Showing 5786 items matching "de-saram"
-
Sunshine and District Historical Society IncorporatedPhotograph - St. Albans Secondary College 1996 Class Photographs
... Nikolovska, Minushe Demiri, Sandra De sousa, Karina Locke, TCikoja, Phi Tran, Menka Cvetanovska, Michelle sic, Sonia Dimitrievska, Michelle Merceica, Joanne Darvell, Mellisa Schiavone Nocak, Trang Huynh, Nhu Ngo, Thuy Nguyen, Chantha Kindavong, Joanne Mac, Jule Kiriacoudis, ly Nguyem Alicia Cassar, Lilly Rustemovska, Nahida Garihovic, Kathleen ?...Nikolovska, Minushe Demiri, Sandra De sousa, Karina Locke, TCikoja, Phi Tran, Menka Cvetanovska, Michelle sic, Sonia Dimitrievska, Michelle Merceica, Joanne Darvell, Mellisa Schiavone Nocak, Trang Huynh, Nhu Ngo, Thuy Nguyen, Chantha Kindavong, Joanne Mac, Jule Kiriacoudis, ly Nguyem Alicia Cassar, Lilly Rustemovska, Nahida Garihovic, Kathleen ? ...The St. Albans High School opened in 1956 and changed its name to St. Albans Secondary College in 19905535.01 - St. Albans Secondary College 1996 Year 11.jpg ? Pira, Almir Kablar, Nick Sikman, Robert Gacovski, Ben Davies, Velid Cehic, Daniel Lizuril, Daniel Love, Vural Ramadan, Peter Silkman, John Pavlicic, Scott Mansfield, Ovidiu Neagoie, Danny Pantic, Michael ? Daniel Samarzija, Andrew Sciberras, Osmen Guncelar, Tom Hecker, Ferid Klancevik, Patric Agius, Mustafa Mustafa, Paul Beska ? Sepusione, Nelson Sanchez, Percival Jose, Veeraj Lai, Vladimir Orellana, anson Kowanjko, James Czarnich, Bradley Stamenkovic, Emirson Alimovski, Vladimir Rietevski, Thai Tao, Ante Gospic, Yi Fan Sun Michael Schreyer, Andrew McKellar, Tansu Cogur, Nehir Abedivic, milo tolention, Vu Truong, Ramses Diana, Vang Bui Isa Tawfi ? Gheju, Suzie Micetic, Violetta Bogoevska, nada mitrovic, natali Musulin, Violeta Bogojav, Laura Obeid, Louise Vella, Rebecca Toczynski, Stella Beranakis, Anota Barun, Rebecca Lutze, Nada Sismanovic, Maryanne ? ? Hahne, Jodi Galea, Bilyana Markouska, Dafina Kojdovska, Vesna Saranovska, Natasha Nikolovska, Rebecca Campbell, Janelle Francis, Julie Stan ? Debert, Kiristin Mizis, Kimberley Hindmarsh, Nelson lai, Nguyen pham, Thang Nguyen, Cuong Nguyen, Vinh Nguyen, Moses Mondia, Domenic Falleti, David Testa, Bang Nguyen, Bao Nguyen, Anh Nguyen, ? ? ? Zammit, Sean Sutton, Nghiem Nguyen, Nhiem Nguyen, Cung Vu, Sally Petreska, Suzie Ognemovska, Anda Barisic, Myrna Fuentes ? Le, Thao Phuong, Malorie Allen, Maria Demetriou, Hatice Mulla, Julie Velevska, tania Zdavkouska, Karolina Jovanovska, Vanessa Catania, Stacey Brown, Sifa Bahriyeli, Sonya Karovska, Tracey Singh, Lara ? ? Nikolovska, Minushe Demiri, Sandra De sousa, Karina Locke, TCikoja, Phi Tran, Menka Cvetanovska, Michelle sic, Sonia Dimitrievska, Michelle Merceica, Joanne Darvell, Mellisa Schiavone Nocak, Trang Huynh, Nhu Ngo, Thuy Nguyen, Chantha Kindavong, Joanne Mac, Jule Kiriacoudis, ly Nguyem Alicia Cassar, Lilly Rustemovska, Nahida Garihovic, Kathleen ?, Katrina Gatt, Michelle ? No rows are listed as many of the row numbers and names on the left, right and front rows have been cropped out 5535.02 - St. Albans Secondary College 1996 Year 12.jpg Hung Dang Tran, Giang nguyen, somsanit Kindavong, Luis Pires, Jake Kula, Dusan Malobabic, Matthew Cross, Hayden Marshall, Kultim Bala, Edin Bekitic, Ingmar Apinis, arthur Cyno, Marina Kraljic, Tyron ? ? ?, Kemal Mustafa, Andrew Spiteri, Son Vo, Steven Rajek, Mark Kuzmanovski Stacie McGregor, Sophie Walukiewiez, Adila custovic, dragica gruevska, tracie burkie, sabrina bergam, betty dimitrieska, Lirije Bahtiri, Marina Ogrinz, Mona Sulch, Anna Baazina, Robert Bacelic, Sevda ? ? ? Dat Nguyen. Jodi Hynes, louise Parnis, Oana Lazarescu, Michael Vafiotis No rows are listed as many of the row numbers and names on the left, right and front rows have been cropped out 5535.03 - St. Albans Secondary College 1996 Staff.jpg ? Sinclair, Shayne Rule, Brian Mundy, Michael dooley, rod Bear, warren Niddrie, Ian Crocker, Grant Clifton, Andrew Wuttke, Maclor Himbury, John Lacorcia, Andrew McCarter, Sunjeet Singh, George Peart ? Tarr, Judy Simpson, Andrea Federico, Dorothy Coleman, Jon kortuem, Stavroula Bekiaris, loue Trainou, Gledys Stevens, Louise Bourke, Trevor Hawkesworth, Michael Bowden, Trish Lowe, Vicki Lehmann, ? ? ? Chapman, Michelle Veith, Janet McKenzie, Kay Williams, Rosemary Bambery, Nadarajah Ganeshalingham, Eileen Keating, John Myers, Rosa Marchionda, Kerrie Dowsley, Carmela Villani, Cinzia Cunningham, ? ? ? Mortimer, Vera Mitrovska, Lien dang, Asha Narayan, erica Gerges, Jim Metheringham, Athan Theodorou, Francoise Ittea, Anna Vassilopoulos, Narelle King, Mario Orsina, Natalie Aleksejevs, Carolyn Learmonth / McGannon, Sira Rodrigues, Bev Davies, Sue Brown, Vinh Nguyen, Dang Ngo, Mark Micallef, Jo De-Gabriele, Kathy Haris, Thu Tran, Helen Elias, Rosemany Sirianni Carol Greaves No rows are listed as many of the row numbers and names on the left, right and front rows have been cropped out st. albans high school, main road east, st. albans, st. albans secondary college -
Eltham District Historical Society IncPhotograph, Main Road, Eltham, looking south from Bridge Street, c.1906-1907
... 8i6656 POSTCARD 1905-1940s Like the carte-de-visite, postcards enjoyed a collecting craze by large numbers of people, and were often kept in albums through which the interested visitor could browse. ...8i6656 POSTCARD 1905-1940s Like the carte-de-visite, postcards enjoyed a collecting craze by large numbers of people, and were often kept in albums through which the interested visitor could browse. ...Birthday greetings sent by Mary and Ada Shillinglaw from their home, 'Wattle Brae' at Eltham to their sister Carrie (Watson). Carrie was born 29 Feb 1876. Whilst the postcard was dated 1917, the actual photo is dated between 1906 and 1907. ""Wattle Brae" Eltham 28/2/17 Dear Carrie Wishing you a Bright and a happy birthday. With love from Mary & Ada" See also SEPP_0624 Looking south along Main Road from the south side of the intersection of Bridge Street with Main Road. Anne Hunniford's Post Office and Burgoyne's store on left. Miss Harriet (Minnie) Williams's Cash Drapery Mart (est. 1902 and enlarged in 1906), also known as Eltham House on the right. Harriet (Minnie) Williams was born London, 1857, the daughter of George John Williams (1812-1895) and Jane Mansfield (1812-1895). In September 1885 she was operating Williams’s Drapery Establishment in premises on Main Road owned by R. Wallis who advertised them to let in September 1885. In 1902 she opened Williams’s Cash Drapery Mart at the southwest corner of Bridge Street and Main Road (opposite the Post Office), owned by W.J. Taylor. In 1906 she bought the premises and one quarter acre of land and expanded the business with a re-opening in April 1906. Harriet was also well-known and esteemed as an active worker in Methodist circles and also Superintendent of the Sunday School. Harriet fell ill in August 1907 and died 15 August. She is buried in Eltham Cemetery with her good friend Ada Ford. Evelyn Observer and Bourke East Record (Vic. : 1902 - 1917), Friday 30 March 1906, page 5 ________________________________________ ELTHAM. (FROM OUR OWN CORRESPONDENT.) For over three years Miss Williams has carried on a drapery business in very small and inconvenient premises opposite the Eltham post-office. Recently she bought the building and a quarter-acre of land from Mr. W. J. Taylor. Thus having a free hand, she at once matured plans to enlarge and improve the premises to make them suitable for her growing business. The result being that she consulted Mr Roach, contractor, of Heidelberg, put the matter in his hands, and now he has completed in a very satisfactory manner and up-to-date style extensive improvements. A large addition, of very neat and attractive design, with three large windows, has been built right along the front of the old building, and the counters and inside fittings are very neat and convenient, harmonizing well with the attractive outside appearance. Miss Williams has now got in a large now stock of goods, and is making extensive arrangements for a “reopening week," commencing 2nd April, during which time she will make 10 per cent reduction on all cash purchases in the form of gifts of that value. Miss Williams has gone to considerable expense and liability both, in the enlargement and improvement of the premises and in purchasing additional stock. We therefore trust that the public will stand by her by heartily and en masse patronizing her re-opening effort to show their appreciation of pluck in this advance movement. Google Street View Feb 2017: https://www.google.com.au/maps/@-37.7191341,145.1462046,3a,50.5y,191.91h,88.27t/data=!3m6!1e1!3m4!1sARwwqEQfMSfH9oTWWapPgQ!2e0!7i13312!8i6656 POSTCARD 1905-1940s Like the carte-de-visite, postcards enjoyed a collecting craze by large numbers of people, and were often kept in albums through which the interested visitor could browse. Postcards were posted or exchanged in huge numbers. Postal authorities in Australia only allowed the private printing of postcards from 1898. At this time the back of the card was reserved for the address and postage stamp, and the front was used for the message and a picture. In 1902 British authorities allowed a "divided back", so that the left side could be used for the message, the right side for the address and stamp, and the whole of the front was devoted to the picture. France followed suit in 1904, Germany and Australia in 1905, and the United States in 1907. - Frost, Lenore; Dating Family Photos 1850-1920; Valiant Press Pty. Ltd., Berwick, Victoria 1991marg ball collection, postcard, 1906, 1917, ada maria chrisfield (nee shillinglaw) 1889-1974, ada maria shillinglaw (1889-1974), caroline (carrie) watson (nee shillinglaw 1876-1956), cash drapery mart, eltham, eltham hotel, main road, mary ann shillinglaw (1880-1963), shillinglaw cottage, watsons hotel, wattle brae -
Federation University Art CollectionPainting - Oil, et al, [The Green Vase] by David Strachan, c1948
... In 1937 he attended the Académie de la Grande Chaumière, Paris, and painted at Cassis on the Mediterranean Sea. ...In 1937 he attended the Académie de la Grande Chaumière, Paris, and painted at Cassis on the Mediterranean Sea. ...David STRACHAN (1919–1970) Born 25 June 1919 at Salisbury, Wiltshire, England Arrived 1920 Adelaide, Australia: 1921 Creswick, Victoria David Strachan attended Creswick State School and Geelong Church of England Grammar school. By the age of 16 he wanted to be an artist. Accompanying his mother to London in 1936, he enrolled at the Slade School of Fine Art, where he met Godfrey Miller. In 1937 he attended the Académie de la Grande Chaumière, Paris, and painted at Cassis on the Mediterranean Sea. He returned to Australia in April 1938 and studied at the George Bell School, Melbourne. He had a growing interest in classicism blended with a fascination for the dream-state which was reinforced in his work after he moved to Sydney in 1941. There he was befriended by Jean Bellette and her husband Paul Haefliger, who were to be driving forces behind the Sydney Art Group (founded 1945). He lived on the top floor of the Haefligers' house at Double Bay, and together the three artists drew from models whom the Haefligers hired. In this period Strachan painted and exhibited some of his most poetic works—mainly figurative and landscape subjects, and still-lifes of haunting beauty. His flowers, bowls of fruit, birds, and angelic figures glimmered out of the darkness as things not of this world, evoked faintly, like mythological personages in a gently spoken narrative. He 'spent an erratic war' painting camouflage at Bankstown aerodrome with other artists, among them (Sir) William Dobell, and dancing minor roles with Hélène Kirsova's ballet company. In 1948 Strachan settled in Paris. His paintings, included by Peter Bellew in an exhibition at the Musée National d'Art Moderne, had been well-received by French critics two years earlier. In 1950 he began tentative experiments in etching. These led to the formation of the Stramur-Presse, a business venture which published etchings and lithographs of leading French and English artists. His most important project was a series of twenty-two colour etchings illustrating Alister Kershaw's book of poems, Accent & Hazard (Paris, 1951). Strachan continued to exhibit in Australia and maintained a lively social life with Australian friends. From Paris, he went for weekend painting trips with Moya Dyring in her car and, after 1957, visited the Haefligers on Majorca. He lived in London in 1955-57. His paintings became progressively less soft in effect, his palette brightened, and his forms, especially the still-lifes, became spikier. In the late 1950s his attention drifted towards the study of Hindu philosophers and Jungian psychology. For most of 1957-58 he was enrolled at the C. G. Jung-Institut, Zürich, Switzerland. In 1959 he worked in Silvio Daneo's silkworm factory at Bricherasio, Italy. In May 1960 Strachan returned to Sydney. He lived at Woolloomooloo before buying a house at Paddington in 1963. Over the ensuing years he involved himself energetically with the art scene, exhibiting, teaching (1960-65) at East Sydney Technical College, fund-raising for memorials for Thea Proctor and Dyring, and as the last president (1965) of the Society of Artists. His paintings were out of harmony with the prevailing fashion for abstraction, but he won the Wynne prize for landscape painting in 1961 and 1964 (shared). Perhaps the most moving works of Strachan's last ten years were the mining landscapes, including those he painted near Hill End, leading up to his vast canvas, 'Lewers Freehold Mine'. This was a history picture, depicting the mine as it might have appeared in 1874. He presented it to the Creswick Historical Museum in 1970 in memory of his father. (Barry Pearce, 'Strachan, David Edgar (1919–1970)', Australian Dictionary of Biography, National Centre of Biography, Australian National University, http://adb.anu.edu.au/biography/strachan-david-edgar-11786/text21083, published first in hardcopy 2002, accessed online 6 January 2016.) This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Framed still lifefeaturing fruit and flowers.art, artwork, strachan, david strachan, still life, flowers, flora, available -
Sunshine and District Historical Society IncorporatedAlbum - Sunshine Advocate and Brimbank Messenger Newspaper Cuttings 1998 - 2010 Scrapbook, 1998-2001
