troop – SGT Steve Burke with visitors. .6) - Photo, colour, 1990. Photo Troop – L to R: unidentified, SGT Steve Burke with visitors. .7) - Photo, colour, 1990. Print Troop – L to R: CPL Peter Breukel, WO2 Keith Fenton RE. UK Exchange with visitors. .8) - Photo, black & white, 1990. Photo Troop - WO2 Keith Fenton RE. UK Exchange. .9) - Photo, black & white, 1990. Print Troop - civilian visitors. .10) - black & white, Print Troop, 1990. - L to R: civilian visitors, SSGT Ian Nichols, CPL John ‘Flash’ Anderson. .11) - Photo, black & white, 1990. Print Troop - L to R: SSGT Ian Nichols, CPL Dale Hudson, Planeta printing press, with civilian visitors. .12) - Photo, colour, 1990. Print Troop - L to R: SSGT Ian Nichols, CAPT Roger Hancock with civilian visitors. .13) - Photo, colour, 1990. Print Troop - LT Marty Lyons with civilian visitors. .14) - Photo, black & white, 1990. Print Troop - L to R: LT Marty Lyons, unidentified with civilian visitors. .15) - Photo, black & white, 1990. Orthophoto Mapping Section - L to R: SSGT Peter Imeson, SGT Bob Garritty with civilian visitors. .16) - Photo, colour, 1990. Optronics raster scanner - WO2 Adrian ‘Charlie’ Creedy with civilian visitors. .17) - Photo, colour 1990. Outside Photo Troop office - L to R: SSGT Rhys De Laine, WO2 Rob Bogumil. .18) - Photo, black & white, 1990. Photo Troop - civilian visitors..1P to .18P – no annotationsroyal australian survey corps, rasvy, army survey regiment, army svy regt, fortuna, asr, litho sqn

The Freedom of Entry to the City was an honour conferred by the Bendigo City Council to the Army Survey Regiment in 1970. 1980 was the third time the unit exercised its freedom of marching into the city with swords drawn, bayonets fixed and drums beating. The honour is usually bestowed upon local regiments, in recognition of their dedicated service, and it is common for military units to periodically exercise their freedom by arranging a parade through the city. Led by the Regiment’s CO – LTCOL Bob Skitch, the unit marched down View St in the CBD, along Pall Mall and up Gaol Rd to the Queen Elizabeth II Oval. The ceremonial parade followed with a march past the guests of honour, Mayor of Bendigo Councillor Paul Tomkinson and military dignitaries. The parade concluded after formal inspections of the troops. The Regiment also exercised its Freedom of Entry with anniversary parades in 1977, 1980, 1985, 1990, 1992 and 1996. Some photos in this set were also printed on photo paper and catalogued under item 6021.25P. Photos of the march are catalogued under item 6491.21P. Photos of the Freedom of Entry parade rehearsal are catalogued under item 6479.38P.These black and white photographs of the Army Survey Regiment were taken on the occasion of the Freedom of Entry parade to the City of Bendigo in 1980. The photographs are on 35mm negative film and scanned at 96 dpi. They are part of the Army Survey Regiment’s Collection. .1) to .7) - Photo, black & white, 1980. Squadrons formed up at beginning of parade. .8) & .9) - Photo, black & white, 1980. 3rd Military District Band marches to their parade position. .10) to .11) - Photo, black & white, 1980. Squadrons formed up parade with 3rd Military District Band playing music. .12) to .14) - Photo, black & white, 1980. Officers formed up before taking posts. L to R: MAJ Peter Eddy, LT Brendon Jaego-Banks, CAPT Peter Searle - UK Exchange, unidentified, ADJT CAPT John Harrison, MAJ Sam Schwartz US Exchange, unidentified, MAJ Robin Blackburn, remainder unidentified. .15) - Photo, black & white, 1980. Officers march to their posts. L to R: MAJ Peter Eddy, LT Brendon Jaego-Banks, CAPT Peter Searle - UK Exchange, unidentified, ADJT CAPT John Harrison, MAJ Sam Schwartz US Exchange, unidentified, MAJ Robin Blackburn, remainder unidentified. .16 - Photo, black & white, 1980. Officers march to their posts. .17 - Photo, black & white, 1980. Army Svy Regt awaits the arrival of the Mayor – Councillor Paul Tomkinson. .18 - Photo, black & white, 1980. CO LTCOL Bob Skitch escorts the Mayor – Councillor Paul Tomkinson and unidentified guest to the dais. .19) to .25) – Army Svy Regt salutes the Mayor – Councillor Paul Tomkinson. .26) - Photo, black & white, 1980. CO LTCOL Bob Skitch escorts the Mayor – Councillor Paul Tomkinson to Headquarters Squadron to inspect its personnel. .27) - Photo, black & white, 1980. Headquarters Squadron inspection. L to R: OC MAJ Paddy Strunks, RSM WO1 Aub Harvey, Mayor – Councillor Paul Tomkinson, SPR Chris ‘Charlie’ Brown, unidentified, SGT John Grove (orderly room), unidentified, SPR Jeff Ruiz, WO2 Max Neil, unidentified, SGT Alan Brown, SGT Tim Allanson. .28) - Photo, black & white, 1980. Headquarters Squadron inspection. L to R: OC MAJ Paddy Strunks, Mayor – Councillor Paul Tomkinson, unidentified, SGT Rick Warren, unidentified, CPL Andy Wilson, WO2 Ted Burgess. .29) - Photo, black & white, 1980. Headquarters Squadron inspection. L to R: OC MAJ Paddy Strunks, RSM WO1 Aub Harvey, unidentified civilian, Mayor – Councillor Paul Tomkinson, unidentified, SGT Rick Warren, unidentified, CPL Andy Wilson, WO2 Ted Burgess. .30) - Photo, black & white, 1980. Cartographic Squadron’s OC CAPT Bob Roche salutes the Mayor – Councillor Paul Tomkinson. L to R: unidentified civilian, CO LTCOL Bob Skitch. In background L to R: SSGT Bob Scaddan, unidentified, CPL John Tempest, CAPT Simon Lemon, SSGT Colin Cuskelly, CPL Trevor Bottomley, SPR Bob Sheppard, WO2 Bob ‘Stretch’ Hayden, unidentified, CPL Ian McKenzie, FLTLT Ron Aitken, SPR Ian Fitzgerald, SPR Greg Else. .31) - Photo, black & white, 1980. Cartographic Squadron’s OC CAPT Bob Roche salutes the Mayor – Councillor Paul Tomkinson. L to R: unidentified civilian, CO LTCOL Bob Skitch. In background L to R: CPL Terry Danger, SPR Rod Skidmore, SSGT Bob Scaddan, unidentified, CPL John Tempest, CAPT Simon Lemon, SSGT Colin Cuskelly, CPL Trevor Bottomley, SPR Bob Sheppard, WO2 Bob ‘Stretch’ Hayden, unidentified, CPL Ian McKenzie, FLTLT Ron Aitken, SPR Ian Fitzgerald, SPR Greg Else. .32) - Photo, black & white, 1980. Cartographic Squadron inspection. L to R: OC CAPT Bob Roche, Mayor – Councillor Paul Tomkinson. In background L to R: SGT Stu Thaxter, unidentified, SSGT John Barrie, CPL Roger Pearson, SGT Doug Carswell, SPR Peter Main, WO2 Bob ‘Stretch’ Hayden. .33) - Photo, black & white, 1980. Cartographic Squadron inspection. L to R: CO LTCOL Bob Skitch, OC CAPT Bob Roche, unidentified civilian, SGT Doug Carswell, Mayor – Councillor Paul Tomkinson, WO2 Bob ‘Stretch’ Hayden. .34) - Photo, black & white, 1980. Female Contigent inspection L to R: unidentified, SPR Gae (Amato) Robinson, SPR Scheryl Delforce, unidentified officer, unidentified civilian, Mayor – Councillor Paul Tomkinson, CPL Marrianne (Van De Zee) De Groot, SPR Cathy Regan, SPR Ginny (Turner) Rowe, SPR Ilen Isaac, SPR Penny Knott, SPR Santina (Argetto) Straube, SPR Gina (Coore) Neilson, WO2 Pat Lumsden. .35) - Photo, black & white, 1980. Female Contigent inspection L to R: SPR Scheryl Delforce, unidentified officer, CO LTCOL Bob Skitch, unidentified civilian, Mayor – Councillor Paul Tomkinson, SPR Ginny Turner, SPR Ilen Isaac, SPR Penny Knott, SPR Santina (Argetto) Straube, SPR Gina (Coore) Neilson, WO2 Pat Lumsden. .36) - Photo, black & white, 1980. Female Contigent inspection L to R: SPR Scheryl Delforce, unidentified officer, CO LTCOL Bob Skitch, unidentified civilian, Mayor – Councillor Paul Tomkinson, SPR Cathy Regan, SPR Ginny Turner, SPR Ilen Isaac, SPR Penny Knott, SPR Santina (Argetto) Straube, SPR Gina (Coore) Neilson, WO2 Pat Lumsden. .37) - Photo, black & white, 1980. Female Contigent inspection L to R: SPR Scheryl Delforce, unidentified officer, CO LTCOL Bob Skitch, CPL Marrianne (Van De Zee) De Groot, unidentified civilian, Mayor – Councillor Paul Tomkinson, SPR Ilen Isaac, SPR Penny Knott, SPR Santina (Argetto) Straube, SPR Gina (Coore) Neilson, WO2 Pat Lumsden. .38) - Photo, black & white, 1980. Air Survey Squadron’s OC MAJ Peter Eddy salutes the Mayor – Councillor Paul Tomkinson. L to R: unidentified civilian, CO LTCOL Bob Skitch. In background L to R: WO1 Jim ‘Triple J’ Jefferies, SPR Allan Choat, SPR Geoff Havelberg, CPL Alan Hawkins, CPL Dave Cook, LT Brendon Jaego-Banks, SGT Jim Beard, SSGT Russell ‘Rusty’ Williams, SGT Cam Chapman, SSGT Alan Derby, SSGT Greg Buckingham. .39) - Photo, black & white, 1980. Air Survey Squadron inspection. L to R: back of CAPT Kym Weston, OC MAJ Peter Eddy, Mayor – Councillor Paul Tomkinson, unidentified civilian. .40) - Photo, black & white, 1980. Air Survey Squadron inspection. L to R: CAPT Peter Searle - UK Exchange, unidentified officer, unidentified civilian, Mayor – Councillor Paul Tomkinson, unidentified, SSGT Alan Derby, LCPL Paul Hopes, SPR Peter Jones, SPR John Lane, WO2 Brian Meade, CPL Mick Hogan, CPL Greg Byers, SGT Cliff Webb. .41) - Photo, black & white, 1980. Air Survey Squadron inspection. Centre rank L to R: SGT Bruce ‘Stretch’ Gordon, WO2 Chris Parkinson. Rear rank L to R: SPR Allan Choat, unidentified, SPR Jamie McRae, SSGT Russell ‘Rusty’ Williams, SSGT Greg Buckingham, CPL Greg Byers, CPL Roger Rees, SPR Gary Ames, SGT Greg Gilbert, SSGT Peter Warwick, WO2 Mick Dempster. .42) - Photo, black & white, 1980. Air Survey Squadron inspection. Rear rank: SSGT Russell ‘Rusty’ Williams. Centre rank L to R: SPR Geoff Havelberg, CPL Peter Treble, SGT Jim Beard, SPR Peter Hardy, SPR Steve Hilton, SPR John Lane, CPL Mick Hogan, Mayor – Councillor Paul Tomkinson, OC MAJ Peter Eddy. .43) - Photo, black & white, 1980. Air Survey Squadron inspection. Centre rank L to R: SGT Bruce ‘Stretch’ Gordon, WO2 Chris Parkinson. Mayor – Councillor Paul Tomkinson, OC MAJ Peter Eddy. Rear rank L to R: SPR Allan Choat, unidentified, SPR Jamie McRae, SSGT Russell ‘Rusty’ Williams, SSGT Greg Buckingham, CPL Greg Byers, CPL Roger Rees, SPR Gary Ames, SGT Greg Gilbert, SSGT Peter Warwick, WO2 Mick Dempster. .44) - Photo, black & white, 1980. Lithographic Squadron’s OC MAJ Robin Blackburn salutes the Mayor – Councillor Paul Tomkinson. L to R: unidentified civilian, CO LTCOL Bob Skitch. In background L to R: WO1 Manfred Panknin, SSGT Peter Coombes, CPL Frank Lenane, SPR Per Andersen, CPL John ‘Flash’ Anderson, unidentified, MAJ Sam Schwartz US Exchange, CPL Warren ‘Waldo’ Shirley, SPR Warren ‘Wah’ Hall, unidentified, SPR Neville Carr, SPR Paul Davis, SPR Paul Baker, CPL Mick ‘Buddha’ Ellis, SPR Martin Van De Maele, CPL Bill Jones, SPR Greg Rowe. .45) - Photo, black & white, 1980. Lithographic Squadron inspection. L to R: RSM WO1 Aub Harvey, SPR Warren ‘Wah’ Hall, CO LTCOL Bob Skitch, SPR Paul Davis, unidentified civilian, unidentified, OC MAJ Robin Blackburn, CPL Lance Strudwick, Mayor – Councillor Paul Tomkinson, SPR Neville Carr, SPR Roy Hicks, SSGT Trevor Osborne, SPR Paul Baker, CAPT Stan Vote, CPL Bill Jones, SGT Greg Francis-Wright, SGT Ralph Chant, CPL Garry Drummond, WO2 Noel ‘Nesty’ Coulthard. .46) - Photo, black & white, 1980. Lithographic Squadron inspection. Front rank L to R: SGT Greig Kidman, SPR Garry Hudson, SPR Gary Tremain, CPL Steve Egan, SPR Greg Rowe, CPL Mick ‘Buddha’ Ellis, remainder unidentified. Centre rank: SSGT Kevin Macquire. Inspection party L to R: CO LTCOL Bob Skitch, OC MAJ Robin Blackburn, unidentified civilian, Mayor – Councillor Paul Tomkinson. Rear rank L to R: unidentified (x5), CPL Warren ‘Waldo’ Shirley, SPR Neville Carr, SPR Paul Baker, CPL Bill Jones, CPL Garry Drummond, SGT Graeme Jeffers, WO2 Tom Pattison. .47) - Photo, black & white, 1980. Lithographic Squadron inspection. Front rank L to R: SSGT Trevor Osborne, SGT Greig Kidman, SPR Garry Hudson, SPR Gary Tremain, CPL Steve Egan, SPR Greg Rowe, CPL Mick ‘Buddha’ Ellis, remainder unidentified. Centre rank: SSGT Kevin Macquire, SGT Ralph Chant. Inspection party L to R: OC MAJ Robin Blackburn, RSM WO1 Aub Harvey, unidentified civilian, Mayor – Councillor Paul Tomkinson. Rear rank L to R: SPR Paul Baker, CPL Bill Jones, CPL Garry Drummond, SGT Graeme Jeffers, WO2 Tom Pattison. 48) - Photo, black & white, 1980. Lithographic Squadron inspection. Inspection party L to R: OC MAJ Robin Blackburn, Mayor – Councillor Paul Tomkinson, CO LTCOL Bob Skitch, unidentified civilian. Rear rank L to R: WO2 Tom Pattison, SGT Graeme Jeffers, CPL Garry Drummond, CPL Bill Jones, CPL SPR Neville Carr, Warren ‘Waldo’ Shirley, unidentified. Rear supernumery: WO1 John McCulloch. 49) - Photo, black & white, 1980. Lithographic Squadron inspection. Inspection party L to R: OC MAJ Robin Blackburn, CO LTCOL Bob Skitch, Mayor – Councillor Paul Tomkinson, unidentified civilian, RSM WO1 Aub Harvey. Rear rank L to R: WO2 Tom Pattison, SGT Graeme Jeffers, remainer unidentified. 50) - Photo, black & white, 1980. 3rd Military District Band inspection. L to R: unidentified band master, CO LTCOL Bob Skitch, Mayor – Councillor Paul Tomkinson. 51) - Photo, black & white, 1980. CO LTCOL Bob Skitch delivers his speech. 52) & .53) - Photo, black & white, 1980. Army Svy Regt squadrons stand at ease during CO LTCOL Bob Skitch’s speech.There are no personnel identified. royal australian survey corps, rasvy, army survey regiment, army svy regt, fortuna, asr