... Albans time capsule|Cainlea suburb name causing a stir|Agnes Clark|Norman de Pomeroy|Ern & Dot Nicholls|Anton & Maria Gerber|Peter & Margaret McManus|H.V. ...Albans time capsule|Cainlea suburb name causing a stir|Agnes Clark|Norman de Pomeroy|Ern & Dot Nicholls|Anton & Maria Gerber|Peter & Margaret McManus|H.V. ...These scrap books were put together by Tom Riggs, a past St. Albans Train Station Master, St. Albans Centenary Committee & Sunshine & District Historical Society member and they record a history of a wide range of subjects referring to the Sunshine & District. The following list is only a brief description of each scrapbook. 663.01 - People in official postions 1908|H.V. McKay Factory Gates|Part layout in vicinity of Sunshine Railway Station map 1910|Sunshine Station Signal Box|Harvester Museum|H.V. McKay|H.V. McKay Bulk Store|Sunshine's colorful history|Family of Nathaniel & Mary McKay family tree|Sunshine Smithy|Braybrook residents 1903 & 1906 Sands & McDougal listing|Nat & Joyce Wright|Sunshine Market Palce|Sunshine new police station|Sunshine new post office|S&DHS newspaper articles|Black Powder Mill|Deer Park St. John's Anglican Church|Robert Eric Parsons|Rubblish dumping issue|Bob & Cyril Parsons|Deer Park Bypass|Sunshine Leisure Centre|Sunshine Station Interchange|Dorothy Price|Sunshine Hospital expansion|Albert & Amy Russell|Wally O'Brien|Hospital pedestrain crossing|Our Lady's Primary School reunion|Mytle Baylis|Darling Albion Flour Mill|Pokie machines|Harricks Cottage|Jack Tighe|Cr Brooke Gujinovic New Brimank Mayor|Jack Collins|Isabella Williams Reserve|Cairnlea developement|Albert Holden|Old Sunsine Police Station Sun Crescent|Big bins|Phyllis Vance|Sunshine Pipe Band|Dick & Elsie Whiting|Historic house denmiolition|Boom gate deley|Brian & Doreen Duffy|Beth Argyle|Sunshine Railway Disaster|Les Hunter|Sunshine Pool closure protest|Clare Brennan|Mickey Vautier|Jack Sheridan|Balam Balam Reserve|Gwen Goedecke|Derrimut Hotel & licensee Wal Elms|Jimmy Gaylor|John & Leone Hawking|Centrelink move|Joan Carstairs|Hampshire Road roadworks|Lloyd McCallum postman retires|Mavis Kittelty & Sunshine Croquet Club closes|Frank O'Connor|Beth Argyle, Don Deeble, Shirley Wallace & Jack Sheridan|Sunshine Anglican Church & Father Stuart Soley|Ian Baker|Morris Street proposed flat development protest|Brimbank's rich cultural history|Church of Christ|Doreen Foster & Albion Tennis Club|Francis & Lillian Allen|Sunshine Wesleyan Methodist Churst|3LO-3AR radio transmitter|George & Gloria Hales|H.V. McKay Medal Trade Wing|Lorna Cameron|Noala Flynn|St. Ablans Baptist Church & Ralph Phillips|Apostolic Christian Church|Keilor Christian City Church|Sunshine City Band|Maidstone Our Ladys of Perpetual Church|Waterways|Ron & Margaret Craker 663.02 - Black Powder Mill|St. Albans Greek Orthodox Church of St. Paraskeve|Western Ring Road traffic|Joseph & Frances Testa|Sydneham Kimgdom Hall of Jehovah's Witnesses|Sydenham The Assemblies of God|Michael & Rosalia Skok|Werribee's State Rose Gardens|Tom & Maria Diele|Tom Rigg and the origin of the district's street names|Sunshine & St. Albans Baptist Church|ICI Estate protest|Sunshine Salvation Army Church|Macedonian Orthodox Church|Anita-Marie Neumann|Albanvale path of recongnition|Sunshine Pool action group|Minnie Gorsuch|State Election 2000|Jean Folry & Ilma Weir|Brimbank Uniting Church|Harvester Town book launch - Olwen Ford|Brooke Jujinovic|Keilor Cemetery grave stones|John Howard ignores Braybrook|Norman & Joan Wales|Clare Brennan Drive named after Clare Brennan|Fosseys Sunshine closure|Commonwealth Bank (CBA) Glengala Road closuer|James Frederick McKay|A history of Sunshine|H.V. McKay's Russell Street gates|Barry McMahon|Sunshine Swimming Pool Aquatic centre sale|Keith Buckley|Migrants' move to brave new world|Vasilos & Eugenia Karaoglandis|William Hyett|Darryl Myers|Kathleen Inkster|Sunshine RSL Kevin Keegan, Kevin Bryar & Fred Russell|Barney & Renee Cater|Mona Malouf|George Carter|Sunshine Pottery memorabilia & reunion|Des Johnson Duke Street Aborigine artifacts|Albert Drayton|Two pools planned|Sunshine Pool repairs approved|Olympic Tooch journey through Brimbank|Maurice & Kathleen Sanders|Paul & Suzanna Vicek|Deer Park By Pass Road|Bert & Noreen Craddock|St. Albans Legless Lizards under fire|Sunshine rare orchid scare|St. Albans Road black spot|Viet name for Burke street|Russell Street gates unveiling ceremony|Don & Val Byrnes|Emily Hall|Sunshine Swim centre|Water action plans|Melton Highway sugar gum tree removal by Vicroads|Sunshine Police Station Olympic Rings Brick|Emmaus Catholic School Sydenham opening|Black Powder Mill|Stevens Farm House fire|Yvonne Flack|Frank Gathercole|Commonwealth Bank closurer|Marion Martin|Deer Park State School|Tom & Flo Beagley|Call for railway land buffer|Clarrie Salvador|Braybrook Hotel|Sunshine Harvester Smithy|2000, A year to remember|Bus Re-route hits traders|Sunshine Swimming Pool end of life|Pam Chapman|Prune Goldrick - When the Whistle Blew|Wally O'Brien recalls Deer Park during his childhood|Western Highway / Ballarat Road traffic|Tom Rigg confusing St. Albans bus signs|Rubbish in Deer Park|Phyllis Frost|Basil Morcos|Allan "Titch" Williams|George Thoms|Clarrie Salvator|Tom Dile|Igor Balabin|John McArdie|Sam & Rita Attard|Jack & Dorothy Roberts|Joe De Gabriele|Beth Argyle|John Refshauge surgeon|Bill Fogarity|Brimbank Heritage Listing in peril|Museum of Victoria virtually tour of H.V. McHarvester Factory|Jock McLeod|John & lorna Stainer|Rita Shimmin|Smithy|Nettlefolds - Len Duxon, Betty Scott, Frank Richards, Thelma Burnett, Reg Ratcliffe & Frank Farrugia|Emma Broadhead|Bill Bunting|Gwen Goedecke|Ron Dorre|Sunshine Hospital Redevelopment|Braybrook Squash Centre|Megan Blair|Harvester Town book launch|Tom Rigg rail safty activist|Lloyd & Gislaine Simpson|Sunshine's past revealed|Legless Lizards site Jones Creek|Wetlands|St. Albans time capsule|Cainlea suburb name causing a stir|Agnes Clark|Norman de Pomeroy|Ern & Dot Nicholls|Anton & Maria Gerber|Peter & Margaret McManus|H.V. McKay Offices heritage listing|Cr. Chris Evans out|Two historial walks in Sunshine|Brink Back the H.V. McKay Smithy opening invite|Counicl destroys old files|Harricks Cottage|Special Exhibution Models of Sunshine made farn implements exhibition invite 663.03 - Wally O'Brien|Cr. Chris Evans|Sunshine pool debate|Black Powder Mill|Sydnenham / Hillside Primary School name changes|Say goodbye to Sydnenham, Watergardens|Spalding Reuion|Harry Unger|Gwen Goedecke|Frances Fitzgerald|Preerving Brimbank's significant landmarks|Bernard Reilly kindergarten train|Albert Holden|St. Peters Channel Catholic Church|Terry Muscat|Smithy|Norman & Geoff Pomeroy|Sunshine disaster recalled|Sydneham Railway Station|Sunshine Baseball Club|Albert Evans|Sunshine Pool anger|Albion car crash|Jackson School to loose portables|Black Powder Mill|John Kontek|Harvester basic wage case|Sushine Harvester & Offices complex|Deer Park Primary School|Sunshine underpass / subway shame|Albion Railway Station Rolando & Lilia Antonio|Furlong Road tragery|Anita Ciancio & baby Montana kidnapping|Harricks Cottage|Fence to keep out snakes|Shire of Braybrook Financial & Rate records donated to S&DHS|Bikini protest in Council Chambers|Talintyre Reserve name change from Tallintyre Reserve|Peter Somerville and the Blackbird|Keith Miller|Gerald Griggs|St. Albans Hume & Hovell cairn in the move|Iramoo Committee|Shopping bags ban|Harvester City, the making of Multicultural Sunshine book grant|Susan Jennison|Melchior Bajada|Ray Carlton book donation to Sunshine Library|Hampshire Road connection the Market Place with the Plaza|Girls should be girlsSunshine & Districtsunshine advocate, brimbank messenger, newspaper -
Bendigo Military MuseumPhotograph - Army Survey Regiment Inter-Squadron Athletics Competition, Bendigo, 1980
... L to R: Gavin Neilson, Foreground: Peter Coombes, Ken ‘Sluggo’ Slater, unidentified, Warren ‘WAH’ Hall, Greg Rowe, Rhys De Laine. .2) - Photo, black & white, 1980, Fireman’s Carry. ...L to R: Gavin Neilson, Foreground: Peter Coombes, Ken ‘Sluggo’ Slater, unidentified, Warren ‘WAH’ Hall, Greg Rowe, Rhys De Laine. .2) - Photo, black & white, 1980, Fireman’s Carry. ...This is a set of 21 photographs of an Army Survey Regiment inter-squadron athletics competition held probably at Epsom, Bendigo in 1980. Personnel from Headquarters, Air Survey, Cartographic and Lithographic Squadrons took part in traditional athletics events and wheelbarrow race, sack race, fireman’s carry and tug-of-war novelty events.This is a set of 21 photographs of an Army Survey Regiment inter-squadron athletics competition held at Bendigo in 1980. The photographs were printed on photographic paper and are part of the Army Survey Regiment’s Collection. The black and white photographs were scanned at 300 dpi. .1) - Photo, black & white, 1980, Fireman’s Carry. L to R: Gavin Neilson, Foreground: Peter Coombes, Ken ‘Sluggo’ Slater, unidentified, Warren ‘WAH’ Hall, Greg Rowe, Rhys De Laine. .2) - Photo, black & white, 1980, Fireman’s Carry. Unidentified personnel. .3) - Photo, black & white, 1980, Fireman’s Carry. L to R: Phil Boyle, Peter Ralston, unidentified (x2). .4) - Photo, black & white, 1980, Fireman’s Carry. L to R: Phil Boyle, Peter Ralston, unidentified (x2), Gavin Neilson. .5) - Photo, black & white, 1980, Fireman’s Carry. L to R: Phil Boyle, Peter Ralston, unidentified, Ian ‘Rock’ Thistleton, unidentified (x2), Mick Gillham, unidentified (x2). .6) - Photo, black & white, 1980, Wheelbarrow race. L to R: Stan Vote, Ken ‘Sluggo’ Slater, Graham Squire, Eddie Schultz. Unidentified personnel in background. .7) - Photo, black & white, 1980, Wheelbarrow race. L to R: Tom Pattison, Ken ‘Sluggo’ Slater. Unidentified personnel in background. .8) to .10) - Photo, black & white, 1980, 100m sprint race. Fred Panknin timekeeper. Unidentified personnel in background. .11) - Photo, black & white, 1980, Hurdles. Unidentified personnel. .12) - Photo, black & white, 1980, Sack race. Unidentified personnel. .13) - Photo, black & white, 1980, Sack race. L to R: unidentified (x2), Eddie Schultz, Peter Ralston. Unidentified personnel in background. .14) - Photo, black & white, 1980, Stretching and limbering up, unidentified personnel. .15) - Photo, black & white, 1980, High jump. In foreground L to R: unidentified (x2), In background L to R: Stan Vote, unidentified athlete, unidentified, Paul Baker. .16) - Photo, black & white, 1980, High jump. L to R: Stan Vote, Zoe (Lisiewich) Ames. .17) - Photo, black & white, 1980, High jump. L to R: Paul Baker, Stan Vote, unidentified athlete. .18) - Photo, black & white, 1980, Tug-of-War. Unidentified contestants. Unidentified personnel in background. .19) - Photo, black & white, 1980, Tug-of-War. L to R: Russell ‘Rusty’ Williams, Peter Treble, Noel ‘Macca’ McNamara, Garry Ames, unidentified (x3). In background L to R: unidentified (x2), Alan Derby, unidentified (x2), Gordon Lowery, unidentified, Warren ‘Waldo’ Shirley, Zoe (Lisiewich) Ames, Mick Hogan, Alan Choat, Peter Warwick, unidentified, Tom Pattison, unidentified, unidentified personnel, Bill Friswell – coach in dark striped shirt, unidentified contestants. .20) - Photo, black & white, 1980, Tug-of-War. L to R: Russell ‘Rusty’ Williams, Peter Treble, remaining personnel unidentified. .21) - Photo, black & white, 1980, Tug-of-War. L to R: Rick Warren, unidentified, Dan Cirsky, Wayne ‘Rags’ Rothwell, Ian ‘Rock’ Thistleton, remaining personnel unidentified..1P to .21P –No personnel are identified. ‘Athletics 1980’ annotated on cover sleeve.royal australian survey corps, rasvy, army survey regiment, army svy regt, fortuna -
Bendigo Historical Society Inc.Document - TOWN HALL, YMCA SYMPHONY CONCERT, 17 September, 1924
... Programme Les preludes, Like Death's Grim Shadow, O, Pure and Tender Star of Eve, Hejre Kati, O Mio Fernando from La Favorita, The Unfinished, L'heure de pourpore, Le the, Coecilia, Blow Blow Thou Winter Wind, Feu Folley, The Last Hour, The Night Wind, At Dawing, Oh! ...Programme Les preludes Like Death's Grim Shadow O Pure and Tender Star of Eve Hejre Kati O Mio Fernando from La Favorita The Unfinished L'heure de pourpore Le the Coecilia Blow Blow Thou Winter Wind Feu Folley The Last Hour The Night Wind At Dawing Oh! ...Town Hall, YMCA Symphony Concert, Orchestral Society. Frank Grose, Conductor. Sept. 17th 1924. Artists Assisting; Carmen Pascova, George A Chant, Coral Trenerry, Mabel McGauchie. Hon. Treas. G W Lansell. Pres. Barkly Hyett. Programme Les preludes, Like Death's Grim Shadow, O, Pure and Tender Star of Eve, Hejre Kati, O Mio Fernando from La Favorita, The Unfinished, L'heure de pourpore, Le the, Coecilia, Blow Blow Thou Winter Wind, Feu Folley, The Last Hour, The Night Wind, At Dawing, Oh! Didn't it rain!, from La Prophete. Orchestral Society: First Violins; Mrs Harry Hillman, Miss Winnie Pithie, Miss Agnes McNair, Mrs Stanley Gant, Miss Lucille Simpson, Miss Elsie Stemmer, Mrs E Swift, Miss L Downie. Second Violins; Mr James Fitt, Master Tom Challen, Miss Myrtle Phillips, Miss Alma Doxford, Miss J Houston, Miss Evelyn Miles, Miss Elva Hesse, Miss Winnie Hobson, Mr Stanley Kennedy, Mr Albert Richardson, Master L Watts, Miss Lois Streader, Master L Meakin, Master R Trewarn. Violas; Mr P Coope, Mr H R Smith, Miss L Beischer, Miss Eisler Woodward. 