This set of 38 black and white photographs were taken at the Army Survey Regiment’s parade rehearsal held at Fortuna, Bendigo in 1980. The rehearsal was for the Freedom of Entry parade held 1-2 weeks later in 1980. The exact date for the Freedom of Entry parade is not known. The Freedom of Entry to the City of Bendigo was an honour first conferred by the Bendigo City Council to the Army Survey Regiment in 1970. The Freedom of Entry parade in 1980 was the third time the unit exercised its right of freedom of entry. The Regiment also exercised its Freedom of Entry with anniversary parades in 1977, 1985, 1990, 1992 and 1996. Refer to items 6020.8P, 6021.25P, 6248P, 6266, 6409.2, 6430.39P, 6490.53P and 6491.21P for more Army Survey Regiment Freedom of Entry photographs, documents and certificates. See item 6471.2P for photos of Lithographic Squadron taken on the same day of this parade rehearsal. This set of 38 black and white photographs of the Army Survey Regiment (Army Svy Regt) were taken in a rehearsal for the Freedom of Entry parade to the City of Bendigo, held 1-2 weeks later in 1980. The photographs are on 35mm negative film and were scanned at 96 dpi. They are part of the Army Survey Regiment’s Collection. .1) - Photo, black & white, 1980. WO1 John McCulloch observes the rehearsal. .2) - Photo, black & white, 1980. RSM WO1 Aub Harvey, WO1 Dave Thomson and WO1 Roger Rix observe the rehearsal. .3) - Photo, black & white, 1980. Under command of SSM WO1 Bob Mason, Air Survey Squadron marches onto the parade ground - Front rank L to R: SPR Peter Jones, SPR Barry Miller, CPL Alan Hawkins. .4) - Photo, black & white, 1980. Air Survey Squadron marches on the parade ground - L to R: SPR Peter Jones, CPL Lyall Camp, SPR Barry Miller, SPR Geoff Havelberg, unidentified, CPL Alan Hawkins, CPL Peter Treble, unidentified (x2), SGT Mick Hogan, SGT Bruce Hammond, unidentified, SPR Steve Linane, SPR Jamie McRae, unidentified (x2). .5) - Photo, black & white, 1980. Air Survey Squadron formed up – CAPT Peter Ralston on far left. .6) - Photo, black & white, 1980. Air Survey Squadron inspection – L to R: CAPT Peter Ralston, CPL Alan Hawkins, CO LTCOL Bob Skitch, SGT Mick Hogan, SGT Bruce Hammond, SPR Jamie McRae. .7) - Photo, black & white, 1980. Air Survey Squadron inspection – L to R: SPR Peter Jones, unidentified, CPL Paul Hopes, unidentified, SGT Rick van der Bom, LTCOL Bob Skitch, SPR Steve Linane, CPL Mick Minchin, unidentified, SPR Gae (Robinson) Amato, unidentified, SPR Chris ‘CPL Peter Treble, Charlie’ Brown, SPR Ginny (Turner) Rowe. .8) - Photo, black & white, 1980. Lithographic Squadron marches onto the parade ground - Front rank L to R: SPR Brian Fauth, SPR Roy Hicks, SPR Per Andersen, commanded by LT Steve Cooper. .9) - Photo, black & white, 1980. Lithographic Squadron marches onto the parade ground - L to R: SSM WO1 Ken Slater, Front rank SPR Brian Fauth, SPR Roy Hicks, SPR Per Andersen, LT Steve Cooper. .10) - Photo, black & white, 1980. Lithographic Squadron inspection - L to R: CAPT Stan Vote, LT Steve Cooper, CO LTCOL Bob Skitch, SPR Neville Carr, SPR Laurie Justin, SPR Keith Quinton. .11) - Photo, black & white, 1980. Lithographic Squadron inspection - L to R: unidentified, LT Steve Cooper, CPL Frank Lenane, CPL Mick ‘Buddha’ Ellis, SPR Martin van de Maele, CO LTCOL Bob Skitch, unidentified (x2), SPR Garry Hudson, remainder unidentified. .12) - Photo, black & white, 1980. Lithographic Squadron inspection - L to R: LT Steve Cooper, CPL Rob Bogumil, unidentified, CO LTCOL Bob Skitch, CPL Bill Jones, CPL John ‘Flash’ Anderson, CPL Warren ‘Waldo’ Shirley, unidentified. .13) - Photo, black & white, 1980. Lithographic Squadron inspection - L to R: unidentified (x4), CO LTCOL Bob Skitch, unidentified, CPL Bill Jones, LT Steve Cooper, CPL Warren ‘Waldo’ Shirley. .14) - Photo, black & white, 1980. Lithographic Squadron performs form - right file L to R: SPR Brian Fauth, SPR Roy Hicks, SPR Per Andersen. .15) - Photo, black & white, 1980. Lithographic Squadron completes form at the halt. .16) - Photo, black & white, 1980. Lithographic Squadron marches in column of route – right file L to R: SPR Keith Quinton, SPR John Whaling, SPR Martin van de Maele, SPR John Whaling, SPR Garry Hudson, unidentified. Centre marker: CPL Warren ‘Waldo’ Shirley, remainder unidentified. .17) - Photo, black & white, 1980. Lithographic Squadron marches in column of route – right file L to R: SPR John Whaling, SPR Martin van de Maele, SPR John Whaling, SPR Garry Hudson, unidentified. Centre marker CPL Warren ‘Waldo’ Shirley, remainder unidentified. .18) - Photo, black & white, 1980. Lithographic Squadron marches in column of route – L to R: SPR Per Andersen, CPL Josh Degroot, SPR Neville Carr, SPR Laurie Justin, SPR Keith Quinton, SPR John Whaling, SPR Martin van de Maele, SPR John Whaling, SPR Garry Hudson, unidentified. .19) - Photo, black & white, 1980. Lithographic Squadron marches in column of route – L to R: SPR Per Andersen, CPL Josh Degroot, SPR Neville Carr, SPR Laurie Justin, SPR Keith Quinton, SPR Martin van de Maele, SPR John Whaling, SPR Garry Hudson, unidentified (x2), CPL Warren ‘Waldo’ Shirley, unidentified. .20) - Photo, black & white, 1980. Lithographic Squadron rehearses ‘rest on arms reverse.’ .21) - Photo, black & white, 1980. Cartographic Squadron marches onto the parade ground in column of route - L to R: SPR Cheryl Lofthouse, unidentified, SSM WO1 Gordon Lowery, unidentified, SPR Megan (McBurney) Reynolds, unidentified (x6), SPR Peter Main, CPL Stu Symonds, SPR Greg Else, SPR Rod Skidmore. .22) - Photo, black & white, 1980. Cartographic Squadron marches onto the parade ground in column of route - L to R: SPR Rod Skidmore, SPR Greg Else, CPL Phil McGuire, CPL Dennis Learmonth, CPL Brad Peppler, CPL Trevor Bottomley, SPR Gina (Coore) Neilson, SPR Carla Dell, CPL Lynn Johnson, commanded by CAPT Bob Williams. .23) - Photo, black & white, 1980. Cartographic Squadron inspection - L to R: unidentified officer, CAPT Bob Williams, SPR Greg Else, CO LTCOL Bob Skitch, CPL Phil McGuire, CPL Dennis Learmonth, CPL Brad Peppler, CPL Trevor Bottomley. .24) - Photo, black & white, 1980. Cartographic Squadron inspection - L to R: RSM WO1 Aub Harvey, unidentified officer, CAPT Bob Williams, CO LTCOL Bob Skitch. Front rank L to R: SPR Rod Skidmore, CPL Phil McGuire, CPL Dennis Learmonth, CPL Brad Peppler, CPL Trevor Bottomley, SPR Gina (Coore) Neilson, SPR Carla Dell, CPL Lynn Johnson. Centre rank L to R: CPL Terry Danger, SPR John Martin, SPR Bob Sheppard. SPR Megan (McBurney) Reynolds. .25) - Photo, black & white, 1980. Cartographic Squadron inspection - Front rank L to R: CPL Phil McGuire, CAPT Bob Williams, CPL Brad Peppler, CO LTCOL Bob Skitch, CPL Trevor Bottomley, SPR Gina (Coore) Neilson, SPR Carla Dell, CPL Lynn Johnson. .26) - Photo, black & white, 1980. Cartographic Squadron inspection - L to R: WO1 Roger Rix, RSM WO1 Aub Harvey, unidentified officer. Front rank L to R: SPR Rod Skidmore, SPR Greg Else, CPL Phil McGuire, CPL Brad Peppler, CPL Trevor Bottomley, SPR Gina (Coore) Neilson, SPR Carla Dell, CPL Lynn Johnson. Centre rank L to R: CPL Terry Danger, SPR John Martin, SPR Bob Sheppard. SPR Megan (McBurney) Reynolds. .27) - Photo, black & white, 1980. Cartographic Squadron inspection - L to R: CPL Dennis Learmonth, CPL Brad Peppler, CO LTCOL Bob Skitch, CPL Trevor Bottomley, SPR Gina (Coore) Neilson, SPR Carla Dell, CPL Lynn Johnson. .28) - Photo, black & white, 1980. Cartographic Squadron inspection - L to R: CAPT Bob Williams, unidentified, CO LTCOL Bob Skitch, SPR John Martin, SPR Bob Sheppard, SPR Megan (McBurney) Reynolds, rear rank L to R: SPR Peter Main, unidentified (x3). .29) - Photo, black & white, 1980. Cartographic Squadron rehearses ‘reverse arms’ - L to R: SPR Peter Main, CPL Stu Symonds, SPR Rod Skidmore, SPR Greg Else, remainder unidentified. .30) - Photo, black & white, 1980. Cartographic Squadron rehearses ‘rest on arms reverse.’ - Front rank L to R: SPR Rod Skidmore, SPR Greg Else, CPL Phil McGuire, CPL Dennis Learmonth, CPL Brad Peppler, CPL Trevor Bottomley. remainder unidentified. Centre rank L to R: unidentified (x2), SPR John Martin, SPR Bob Sheppard, SPR Megan (McBurney) Reynolds. Rear rank L to R: unidentified (x3), SPR Carla Dell on far right. .31) - Photo, black & white, 1980. Cartographic Squadron marches in column of route. .32) - Photo, black & white, 1980. Cartographic Squadron marches in column of route. Left file L to R: SPR Rod Skidmore, SPR Greg Else, CPL Phil McGuire, CPL Dennis Learmonth, CPL Brad Peppler, CPL Trevor Bottomley, SPR Gina (Coore) Neilson, SPR Carla Dell, CPL Lynn Johnson. Centre file L to R: unidentified (x2), SPR Dan Cirsky, SPR Bob Sheppard. Commanded by CAPT Bob Williams (foreground). .33) - Photo, black & white, 1980. Cartographic Squadron rehearses ‘order arms.’ Front rank L to R: SPR Rod Skidmore, SPR Greg Else, CPL Phil McGuire, CPL Dennis Learmonth, CPL Brad Peppler, CPL Trevor Bottomley, SPR Gina (Coore) Neilson, SPR Carla Dell, CPL Lynn Johnson. Centre rank L to R: unidentified (x2), SPR Dan Cirsky, SPR Megan (McBurney) Reynolds, SPR Ilen Isaac. Rear rank L to R: SPR Cathy Regan, unidentified, SPR Cheryl Lofthouse. .34) - Photo, black & white, 1980. Cartographic Squadron rehearses ‘right dress.’ Front rank L to R: SPR Rod Skidmore, SPR Greg Else, CPL Phil McGuire, CPL Dennis Learmonth, CPL Brad Peppler, CPL Trevor Bottomley, SPR Gina (Coore) Neilson, SPR Carla Dell, CPL Lynn Johnson. Centre rank L to R: SPR John Martin, SPR Bob Sheppard. SPR Megan (McBurney) Reynolds, SPR Ilen Isaac. Rear rank L to R: unidentified (x2), SPR Cathy Regan, unidentified, SPR Cheryl Lofthouse. Commanded by CAPT Bob Williams (far left). 35) - Photo, black & white, 1980. Air Survey Squadron section rehearses marching with reverse arms. L to R: SPR Bob Hopper, CPL Rick Downie, CPL Paul Hopes, unidentified (x2, SGT Rick van der Bom, SPR Steve Hilton, CPL Peter Treble, unidentified, SPR John Lane, remainder unidentified. .36) - Photo, black & white, 1980. Air Survey Squadron section rehearses marching with reverse arms. L to R: CPL Alan Hawkins, CPL John Smith, SPR Dave Jobe, unidentified (x2), SGT Mick Hogan, SPR Barry Miller, WO1 Dave Thomson. .37) - Photo, black & white, 1980. Cartographic Squadron sections practice drill. .38) - Photo, black & white, 1980. Air Survey Squadron rest break from drill practice. L to R: unidentified (x2), CPL Noel McNamara, SSGT Peter Warwick, SSGT Greg Buckingham (facing away), SGT Jim Beard, unidentified, SPR Sharon (Jones) Treble (foreground), unidentified, SGT Bruce Gordon, SPR Kristin (Isaac) Skidmore.There are no personnel identified. royal australian survey corps, rasvy, army survey regiment, army svy regt, fortuna, asr

Original Ships History: Aréthuse was a French frigate, launched in 1757 during the Seven Years War between England and France. She was captured by the Royal Navy in 1759 and became the fifth-rate HMS Arethusa. She remained in Royal Navy service for twenty years until she was wrecked after being badly damaged in battle. The ship was constructed at Le Havre for privateer warfare as ”Pélerine” and soon after her launch, she was purchased by King Louis XV (1710-1774) and commissioned as Aréthuse on 21 January 1758. In June, under captain Vauquelin, she sailed through the British blockade of Louisbourg helping to defend the site before departing, again forcing the blockade. On 18 May 1759, she was in transit from Rochefort to Brest, under the command of Louis-Philippe de Rigaud, Marquis of Vaudreuil, when she was intercepted near Audierne Bay (Baie d'Audierne) by three Royal Navy ships the Thames, Venus and Chatham. She attempted to escape but after two hours, lost her topmasts and was overtaken by her pursuers. Thames and Venus engaged her with heavy fire, causing 60 casualties before the vessel surrendered. She entered service with the Royal Navy for the rest of the war, and was in service in British home waters and became responsible for the capture of several French privateer cutters. In 1777, a Scotsman James Aitken, widely known as John the Painter, was hanged from her mizzenmast for burning the Rope House at Portsmouth Royal Dockyard on 7 December 1776, to aid the struggle of American independence. The mast was struck from the ship and re-erected at the dockyard entrance so as many people as possible could watch the execution. On 17 June 1778, she fought a famous duel against the French 36-gun frigate, Belle Poule. Belle Poule was on a reconnaissance mission, along with the 26-gun Licorne, the corvette Hirondelle and the smaller Coureur when she encountered a large British squadron that included Arethusa at a point 37 km south of The Lizard. Admiral Keppel, commanding the British fleet ordered that the French ships be pursued. The captain of Belle Poule refused the order to sail back to the British fleet. The British fired a warning shot across his ship's bow, to which he responded with a full broadside. This action began a furious, two-hour battle between the two ships that resulted in the deaths of the French second captain and 30 of the crew. However, Arethusa was crippled by the loss of a mast and withdrew, allowing Belle Poule to escape. This battle was the first between British and French naval forces during the American Revolutionary War and took place around three weeks before France had made a formal declaration of war. The battle was widely celebrated in France as a victory, even inspiring a hair-style in court circles that included a model of Belle Poule. It was also viewed as a victory in Britain and became the subject of a traditional Sea shanty, The Saucy Arethusa. On 18 March 1779, under captain Charles Holmes Everitt, Arethusa engaged the French Aigrette, under Lieutenant Mortemart, sustaining considerable damage in the fight. Arethusa was wrecked the next day off Ushant, It was the fame of this Arethusa which induced the Royal Navy, during the following two centuries, to bestow the name on a further seven consecutive individual ships and two consecutive classes of cruisers. (See Provenance Sec this document for information on the makers of this model). Model ship of the 3 masted frigate the “Arethusa”, model is painted black and white with varnished deck and masts. A British flag is flown at the stern. The ship is displayed in a glass case with timber frame and 4 legged stand.Label at bottom of glass case, printed in black script on a gold strip “Model of the “Arethusa" "A famous frigate, taken from the French by the British, on the 18th of May 1759 and lost on the French coast in 1779. – Made and presented by G. Lance & P. Diggins, October 1894” flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, arethusa ship model, george lance, peter diggins, len asling, warrnambool art gallery, warrnambool exhibition, message in a bottle