'Cellos; Madame Dorothy Duval, Miss Maisie Field, Miss Ethel Crook. Basses; Mr J H Melrose, Mr R Rule, Mr J Ditchburn. Piccolo; Mr A E Sayer. Flute; Mr A E Sayer, Mr W Davidson. Oboes; Mr A B Challen, Mr W Channel. Clarionets; Mr Bowman, Mr W McEwan. Basoons; Mr T Francis, Mr P Reed. Trumpets; Mr A H F Taylor, Mr P Smith, Mr B Bowater, Mr N Banfield. Horns; Mr A Johnson, Mr J Tredinnick. Trombones; Mr D W Collier, Mr H Botten, Mr W Jackson. Tubas; Mr E C Rasmussen, Me A Hocking. Percussion; Mr J Kinder. Tympani; Mr J McLaughlin. Organist; Mr C Cowling. Pianiste; Miss Mabel McGauchie. Am Appeal to every Music Lover on behalf of Bendigo Boys. The Orchestral Society of the Young Men's Christian Association exists for the uplift of Bendigo through the agency of music. In addition to this it dedicates the whole of its profits to the extension of Christ's work among Boys. Surely this two-fold object is sufficient to warrant a large number of subscribers, and yet we regret to say we find it increasingly difficult to finance the Society, and our Association, in one to the greatest provincial cities in Australia. We would like to think that it is only sufficient to mention this matter in order to call for an immediate demand for subscribers tickets for our Orchestral Society; in order to remove the 'Damoclesian sword' of finance which perpetually suspended above our heads, and thereby insure a continuance of our Orchestral Society, and the permanence of out Association, which is in business for the men and boys of this fair City. Subscriber's Tickets may be purchased for 1 pound, 1 shilling, which permits the bearer to book seats for each Tree Concerts. These tickets are obtainable at any period during the year. For Further information apply; Frank Grose, General Secretary.F. H. Sparkman, Printer, Arcade, Bendigo.program, music, ymca of bendigo orchestral society, town hall, ymca symphony concert, orchestral society. frank grose, conductor. sept. 17th 1924. artists assisting; carmen pascova, george a chant, coral trenerry, mabel mcgauchie. hon. treas. g w lansell. pres. barkly hyett. programme les preludes, like death's grim shadow, o, pure and tender star of eve, hejre kati, o mio fernando from la favorita, the unfinished, l'heure de pourpore, le the, coecilia, blow blow thou winter wind, feu folley, the last hour, the night wind, at dawing, oh! didn't it rain!, from la prophete. orchestral society: first violins; mrs harry hillman, miss winnie pithie, miss agnes mcnair, mrs stanley gant, miss lucille simpson, miss elsie stemmer, mrs e swift, miss l downie. second violins; mr james fitt, master tom challen, miss myrtle phillips, miss alma doxford, miss j houston, miss evelyn miles, miss elva hesse, miss winnie hobson, mr stanley kennedy, mr albert richardson, master l watts, miss lois streader, master l meakin, master r trewarn. violas; mr p coope, mr h r smith, miss l beischer, miss eisler woodward. 'cellos; madame dorothy duval, miss maisie field, miss ethel crook. basses; mr j h melrose, mr r rule, mr j ditchburn. piccolo; mr a e sayer. flute; mr a e sayer, mr w davidson. oboes; mr a b challen, mr w channel. clarionets; mr bowman, mr w mcewan. basoons; mr t francis, mr p reed. trumpets; mr a h f taylor, mr p smith, mr b bowater, mr n banfield. horns; mr a johnson, mr j tredinnick. trombones; mr d w collier, mr h botten, mr w jackson. tubas; mr e c rasmussen, me a hocking. percussion; mr j kinder. tympani; mr j mclaughlin. organist; mr c cowling. pianiste; miss mabel mcgauchie. am appeal to every music lover on behalf of bendigo boys. the orchestral society of the young men's christian association exists for the uplift of bendigo through the agency of music. in addition to this it dedicates the whole of its profits to the extension of christ's work among boys. surely this two-fold object is sufficient to warrant a large number of subscribers, and yet we regret to say we find it increasingly difficult to finance the society, and our association, in one to the greatest provincial cities in australia. frank grose, general secretary. -
Bendigo Military MuseumPhotograph - Army Survey Regiment - CO's Parade, Awards, RSM Handover, Fortuna Bendigo, 1990
... L to R: CO LTCOL Rene van den Tol, Parade Host D-SVY COL Don Swiney MBE, unidentified Aide-de-camp, Commander of the 3rd Military District BRIG P. ...L to R: CO LTCOL Rene van den Tol, Parade Host D-SVY COL Don Swiney MBE, unidentified Aide-de-camp, Commander of the 3rd Military District BRIG P. ...This is a set of 15 photographs taken on a CO’s Parade held in December 1990 at the Army Survey Regiment, Fortuna, Bendigo. The Reviewing officer was the Commander of the 3rd Military District BRIG P. Davies AM ADC and the Parade Host was D-SVY COL Don Swiney MBE. The formalities performed at the parade were the presentation of a Warrant, presentation of the Defence Force Service Medal to two recipients, handover of the Regimental Sergeant-Major (RSM) appointment and promotions of four WO1’s to the rank of Captain. The four personnel commissioned as officers were CAPT Colin Cuskelly, CAPT Bill Griggs, CAPT Peter Warwick, and CAPT Neville Stone. See item 9134.39P for the set photos taken covering the Warrant presentation, Defence Force Service Medal presentations and the RSM handover.This is a set of 15 photographs taken on the occasion of a CO’s Parade at the Army Survey Regiment, Fortuna, Bendigo held in December 1990. The photographs are on 35mm negative film and were scanned at 2400 dpi. They are part of the Army Survey Regiment’s Collection. .1) - Photo, colour, 1990. The announcement of four Prescribed Officer Commissions (PSO). L to R: CO LTCOL Rene van den Tol, Parade Host D-SVY COL Don Swiney MBE, unidentified Aide-de-camp, Commander of the 3rd Military District BRIG P. Davies AM ADC. .2) - Photo, colour, 1990. PSO Promotion. L to R: COMD 3MD BRIG P. Davies AM ADC, WO1 Peter Warwick. Headquarters Squadron in background. .3) - Photo, colour, 1990. PSO Promotion. L to R: D-SVY COL Don Swiney MBE, CAPT Peter Warwick, COMD 3MD BRIG P. Davies AM ADC. .4) - Photo, colour, 1990. PSO Promotion. L to R: COMD 3MD BRIG P. Davies AM ADC, WO1 Bill Griggs. RSM Graham Ragless and Headquarters Squadron in background. .5) - Photo, colour, 1990. PSO Promotion. L to R: D-SVY COL Don Swiney MBE, CAPT Bill Griggs, COMD 3MD BRIG P. Davies AM ADC. .6) - Photo, colour, 1990. PSO Promotion. L to R: COMD 3MD BRIG P. Davies AM ADC, WO1 Neville Stone. Headquarters Squadron in background. .7) & .8) - Photo, colour, 1990. PSO Promotion. L to R: D-SVY COL Don Swiney MBE, CAPT Neville Stone, COMD 3MD BRIG P. Davies AM ADC. .9) - Photo, colour, 1990. PSO Promotion. L to R: COMD 3MD BRIG P. Davies AM ADC, WO1 Colin Cuskelly. RSM Graham Ragless and Headquarters Squadron in background. .10) - Photo, colour, 1990. PSO Promotion. L to R: D-SVY COL Don Swiney MBE, COMD 3MD BRIG P. Davies AM ADC, WO1 Colin Cuskelly. .11) - Photo, colour, 1990. PSO Promotion. L to R: COMD 3MD BRIG P. Davies AM ADC, CAPT Colin Cuskelly. .12) - Photo, colour, 1990. PSO Promotions. L to R: CAPT Colin Cuskelly, CAPT Bill Griggs, CAPT Peter Warwick, CAPT Neville Stone. .13) - Photo, colour, 1990. Departure of the Reviewing Officer. L to R: SPR Gordon Santo, Commander of the 3rd Military District BRIG P. Davies AM ADC, Parade Host D-SVY COL Don Swiney MBE. .14) - Photo, colour, 1990. Departure of the Parade Host. L to R: SPR Gordon Santo, D-SVY COL Don Swiney MBE, unidentified. .15) - Photo, colour, 1990. Headquarters Squadron formed up in column of route before departure from the parade. L to R: Left marker – SPR Mark Bird, remainder unidentified. 2nd from right – CAPT Noel ‘Nesty’ Coulthard, at far right – OC MAJ John South.No personnel are identified. ‘SSM Handover Parade & Commissioning of Officers. Dec 1990’ annotated on negative sleeve. ‘Note – it should have been annotated ‘RSM Handover, not SSM Handover.royal australian survey corps, rasvy, army survey regiment, army svy regt, fortuna -
Bendigo Military MuseumPhotograph - Army Survey Regiment - CO's Parade, Fortuna Bendigo, 1990
... L to R: WO1 Bill Jones, WO2 Rhys De Laine, SPR Doug Whiteside, CPL Peter Dillon, CPL Rob Jones, SPR Ross Anza, unidentified (x2), CPL Darryl South, SPR Shane Campbell, CPL Geoff Webb, SGT Brian Fauth, SGT Kim Reynolds, SGT Steve Burke....L to R: WO1 Bill Jones, WO2 Rhys De Laine, SPR Doug Whiteside, CPL Peter Dillon, CPL Rob Jones, SPR Ross Anza, unidentified (x2), CPL Darryl South, SPR Shane Campbell, CPL Geoff Webb, SGT Brian Fauth, SGT Kim Reynolds, SGT Steve Burke. ...This is a set of 24 photographs taken on a CO’s Parade held at the Army Survey Regiment, Fortuna, Bendigo on the 1st of October 1990. Wearing of non-prescription sunglasses by most personnel on the parade was normally not permitted. On this occasion they wore sunglasses as a prank halfway through the parade, given MAJ Burns at this time began wearing sunlight-sensitive photochromic glasses and was the inspecting officer, rather than the CO LTCOL Rene van den Tol. Photos of the other three Squadrons, the Officers, and Warrant Officers/Sergeants from this set of negatives are catalogued in item 6440.11P. Photos of Litho Sqn taken before and after the parade are catalogued in item 6441.15P.This is a set of 24 photographs taken on the occasion of a CO’s Parade at the Army Survey Regiment, Fortuna, Bendigo held on the 1st of October 1990. The photographs are on 35mm negative film and were scanned at 2400 dpi. They are part of the Army Survey Regiment’s Collection. .1) - Photo, black & white, 1990. Personnel with medical restrictions Front Rank L to R: LCPL Bob Sheppard, CPL Graeme Priestley, unidentified, SPr Joyce Gray, CPL Pat Drury, CPL John Gilbert, unidentified, SPR Bob Bousefield, unidentified. .2) - Photo, black & white, 1990. L to R: WO1 Rowan Gillies, WO1 Colin Cuskelly, CPL Paul Richards, unidentified, SPR Mark Bird, LCPL Richard Arman, CPL Eric Nicholson, CPL Roger Pearson, CPL Wolfgang Hofbauer, WO1 Ken Slater. .3) - Photo, black & white, 1990. L to R: WO1 Gary Warnest, SPR Chris Wynn, CPL Geunther Ebenwaldner, CPL Dan Cirsky, CPL Damian Killeen, CPL Steve Wainwright, SPR Craig Kellet, CPL Raelene (Munting) Brodie, SPR Mick Knight, CPL Peter Johnson. .4) - Photo, black & white, 1990. L to R: WO2 Rhys De Laine, LCPL Damien Cole, SPR Andrew Arman, SPR Ross Anza, CPL Rob Jones, SPR Doug Whiteside, WO2 Rob Bogumil. .5) - Photo, black & white, 1990. L to R: WO2 Neil ‘Ned’ Kelly, SPR Steve Linane, unidentified, CPL Noel Brinsmead, SPR Steve Wegener, CPL Darren Wilkinson, WO1 Allan Hancox. .6) - Photo, black & white, 1990. L to R: CO LTCOL Rene van den Tol, 2IC MAJ Duncan Burns, SPR Doug Whiteside, CPL Peter Dillon, CPL Rob Jones, SPR Ross Anza, SPR Andrew Morrison-Evans, CPL Gavin McLean, CPL Darren South, SPR Shane Campbell. .7) - Photo, black & white, 1990. L to R: CO LTCOL Rene van den Tol, OC MAJ Bob Coote, 2IC MAJ Duncan Burns, CPL Darren South, SPR Shane Campbell, unidentified, SGT Brian Fauth. .8) - Photo, black & white, 1990. L to R: CO LTCOL Rene van den Tol, OC MAJ Bob Coote, 2IC MAJ Duncan Burns, SPR Andrew Arman, unidentified, CPL Le-Anne (Smallshaw) Shirley, SPR Greg Howell, SPR John Bragg, CPL Janet Murray, unidentified. .9) - Photo, black & white, 1990. L to R: CO LTCOL Rene van den Tol, OC MAJ Bob Coote, 2IC MAJ Duncan Burns, SPR John Bragg, CPL Janet Murray, unidentified, LCPL Graeme Spong, CPL Roy Hicks, SGT Steve Burke. .10) - Photo, black & white, 1990. L to R: CO LTCOL Rene van den Tol, 2IC MAJ Duncan Burns, CPL Warren ‘Waldo’ Shirley, SPR Scott Cameron, unidentified (x2), SPR Ken Labouchardiere, unidentified, SGT Brian Paul. .11) - Photo, black & white, 1990. L to R: CO LTCOL Rene van den Tol, OC MAJ Bob Coote, 2IC MAJ Duncan Burns, unidentified, SPR Ken Labouchardiere, unidentified, SGT Brian Paul, SGT Kim Reynolds, SSGT Russ Mollenhauer. .12) - Photo, black & white, 1990. L to R: OC MAJ Laurie Newton, CO LTCOL Rene van den Tol, 2IC MAJ Duncan Burns, SPR Jodi Seath, unidentified (x2), SPR Dawn Hoadley, SPR Cam Bramich, SGT Bob Bright. .13) - Photo, black & white, 1990. L to R: CO LTCOL Rene van den Tol, OC MAJ Laurie Newton, 2IC MAJ Duncan Burns, SPR Dawn Hoadley, SPR Cam Bramich, unidentified, SPR Gordon Santo, SPR Alan Blake, SGT Bob Bright, SGT Greg Else, SGT Martin Evans, CPL Darren Maher, SGT Graham Johnston. .14) - Photo, black & white, 1990. L to R: unidentified (x4), SPR Frank Savy, unidentified (x3), SSGT Greg Byers, unidentified. .15) - Photo, black & white, 1990. L to R: CPL Darren Wilkinson, SPR Steve Wegener, unidentified (x2), SGT Frank Downie, SGT Paul Hopes, SSGT Bruce Hammond, unidentified, SSGT Noel McNamara, SGT Sandy Craig. .16) & .17) - Photo, black & white, 1990. L to R: CO LTCOL Rene van den Tol presents Mrs Norma Turner with either a long service medal or farewell gift. .18) - Photo, black & white, 1990. LT Craig Hersant. .19) - Photo, black & white, 1990. Left file L to R: SGT Brian Fauth, CPL Geoff Webb, SPR Shane Campbell, CPL Darryl South, remainder unidentified. Centre file L to R: SGT Steve Burke, CPL Roy Hicks, LCPL Graeme Spong, unidentified, CPL Janet Murray, remainder unidentified. Right file L to R: SSGT Russ Mollenhauer, SGT Kim Reynolds, SGT Brian Paul, remainder unidentified. .20) - Photo, black & white, 1990. L to R: Litho OC MAJ Bob Coote, LT Marty Lyons, LT Cameron Kelly. .21) - Photo, black & white, 1990. L to R: LT Simon Buckpitt, MAJ Peter Clark, LT Craig Hersant. .22) - Photo, black & white, 1990. L to R: unidentified, SPR Tracy Tillman, SGT Frank Downie, SGT Paul Hopes, CPL Mark Lander, SSGT Bruce Hammond, SGT Sandy Craig, SPR Mark Linwood, SSGT Noel McNamara, unidentified, SGT Max Watson, SGT Dave Longbottom. .23) - Photo, black & white, 1990. L to R: CPL Darryl South, SPR Shane Campbell, CPL Geoff Webb, SGT Brian Fauth, LT Marty Lyons, LCPL Graeme Spong, CPL Roy Hicks, SGT Steve Burke, SGT Brian Paul, Litho OC MAJ Bob Coote, SSGT Russ Mollenhauer, LT Cameron Kelly. .24) - Photo, black & white, 1990. L to R: WO1 Bill Jones, WO2 Rhys De Laine, SPR Doug Whiteside, CPL Peter Dillon, CPL Rob Jones, SPR Ross Anza, unidentified (x2), CPL Darryl South, SPR Shane Campbell, CPL Geoff Webb, SGT Brian Fauth, SGT Kim Reynolds, SGT Steve Burke.No personnel are identified.royal australian survey corps, rasvy, army survey regiment, army svy regt, fortuna -
Melbourne LegacyInstrument - Violin, The Changi Violin