This tea spoon is from the wreck of the LOCH ARD, a Loch Line ship of 1,693 tons which sailed from Gravesend, London, on 2 March 1878 with 17 passengers and a crew of 36 under Captain George Gibbs. “The intention was to discharge cargo in Melbourne, before returning to London via the Horn with wool and wheat”. Instead, on 1 June 1878, after 90 days at sea, she struck the sandstone cliffs of Mutton Bird Island on the south west coast of Victoria, and sank with the loss of 52 lives and all her cargo. The manifest of the LOCH ARD listed an array of manufactured goods and bulk metals being exported to the Colony of Victoria, with a declared value of £53,700. (202 bills of lading show an actual invoice value of £68, 456, with insurance underwriting to £30,000 of all cargo). Included in the manifest is the item of “Tin hardware & cutlery £7,530”. This teaspoon is one of 482 similar items of electro-plated cutlery from the LOCH ARD site, comprising spoons and forks of various sizes but all sharing the same general shape or design and metallic composition. 49 of these pieces display a legible makers’ mark — the initials “W” and “P” placed within a raised diamond outline, which is in turn contained within a sunken crown shape — identifying the manufacturer as William Page & Co of Birmingham. An electroplater’s makers’ marks, unlike sterling silver hallmarks, are not consistent identifiers of quality or date and place of manufacture. A similar line of five impressions was usually made to impress the consumer with an implication of industry standards, but what each one actually signified was not regulated and so they varied according to the whim of the individual foundry. In this case, the maker’s marks are often obscured by sedimentary accretion or removed by corrosion after a century of submersion in the ocean. However sufficient detail has survived to indicate that these samples of electro-plated cutlery probably originated from the same consignment in the LOCH ARD’s cargo. The following descriptions of maker’s marks are drawn from 255 tea spoons, 125 dessert spoons, and 99 table forks. These marks are clearly visible in 66 instances, while the same sequence of general outlines, or depression shapes, is discernible in another 166 examples. 1. A recessed Crown containing a raised Diamond outline and the initials “W” and “P” (the recognised trademark of William Page & Co) 2. An impressed Ellipse containing a raised, pivoted, Triangle in its lower part and bearing a Resurrection Cross on its upper section (a possible dissenting church symbol reflecting religious affiliation); OR a rounded Square impression containing a raised, ‘lazy’, letter “B” (possibly mimicking sterling silver hallmark signifying city of manufacture i.e. Birmingham) 3. An impressed rounded Square filled with a raised Maltese Cross (the base metal composite of nickel silver was also known as ‘German silver’ after its Berlin inventors in 1823) 4. A recessed Circle containing a Crab or Scarab Beetle image; OR a recessed Circle containing a rotated ‘fleur de lys’ or ‘fasces’ design 5. A depressed Diamond shape enclosing a large raised letter “R” and a small raised letter “D” (mimicking the U.K. Patent Office stamp which abbreviated the term ‘registered’ to “RD”, but also included date and class of patent) Suggested trade names for William Page & Co’s particular blend of brass plating are ‘roman silver’ or ‘silverite’. This copper alloy polishes to a lustrous gold when new, discolouring to a murky grey with greenish hue when neglected. The LOCH ARD shipwreck is of State significance – Victorian Heritage Register S 417.Unrestored tea spoon from the wreck of the LOCH ARD. The spoon design has a flattened fiddle-back handle, with a thin stem or shank, flared collar, and elongated bowl. The spoons metallic composition is a thin layer of brass alloy which has partially corroded back to a nickel-silver base metal. Approximately 35% of original electroplating survives, with some verdigris, and 25% sediment encrusted on bowl of spoon.electroplated cutlery, loch ard, shipwreck artefact, nickel silver, william page & co., birmingham, tea spoons, makers marks, flagstaff-hill-maritime-museum, shipwreck-coast, electroplated cutlery, loch ard, shipwreck artefact, nickel silver, william page & co., birmingham, tea spoons, makers marks

This sewing machine accessory was donated with our collection's Wertheim sewing machine accessory box. The box contains twelve accessories, the instruction book and the receipt for the purchase of a Wertheim sewing machine. The receipt was written on July 23rd 1891 by the Wertheim distributor in Melbourne, Hugo Wertheim. His business was the Wertheim Sewing Machine and Hapsburg Piano Depot, trading at 173 Williams Street, Melbourne. The purchaser was Mrs Burrowes from Burrumbeet, Victoria, a district northwest of Ballarat. She paid £6-6 (six pounds and six shillings) in cash. The receipt was signed by H. Wertheim and the other signatory looks like John A. Cherry. Hugo Wertheim (1854-1919) was an agent for his father’s cousin Joseph Wertheim, a well-established sewing machine manufacturer in Germany. He was born in Lispenhausen, Germany, and migrated to Melbourne in October 1875, where he opened a merchandising business at 39 Flinders Lane East. He returned to Germany in 1885 to marry Joseph Wertheim's daughter Sophie Emilie. The couple came back to Melbourne, and Hugo quickly established a substantial business selling sewing machines, bicycles, pianos and other mechanical devices, under brands such as Wertheim, Electra, Planet, Griffin and Hapsburg. He exhibited at agricultural shows and in 1901 at the Pan American Exposition, Buffalo, United States of America. One of his staff was O. C. Beale, who later set up his own piano business in New South Wales. Hugo continued to own 25 per cent of one of Beale's companies, which became Wertheim's Queensland business. In 1908 Hugo Wertheim opened a piano factory in Richmond, Melbourne, aiming to produce 2000 pianos and player pianos a year, predominantly using Australian materials. In laying the foundation stone, Prime Minister Alfred Deakin observed that “few men with such opportunities for a life of ease would have embarked on such an enterprise” Hugo died of chronic hepatitis in 1919 at his home in South Yarra. His eldest son, Herbert Joseph (1886-1972), continued the business. The piano factory closed in 1935, becoming a Heinz food processing plant and in 1955, GTV Channel 9 studios and offices. The Wertheim Sewing Machine Company – Joseph Wertheim (1804–1899) founded the company in 1868 in Frankfurt, Germany. At this time Joseph was the Frankfurt city delegate for the Democratic Party. At its height, the Wertheim factory employed approximately 650 workers. The company used a trademark of a dwarf holding a hammer which is known to have been used until at least 1925, however in 1909 a Star of David was also registered. In 1870 a Wertheim subsidiary was formed in Barcelona, Spain. The business imported and sold complete machines, including the English Jones machine. Locals began calling the sewing machines “las rapidas”, and the business became known as “las casa de las rapidas”. In 1915 production began of a totally manufactured Spanish Wertheim machine. Wertheim in Germany continued manufacturing machines until 1932 when the Wertheim family fled to Spain. Despite converting to Christianity from Judaism, they feared the political unrest in Germany during that time. Wertheim Spain became Rapida SA and was then the sole manufacturer of the Wertheim machines. The factory was managed by Karl Wertheim under the alias Carlos Vallin. The sewing machine accessory is part of a donation that connected to domestic life in 1891 during the Victorian era. It is significant for connecting the Melbourne distributor of Wertheim sewing machines, Hugo Wertheim, to Victoria’s northwest district where the purchaser lived. It is also significant for connecting the Melbourne distributor to the importing of goods from the well-known German manufacturer of early domestic sewing machines, Joseph Wertheim. Broad Hemmer Foot for a Wertheim sewing machine. Joseph Wertheim manufacturer, Germany, distributed by Hugo Wertheim William Street Melbourne. Circa 1891flagstaff hill, flagstaff hill maritime museum and village, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, wertheim, sewing machine, victorian era, sewing machine accessory, wertheim sewing machine and hapsburg piano depot, wertheim sewing machines, sewing machine foot, domestic machines, dressmaking, home industry, fashion

This sewing machine accessory was donated with our collection's Wertheim sewing machine accessory box. The box contains twelve accessories, the instruction book and the receipt for the purchase of a Wertheim sewing machine. The receipt was written on July 23rd 1891 by the Wertheim distributor in Melbourne, Hugo Wertheim. His business was the Wertheim Sewing Machine and Hapsburg Piano Depot, trading at 173 Williams Street, Melbourne. The purchaser was Mrs Burrowes from Burrumbeet, Victoria, a district northwest of Ballarat. She paid £6-6 (six pounds and six shillings) in cash. The receipt was signed by H. Wertheim and the other signatory looks like John A. Cherry. Hugo Wertheim (1854-1919) was an agent for his father’s cousin Joseph Wertheim, a well-established sewing machine manufacturer in Germany. He was born in Lispenhausen, Germany, and migrated to Melbourne in October 1875, where he opened a merchandising business at 39 Flinders Lane East. He returned to Germany in 1885 to marry Joseph Wertheim's daughter Sophie Emilie. The couple came back to Melbourne, and Hugo quickly established a substantial business selling sewing machines, bicycles, pianos and other mechanical devices, under brands such as Wertheim, Electra, Planet, Griffin and Hapsburg. He exhibited at agricultural shows and in 1901 at the Pan American Exposition, Buffalo, United States of America. One of his staff was O. C. Beale, who later set up his own piano business in New South Wales. Hugo continued to own 25 per cent of one of Beale's companies, which became Wertheim's Queensland business. In 1908 Hugo Wertheim opened a piano factory in Richmond, Melbourne, aiming to produce 2000 pianos and player pianos a year, predominantly using Australian materials. In laying the foundation stone, Prime Minister Alfred Deakin observed that “few men with such opportunities for a life of ease would have embarked on such an enterprise” Hugo died of chronic hepatitis in 1919 at his home in South Yarra. His eldest son, Herbert Joseph (1886-1972), continued the business. The piano factory closed in 1935, becoming a Heinz food processing plant and in 1955, GTV Channel 9 studios and offices. The Wertheim Sewing Machine Company – Joseph Wertheim (1804–1899) founded the company in 1868 in Frankfurt, Germany. At this time Joseph was the Frankfurt city delegate for the Democratic Party. At its height, the Wertheim factory employed approximately 650 workers. The company used a trademark of a dwarf holding a hammer which is known to have been used until at least 1925, however in 1909 a Star of David was also registered. In 1870 a Wertheim subsidiary was formed in Barcelona, Spain. The business imported and sold complete machines, including the English Jones machine. Locals began calling the sewing machines “las rapidas”, and the business became known as “las casa de las rapidas”. In 1915 production began of a totally manufactured Spanish Wertheim machine. Wertheim in Germany continued manufacturing machines until 1932 when the Wertheim family fled to Spain. Despite converting to Christianity from Judaism, they feared the political unrest in Germany during that time. Wertheim Spain became Rapida SA and was then the sole manufacturer of the Wertheim machines. The factory was managed by Karl Wertheim under the alias Carlos Vallin.The sewing machine accessory is part of a donation that connected to domestic life in 1891 during the Victorian era. It is significant for connecting the Melbourne distributor of Wertheim sewing machines, Hugo Wertheim, to Victoria’s northwest district where the purchaser lived. It is also significant for connecting the Melbourne distributor to the importing of goods from the well-known German manufacturer of early domestic sewing machines, Joseph Wertheim. Small corder foot for a Wertheim sewing machine. Joseph Wertheim manufacturer, Germany, distributed by Hugo Wertheim William Street Melbourne. Circa 1891flagstaff hill, flagstaff hill maritime museum and village, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, wertheim, sewing machine, victorian era, sewing machine accessory, wertheim sewing machine and hapsburg piano depot, wertheim sewing machines, sewing machine foot, small corder foot, domestic machines, dressmaking, home industry, fashion

This sewing machine accessory was donated with our collection's Wertheim sewing machine accessory box. The box contains twelve accessories, the instruction book and the receipt for the purchase of a Wertheim sewing machine. The receipt was written on July 23rd 1891 by the Wertheim distributor in Melbourne, Hugo Wertheim. His business was the Wertheim Sewing Machine and Hapsburg Piano Depot, trading at 173 Williams Street, Melbourne. The purchaser was Mrs Burrowes from Burrumbeet, Victoria, a district northwest of Ballarat. She paid £6-6 (six pounds and six shillings) in cash. The receipt was signed by H. Wertheim and the other signatory looks like John A. Cherry. Hugo Wertheim (1854-1919) was an agent for his father’s cousin Joseph Wertheim, a well-established sewing machine manufacturer in Germany. He was born in Lispenhausen, Germany, and migrated to Melbourne in October 1875, where he opened a merchandising business at 39 Flinders Lane East. He returned to Germany in 1885 to marry Joseph Wertheim's daughter Sophie Emilie. The couple came back to Melbourne, and Hugo quickly established a substantial business selling sewing machines, bicycles, pianos and other mechanical devices, under brands such as Wertheim, Electra, Planet, Griffin and Hapsburg. He exhibited at agricultural shows and in 1901 at the Pan American Exposition, Buffalo, United States of America. One of his staff was O. C. Beale, who later set up his own piano business in New South Wales. Hugo continued to own 25 per cent of one of Beale's companies, which became Wertheim's Queensland business. In 1908 Hugo Wertheim opened a piano factory in Richmond, Melbourne, aiming to produce 2000 pianos and player pianos a year, predominantly using Australian materials. In laying the foundation stone, Prime Minister Alfred Deakin observed that “few men with such opportunities for a life of ease would have embarked on such an enterprise” Hugo died of chronic hepatitis in 1919 at his home in South Yarra. His eldest son, Herbert Joseph (1886-1972), continued the business. The piano factory closed in 1935, becoming a Heinz food processing plant and in 1955, GTV Channel 9 studios and offices. The Wertheim Sewing Machine Company – Joseph Wertheim (1804–1899) founded the company in 1868 in Frankfurt, Germany. At this time Joseph was the Frankfurt city delegate for the Democratic Party. At its height, the Wertheim factory employed approximately 650 workers. The company used a trademark of a dwarf holding a hammer which is known to have been used until at least 1925, however in 1909 a Star of David was also registered. In 1870 a Wertheim subsidiary was formed in Barcelona, Spain. The business imported and sold complete machines, including the English Jones machine. Locals began calling the sewing machines “las rapidas”, and the business became known as “las casa de las rapidas”. In 1915 production began of a totally manufactured Spanish Wertheim machine. Wertheim in Germany continued manufacturing machines until 1932 when the Wertheim family fled to Spain. Despite converting to Christianity from Judaism, they feared the political unrest in Germany during that time. Wertheim Spain became Rapida SA and was then the sole manufacturer of the Wertheim machines. The factory was managed by Karl Wertheim under the alias Carlos Vallin. The sewing machine accessory is part of a donation that connected to domestic life in 1891 during the Victorian era. It is significant for connecting the Melbourne distributor of Wertheim sewing machines, Hugo Wertheim, to Victoria’s northwest district where the purchaser lived. It is also significant for connecting the Melbourne distributor to the importing of goods from the well-known German manufacturer of early domestic sewing machines, Joseph Wertheim. Seamer foot; feller single seamer for a Wertheim sewing machine. Made by Joseph Wertheim, Germany, and distributed by Hugo Wertheim, William Street Melbourne. Circa 1891flagstaff hill, flagstaff hill maritime museum and village, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, wertheim, sewing machine, victorian era, sewing machine accessory, wertheim sewing machine and hapsburg piano depot, wertheim sewing machines, sewing machine foot, seamer foot, domestic machines, dressmaking, home industry, fashion

This sewing machine accessory was donated with our collection's Wertheim sewing machine accessory box. The box contains twelve accessories, the instruction book and the receipt for the purchase of a Wertheim sewing machine. The receipt was written on July 23rd 1891 by the Wertheim distributor in Melbourne, Hugo Wertheim. His business was the Wertheim Sewing Machine and Hapsburg Piano Depot, trading at 173 Williams Street, Melbourne. The purchaser was Mrs Burrowes from Burrumbeet, Victoria, a district northwest of Ballarat. She paid £6-6 (six pounds and six shillings) in cash. The receipt was signed by H. Wertheim and the other signatory looks like John A. Cherry. Hugo Wertheim (1854-1919) was an agent for his father’s cousin Joseph Wertheim, a well-established sewing machine manufacturer in Germany. He was born in Lispenhausen, Germany, and migrated to Melbourne in October 1875, where he opened a merchandising business at 39 Flinders Lane East. He returned to Germany in 1885 to marry Joseph Wertheim's daughter Sophie Emilie. The couple came back to Melbourne, and Hugo quickly established a substantial business selling sewing machines, bicycles, pianos and other mechanical devices, under brands such as Wertheim, Electra, Planet, Griffin and Hapsburg. He exhibited at agricultural shows and in 1901 at the Pan American Exposition, Buffalo, United States of America. One of his staff was O. C. Beale, who later set up his own piano business in New South Wales. Hugo continued to own 25 per cent of one of Beale's companies, which became Wertheim's Queensland business. In 1908 Hugo Wertheim opened a piano factory in Richmond, Melbourne, aiming to produce 2000 pianos and player pianos a year, predominantly using Australian materials. In laying the foundation stone, Prime Minister Alfred Deakin observed that “few men with such opportunities for a life of ease would have embarked on such an enterprise” Hugo died of chronic hepatitis in 1919 at his home in South Yarra. His eldest son, Herbert Joseph (1886-1972), continued the business. The piano factory closed in 1935, becoming a Heinz food processing plant and in 1955, GTV Channel 9 studios and offices. The Wertheim Sewing Machine Company – Joseph Wertheim (1804–1899) founded the company in 1868 in Frankfurt, Germany. At this time Joseph was the Frankfurt city delegate for the Democratic Party. At its height, the Wertheim factory employed approximately 650 workers. The company used a trademark of a dwarf holding a hammer which is known to have been used until at least 1925, however in 1909 a Star of David was also registered. In 1870 a Wertheim subsidiary was formed in Barcelona, Spain. The business imported and sold complete machines, including the English Jones machine. Locals began calling the sewing machines “las rapidas”, and the business became known as “las casa de las rapidas”. In 1915 production began of a totally manufactured Spanish Wertheim machine. Wertheim in Germany continued manufacturing machines until 1932 when the Wertheim family fled to Spain. Despite converting to Christianity from Judaism, they feared the political unrest in Germany during that time. Wertheim Spain became Rapida SA and was then the sole manufacturer of the Wertheim machines. The factory was managed by Karl Wertheim under the alias Carlos Vallin.The sewing machine accessory is part of a donation that connected to domestic life in 1891 during the Victorian era. It is significant for connecting the Melbourne distributor of Wertheim sewing machines, Hugo Wertheim, to Victoria’s northwest district where the purchaser lived. It is also significant for connecting the Melbourne distributor to the importing of goods from the well-known German manufacturer of early domestic sewing machines, Joseph Wertheim.Wertheim braider; an accessory for a Wertheim sewing machine. Made by Joseph Wertheim, Germany, and distributed by Hugo Wertheim, William Street Melbourne. Circa 1891flagstaff hill, flagstaff hill maritime museum and village, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, wertheim, sewing machine, victorian era, sewing machine accessory, wertheim sewing machine and hapsburg piano depot, wertheim sewing machines, sewing machine foot, seamer foot, domestic machines, dressmaking, home industry, fashion