... Around the edge of the instrument's body: "We'll never get off the island" On the front body of the violin: "AIF concert party"; "P.O.W. camp Singapore" Names inscribed on the front body of the violin in columns from left to right: Ray Tullipan, Fred Stringer, Herb Almond, L Jacques, Keith Harris, Jack Garrett, Dave Goodwin, H Sabin, Fred F Brightfield, Jack Boardman, Ern Warne, Ern Banks, T Hoffman, Roy P Arnel, Harold W Reid, W Middleton, Douglas Matthews, Bob Picken, Harry Smith ('appy Harry), Ted Druitt "VIOLIN PLAYED BY" VX30301, (DVR) R S Arnel AIF Concert Party in POW Camp Selerang and Changi Gaol Singapore 1942-1945; T Mack O.C and Producer Harry Tennall; Jack Smith; Walter W Dains; Keith C Stephens; C E Trotter; W Sullivan, Syd Piddington; John Nibbs; Doug Peart; John Wood; Jack Geoghegan; Berry Barton; Barney Bolton; Tom Hussey; Kim De Grey; Clarrie Barker; Ron Caple; Russ Bradon; Bernard McCaffrey; Bart Galbraith; Charles Wiggins; Stan “ Judy” Garland. ...A very valuable piece of equipment brought back from World War II now on display in Legacy House function room. changi violin pow Around the edge of the instrument's body: "We'll never get off the island" On the front body of the violin: "AIF concert party"; "P.O.W. camp Singapore" Names inscribed on the front body of the violin in columns from left to right: Ray Tullipan, Fred Stringer, Herb Almond, L Jacques, Keith Harris, Jack Garrett, Dave Goodwin, H Sabin, Fred F Brightfield, Jack Boardman, Ern Warne, Ern Banks, T Hoffman, Roy P Arnel, Harold W Reid, W Middleton, Douglas Matthews, Bob Picken, Harry Smith ('appy Harry), Ted Druitt "VIOLIN PLAYED BY" VX30301, (DVR) R S Arnel AIF Concert Party in POW Camp Selerang and Changi Gaol Singapore 1942-1945; T Mack O.C and Producer Harry Tennall; Jack Smith; Walter W Dains; Keith C Stephens; C E Trotter; W Sullivan, Syd Piddington; John Nibbs; Doug Peart; John Wood; Jack Geoghegan; Berry Barton; Barney Bolton; Tom Hussey; Kim De Grey; Clarrie Barker; Ron Caple; Russ Bradon; Bernard McCaffrey; Bart Galbraith; Charles Wiggins; Stan “ Judy” Garland. ...This violin was played by VX30301 Dvr Roy Arnel, as a member of the Australian Imperial Force Concert Party, in the Changi POW camp, Singapore from 1942-1945. It is claimed that the violin, in its case was thrown over the wall by a Chinese civilian. Roy Arnel, a South African by birth enlisted on 7 June 1940 at Royal Park, Melbourne and served with 2 AASC Company as a driver. He was captured by the Japanese Imperial Army at the fall of Singapore in February 1942. There was more than one concert party in Changi as indicated on the rear of the violin. The details of the Dutch, British and American Concert Parties scratched in to the varnish. There are the some well known names scratched into the violin including: The English author and cartoonist, Ronald Searle; Australian entertainer, Frank Rich; and Australian Author, Russell Braddon. Mr Arnel died in 1982 and the violin was presented to Melbourne Legacy for preservation, safe keeping and display. Further research found that one of the AIF comedians, Harry Smith, had a catch phrase, 'You'll never get off the Island' which became almost the watchword of the prisoners throughout the captivity. That ties with the phrase etched around the outside of the violin, "We'll never get off the island."A very valuable piece of equipment brought back from World War II now on display in Legacy House function room.Violin (00078.1): Violin case (00078.2): Bow (00078.3): Bag of violin parts (00078.4):Around the edge of the instrument's body: "We'll never get off the island" On the front body of the violin: "AIF concert party"; "P.O.W. camp Singapore" Names inscribed on the front body of the violin in columns from left to right: Ray Tullipan, Fred Stringer, Herb Almond, L Jacques, Keith Harris, Jack Garrett, Dave Goodwin, H Sabin, Fred F Brightfield, Jack Boardman, Ern Warne, Ern Banks, T Hoffman, Roy P Arnel, Harold W Reid, W Middleton, Douglas Matthews, Bob Picken, Harry Smith ('appy Harry), Ted Druitt "VIOLIN PLAYED BY" VX30301, (DVR) R S Arnel AIF Concert Party in POW Camp Selerang and Changi Gaol Singapore 1942-1945; T Mack O.C and Producer Harry Tennall; Jack Smith; Walter W Dains; Keith C Stephens; C E Trotter; W Sullivan, Syd Piddington; John Nibbs; Doug Peart; John Wood; Jack Geoghegan; Berry Barton; Barney Bolton; Tom Hussey; Kim De Grey; Clarrie Barker; Ron Caple; Russ Bradon; Bernard McCaffrey; Bart Galbraith; Charles Wiggins; Stan “ Judy” Garland. Rear of Violin has inscriptions top to bottom, left to right. Hans???en; Dutch Concert Party; H.S. Van der Linden; M Bark; B Freunbusch; F Horguine; H. J. Hurgarden; Lt H. J. Scholer (Violin); H.A.F. Pet; M Van Dyk; W J Witte; G H Fransen; E Ewig; M Ruwart (Hypnotist); A V Korem(Dancer) C N Rob (Violin) C H Kuipers (Guitar); W C Emmenes (Cellist) L H R???? (Violin) British Concert Party Alex????; P Holland ( “ Dutchy” Accordian); Wray Gibson :AH!; E J Bawer (Drums); Clem (Lofty) Relf(Clarinet); Bill Williams (Piano); Ken Luke; Ronald Searle; Charles Dobman “Good Luck”; Dan Harts(”Professor”); Gil Mitchell ( Violinist); John Fitzgerald; E Botor (Tenor Horn); Ronald Lewis; Ronnie Horner; Robin Wilbury; Jack M Wood ( Producer); Denis A S Houghton (Bass); C J Buckingham; Stan Mesurier; E B Dobson USA Concert Camberts Party Don Smith; Owen Baggett; Denis Roland; Stan Willner; Albert “ HAP” Kelley (Trombone); Joe Manella; Charles Kelleher. Internal manufactures tag “ “Excelsior” Brand Specally made for the Tropic and reputed for good ton and workmanship Made in Czechoslovakia”changi violin, pow -
Bendigo Military MuseumPhotograph - Army Survey Regiment Inter-Squadron Athletics Competition - Set 1, Bendigo, 1990
... In foreground L to R: Scott Cameron, unidentified (x2), Ian Brown. .13) - Photo, colour, 1990, 100m sprint race, L to R: unidentified (x2), Rhys De Laine, unidentified, Rene van den Tol, unidentified. ...In foreground L to R: Scott Cameron, unidentified (x2), Ian Brown. .13) - Photo, colour, 1990, 100m sprint race, L to R: unidentified (x2), Rhys De Laine, unidentified, Rene van den Tol, unidentified. ...This is a set of 32 photographs of an Army Survey Regiment inter-squadron athletics competition held at Epsom, Bendigo in 1990. Personnel from Headquarters, Air Survey, Cartographic and Lithographic Squadrons took part in traditional athletics events, wheelbarrow race, sack race, fireman’s carry and tug-of-war novelty events.’ Air Survey Squadron’s team was bolstered with members from Adelaide’s 4th Field Survey Squadron. Refer to items 9089.30P – Set 2 and 9090.31P – Set 3 for additional photos taken during the Athletics Event.This is a set of 32 photographs of an Army Survey Regiment inter-squadron athletics competition held at Bendigo in 1990. The photographs are on 35mm negative film and were scanned at 2400 dpi. They are part of the Army Survey Regiment’s Collection. .1) - Photo, colour, 1990, Firemans’ Carry L to R: Ross Anza, Frank Lenane, John Bragg, Gary Lord, Ian Brown, Darren Scott, Ken Labouchardiere, Greg Howell, Dan Cirsky, Andy Love, Doug Willis, Tony Grivel, Gary Warnest, John Reid, Harris Lee. .2) - Photo, colour, 1990, Firemans’ Carry L to R: unidentified (x2). .3) - Photo, colour, 1990, Firemans’ Carry L to R: Greg Howell, Ken Labouchardiere. .4) - Photo, colour, 1990, Firemans’ Carry L to R: Gary Lord, John Bragg. .5) - Photo, colour, 1990, Firemans’ Carry L to R: unidentified (x2). .6) - Photo, colour, 1990, Firemans’ Carry L to R: unidentified, Noel ‘Nesty’ Coulthard. .7) - Photo, colour, 1990, Firemans’ Carry L to R: unidentified, Frank Lenane. .8) - Photo, colour, 1990, Firemans’ Carry L to R: unidentified, Stuart Thaxter. .9) - Photo, colour, 1990, 100m sprint race L to R: Anthony Hesling, Barry Miller, unidentified. .10) - Photo, colour, 1990, 100m sprint race, Andrew Morrison-Evans – at front, remainder unidentified. .11) - Photo, colour, 1990, 100m sprint race, all unidentified. .12) - Photo, colour, 1990, 100m sprint race, in background L to R: unidentified (x7), Sue (Foote). Bourne, Graham Ragless, Andy Lucas. In foreground L to R: Scott Cameron, unidentified (x2), Ian Brown. .13) - Photo, colour, 1990, 100m sprint race, L to R: unidentified (x2), Rhys De Laine, unidentified, Rene van den Tol, unidentified. Time keepers L to R: Ian ‘Rock’ Thistleton, Paul Richards. .14) - Photo, colour, 1990, 100m sprint race, L to R: Steve Wainwright, Terry King, unidentified, Mark Lander, Graham Johnston, unidentified. .15) - Photo, colour, 1990, 100m sprint race, L to R: Eddie Jacobs, Peter Imerson. .16) - Photo, colour, 1990, Javelin, Dawn Hoadley. .17) - Photo, colour, 1990, Javelin, L to R: Jo Otto, Tracy Tillman. .18) - Photo, colour, 1990, Javelin, Michelle Withers. .19) - Photo, colour, 1990, Javelin, Sherri (Dally) Burke. .20) - Photo, colour, 1990, Javelin, Paula (Golding) Brinsmead. .21) - Photo, colour, 1990, Shot Put, Raelene (Munting) Brodie. .22) - Photo, colour, 1990, Discus, Janet Murray. .23) - Photo, colour, 1990, teams preparing for Sack Races, Marty Lyons in red singlet facing away, event official Steve Gloster at right. .24) - Photo, colour, 1990, teams preparing for Sack Races, Marty Lyons, Tony Grivel in background at right. .25) - Photo, colour, 1990, Sack Race, Steve Hansen. .26) - Photo, colour, 1990, Sack Race, Andy Love. .27) - Photo, colour, 1990, Sack Race, Charmian McKean. .28) - Photo, colour, 1990, Sack Race, Frank Lenane. .29) - Photo, colour, 1990, Sack Race, Greg Howell. .30) - Photo, colour, 1990, Sack Race, L to R: unidentified photographer, Bob Bright, Andrew Hesling, Charmian McKean, Raelene (Munting) Brodie. .31) - Photo, colour, 1990, Sack Race, Peter Clark. .32) - Photo, colour, 1990, Sack Race, Dennis Learmonth - at front, remainder unidentified.No personnel are identified.royal australian survey corps, rasvy, army survey regiment, army svy regt, fortuna -
Federation University Historical CollectionBook, Ballarat School of Mines Students' Magazine, 1907-1909, 1907-9
... Witherden, Gerald Young) 1909 * The Graduates Problem * An Interesting Nevada Cyanide Plant (Bamberger De Lamar Gold Mines) * Easter Geological Camp to Ingliston * New Methods for the Volumetric Estimation of Lead * William Charles Kernott Obituary * Mount Morgan Mine by G.W. ...Witherden, Gerald Young) 1909 * The Graduates Problem * An Interesting Nevada Cyanide Plant (Bamberger De Lamar Gold Mines) * Easter Geological Camp to Ingliston * New Methods for the Volumetric Estimation of Lead * William Charles Kernott Obituary * Mount Morgan Mine by G.W. ...Bound volume of the Ballarat School of Mines Students' Magazine for 1907-1909. Articles include the location and pegging of a tramway Route, the transmission of Power by Rope Driving by A.E.C. Kerr, A visit to the Briseis Mine, and New Brothers' Home, Mining Engineers in Tasmania, Obituaries for David Ham and Matthew Lyndsay, Pioneer Mining at Leichhardt, Automatic Ore Feeders and Chacedony Park by J.H. Adams. Images include the Ballarat School of Mines Football Team and the Ballarat School of Mines Sports Committee. 1907 * Hubert Krause 1908 * The location and Pegging of a Tramway Route by Yamba * The Unity of things by John Brittain * The transmission of power by Rope Driving, by A.E.C. Kerr * A visit to the Briseis Mine, and New Brothers' Home (includes photographs) * Mining Engineers in Tasmania * Limericks Sluiced at Snake Valley * David Ham Obituary * Matthew Lyndsay Obituary * Some Bunsen Memories by Professor Alfred Mica Smith * Geological Camp to Daylesford * Practical Mathematics by Hubert F. Hall * Pioneer Mining - Leickhardt * Automatic Ore Feeders * A Unique Ore Deposit (Lucknow Goldfield, NSW) * A country Ramble * The Alkaline Titration for Zinc * Chalcedony Park, Arizona, United States of America by J.H. Adams * Notetaking at Lectures * Smelter Cost-Keeping by Oliver E. Jaeger * Benefits of Physical Culture * Mineral Tasmania and its Wonderful Resources by F.F. Bradford * A holiday Trip to Queensland * The Compression of Air as Applied to Mining * Machine V Hand Drilling * The mining in the Malay States * William Thomas Grownow Obituary (includes image) * Timbering Stopes (Includes images) * Trip to Melbourne * Two Problems of Alluvial Mining by Richard Hain * The Berry Leads (includes plan of mines) * Black Pudding Supper * Observations for Meridian * NOtes on Coking Plants (includes plan) * How Old is the Earth * Conglomerations * A Pat Formula * The making of a Suitable Muffle for General Assay Work * Reduction of Gold Chloride by Charcoal * Chemical Definitions * Old Boys (R.J. Allen, W.B. Blyth, F. Brinsden, Lindsay D. Cameron, George W. Cornwell, John M. Currie, C.M. Harris, T. Wighton-Hood, W. Lakeland, W.S. Macartney, Fred A. Marriott, Karl B. Moore, G.E. Sander, Sherb. H. Sheppard, Norman S. Stuckby, John Sutherland, Lewis A. Westcott, Walter White, O.C. Witherden, Gerald Young) 1909 * The Graduates Problem * An Interesting Nevada Cyanide Plant (Bamberger De Lamar Gold Mines) * Easter Geological Camp to Ingliston * New Methods for the Volumetric Estimation of Lead * William Charles Kernott Obituary * Mount Morgan Mine by G.W. Williams * Tin Dredging at Tingha, New South Wales * Notes on the Iodide estimation of Copper * Photograph of the Ballarat School of Mines Students' Association Committee * The Importance of Mine Ventilation to the Students by F. Howells * Life in Mining Camp * Wise Words to Mining School Students * Military Search Lights * Gleaning s on resistance * Ministerial Visit to the Ballarat School of Mines by the Hon. A.A. Billson, Minister of Education , accompanied by Frank Tate, Director of Education. * Picture Making in Photography Composition * Mountains of Fire * A Walking Engine - New Military Machine - Guns into Action - Caterpillar No. 1. (Tank) * Fireless Locomotives * Elmore Concentrating Process (includes plan of Elmore Concentrator) * Mount Pani Limited * Surveying for Irrigation * Weights and Measures * Carbon Monoxide * Joseph Francis Usher obituary * The Problem of the Metalliferous Veins * Ballarat School of Mines Ambulance Class * Treatment of Gold in a battery Without the Use of Copper Plates by E.C. Hurdsfield * Meteorites * Werribee Gorge * Dredging in the Ovens Valley * Electrical Chatter - Electrocution by an Imaginary Eye-Witness * The Electric Furnace in Iron Metallurgy ballarat school of mines, ballarat school of mines football team, football, sports, tramway, mining engineers, david ham, matthew lyndsay, jack adams, berry lead, hepburn consuls, madame berry, west ristori, ristori no 1, allendale, dyke's co, charleson's mill, australian extended, mining, r.j. allen,, w.b. blyth, f. brinsden, lindsay d. cameron, george w. cornwell, john m. currie, c.m. harris, t. wighton-hood, w. lakeland, w.s. macartney, fred a. marriott, karl b. moore, g.e. sander, sherb. h. sheppard, norman s. stuckby, john sutherland, lewis a. westcott, walter white, o.c. witherden, gerald young, ballarat school of mines students' association, hubert krause, krause, vfl, afl -
Moorabbin Air Museum
Archive (Item) - Box WP2 Prowse Collection See details under Description