This sewing machine accessory was donated with our collection's Wertheim sewing machine accessory box. The box contains twelve accessories, the instruction book and the receipt for the purchase of a Wertheim sewing machine. The receipt was written on July 23rd 1891 by the Wertheim distributor in Melbourne, Hugo Wertheim. His business was the Wertheim Sewing Machine and Hapsburg Piano Depot, trading at 173 Williams Street, Melbourne. The purchaser was Mrs Burrowes from Burrumbeet, Victoria, a district northwest of Ballarat. She paid £6-6 (six pounds and six shillings) in cash. The receipt was signed by H. Wertheim and the other signatory looks like John A. Cherry. Hugo Wertheim (1854-1919) was an agent for his father’s cousin Joseph Wertheim, a well-established sewing machine manufacturer in Germany. He was born in Lispenhausen, Germany, and migrated to Melbourne in October 1875, where he opened a merchandising business at 39 Flinders Lane East. He returned to Germany in 1885 to marry Joseph Wertheim's daughter Sophie Emilie. The couple came back to Melbourne, and Hugo quickly established a substantial business selling sewing machines, bicycles, pianos and other mechanical devices, under brands such as Wertheim, Electra, Planet, Griffin and Hapsburg. He exhibited at agricultural shows and in 1901 at the Pan American Exposition, Buffalo, United States of America. One of his staff was O. C. Beale, who later set up his own piano business in New South Wales. Hugo continued to own 25 per cent of one of Beale's companies, which became Wertheim's Queensland business. In 1908 Hugo Wertheim opened a piano factory in Richmond, Melbourne, aiming to produce 2000 pianos and player pianos a year, predominantly using Australian materials. In laying the foundation stone, Prime Minister Alfred Deakin observed that “few men with such opportunities for a life of ease would have embarked on such an enterprise” Hugo died of chronic hepatitis in 1919 at his home in South Yarra. His eldest son, Herbert Joseph (1886-1972), continued the business. The piano factory closed in 1935, becoming a Heinz food processing plant and in 1955, GTV Channel 9 studios and offices. The Wertheim Sewing Machine Company – Joseph Wertheim (1804–1899) founded the company in 1868 in Frankfurt, Germany. At this time Joseph was the Frankfurt city delegate for the Democratic Party. At its height, the Wertheim factory employed approximately 650 workers. The company used a trademark of a dwarf holding a hammer which is known to have been used until at least 1925, however in 1909 a Star of David was also registered. In 1870 a Wertheim subsidiary was formed in Barcelona, Spain. The business imported and sold complete machines, including the English Jones machine. Locals began calling the sewing machines “las rapidas”, and the business became known as “las casa de las rapidas”. In 1915 production began of a totally manufactured Spanish Wertheim machine. Wertheim in Germany continued manufacturing machines until 1932 when the Wertheim family fled to Spain. Despite converting to Christianity from Judaism, they feared the political unrest in Germany during that time. Wertheim Spain became Rapida SA and was then the sole manufacturer of the Wertheim machines. The factory was managed by Karl Wertheim under the alias Carlos Vallin. The sewing machine accessory is part of a donation that connected to domestic life in 1891 during the Victorian era. It is significant for connecting the Melbourne distributor of Wertheim sewing machines, Hugo Wertheim, to Victoria’s northwest district where the purchaser lived. It is also significant for connecting the Melbourne distributor to the importing of goods from the well-known German manufacturer of early domestic sewing machines, Joseph Wertheim. Foot accessory, metal, for a Wertheim sewing machine. Made by Joseph Wertheim, Germany, and distributed by Hugo Wertheim, William Street Melbourne. Circa 1891flagstaff hill, flagstaff hill maritime museum and village, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, wertheim, sewing machine, victorian era, sewing machine accessory, wertheim sewing machine and hapsburg piano depot, wertheim sewing machines, sewing machine foot, seamer foot, domestic machines, dressmaking, home industry, fashion

This sewing machine accessory was donated with our collection's Wertheim sewing machine accessory box. The box contains twelve accessories, the instruction book and the receipt for the purchase of a Wertheim sewing machine. The receipt was written on July 23rd 1891 by the Wertheim distributor in Melbourne, Hugo Wertheim. His business was the Wertheim Sewing Machine and Hapsburg Piano Depot, trading at 173 Williams Street, Melbourne. The purchaser was Mrs Burrowes from Burrumbeet, Victoria, a district northwest of Ballarat. She paid £6-6 (six pounds and six shillings) in cash. The receipt was signed by H. Wertheim and the other signatory looks like John A. Cherry. Hugo Wertheim (1854-1919) was an agent for his father’s cousin Joseph Wertheim, a well-established sewing machine manufacturer in Germany. He was born in Lispenhausen, Germany, and migrated to Melbourne in October 1875, where he opened a merchandising business at 39 Flinders Lane East. He returned to Germany in 1885 to marry Joseph Wertheim's daughter Sophie Emilie. The couple came back to Melbourne, and Hugo quickly established a substantial business selling sewing machines, bicycles, pianos and other mechanical devices, under brands such as Wertheim, Electra, Planet, Griffin and Hapsburg. He exhibited at agricultural shows and in 1901 at the Pan American Exposition, Buffalo, United States of America. One of his staff was O. C. Beale, who later set up his own piano business in New South Wales. Hugo continued to own 25 per cent of one of Beale's companies, which became Wertheim's Queensland business. In 1908 Hugo Wertheim opened a piano factory in Richmond, Melbourne, aiming to produce 2000 pianos and player pianos a year, predominantly using Australian materials. In laying the foundation stone, Prime Minister Alfred Deakin observed that “few men with such opportunities for a life of ease would have embarked on such an enterprise” Hugo died of chronic hepatitis in 1919 at his home in South Yarra. His eldest son, Herbert Joseph (1886-1972), continued the business. The piano factory closed in 1935, becoming a Heinz food processing plant and in 1955, GTV Channel 9 studios and offices. The Wertheim Sewing Machine Company – Joseph Wertheim (1804–1899) founded the company in 1868 in Frankfurt, Germany. At this time Joseph was the Frankfurt city delegate for the Democratic Party. At its height, the Wertheim factory employed approximately 650 workers. The company used a trademark of a dwarf holding a hammer which is known to have been used until at least 1925, however in 1909 a Star of David was also registered. In 1870 a Wertheim subsidiary was formed in Barcelona, Spain. The business imported and sold complete machines, including the English Jones machine. Locals began calling the sewing machines “las rapidas”, and the business became known as “las casa de las rapidas”. In 1915 production began of a totally manufactured Spanish Wertheim machine. Wertheim in Germany continued manufacturing machines until 1932 when the Wertheim family fled to Spain. Despite converting to Christianity from Judaism, they feared the political unrest in Germany during that time. Wertheim Spain became Rapida SA and was then the sole manufacturer of the Wertheim machines. The factory was managed by Karl Wertheim under the alias Carlos Vallin.The sewing machine accessory is part of a donation that connected to domestic life in 1891 during the Victorian era. It is significant for connecting the Melbourne distributor of Wertheim sewing machines, Hugo Wertheim, to Victoria’s northwest district where the purchaser lived. It is also significant for connecting the Melbourne distributor to the importing of goods from the well-known German manufacturer of early domestic sewing machines, Joseph Wertheim. Adjustable binder for a Wertheim sewing machine. Made by Joseph Wertheim, Germany, and distributed by Hugo Wertheim, William Street Melbourne. Circa 1891flagstaff hill, flagstaff hill maritime museum and village, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, wertheim, sewing machine, victorian era, sewing machine accessory, wertheim sewing machine and hapsburg piano depot, wertheim sewing machines, sewing machine foot, seamer foot, domestic machines, dressmaking, home industry, fashion, binder

This sewing machine accessory was donated with our collection's Wertheim sewing machine accessory box. The box contains twelve accessories, the instruction book and the receipt for the purchase of a Wertheim sewing machine. The receipt was written on July 23rd 1891 by the Wertheim distributor in Melbourne, Hugo Wertheim. His business was the Wertheim Sewing Machine and Hapsburg Piano Depot, trading at 173 Williams Street, Melbourne. The purchaser was Mrs Burrowes from Burrumbeet, Victoria, a district northwest of Ballarat. She paid £6-6 (six pounds and six shillings) in cash. The receipt was signed by H. Wertheim and the other signatory looks like John A. Cherry. Hugo Wertheim (1854-1919) was an agent for his father’s cousin Joseph Wertheim, a well-established sewing machine manufacturer in Germany. He was born in Lispenhausen, Germany, and migrated to Melbourne in October 1875, where he opened a merchandising business at 39 Flinders Lane East. He returned to Germany in 1885 to marry Joseph Wertheim's daughter Sophie Emilie. The couple came back to Melbourne, and Hugo quickly established a substantial business selling sewing machines, bicycles, pianos and other mechanical devices, under brands such as Wertheim, Electra, Planet, Griffin and Hapsburg. He exhibited at agricultural shows and in 1901 at the Pan American Exposition, Buffalo, United States of America. One of his staff was O. C. Beale, who later set up his own piano business in New South Wales. Hugo continued to own 25 per cent of one of Beale's companies, which became Wertheim's Queensland business. In 1908 Hugo Wertheim opened a piano factory in Richmond, Melbourne, aiming to produce 2000 pianos and player pianos a year, predominantly using Australian materials. In laying the foundation stone, Prime Minister Alfred Deakin observed that “few men with such opportunities for a life of ease would have embarked on such an enterprise” Hugo died of chronic hepatitis in 1919 at his home in South Yarra. His eldest son, Herbert Joseph (1886-1972), continued the business. The piano factory closed in 1935, becoming a Heinz food processing plant and in 1955, GTV Channel 9 studios and offices. The Wertheim Sewing Machine Company – Joseph Wertheim (1804–1899) founded the company in 1868 in Frankfurt, Germany. At this time Joseph was the Frankfurt city delegate for the Democratic Party. At its height, the Wertheim factory employed approximately 650 workers. The company used a trademark of a dwarf holding a hammer which is known to have been used until at least 1925, however in 1909 a Star of David was also registered. In 1870 a Wertheim subsidiary was formed in Barcelona, Spain. The business imported and sold complete machines, including the English Jones machine. Locals began calling the sewing machines “las rapidas”, and the business became known as “las casa de las rapidas”. In 1915 production began of a totally manufactured Spanish Wertheim machine. Wertheim in Germany continued manufacturing machines until 1932 when the Wertheim family fled to Spain. Despite converting to Christianity from Judaism, they feared the political unrest in Germany during that time. Wertheim Spain became Rapida SA and was then the sole manufacturer of the Wertheim machines. The factory was managed by Karl Wertheim under the alias Carlos Vallin. The sewing machine accessory is part of a donation that connected to domestic life in 1891 during the Victorian era. It is significant for connecting the Melbourne distributor of Wertheim sewing machines, Hugo Wertheim, to Victoria’s northwest district where the purchaser lived. It is also significant for connecting the Melbourne distributor to the importing of goods from the well-known German manufacturer of early domestic sewing machines, Joseph Wertheim. Tool part for a Wertheim sewing machine. Made by Joseph Wertheim, Germany, and distributed by Hugo Wertheim, William Street Melbourne. Circa 1891flagstaff hill, flagstaff hill maritime museum and village, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, wertheim, sewing machine, victorian era, sewing machine accessory, wertheim sewing machine and hapsburg piano depot, wertheim sewing machines, sewing machine foot, seamer foot, domestic machines, dressmaking, home industry, fashion