... o Nomad Presentation Booklet o Rolls Royce Dart Propeller Turbine Aero Engine Booklet o “The Magnificent Meteor” Booklet o Battle of Britain Leaflet o GAF - Turana Target System Manual o GAF - Project AIR5044 RAAF Basic Trainer Development Cost Plan AAC-TR-00-03 Iss 1 o Development Cost Plan AAC-TR-00-03 Iss 1 o SKYVAN Multi-role and Tactical Support Missions o A7 - SEA CONTROL - Vought Aircraft o The First Sir Henry Royce Memorial Lecture - Sir Henry Royce, BART o Ikara Missile Launching System o What Nomad Is That (4 copies) o Martin-Baker Patent5 Automatic Ejection Seat o Martin-Baker Mk 1 Ejection Seat o SAAB Transporter News Material o Index of D.T.D Specs for Aerospace Materials and Processes and various samples attached o Hornet - Australia’s Formidable Strike Fighter o Fighters for Today & Tomorrow - McDonnell Aircraft Co (2 copies) o Development of a Light Transport Aircraft - Project “N” by G D Bennett, Chief Designer, GAF o Type Certificate No A7PC Model N22B, N24A o Project Pika article o Project Pika - General Description Leaflet o Various Malkara, Ikara, Turana, Jindivik photos - assorted o Ikara - British Aerospace Dynamics Group o Design Concept Paper - Payload Carrier 78/G.W.1 o Article - Nomad N24A in the Air o Submission Paper No 40 by Jack Garden o RMIT - H K Millicer Lecture 1992 - by Ben R Rich o Armstrong-Siddeley Motors - Mamba Propeller Turbine o De Havilland Gnome o TAA Engineering Report No 147 March 1970 o Flights of Imagination o Roulettes - RAAF Promotion Folder o Scoutmaster - RAAF Promotion Folder (4 copies) o W L Prowse Letter o Various - Turana Trials Photos & Leaflet o Martin-Baker Ejection Seat Trainer o HS 146 o N22B - Nomad Performance Summary o Introducing Project ‘N’ o Report by Chief Test Pilot o Synopsis - Certification and Development of the Nomad o Nomad Mission Master - Promo (6 copies) o Nomad 24A Performance Summary (2 copies o GAF Productions - Brochure o Ansett ANA Pilot’s Course Notes - Convair 440 o Nomad 22B Technical Description o GAF Guidelines Licenced Manufacture of Nomad Aircraft N22B o Nomad Presentation Booklet (5 copies) o Australian Hornet F/A-18A o Nomad Promo Specs (20 copies) o Flight International - Nomad in the Air o Allison Model 250-B-17B Engine o Nomad - Better Where it Counts o TO13A6-34-14 I.P.B. ...Description: Defence Instruction Air Force AAP 7213.003-3MB2 Mirage Airctraft Metal Repairs - Book 2 of 2 Augusta-109-Hirundo - Preliminary General Description Sky Van: Military - Shorts Sky Van: Multi-Role Aircraft Sky Van: Civil VFW - Fokker VF Level of Importance: State. o Nomad Presentation Booklet o Rolls Royce Dart Propeller Turbine Aero Engine Booklet o “The Magnificent Meteor” Booklet o Battle of Britain Leaflet o GAF - Turana Target System Manual o GAF - Project AIR5044 RAAF Basic Trainer Development Cost Plan AAC-TR-00-03 Iss 1 o Development Cost Plan AAC-TR-00-03 Iss 1 o SKYVAN Multi-role and Tactical Support Missions o A7 - SEA CONTROL - Vought Aircraft o The First Sir Henry Royce Memorial Lecture - Sir Henry Royce, BART o Ikara Missile Launching System o What Nomad Is That (4 copies) o Martin-Baker Patent5 Automatic Ejection Seat o Martin-Baker Mk 1 Ejection Seat o SAAB Transporter News Material o Index of D.T.D Specs for Aerospace Materials and Processes and various samples attached o Hornet - Australia’s Formidable Strike Fighter o Fighters for Today & Tomorrow - McDonnell Aircraft Co (2 copies) o Development of a Light Transport Aircraft - Project “N” by G D Bennett, Chief Designer, GAF o Type Certificate No A7PC Model N22B, N24A o Project Pika article o Project Pika - General Description Leaflet o Various Malkara, Ikara, Turana, Jindivik photos - assorted o Ikara - British Aerospace Dynamics Group o Design Concept Paper - Payload Carrier 78/G.W.1 o Article - Nomad N24A in the Air o Submission Paper No 40 by Jack Garden o RMIT - H K Millicer Lecture 1992 - by Ben R Rich o Armstrong-Siddeley Motors - Mamba Propeller Turbine o De Havilland Gnome o TAA Engineering Report No 147 March 1970 o Flights of Imagination o Roulettes - RAAF Promotion Folder o Scoutmaster - RAAF Promotion Folder (4 copies) o W L Prowse Letter o Various - Turana Trials Photos & Leaflet o Martin-Baker Ejection Seat Trainer o HS 146 o N22B - Nomad Performance Summary o Introducing Project ‘N’ o Report by Chief Test Pilot o Synopsis - Certification and Development of the Nomad o Nomad Mission Master - Promo (6 copies) o Nomad 24A Performance Summary (2 copies o GAF Productions - Brochure o Ansett ANA Pilot’s Course Notes - Convair 440 o Nomad 22B Technical Description o GAF Guidelines Licenced Manufacture of Nomad Aircraft N22B o Nomad Presentation Booklet (5 copies) o Australian Hornet F/A-18A o Nomad Promo Specs (20 copies) o Flight International - Nomad in the Air o Allison Model 250-B-17B Engine o Nomad - Better Where it Counts o TO13A6-34-14 I.P.B. ...Description: Defence Instruction Air Force AAP 7213.003-3MB2 Mirage Airctraft Metal Repairs - Book 2 of 2 Augusta-109-Hirundo - Preliminary General Description Sky Van: Military - Shorts Sky Van: Multi-Role Aircraft Sky Van: Civil VFW - Fokker VF Level of Importance: State. -
Victorian Aboriginal Corporation for LanguagesBook, Leanne Hinton, The green book of Language revitalization in practice, 2008
... The Key To Cultural Survival: Language Planning and Revitalization in the Pueblo de Cochiti /? Regis Pecos and Rebecca Blum-Martinez The Navajo Language: I /? ...The Key To Cultural Survival: Language Planning and Revitalization in the Pueblo de Cochiti /? Regis Pecos and Rebecca Blum-Martinez The Navajo Language: I /? ...1. Language Revitalization: An Overview /? Leanne Hinton 2. Diversity in Local Language Maintenance and Restoration: A Reason For Optimism /? Anna Ash, Jessie Little Doe Fermino and Ken Hale 3. Federal Language Policy and Indigenous Languages in the United States /? Leanne Hinton 4. "... To Help Assure the Survival and Continuing Vitality of Native American Languages" /? Robert D. Arnold 5. Language Planning /? Leanne Hinton Introduction to the Pueblo Languages /? Leanne Hinton 6. Native Language Planning: A Pilot Process in the Acoma Pueblo Community /? Christine P. Sims 7. The Key To Cultural Survival: Language Planning and Revitalization in the Pueblo de Cochiti /? Regis Pecos and Rebecca Blum-Martinez The Navajo Language: I /? Ken Hale 8. Navajo Head Start Language Study /? Paul R. Platero 9. Introduction to Revitalization of National Indigenous Languages /? Leanne Hinton Introduction to the Welsh Language /? Leanne Hinton 10. Welsh: A European Case of Language Maintenance /? Gerald Morgan Introduction to the Maori Language /? Ken Hale 11. Te Kohanga Reo: Maori Language Revitalization /? Jeanette King An Introduction to the Hawaiian Language /? Leanne Hinton 12. The Movement to Revitalize Hawaiian Language and Culture /? Sam L. No'Eau Warner 13. "Mai Loko Mai O Ka 'I'ini: Proceeding from a Dream": The 'Aha Punana Leo Connection in Hawaiian Language Revitalization /? William H. Wilson and Kauanoe Kamana 14. Teaching Methods /? Leanne Hinton The Karuk Language /? Leanne Hinton 15. Teaching Well, Learning Quickly: Communication-Based Language Instruction /? Terry Supahan and Sarah E. Supahan The Navajo Language: II /? Ken Hale 16. Tsehootsooidi Olta'gi Dine Bizaad Bihoo'aah: A Navajo Immersion Program at Fort Defiance, Arizona /? Marie Arviso and Wayne Holm 17. The Master-Apprentice Language Learning Program /? Leanne Hinton 18. Linguistic Aspects of Language Teaching and Learning in Immersion Contexts /? Ken Hale 19. New Writing Systems /? Leanne Hinton An Introduction to Paiute /? Leanne Hinton and Ken Hale 20. Language Revitalization in the San Juan Paiute Community and the Role of a Paiute Constitution /? Pamela Bunte and Robert Franklin 21. Audio-Video Documentation /? Leanne Hinton Australian Languages /? Ken Hale 22. Strict Locality in Local Language Media: An Australian Example /? Ken Hale The Arapaho Language /? Ken Hale 23. Reflections on the Arapaho Language Project, or When Bambi Spoke Arapaho and Other Tales of Arapaho Language Revitalization Efforts /? Stephen Greymorning Irish /? Ken Hale 24. Continuity and Vitality: Expanding Domains through Irish-Language Radio /? Colleen Cotter The Mono Language /? Ken Hale 25. On Using Multimedia in Language Renewal: Observations from Making the CD-ROM Taitaduhaan /? Paul V. Kroskrity and Jennifer F. Reynolds 26. Can the Web Help Save My Language? /? Laura Buszard-Welcher 27. Training People to Teach Their Language /? Leanne Hinton Inuttut and Innu-aimun /? Ken Hale 28. The Role of the University in the Training of Native Language Teachers: Labrador /? Alana Johns and Irene Mazurkewich Languages of Arizona, Southern California, and Oklahoma /? Leanne Hinton 29. Indigenous Educators as Change Agents: Case Studies of Two Language Institutes /? Teresa L. McCarty, Lucille J. Watahomigie and Akira Y. Yamamoto /? [et al.] The Navajo Language: III /? Ken Hale 30. Promoting Advanced Navajo Language Scholarship /? Clay Slate 31. Sleeping Languages: Can They Be Awakened? /? Leanne Hinton 32. The Use of Linguistic Archives in Language Revitalization: The Native California Language Restoration Workshop /? Leanne Hinton The Ohlone Languages /? Leanne Hinton 33. New Life for a Lost Language /? Linda Yamane.Maps, b&w photographs, tables, word listslanguage policy, language planning, language maintenance, language revitalization, language immersion, language literacy, media and technology, language education and training, sleeping languages, navajo, arapaho -
Eltham District Historical Society IncPhotograph, Ellen Sweeney in Mrs Cox's garden, Eltham, Easter Sunday, April 16, 1922
... POSTCARD 1905-1940s Like the carte-de-visite, postcards enjoyed a collecting craze by large numbers of people, and were often kept in albums through which the interested visitor could browse. ...POSTCARD 1905-1940s Like the carte-de-visite, postcards enjoyed a collecting craze by large numbers of people, and were often kept in albums through which the interested visitor could browse. ...Jackson St Casterton Aug 18. 23 Dear Girls, I was very pleased to receive your nice letters with news of your doings in Eltham. You put Casterton S.A., so your letters were a long time reaching me. As I hope to see you all very soon I shall just send a p.c. of me taken in Mrs Cox’s garden Easter Sunday 12 months ago. The river here has been in flood twice and people who lived along its banks had to move. I believe the Eltham PS is greatly improved. Betty says I shall get lost there now. Casterton is on the Glenelg R. in Vic so you will remember that next time. Best wishes to you all. From E. Hooley Ellen Sweeney was a former student of Eltham State School in the 1880s, She became a teacher at the school from 1891-1898. She returned in 1915 until her marriage to William Hooley of Casterton at St Marys, Eltham, Tuesday, April 24, 1923. Wedding at Eltham. (1923, April 27). Advertiser (Hurstbridge, Vic. : 1922 - 1939), p. 2 (AFTERNOON). Retrieved February 14, 2023, from http://nla.gov.au/nla.news-article56655781 Wedding at Eltham PRESENTATIONS TO MISS SWEENEY. On Tuesday last. Miss Sweeney (a member of an old and respected Eltham family), who recently resigned her position as assistant teacher at the Eltham State School to marry Mr. W. Hooley, of Casterton, was presented with a handsome gold wristlet watch. The headmaster, Mr. Dudtield, in making the presentation on behalf of the school committee, parents, and children paid a high tribute to the excellent work done by Miss Sweeney during her connection with the school, and in asking her acceptance of the present, expressed on behalf of all the fullest measure of happiness to Miss Sweeney in her married life. On Thursday evening, a social evening was tendered to Miss Sweeney, at Mrs. T. Jewell's residence Main street, by the choir and parishioners of St. Mary's Church, Eltham, where Miss Sweeney has for some years acted as choir mistress. Mr. Harold Cox, in handing her a handsome gold and oak silver salad bowl and service, expressed the heartiest good wishes to one who had not only labored so strenuously in organising the choir, but had been always foremost in promoting church and public movements in the community. Congratulatory addresses were also contributed by the Rev. F. Norris and Mr. W. P. McMahon. Miss Sweeney sincerely thanked the donors for their beautiful present, and the speakers for the many kind things said in her regard. She felt very much severing her connection with Eltham. She would carry away many happy-. recollections of her old home, and the kindly people of the town. She hoped after some years to return to Eltham. permanently. (Applause.) On Saturday morning. the marriage ceremony was performed at St. Mary's in the presence of a large number of friends. During the nuptial Mass, celebrated by the Rev. F. Parker. (North Fitzroy), assisted-by the Rev. F. Morris .(Eltham). The choral part of the service including the Wedding March, was very efficiently rendered by the choir. MRS HOOLEY (1940, May 10).Eltham and Whittlesea Shires Advertiser (Vic. : 1940 - 1942), p. 4. Retrieved February 14, 2023, from http://nla.gov.au/nla.news-article57491650 MRS HOOLEY Sincere regret was felt, in Eltham and district at the death of Mrs. W. Hooley (nee Miss Ellen Sweeney) a very dear and capable teacher at State Schools in Eltham and other districts, including the Western District. The deceased was one of Nature's ladies, and was a native of Eltham having been born in the historic home, Culla Hill, one of the first settlements on the Yarra. She passed peacefully away on Anzac Day, April 26. The. funeral was the largest and most impressive ever seen in Eltham, and left St. Mary's Church after a requiem mass conducted by Rev. Father Morrison and Father Hollis. The pall bearers were mostly girlhood friends. Deceased leaves a husband, two brothers, Mr. Tom Sweeney of Kew, and Mr. Frank Sweeney of Western Australia and sisters (Mrs. Lane, of W.A., and Mrs. M. Carringham, of Dalton St, Eltham.) POSTCARD 1905-1940s Like the carte-de-visite, postcards enjoyed a collecting craze by large numbers of people, and were often kept in albums through which the interested visitor could browse. Postcards were posted or exchanged in huge numbers. Postal authorities in Australia only allowed the private printing of postcards from 1898. At this time the back of the card was reserved for the address and postage stamp, and the front was used for the message and a picture. In 1902 British authorities allowed a "divided back", so that the left side could be used for the message, the right side for the address and stamp, and the whole of the front was devoted to the picture. France followed suit in 1904, Germany and Australia in 1905, and the United States in 1907. - Frost, Lenore; Dating Family Photos 1850-1920; Valiant Press Pty. Ltd., Berwick, Victoria 1991marg ball collection, postcard, 1922, 1923, ellen hooley (nee sweeney), ellen sweeney, eltham, mrs cox -