This sewing machine accessory was donated with our collection's Wertheim sewing machine accessory box. The box contains twelve accessories, the instruction book and the receipt for the purchase of a Wertheim sewing machine. The receipt was written on July 23rd 1891 by the Wertheim distributor in Melbourne, Hugo Wertheim. His business was the Wertheim Sewing Machine and Hapsburg Piano Depot, trading at 173 Williams Street, Melbourne. The purchaser was Mrs Burrowes from Burrumbeet, Victoria, a district northwest of Ballarat. She paid £6-6 (six pounds and six shillings) in cash. The receipt was signed by H. Wertheim and the other signatory looks like John A. Cherry. Hugo Wertheim (1854-1919) was an agent for his father’s cousin Joseph Wertheim, a well-established sewing machine manufacturer in Germany. He was born in Lispenhausen, Germany, and migrated to Melbourne in October 1875, where he opened a merchandising business at 39 Flinders Lane East. He returned to Germany in 1885 to marry Joseph Wertheim's daughter Sophie Emilie. The couple came back to Melbourne, and Hugo quickly established a substantial business selling sewing machines, bicycles, pianos and other mechanical devices, under brands such as Wertheim, Electra, Planet, Griffin and Hapsburg. He exhibited at agricultural shows and in 1901 at the Pan American Exposition, Buffalo, United States of America. One of his staff was O. C. Beale, who later set up his own piano business in New South Wales. Hugo continued to own 25 per cent of one of Beale's companies, which became Wertheim's Queensland business. In 1908 Hugo Wertheim opened a piano factory in Richmond, Melbourne, aiming to produce 2000 pianos and player pianos a year, predominantly using Australian materials. In laying the foundation stone, Prime Minister Alfred Deakin observed that “few men with such opportunities for a life of ease would have embarked on such an enterprise” Hugo died of chronic hepatitis in 1919 at his home in South Yarra. His eldest son, Herbert Joseph (1886-1972), continued the business. The piano factory closed in 1935, becoming a Heinz food processing plant and in 1955, GTV Channel 9 studios and offices. The Wertheim Sewing Machine Company – Joseph Wertheim (1804–1899) founded the company in 1868 in Frankfurt, Germany. At this time Joseph was the Frankfurt city delegate for the Democratic Party. At its height, the Wertheim factory employed approximately 650 workers. The company used a trademark of a dwarf holding a hammer which is known to have been used until at least 1925, however in 1909 a Star of David was also registered. In 1870 a Wertheim subsidiary was formed in Barcelona, Spain. The business imported and sold complete machines, including the English Jones machine. Locals began calling the sewing machines “las rapidas”, and the business became known as “las casa de las rapidas”. In 1915 production began of a totally manufactured Spanish Wertheim machine. Wertheim in Germany continued manufacturing machines until 1932 when the Wertheim family fled to Spain. Despite converting to Christianity from Judaism, they feared the political unrest in Germany during that time. Wertheim Spain became Rapida SA and was then the sole manufacturer of the Wertheim machines. The factory was managed by Karl Wertheim under the alias Carlos Vallin. The sewing machine accessory is part of a donation that connected to domestic life in 1891 during the Victorian era. It is significant for connecting the Melbourne distributor of Wertheim sewing machines, Hugo Wertheim, to Victoria’s northwest district where the purchaser lived. It is also significant for connecting the Melbourne distributor to the importing of goods from the well-known German manufacturer of early domestic sewing machines, Joseph Wertheim. Adjustable needle plate for a Wertheim sewing machine, made by Joseph Wertheim, Germany, and distributed by Hugo Wertheim, William Street Melbourne. Circa 1891.flagstaff hill, flagstaff hill maritime museum and village, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, wertheim, sewing machine, victorian era, sewing machine accessory, wertheim sewing machine and hapsburg piano depot, wertheim sewing machines, needle plate, domestic machines, dressmaking, home industry, fashion

The tuck making tool is part of a set of tools and Instructions for a Wertheim New High Arm Sewing Machine as well as the "B' Medium, Cylinder Arm and Titania Machines. This sewing machine accessory was donated with our collection's Wertheim sewing machine accessory box. The box contains twelve accessories, the instruction book and the receipt for the purchase of a Wertheim sewing machine. The receipt was written on July 23rd 1891 by the Wertheim distributor in Melbourne, Hugo Wertheim. His business was the Wertheim Sewing Machine and Hapsburg Piano Depot, trading at 173 Williams Street, Melbourne. The purchaser was Mrs Burrowes from Burrumbeet, Victoria, a district northwest of Ballarat. She paid £6-6 (six pounds and six shillings) in cash. The receipt was signed by H. Wertheim and the other signatory looks like John A. Cherry. Hugo Wertheim (1854-1919) was an agent for his father’s cousin Joseph Wertheim, a well-established sewing machine manufacturer in Germany. He was born in Lispenhausen, Germany, and migrated to Melbourne in October 1875, where he opened a merchandising business at 39 Flinders Lane East. He returned to Germany in 1885 to marry Joseph Wertheim's daughter Sophie Emilie. The couple came back to Melbourne, and Hugo quickly established a substantial business selling sewing machines, bicycles, pianos and other mechanical devices, under brands such as Wertheim, Electra, Planet, Griffin and Hapsburg. He exhibited at agricultural shows and in 1901 at the Pan American Exposition, Buffalo, United States of America. One of his staff was O. C. Beale, who later set up his own piano business in New South Wales. Hugo continued to own 25 per cent of one of Beale's companies, which became Wertheim's Queensland business. In 1908 Hugo Wertheim opened a piano factory in Richmond, Melbourne, aiming to produce 2000 pianos and player pianos a year, predominantly using Australian materials. In laying the foundation stone, Prime Minister Alfred Deakin observed that “few men with such opportunities for a life of ease would have embarked on such an enterprise” Hugo died of chronic hepatitis in 1919 at his home in South Yarra. His eldest son, Herbert Joseph (1886-1972), continued the business. The piano factory closed in 1935, becoming a Heinz food processing plant and in 1955, GTV Channel 9 studios and offices. The Wertheim Sewing Machine Company – Joseph Wertheim (1804–1899) founded the company in 1868 in Frankfurt, Germany. At this time Joseph was the Frankfurt city delegate for the Democratic Party. At its height, the Wertheim factory employed approximately 650 workers. The company used a trademark of a dwarf holding a hammer which is known to have been used until at least 1925, however in 1909 a Star of David was also registered. In 1870 a Wertheim subsidiary was formed in Barcelona, Spain. The business imported and sold complete machines, including the English Jones machine. Locals began calling the sewing machines “las rapidas”, and the business became known as “las casa de las rapidas”. In 1915 production began of a totally manufactured Spanish Wertheim machine. Wertheim in Germany continued manufacturing machines until 1932 when the Wertheim family fled to Spain. Despite converting to Christianity from Judaism, they feared the political unrest in Germany during that time. Wertheim Spain became Rapida SA and was then the sole manufacturer of the Wertheim machines. The factory was managed by Karl Wertheim under the alias Carlos Vallin. The sewing machine accessory is part of a donation that connected to domestic life in 1891 during the Victorian era. It is significant for connecting the Melbourne distributor of Wertheim sewing machines, Hugo Wertheim, to Victoria’s northwest district where the purchaser lived. It is also significant for connecting the Melbourne distributor to the importing of goods from the well-known German manufacturer of early domestic sewing machines, Joseph Wertheim. Tuck marker or creaser for a Wertheim sewing machine. Made by Joseph Wertheim , Germany, and distributed by Hugo Wertheim, William Street Melbourne. Circa 1891flagstaff hill, flagstaff hill maritime museum and village, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, sewing machine tool, sewing machine accessory, tucker, tuck maker, creaser, wertheim, joseph wertheim, germany, hugo wertheim, victorian era, sewing machine, wertheim sewing machine and hapsburg piano depot, wertheim sewing machines, domestic machines, dressmaking, home industry, fashion