Flagstaff Hill Maritime Museum and VillageBook, Jonathan Cape, It Can't Happen Here, 1935
... Lewis won the 1926 Pulitzer Prize for his book “Arrowsmith” but declined because he had been helped in the writing of it by science writer Paul de Kruif, who received 25% of royalties on the sales. ...Lewis won the 1926 Pulitzer Prize for his book “Arrowsmith” but declined because he had been helped in the writing of it by science writer Paul de Kruif, who received 25% of royalties on the sales. ...This book “It can’t happen here” is a novel written by Sinclair Lewis. It was first published in 1935 in America. About SINCLAIR LEWIS (1885-1951) The author was born as Harry Sinclair Lewis in 1885 in Sauk Centre, Minnesota. He was renowned as an American novelist, playwright and short story writer. His first writings were romantic poems and short stories. Six of his novels were published by the time Lewis was 36. Lewis won the 1926 Pulitzer Prize for his book “Arrowsmith” but declined because he had been helped in the writing of it by science writer Paul de Kruif, who received 25% of royalties on the sales. However, Lewis is listed as the sole author. Lewis received the Nobel Prize for Literature in 1930 for his “vigorous and graphic art of description and his ability to create, with wit and humour, new types of characters." He was the first author from the United States to receive this award. Lewis graduated from university in 1907. He worked as a reporter and editor for several publications. He was a prolific writer, publishing dozens of works and numerous articles, and became popular for his satire. Lewis married and divorced twice and died alone from a heart attack due to advanced alcoholism) near Rome on 10th January 1951, aged 66. This book was part of a large group of books referred to as the Pattison Collection, which belonged to the Warrnambool Public Library, part of the Warrnambool Mechanics’ Institute. About RALPH ERIC PATTISON and the ‘PATTISON COLLECTION’ The ‘Pattison Collection’ is a collection of books and records that was originally owned by the Warrnambool Mechanics’ Institute, founded in Warrnambool in 1853. By 1886 the Warrnambool Mechanics’ Institute (WMI) had grown to have a Library, Museum and Fine Arts Gallery, with a collection of “… choice productions of art and valuable specimens in almost every branch and many wonderful national curiosities are now to be seen there, including historic relics of the town and district.” It later included a School of Design. Although it was very well patronised, the WMI was led to ask the City Council to take it over in 1911 due to lack of financial support. In 1935 Ralph Pattison was appointed as City Librarian to establish and organise the Warrnambool Public Library as it was then called. Ralph Eric Pattison was born in Rockhampton, Queensland, in 1891. He married Maude Swan from Warrnambool in 1920 and they set up home in Warrnambool. In 1935 when Pattison accepted the position as City Librarian for the Warrnambool City Council his huge challenge was to make a functional library within two rooms of the Mechanics’ Institute. He tirelessly cleaned, cleared and sorted a disarrayed collection of old books, jars of preserved specimens and other items reserved for exhibition in the city’s museum. He developed and updated the library with a wide variety of books for all tastes, including reference books for students; a difficult task to fulfil during the years following the Depression. He converted all of the lower areas of the building into a library, reference room and reading room for members and the public. The books were sorted and stored using a cataloguing and card index system that he had developed himself. He also prepared the upper floor of the building and established the Art Gallery and later the Museum, a place to exhibit the many old relics that had been stored for years for this purpose. One of the treasures he found was a beautiful ancient clock, which he repaired, restored and enjoyed using in his office during the years of his service there. Ralph Pattison was described as “a meticulous gentleman whose punctuality, floorless courtesy and distinctive neat dress were hallmarks of his character, and ‘his’ clock controlled his daily routine and his opening and closing of the library’s large heavy doors to the minute.” Pattison took leave from 1942 to 1945 to serve in the Royal Australian Navy, Volunteer Reserve as Lieutenant. A few years later he converted one of the Museum’s rooms into a Children’s Library, stocking it with suitable books for the younger generation. This was an instant success. In the 1950’s he had the honour of being appointed to the Victorian Library Board and received more inspiration from the monthly conferences in Melbourne. He was sadly retired in 1959 after over 23 years of service, due to the fact that he had gone over the working age of council officers. However, he continued to take a very keen interest in the continual development of the Library until his death in 1969. THE NEW WARRNAMBOOL LIBRARY When the WMI building was pulled down in 1963 a new civic building was erected on the site and the new Warrnambool Library, on behalf of the City Council, took over all the holdings of the WMI. At this time some of the items were separated and identified as the ‘Pattison Collection’, named after Pattison. Eventually, the components of the WMI were distributed from the Warrnambool Library to various places, including the Art Gallery, Historical Society and Flagstaff Hill. Later some were even distributed to other regional branches of Corangamite Regional Library and passed to and fro. It is difficult now to trace just where all of the items have ended up. The books at Flagstaff Hill Maritime Village generally display stamps and markings from Pattison as well as a variety of other institutions including the Mechanics’ Institute itself.Lewis’s book is significant for its association with the writer, who was the first American to be awarded the Nobel Prize for Literature (1930). This book is significant for its connection with the Pattison Collection which, along with other items at Flagstaff Hill Maritime Village, was originally part of the Warrnambool Mechanics' Institute’s collection. The Warrnambool Mechanics’ Institute collection is primarily significant in its totality, rather than for the individual objects it contains. Its contents are highly representative of the development of Mechanics' Institute libraries across Australia, particularly Victoria. A diversity of publications and themes has been amassed, and these provide clues to our understanding of the nature of and changes in the reading habits of Victorians from the 1850s to the middle of the 20th century. The collection also highlights the Warrnambool community’s commitment to the Mechanics’ Institute, reading, literacy and learning in the regions, and proves that access to knowledge was not impeded by distance. These items help to provide a more complete picture of our community’s ideals and aspirations. The Warrnambool Mechanics Institute book collection has historical and social significance for its strong association with the Mechanics Institute movement and the important role it played in the intellectual, cultural and social development of people throughout the latter part of the nineteenth century and the early twentieth century. The collection of books is a rare example of an early lending library and its significance is enhanced by the survival of an original collection of many volumes. The Warrnambool Mechanics' Institute’s publication collection is of both local and state significance. Title: It can’t happen here Author: Sinclair Lewis Publisher: Jonathan Cape, London Date: 1935 Hardback board book covered with mustard-brown linen, with a clear plastic protective cover over it. The book’s title is printed across the front cover and on the spine. Also on the spine the author’s name, a symbol, and a white adhesive label with a typed library call number. On the loose front endpaper is an oval, purple stamp with text. Paper labels are on the inside endpaper. The book, a novel, is part of the Pattison Collection originally belonging to the Warrnambool Mechanics’ Institute, and the Warrnambool Public Library.Adhesive label - “PAT / FIC / LEW” Inside front loose endpaper stamped in purple “WARRNAMBOOL MECHANICS’ INSTITUTE” Front endpaper label from Warrnambool Public Library and Corangamite Regional Library Serviceflagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, book, pattison collection, warrnambool library, warrnambool public library, warrnambool mechanics’ institute, ralph eric pattison, warrnambool books and records, corangamite regional library service, warrnambool city librarian, mechanics’ institute library, victorian library board, warrnambool children’s library, american novel, jonathan cape, sinclair lewis, harry sinclair lewis, 1930 nobel prize for literature, it can’t happen here -
Flagstaff Hill Maritime Museum and VillageCraft - Ship Model, Mary Campbell, circa 1940
... James and Helen had ten children: James Arthur (Jnr), Henry William, Nellie Jessie, Alfred Albert, Rubena Nellie, De Jersy Norman, Clifford Beckett, Olive Ida, Frances Ridley Havergal and Nellie Elvie, all born in Victoria. ...James and Helen had ten children: James Arthur (Jnr), Henry William, Nellie Jessie, Alfred Albert, Rubena Nellie, De Jersy Norman, Clifford Beckett, Olive Ida, Frances Ridley Havergal and Nellie Elvie, all born in Victoria. ...This ship model is of the sailing brigantine MARY CAMPBELL, which once belonged to Captain James Arthur Robilliard. The model was made by Harry McKenna, a well-known ship model maker and Warrnambool resident. CAPTAIN ROBILLIARD James Arthur Robilliard, sea captain and tent maker, was born in 19th April 1843 in St. Helier, Jersey, Channel Islands. He trained there in his father’s sail loft as a sailmaker. He later became a skipper. His first job was as a sailor in Liverpool, England. In 1875, James Robilliard migrated to Australia as a mate on the “E.M. Young”. Captain Robilliard and his family were amongst the early settlers along the Curdies River in the Heytesbury district. In 1877, he became a Captain. On 14th November 1879, Captain Robilliard married Helen Beckett. James and Helen had ten children: James Arthur (Jnr), Henry William, Nellie Jessie, Alfred Albert, Rubena Nellie, De Jersy Norman, Clifford Beckett, Olive Ida, Frances Ridley Havergal and Nellie Elvie, all born in Victoria. THE MARY CAMPBELL The ship “Mary Campbell” was built by Alexander Newton Jr. She was carvel-planked, of iron bark and blue gum timber. The family shipyard was at Pelican, on the Manning River, NSW, and “Mary Campbell” was first launched by her builder in 1869 as “The Son”. Three months later, she was renamed “Mary Campbell’ by her purchaser J. Campbell in Sydney. She was used to carry equipment for the Sydney Sugar Refinery’s Mill in Southgate, NSW. She then traded for the next 20 years between Australian ports and rivers along the east coast, as well as regular ports in New Zealand. She was “recognised as one of the best carrying little vessels in the timber trade” (Sydney Morning Herald). She had several owners over this time, the last one being Captain James A. Robilliard. On 29th April 1889, “Mary Campbell”, in the charge of her owner, Captain James A Robilliard, was on her way from Clarence River, NSW to Melbourne, Victoria with a cargo of railway girders for the Melbourne Harbour Trust. Captain Robilliard encountered a storm off Port Macquarie. He sailed the vessel south to 25 miles (about 40km) east of Cape Hawke, near Tuncurry and Forster. At 7 pm, he discovered that the cargo had shifted during the stormy seas and the heavy girders had damaged the hull, causing a leak. The pumps were inadequate to stem the fast-flowing leak, and over a meter of water filled the hull during the next 2 hours. Some of the crew began throwing the cargo overboard to lighten the vessel, hoping to keep it afloat until daylight. When the water reached over 2 meters in the hull, they realised their efforts were in vain. At 1:30 am on 30th April 1889, the crew left the vessel. They stood by in the lifeboat until 3 am. The ship was sinking fast, so they left for the shore, looking for a safe place to beach their boat. While still miles off Cape Hawke, all 7 crew members, including the Captain, were rescued by the Government Tug “Rhea” and taken to Port Macquarie hospital, then returned to Sydney in the “Wellington”. Captain Robilliard managed to rescue his ship’s compass, but no cargo was saved from the vessel. It had been under-insured, only covered for half its value, due to a lack of funds. Many years later, in 1976, an anchor was caught up in the net of a trawler south of Forster and thought to be from the “Mary Campbell”. It was donated and installed in the Great Lakes Museum, Tuncurry, NSW. (The same museum also has a half-model of the hull of “Mary Campbell”.) The name of the last ship Captain Robilliard sailed is currently unknown; however, he sailed that ship from the port of Marlborough, Queensland, carting steel railway girders for the Geelong-to-Camperdown line. On one trip, it hit a storm, the cargo shifted, and the ship was wrecked along the NSW coast. After this, Captain Robilliard exchanged sea life for farming in Peterborough. In about 1897, verging on retirement, Capt. Robiilliard superintended the Melbourne Sailors’ Home in Spencer Street, Melbourne, before being asked to leave this position in 1902 for trying to shut down the local hotel! At this time, the Melbourne Sailors’ Home was about to change its location. On 6th May 191,7, Captain James Arthur Robilliard J.P. died at Blackwood Park, in the Cobden district of Brucknell, which is now considered the first official Robilliard family homestead in Australia. He was buried in the Melbourne General Cemetery, Victoria. His wife, Helen, passed away in 1947. The Becket and Robilliard family names continue to be well known in the Western District. Flagstaff Hill Maritime Village also has a ship’s compass in the collection that was owned by Capt. J. Robilliard and used on the ship Mary Campbell.This ship model of the MARY CAMPBELL is of local significance for its association with well well-known Warrnambool resident and ship model maker. The model is also significant for its association with the brigantine MARY CAMPBELL, a trading vessel that brought railway girders to the Melbourne Harbour Trust.Ship model "Mary Campbell": a two-masted vessel with black hull, brown masts and black rigging, displayed in a glass case with a timber frame painted green. Made by Harry McKenna.Painted on the bow in white “MARY CAMPBELL” Gold label with black print attached to display case “MODEL BY THE LATE HARRY McKENNA OF WARRNAMBOOL”flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, marine artwork, model making, captain james arthur robilliard, j.a. robilliard, vessel mary campbell, ship mary campbell, melbourne sailors home, vessels, harry mckenna, mary campbell -
City of Melbourne LibrariesPhotograph, Bull, Hugh Jones, 1897-1993, Miss Joan Hartigan and Mr Harley Malcolm embark on the RMS Orford for Wimbledon
... Cornflowers are sometimes referred to as “bachelor’s button” due to the old practice of men wearing cornflower buttonholes to indicate they are either in love or ready for courting. The Bleuet de France is the French flower of remembrance. ...Cornflowers are sometimes referred to as “bachelor’s button” due to the old practice of men wearing cornflower buttonholes to indicate they are either in love or ready for courting. The Bleuet de France is the French flower of remembrance. ...“MISS JOAN HARTIGAN, the well known New South Wales tennis player, who intends to play at Wimbledon this year. A photograph taken on board R.M.S. Orford before she sailed yesterday.” - The Age Photographer notations on slide: "B19" Published: Age (Melbourne, Vic. : 1854 - 1954), Wednesday 21 March 1934, page 13 Published title: MISS JOAN HARTIGAN Published caption: MISS JOAN HARTIGAN the well-known New South Wales tennis player, who intends to play at Wimbledon this year. A photograph taken on board R.M.S. Orford before she sailed yesterday. Trove article identifier: http://nla.gov.au/nla.news-article203827087 Description: On the deck of a ship, a smiling young woman wearing a white hat, printed fabric dress with brooch and holding a black clutch bag stands next to a middle aged man wearing a dark three piece suit and necktie with cornflower buttonhole and lapel pin and a newspaper under his arm. Research by project volunteer, Fiona Collyer: Twenty-one year old Australian Championships, (now known as the Australian Open) winner Miss Joan Hartigan and Mr Harley Malcolm, Lawn Tennis Association of Australia (LTAA) Honorary Secretary and referee, embark on the R.M.S. Orford at Station Pier, Port Melbourne on their way to Wimbledon. The Australian Test cricket and Davis Cup teams were also on the same voyage. Joan Marcia Hartigan (Bathurst) 1912-2000 from Sydney, won the Australian Championships three times in 1933, 1934, 1936 and was a Wimbledon semifinalist in 1934, 1935. A tall, stylish presence in visor and pleated dress, Joan was renowned for her power game and her “upside down backhand” i.e. striking the shot with the same face of the racquet that she hit her forehand. Joan’s world ranking was No.8 in 1934. Unfortunately, her career was interrupted by the outbreak of WW11 with international matches suspended for five years. Joan enlisted in the Australian Military Forces during WW11 and in 1947 she married Hugh Bathurst, private secretary to Senator James Fraser, Prime Minister Ben Chifley’s Health Minister. They had a daughter Mary and a son Thomas who became Chief Justice of NSW. Joan died in Sydney in 2000. In October 1933, Mr Harley Malcolm, declared “I consider shorts not regulation costume and would stop both men and women, particularly women, wearing them. I think women’s desire to strut in such a costume is unreasonable.” However, Harley was on the wrong side of history. In Europe and USA, many women tennis players were swapping their long skirts and stockings for bare legs, short skirts and shorts and men their long flannels for tailored shorts. In 1933, Henry “Bunny” Austin stunned the Wimbledon crowd when he wore shorts onto Centre Court - the first top male player to do so. He found it too hot to play in long trousers so he asked his tailor to run up some prototype shorts. At the 1933 Wimbledon Women’s Final, in front of the King and Queen, English champion Dorothy Round wore her trademark sleeveless dress with a divided skirt and her American competitor Helen Jacobs wore white, tailored shorts with a black stripe on each side, described as “mannish, though businesslike.” In November 1933, the Victorian Lawn Tennis Association officially allowed shorts as regulation dress at Kooyong for both sexes. In 1935, Dorothy wore her shorts while competing in Melbourne at the Australian Championships, Kooyong and there was hardly a murmur of dissent. Mr Harley Malcolm was involved with Australian tennis for 57 years, first as a player, then as a referee and administrator. He always wore a cornflower buttonhole on his lapel as he said the blue in that flower was his favourite colour. Cornflowers are sometimes referred to as “bachelor’s button” due to the old practice of men wearing cornflower buttonholes to indicate they are either in love or ready for courting. The Bleuet de France is the French flower of remembrance. References: WOMEN CITIZENS' MOVEMENT. (1934, March 21). The Age (Melbourne, Vic. : 1854 - 1954), p. 13. Retrieved March 20, 2024, from http://nla.gov.au/nla.news-article203827087 'Joan Hartigan', Wikipedia, https://en.wikipedia.org/wiki/Joan_Hartigan Leading Tennis Referee Condemns Wearing of Shorts (1933, October 5). The Herald (Melbourne, Vic. : 1861 - 1954), p. 11. Retrieved March 6, 2024, from http://nla.gov.au/nla.news-article243193607 REMEMBERING 57 YEARS OF TENNIS (1947, December 10). Daily Mercury (Mackay, Qld. : 1906 - 1954), p. 5. Retrieved April 1, 2024, from http://nla.gov.au/nla.news-article171166922Photographer notations on slide: "B19".tennis, 1930-1939, ships, sport, clothing and dress -
Bendigo Historical Society Inc.Document - THE STUDENT PRINCE, CAPITAL THEATRE, 15 June, 1972
... Trumpets: Mr D Gray, Mr David Gray, Mr Ian De Araugc. Percussion: Mr Brian Beale. Pianoforte: Mrs P Gorman. ...Trumpets: Mr D Gray Mr David Gray Mr Ian De Araugc. Percussion: Mr Brian Beale. Pianoforte: Mrs P Gorman. ...The Student Prince, Capital Theatre, View Street, Bendigo. For a six night season: Thursday 15th, Friday 16th, Saturday 17th and Thursday 22nd, Friday 23, Saturday 24th June, 1972. Bendigo Operatic Society: Mr J McK. Cannon, Mr F Trewarne, Miss Ann Ball, Mr L Spencely, Mrs P Lyon. Committee: Mesdames J Cannon, M Reed, Misses P McCraken & M Welch, Messrs. J Beaumont, J Boquest, G Daws. Photos: Producer-Max Collis, Assistant Producer, Ballet & Wardrobe Mistress-Madge Welch, Assistant Pianist-Edith John, Musical Director-Gwen Grose, Society Pianist- Ruth Gorman. Photos of cast: Margaret McQueenie, John Boquest, John McCormack, Graham Bumford, Graeme Daws, Annette Beckwith, Jill James, Ferd Lorenz, Shane Brennan, Patricia Lyon, Max Rule, Ian Beckwith, John Tonkin, Michael Filippini, Valerie Griffiths, Jim Feteris. Synopsis if Story. Synopsis of Scenes. Bendigo Operatic Society Presents by arrangement with Allan's Music (Australia) Pty. Ltd. ''The Student Prince'' A Max Collis Production. Music by Sigmond Romburg. Book & Lyrics by Dorothy Donnelly. Stage Manager Malcolm Cannon. Musical Director Gwen Grose. Choreography Madge Welch. Wardrobe Miss M Welch, Mrs A Ball. Cast: Kerry Hogan Brian Fitzpatrick, Garry Burns, Alan Petrie, Graham Bumford, John McCormick, John Boquest, Graeme Daws, Annette Beckwith Margaret McQueenie, Michael Filippini, Nicholas Kasterovic, Max Rule, Graham Bumford, Ian Beckwith, Ferd Lorenz, Shane Brennan, Jill James, Patricia Lyon, Valerie Griffiths, Jim Feteris, John Tonkin. Time _ Spring 1860. Female Chorus: Marion Alcock, Ann Ball, Wilma Baldwin, Dorothy Field, Ann Garrat, Dawn Moncrieff, Coral Rivett, Lois Semmens, Marilyn Storey, Marion Wright. Male Chorus: Garry Burns, Edmund, Burke, Peter Edgley, Brian Fitzpatrick, Jim Feteris, Kerry Hogan, Ross Jones, Nicholas Kasterovic, Bernie Keogh, John Keogh, Alan Petrie, Fred Trewarne, Philip Wilkin. Ballet: Dianne Austin, Annette Basset, Wendy Kent, Jocelyn Lyon, Lyn Rowe, Ann Rendell, Helen Southby, Pauline Waugh. Publicity Officer: Mrs J Cannon. Scenery & Properties: M & J Cannon, J Moncrieff, R Spicer. Art Work: M Cannon, S James, B Agnew, Tony Lorenz, J Hall, Karl Steinberg. Prompt: Mrs J Cannon. Lighting: L Reed, H Bridges & T Vincent. Make-up: Mrs H Cannon & Mrs D Coia. Hairdressing: Ross Coiffure. House Manager: Garry McDonald. Bendigo Concert Orchestra Violins: Mrs R Weldon, Mrs A Boulton, Mrs M Robbins, Mrs C Messer, Mr C Gill, Mr J Jordan, Mr P Phillips, Mr T French. Violas: Mr E Jarrett, Mr H Werry. Cellos: Mrs C Bubb. Bass: Mr S Anderson. Flute: Mr C Bubb. Clarinets: Mr R Holyoake. Trombones: Mr W Neuman. Trumpets: Mr D Gray, Mr David Gray, Mr Ian De Araugc. Percussion: Mr Brian Beale. Pianoforte: Mrs P Gorman. Songs From ''The Student Prince'' (wording). Acknowledgement; Bendigo Advertiser, BCV8, 3BO, 3CV, St Mary's. Advertisements through last half of program: Don Semmens Photographic Studio, The Copper Pot Licensed Restaurant, Ross Coiffure Beatty Salon. A and b are both the same copy a in the better of the copies as b is lightly faded. Otherwise excellent condition.program, music, bedigo operatic society, the student prince, capital theatre, view street, bendigo. 15th, 16th, 17th 22nd, 23, 24th june, 1972. bendigo operatic society: mr j mck. cannon, mr f trewarne, miss ann ball, mr l spencely, mrs p lyon. committee: mesdames j cannon, m reed, misses p mccraken & m welch, messrs. j beaumont, j boquest, g daws. photos: producer-max collis, assistant producer, ballet & wardrobe mistress-madge welch, assistant pianist-edith john, musical director-gwen grose, society pianist- ruth gorman. photos of cast: margaret mcqueenie, john boquest, john mccormack, graham bumford, graeme daws, annette beckwith, jill james, ferd lorenz, shane brennan, patricia lyon, max rule, ian beckwith, john tonkin, michael filippini, valerie griffiths, jim feteris. synopsis if story. synopsis of scenes. bendigo operatic society presents by arrangement with allan's music (australia) pty. ltd. ''the student prince'' a max collis production. music by sigmond romburg. book & lyrics by dorothy donnelly. stage manager malcolm cannon. musical director gwen grose. choreography madge welch. wardrobe miss m welch, mrs a ball. cast: kerry hogan brian fitzpatrick, garry burns, alan petrie, graham bumford, john mccormick, john boquest, graeme daws, annette beckwith margaret mcqueenie, michael filippini, nicholas kasterovic, max rule, graham bumford, ian beckwith, ferd lorenz, shane brennan, jill james, patricia lyon, valerie griffiths, jim feteris, john tonkin. time _ spring 1860. female chorus: marion alcock, ann ball, wilma baldwin, dorothy field, ann garrat, dawn moncrieff, coral rivett, lois semmens, marilyn storey, marion wright. male chorus: garry burns, edmund, burke, peter edgley, brian fitzpatrick, jim feteris, kerry hogan, ross jones, nicholas kasterovic, bernie keogh, john keogh, alan petrie, fred trewarne, philip wilkin. ballet: dianne austin, annette basset, wendy kent, jocelyn lyon, lyn rowe, ann rendell, helen southby, pauline waugh. publicity officer: mrs j cannon. scenery & properties: m & j cannon, j moncrieff, r spicer. art work: m cannon, s james, b agnew, tony lorenz, j hall, karl steinberg. prompt: mrs j cannon. lighting: l reed, h bridges & t vincent. make-up: mrs h cannon & mrs d coia. hairdressing: ross coiffure. house manager: garry mcdonald. bendigo concert orchestra violins: mrs r weldon, mrs a boulton, mrs m robbins, mrs c messer, mr c gill, mr j jordan, mr p phillips, mr t french. violas: mr e jarrett, mr h werry. cellos: mrs c bubb. bass: mr s anderson. flute: mr c bubb. clarinets: mr r holyoake. trombones: mr w neuman. trumpets: mr d gray, mr david gray, mr ian de araugc. percussion: mr brian beale. pianoforte: mrs p gorman. songs from ''the student prince'' (wording). acknowledgement; bendigo advertiser, bcv8, 3bo, 3cv, st mary's. advertisements: don semmens photographic studio, the copper pot licensed restaurant, ross coiffure beatty salon. -
Bendigo Historical Society Inc.Document - National Trust Collection: Mechanics Institute - School of Mines - Technical College, & Royal Princess Hotel, 1977-1983