This sewing machine accessory was donated with our collection's Wertheim sewing machine accessory box. The box contains twelve accessories, the instruction book and the receipt for the purchase of a Wertheim sewing machine. The receipt was written on July 23rd 1891 by the Wertheim distributor in Melbourne, Hugo Wertheim. His business was the Wertheim Sewing Machine and Hapsburg Piano Depot, trading at 173 Williams Street, Melbourne. The purchaser was Mrs Burrowes from Burrumbeet, Victoria, a district northwest of Ballarat. She paid £6-6 (six pounds and six shillings) in cash. The receipt was signed by H. Wertheim and the other signatory looks like John A. Cherry. Hugo Wertheim (1854-1919) was an agent for his father’s cousin Joseph Wertheim, a well-established sewing machine manufacturer in Germany. He was born in Lispenhausen, Germany, and migrated to Melbourne in October 1875, where he opened a merchandising business at 39 Flinders Lane East. He returned to Germany in 1885 to marry Joseph Wertheim's daughter Sophie Emilie. The couple came back to Melbourne, and Hugo quickly established a substantial business selling sewing machines, bicycles, pianos and other mechanical devices, under brands such as Wertheim, Electra, Planet, Griffin and Hapsburg. He exhibited at agricultural shows and in 1901 at the Pan American Exposition, Buffalo, United States of America. One of his staff was O. C. Beale, who later set up his own piano business in New South Wales. Hugo continued to own 25 per cent of one of Beale's companies, which became Wertheim's Queensland business. In 1908 Hugo Wertheim opened a piano factory in Richmond, Melbourne, aiming to produce 2000 pianos and player pianos a year, predominantly using Australian materials. In laying the foundation stone, Prime Minister Alfred Deakin observed that “few men with such opportunities for a life of ease would have embarked on such an enterprise” Hugo died of chronic hepatitis in 1919 at his home in South Yarra. His eldest son, Herbert Joseph (1886-1972), continued the business. The piano factory closed in 1935, becoming a Heinz food processing plant and in 1955, GTV Channel 9 studios and offices. The Wertheim Sewing Machine Company – Joseph Wertheim (1804–1899) founded the company in 1868 in Frankfurt, Germany. At this time Joseph was the Frankfurt city delegate for the Democratic Party. At its height, the Wertheim factory employed approximately 650 workers. The company used a trademark of a dwarf holding a hammer which is known to have been used until at least 1925, however in 1909 a Star of David was also registered. In 1870 a Wertheim subsidiary was formed in Barcelona, Spain. The business imported and sold complete machines, including the English Jones machine. Locals began calling the sewing machines “las rapidas”, and the business became known as “las casa de las rapidas”. In 1915 production began of a totally manufactured Spanish Wertheim machine. Wertheim in Germany continued manufacturing machines until 1932 when the Wertheim family fled to Spain. Despite converting to Christianity from Judaism, they feared the political unrest in Germany during that time. Wertheim Spain became Rapida SA and was then the sole manufacturer of the Wertheim machines. The factory was managed by Karl Wertheim under the alias Carlos Vallin. The sewing machine accessory is part of a donation that connected to domestic life in 1891 during the Victorian era. It is significant for connecting the Melbourne distributor of Wertheim sewing machines, Hugo Wertheim, to Victoria’s northwest district where the purchaser lived. It is also significant for connecting the Melbourne distributor to the importing of goods from the well-known German manufacturer of early domestic sewing machines, Joseph Wertheim. Hook; thin metal rod bent at one end into a curved upward arc. Thais sewing machine part was made for a Wertheim sewing machine by Joseph Wertheim, Germany, and distributed by Hugo Wertheim, William Street Melbourne. Circa 1891.flagstaff hill, flagstaff hill maritime museum and village, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, wertheim, sewing machine, victorian era, sewing machine accessory, wertheim sewing machine and hapsburg piano depot, wertheim sewing machines, domestic machines, dressmaking, home industry, fashion

This sewing machine accessory was donated with our collection's Wertheim sewing machine accessory box. The box contains twelve accessories, the instruction book and the receipt for the purchase of a Wertheim sewing machine. The receipt was written on July 23rd 1891 by the Wertheim distributor in Melbourne, Hugo Wertheim. His business was the Wertheim Sewing Machine and Hapsburg Piano Depot, trading at 173 Williams Street, Melbourne. The purchaser was Mrs Burrowes from Burrumbeet, Victoria, a district northwest of Ballarat. She paid £6-6 (six pounds and six shillings) in cash. The receipt was signed by H. Wertheim and the other signatory looks like John A. Cherry. Hugo Wertheim (1854-1919) was an agent for his father’s cousin Joseph Wertheim, a well-established sewing machine manufacturer in Germany. He was born in Lispenhausen, Germany, and migrated to Melbourne in October 1875, where he opened a merchandising business at 39 Flinders Lane East. He returned to Germany in 1885 to marry Joseph Wertheim's daughter Sophie Emilie. The couple came back to Melbourne, and Hugo quickly established a substantial business selling sewing machines, bicycles, pianos and other mechanical devices, under brands such as Wertheim, Electra, Planet, Griffin and Hapsburg. He exhibited at agricultural shows and in 1901 at the Pan American Exposition, Buffalo, United States of America. One of his staff was O. C. Beale, who later set up his own piano business in New South Wales. Hugo continued to own 25 per cent of one of Beale's companies, which became Wertheim's Queensland business. In 1908 Hugo Wertheim opened a piano factory in Richmond, Melbourne, aiming to produce 2000 pianos and player pianos a year, predominantly using Australian materials. In laying the foundation stone, Prime Minister Alfred Deakin observed that “few men with such opportunities for a life of ease would have embarked on such an enterprise” Hugo died of chronic hepatitis in 1919 at his home in South Yarra. His eldest son, Herbert Joseph (1886-1972), continued the business. The piano factory closed in 1935, becoming a Heinz food processing plant and in 1955, GTV Channel 9 studios and offices. The Wertheim Sewing Machine Company – Joseph Wertheim (1804–1899) founded the company in 1868 in Frankfurt, Germany. At this time Joseph was the Frankfurt city delegate for the Democratic Party. At its height, the Wertheim factory employed approximately 650 workers. The company used a trademark of a dwarf holding a hammer which is known to have been used until at least 1925, however in 1909 a Star of David was also registered. In 1870 a Wertheim subsidiary was formed in Barcelona, Spain. The business imported and sold complete machines, including the English Jones machine. Locals began calling the sewing machines “las rapidas”, and the business became known as “las casa de las rapidas”. In 1915 production began of a totally manufactured Spanish Wertheim machine. Wertheim in Germany continued manufacturing machines until 1932 when the Wertheim family fled to Spain. Despite converting to Christianity from Judaism, they feared the political unrest in Germany during that time. Wertheim Spain became Rapida SA and was then the sole manufacturer of the Wertheim machines. The factory was managed by Karl Wertheim under the alias Carlos Vallin. The sewing machine accessory is part of a donation that connected to domestic life in 1891 during the Victorian era. It is significant for connecting the Melbourne distributor of Wertheim sewing machines, Hugo Wertheim, to Victoria’s northwest district where the purchaser lived. It is also significant for connecting the Melbourne distributor to the importing of goods from the well-known German manufacturer of early domestic sewing machines, Joseph Wertheim. Needle plate for a Wertheim sewing machine, made from a metal bar with machined holes for attaching and adjusting. Made by Joseph Wertheim, Germany, and distributed by Hugo Wertheim, William Street Melbourne. Circa 1891.flagstaff hill, flagstaff hill maritime museum and village, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, wertheim, sewing machine, victorian era, sewing machine accessory, wertheim sewing machine and hapsburg piano depot, wertheim sewing machines, needle plate, domestic machines, dressmaking, home industry, fashion

This instruction book was donated with our collection's Wertheim sewing machine accessory box. The box contains 12 accessories, the instruction book and the receipt for the purchase of a Wertheim sewing machine. The receipt was written on July 23rd 1891 by the Wertheim distributor in Melbourne, Hugo Wertheim. His business was the Wertheim Sewing Machine and Hapsburg Piano Depot, trading at 173 Williams Street, Melbourne. The purchaser was Mrs Burrowes from Burrumbeet, Victoria, a district northwest of Ballarat. She paid £6-6 (six pounds and six shillings) in cash. The receipt was signed by H. Wertheim and the other signatory looks like John A. Cherry. Hugo Wertheim (1854-1919) was an agent for his father’s cousin Joseph Wertheim, a well-established sewing machine manufacturer in Germany. He was born in Lispenhausen, Germany, and migrated to Melbourne in October 1875, where he opened a merchandising business at 39 Flinders Lane East. He returned to Germany in 1885 to marry Joseph Wertheim's daughter Sophie Emilie. The couple came back to Melbourne, and Hugo quickly established a substantial business selling sewing machines, bicycles, pianos and other mechanical devices, under brands such as Wertheim, Electra, Planet, Griffin and Hapsburg. He exhibited at agricultural shows and in 1901 at the Pan American Exposition, Buffalo, United States of America. One of his staff was O. C. Beale, who later set up his own piano business in New South Wales. Hugo continued to own 25 per cent of one of Beale's companies, which became Wertheim's Queensland business. In 1908 Hugo Wertheim opened a piano factory in Richmond, Melbourne, aiming to produce 2000 pianos and player pianos a year, predominantly using Australian materials. In laying the foundation stone, Prime Minister Alfred Deakin observed that “few men with such opportunities for a life of ease would have embarked on such an enterprise” Hugo died of chronic hepatitis in 1919 at his home in South Yarra. His eldest son, Herbert Joseph (1886-1972), continued the business. The piano factory closed in 1935, becoming a Heinz food processing plant and in 1955, GTV Channel 9 studios and offices. The Wertheim Sewing Machine Company – Joseph Wertheim (1804–1899) founded the company in 1868 in Frankfurt, Germany. At this time Joseph was the Frankfurt city delegate for the Democratic Party. At its height, the Wertheim factory employed approximately 650 workers. The company used a trademark of a dwarf holding a hammer which is known to have been used until at least 1925, however in 1909 a Star of David was also registered. In 1870 a Wertheim subsidiary was formed in Barcelona, Spain. The business imported and sold complete machines, including the English Jones machine. Locals began calling the sewing machines “las rapidas”, and the business became known as “las casa de las rapidas”. In 1915 production began of a totally manufactured Spanish Wertheim machine. Wertheim in Germany continued manufacturing machines until 1932 when the Wertheim family fled to Spain. Despite converting to Christianity from Judaism, they feared the political unrest in Germany during that time. Wertheim Spain became Rapida SA and was then the sole manufacturer of the Wertheim machines. The factory was managed by Karl Wertheim under the alias Carlos Vallin. The item is part of a donation that connected to domestic life in 1891 during the Victorian era. It is significant for connecting the Melbourne distributor of Wertheim sewing machines, Hugo Wertheim, to Victoria’s northwest district where the purchaser lived. It is also significant for connecting the Melbourne distributor to the importing of goods from the well-known German manufacturer of early domestic sewing machines, Joseph Wertheim.Book with pale blue cover and 19 double-sided printed pages stapled together. The book is an instruction manual for using and managing the Wertheim High Arm Sewing Machine and other similar models. It was published in Frankfurt, Germany, by Joseph Wertheim, the machines' manufacturer. The Australian distributor of the machines was Hugo Wertheim, 173 William Street, Melbourne. Circa 1891.flagstaff hill, flagstaff hill maritime museum and village, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, wertheim, sewing machine, victorian era, sewing machine accessories, sewing machine instructions, wertheim instruction book, wertheim sewing machine and hapsburg piano depot, 23-7-1891, £6 6/-, mrs burrowes, burrumbeet, h. wertheim, wertheim sewing machines, domestic machines, dressmaking, home industry, fashion