... The pendant gas-light fitting (made by a local firm of the day) is worthy of note." 3084.77a UNDATED file note Mechanics Institute - School of Mines - Technical College - now the McCrae Street section of the Institute of Technology 3084.77b&c 20/12/1977 -Bendigo Institute of Technolgy - data sheet and photographs 3084.77d citation and history of buildings 3084.77e 2/08/1978 follow up request for data information 3084.77f handwritten request from David Collins for information of the de-licensed Princess Hotel on the corner of Mundt & Hargreaves Streets 3084.77g 1/02/1980 National Trust memo requesting a site plan to show the location of the Classified Library Building in relation to the McCrae Street buildings 3084.77h 10/06/1980 from NTofVic requesting information on the various alterations and improvements proposed to the Bendigo Institute of Technology 3084.77i 29/09/1980 from NTofVic Bendigo Branch referring to proposed alterations "the matter has been referred to the Government Buildings Advisory Committee, as the buildings are now included in their register" 3084.77j 10/03/1983 from BIT Principal "for advice in designing a suitable recognition of the Royal Princess Hotel on site .....of the building and its history" 3084.77ka-d 10/08/1971 correspondence on the future of the Town Hall 3084.77l-o 12/08/1980 fwd to NTofVic re the existing building on the corner of Mundy & Hargreaves Streets, Bendigo currently occupied by W.A. ...The pendant gas-light fitting (made by a local firm of the day) is worthy of note." 3084.77a UNDATED file note Mechanics Institute - School of Mines - Technical College - now the McCrae Street section of the Institute of Technology 3084.77b&c 20/12/1977 -Bendigo Institute of Technolgy - data sheet and photographs 3084.77d citation and history of buildings 3084.77e 2/08/1978 follow up request for data information 3084.77f handwritten request from David Collins for information of the de-licensed Princess Hotel on the corner of Mundt & Hargreaves Streets 3084.77g 1/02/1980 National Trust memo requesting a site plan to show the location of the Classified Library Building in relation to the McCrae Street buildings 3084.77h 10/06/1980 from NTofVic requesting information on the various alterations and improvements proposed to the Bendigo Institute of Technology 3084.77i 29/09/1980 from NTofVic Bendigo Branch referring to proposed alterations "the matter has been referred to the Government Buildings Advisory Committee, as the buildings are now included in their register" 3084.77j 10/03/1983 from BIT Principal "for advice in designing a suitable recognition of the Royal Princess Hotel on site .....of the building and its history" 3084.77ka-d 10/08/1971 correspondence on the future of the Town Hall 3084.77l-o 12/08/1980 fwd to NTofVic re the existing building on the corner of Mundy & Hargreaves Streets, Bendigo currently occupied by W.A. ...National Trust Collection: Mechanics Institute - School of Mines - Technical College (the McCrae Street section of the Institute) A variety of correspondence from December 1977 to March 1983, between The National Trust and the Principal of the Bendigo Technical College, regarding the facade of the building, the Assay Laboratory, the Library. Various letterheaded correspondence, generally typed letters and information three site sketch plans of the buildings on the corner of Mundy and Hargreaves Streets (circa 1980). "Early portions at the northern end in 1984. Architects Vahland and Getzschmann. Foundation stone of additions laid in May 1889 comprising three floors and a tower. Architect W.C. Vahland. In 1887 an octagonal Library building designed by Vahland had been erected and finely decorated by the famous Otto Waschatz. During the war years this beautiful building was sadly mutilated due to lack of adequate classroom space but has recently been restored and some of its pristine dignity recaptured. The pendant gas-light fitting (made by a local firm of the day) is worthy of note." 3084.77a UNDATED file note Mechanics Institute - School of Mines - Technical College - now the McCrae Street section of the Institute of Technology 3084.77b&c 20/12/1977 -Bendigo Institute of Technolgy - data sheet and photographs 3084.77d citation and history of buildings 3084.77e 2/08/1978 follow up request for data information 3084.77f handwritten request from David Collins for information of the de-licensed Princess Hotel on the corner of Mundt & Hargreaves Streets 3084.77g 1/02/1980 National Trust memo requesting a site plan to show the location of the Classified Library Building in relation to the McCrae Street buildings 3084.77h 10/06/1980 from NTofVic requesting information on the various alterations and improvements proposed to the Bendigo Institute of Technology 3084.77i 29/09/1980 from NTofVic Bendigo Branch referring to proposed alterations "the matter has been referred to the Government Buildings Advisory Committee, as the buildings are now included in their register" 3084.77j 10/03/1983 from BIT Principal "for advice in designing a suitable recognition of the Royal Princess Hotel on site .....of the building and its history" 3084.77ka-d 10/08/1971 correspondence on the future of the Town Hall 3084.77l-o 12/08/1980 fwd to NTofVic re the existing building on the corner of Mundy & Hargreaves Streets, Bendigo currently occupied by W.A. Pulfer Motors Pty Ltd 3084.77p-r 12/08/1980 three sketches (site building details and street elevations) of the existing buildings on the corner of Mundy & Hargreaves Streets, Bendigo 3084.77s16/08/1980 Note advising the NTofVic of the T.A.F.E. proposal for redevelopment of the site north of Mundy Street, between McCrae and Hargreaves Sts. 3084.77t 19/08/1980 memo re: the T.A.F.E. proposal for redevelopment of the site north of Mundy Street, between McCrae and Hargreaves Sts. and existing reports 3084.77 u 11/09/1980 re: the T.A.F.E. proposal for redevelopment of the site north of Mundy Street, between McCrae and Hargreaves Sts.- local NTofVic advising "it would appear that the Urban Conservation Committee have unearthed possible options for the building so that it may be retained for its streetscape value" 3084.77va & vb 28/09/1981 from local NTofVic the Committee resolved to refer any further discussions on the Royal Princess Hoyel to the Building Committee in Central Administration.... as a result of conflicting engineering reports 3084.77wa-wd 30/10/1981 classification of the Bendigo Technical College 3084.77xa-ac 3/03/1982 from Loddon Regional TAFE Board requesting a copy of NTofVic correspondence concerning the building at the Bendigo Technology College and requesting support for the redevelopment plans for the BTC 3084.77ya-yc 14/10/1982 NTofVic urging the Government Buildings Advisory to "take action as quickly as possible"bendigo institue of technology, royal princess hotel -
Melbourne Tram MuseumLetter - Correspondence, Melbourne & Metropolitan Tramways Board (MMTB), "Trolley Buses", 1922-36
... Has a note re the Board’s attitude towards motor buses. 28/8/1922 to 24/23 Series of letters pinned together with L. de Koenneritz regard trolley buses and Paris. ...Has a note re the Board’s attitude towards motor buses. 28/8/1922 to 24/23 Series of letters pinned together with L. de Koenneritz regard trolley buses and Paris. ...File containing correspondence between the MMTB Chief Engineer Mr. Strickland and various companies, including Railless Ltd, Australian General Electric, English Electric / Dick Kerr and its UK consultants Heap and Digby (H&D) between the period August 1922 and August 1936. Includes drawings, technical specifications, some of which are duplicated in the Reg Item 535 file. For a listing of the contents of this file and of Reg Item 535, see Related Documents - htd535-536list.pdf Item 536 - Trolley Buses Listed from top of file, in order found. Letters generally to/from MMTB Chief Engineer. Date Type Notes 7/8/1936 Letter from TE Barnes – re Bremen Germany Steam Omnibus. Three pages. On foolscap paper – rest quarto. Has been damaged. 3/2/1926 Letter from Bruce Henderson re transport in the Glen Eira Rd area – poor private bus. 25/10/1925 Letter to G. Higgins, regarding a paper he had presented and printed in Australian Municipal Journal about transport around Melbourne, predicted the demise of trams, trains. Notes Spencer St bridge. Copy of paper is pinned with letters. 28/819/22 Copy of letter to H&D from AEC (see above) Includes the Mexborough test gradient drawing. Undated Pamphlet from Railless Limited about Birmingham’s new trolley buses. 16/3/1923 Extract from Electric Railway and Tramway Journal – wages of trolleybus drivers not getting paid extra in Bradford. Two copies pinned together. 9/4/1923 Letter from H&D re pamphlet exchange You should have had it! 23/2/1923 Letter to H&D asking for information. Has a note re the Board’s attitude towards motor buses. 28/8/1922 to 24/23 Series of letters pinned together with L. de Koenneritz regard trolley buses and Paris. Noted that the MMTB did not have the legislative power to run trolley buses. 15/2/1922 to 10/4/23 Series of letters pinned together with the Aust. GE regarding trolley buses and references to their operation in journals. 10/1/1923 Letter from H&D re request for information on driving gear of Railless Ltd. vehicles 23/2/1923 Letter to H&D re above. 23/2/1923 Sheet of paper on “Steads Review” paper – pamphlet not yet to hand. 8/11/1922 to 10/1/1923 Series of letters with H&D pinned together asking for Railless driving gear – reluctant to provide. 26/9/1922 Letter from H&D, with copy of letter from English Electric enclosing materials regarding Trolley Bus equipment. Note much of this material is the same as that in Reg Item 535 contained within the green cloth tape. Performance curves for DK 26B motor Blueprint – 4449 – outline of controller DK, Type D, form B. Specification for DK 26B trolley motor. Blueprint – drawing 2810 – DK 26 Motor Blueprint – No. 1312D – controller diagram Pamphlet – EE – tramcar Type D automatic circuit Breakers. Publication No. 230, dated 9/1920. Ditto, Form A, drawings No 3565, 1/1/19. Performance curves for DK85A motor Blueprint – P2002M034 – DK85 Motor. EE specification for Traction Motor DK85 Modified from a tram motor. Blueprint – EE drawing – P2002M036 – DK85 motor with ball bearings. EE blueprint P2102F021, traction control wiring for form D controller. EE blueprint P2103F033 – outline of controller type SE1, form C and D. EE blueprint P2102Z011 – wiring diagram for type SE1 form controller. EE blueprint – P2102F025 – diagram of connections (wiring) for Type SE1, form D controller.trams, tramways, trolley buses, melbourne, mmtb, aec, heap and digby, english electric, railless, dick kerr, general electric -
Sunshine and District Historical Society IncorporatedPhotograph - St. Albans Secondary College 1997 Class Photographs
... Albans Secondary College 1997 Year 9-5.jpg 3rd Row: Rea Ramos, Pauline Velkoska, Louise Papacharalambous, James De Sante, Mark Abela 2nd Row: Derrick Cassar, Andriana Filipovska, Diane Pirotta, Valentina Dupcinov, Mirjana Kostantinovic, Cindy Xerri, Mac Antansov, Tracylee Chapple Front Row: Louise Mifsud, Georgette Vella, Catherine Sweeney, Laura Campbell, Ryan Watt Teacher: Mrs. ...Albans Secondary College 1997 Year 9-5.jpg 3rd Row: Rea Ramos, Pauline Velkoska, Louise Papacharalambous, James De Sante, Mark Abela 2nd Row: Derrick Cassar, Andriana Filipovska, Diane Pirotta, Valentina Dupcinov, Mirjana Kostantinovic, Cindy Xerri, Mac Antansov, Tracylee Chapple Front Row: Louise Mifsud, Georgette Vella, Catherine Sweeney, Laura Campbell, Ryan Watt Teacher: Mrs. ...The St. Albans High School opened in 1956 and changed its name to St. Albans Secondary College in 19905536.01 - St. Albans Secondary College 1997 Year 9-5.jpg 3rd Row: Rea Ramos, Pauline Velkoska, Louise Papacharalambous, James De Sante, Mark Abela 2nd Row: Derrick Cassar, Andriana Filipovska, Diane Pirotta, Valentina Dupcinov, Mirjana Kostantinovic, Cindy Xerri, Mac Antansov, Tracylee Chapple Front Row: Louise Mifsud, Georgette Vella, Catherine Sweeney, Laura Campbell, Ryan Watt Teacher: Mrs. D. Coleman Absent: Kasey Wapshott, Steven Calpecos, Hugo Ortiz 5536.02 - St. Albans Secondary College 1997 Year 10-6.jpg 3rd Row: Quoc Anh Tran, James Pham, Luke Baldacchino, Chris Kirkopoulos, Leigh Spicer, Nathan Chick 2nd Row: Natasha Krstevski, Quan Thai, Jenny "Giang" Huynh, Lam Tran, Thanh Pham, Lisa Koutroupis, Thu Van Dang, Lena Celvska Front Row: Phuong Uyen Ho, Cuong Kien Le, My Hgoc Bui, Robert Gatt, Emmy Suwunnakal, Mary Hoang, Katherine Santos, Hong Kim Lee Teacher: Ms. J. Simpson Absent: Leng Be, Vu Nguyen, Thanh Truong 5536.03 - St. Albans Secondary College 1997 Year 11.jpg 8th Row: Pama Moses, Adam O'Flynn, Aaron Locke, Maarit Suonkmi, Sandra Petakovic, Sandra Milunovic, Ranko Vujkovic. Adis Kablar, Michael Ilie, Elvis Kesic, Robert Sarna, Yusuf Belik, Gregory Hluschko, Peter Kolevski, Huseyin Ylahayla, Ben Davies, Martin Mell, Dylan Btytex. Tania Briffa 7th Row: Nada Karaman, Maria Budair, Elena Pavicevic, Josip Kasalo, Troy Caldwell, Marvic Muscat, Suhnil Ilondi, Fndil Klancevle, Trong Dinh, Arturo Rojas, James Burt, Marijaneco Petkovski, Simone Wincar, Keana Kowanjko, Brandan Turner, Lucas Papacharalambous, Sandy D'Silva, Vashna Lal, Valentina Petrovska, Joao Jong 6th Row: Kili Nazifi, Tina Kuxanovska, Lidia Kostantinovic, Marina Kovacic, Marj Jankulovska, Elizabeth Majanovic, An Ho, Paul Cachin, Vu Truong, Neshwan Hurmex, Shane ratnam, Jasmin Allisle, Steven Veljanovski, Joe Tran, David Chieng, Baart Klek, Jimmy Ku, Lung Lai, Royee Lay, Cuong Truong 5th Row: Kerine Gun, Sanah Oblan, Diana Razamvska, Samantha Renda, Allison Bacchetti, Anil Mustafa, Linh Nguy, Gina Antonlo, Jacqueline Mifsud, Mellisa Plsani, David Lie, Leslie Kretzchmar, Kamil Sliwinski, Gebreil Medhanye, Son Nguyen, Jeffrey Lim, Sasko Usinov, Joseph Mercieca, David Kent, Bang Quach, Branka Jurilj 4th Row: Loan Le, Lieu Le, Kirsty Jones, Hung Ngo, Phuoe Pham, Branka Dragicevic, Hong Yvong, Melaine Kusznir, Natalie Kolendowska, Le Hang Tran, Yelly Meulenbrock, Betty Filipovska, Arzu Guncelar, Trang Tran, Elisa Tu'Itupou, Mira Mihajlov, Michelle Schreyer, Allison Anderson, Melissa Hardimann, Hau Nguyen, Jolanta Olesky, Stella Balaban, Maria Srokowska, Shane Willie, Warren O'Brien 3rd Row: Liem Tran, Sandra Gatt, Resmije Demiri, Ninna Clkoja, Ruth Farrugia, Anita Grasic, Nicolina Kondoska, Jaleh Forsyth, Faustina Surrao, Gabriela Avram, Natasha Mancevska, Diana Srbinovska, Tu Le, Huynh Nguyen, Phuong Nguyen, Thang Truong, Nhut Huynh, Renee Hill, Anne Tran, Lan Ngo, Duy He, Teng Sim, Ebru Osman, Maureen Binaday, Paul Spiteri, Marco Theodorou, Anh Vu Nguyen, Mauric Rivas-Sayes 2nd Row: Kim Ang Tran, Linh Lu, Christian Robas, Zora Nedelkovska, Hussein Hussein, Muc Nguyen, Am Iloang, Can Tran, Phuong Pham, Janette Jack, My Nguyen, Thinh Pham, Kristina Zelke, Diana Li, Ngoe Wang, Ue Chau Tran, Anna Abela, Vicky Nguyen Front Row: Thi Be Tran, Linda Tan, Jenny Nguyen, Lan Quach, Nhien Nguyen, Senthuy Tran, Soung Van, Thanh Vuong, Thuy Lam, Phuong Le, Trang Nguyen, Thuy Thi Tran, Michelle Seiberras, Sonta Li, Nuni sim, Frances Selberras, Cemaltye Ahmet, Hang Pham, Van Nguyen, Ly Lu, Ngoc Truong Teachers: Ms. M. Odde, Mr. J. Myers, Ms. Villani, Ms. R. Marehionda Absent: Gezim Alimsovski, Jana Bilali, Jason Bulter, Agim Emini, Elizabeth Cassar, Tien Quach, Lindita Rustemovska, Si Sin, Stacey Trinh, David Nguyen, Phuc Cao 5536.04 - St. Albans Secondary College 1997 Year 12.jpg 8th Row: Nick Sikman, Danial Love, Ovidiu Neagole, Michael Schrvyer, Peter Silkman, Tomhlav Pitra, Ferid Kbncevik, John Favlkie, Scott Mansfield, Daniel Samarxija, Michael Tasbnsan, Vrild Cehle, Daniel Lieurck, Danny Panlic, Vural Ramadan 7th Row: Veeraj Lal, Zlalko Hovaneck, Thai Tzo, Yi Fan Sun, Sam loutas, Patrick Agius, James Czarnoch, Paul Beska Anthea Lonsdale, Vladmir Ristevski, Andrew McKellar, Fady Ghanem, Mustafa Mustafa, Hien Le, Glang Nguyen, Truong Mai 6th Row: Sean Sutton, Darren Zammit, Tansu Cogar, Percival Jose, Nehir Abdicevie, Moses Mondia, Beadley Stamvenkovic, Kelvin Phan, Mervals Tawafi, Bao Nguyen, Rebecca Lutze, Avnija, Bala, Maryanne Tomsale, Julia Stam, Jodi Galea 5th Row: Angela Atanasovska, Bilyana Markovska, Dafina Kojdovska, Karina Locke, Kimblery Hindmarsh, Laura Obeid, Vang Bui, Cung Vu, Ramses Diana, Anh Tran, Nhiem Nguyen, Khuong Nguyen, Snezana Dimitrljevska, Louise Vella, Nada Mitrovic, Sally Petreski 4th Row: Trang Huynh, Taliya Cikoja, Maria Demetriou, Michelle Sie, Natall Musulin, Vkoteta, Bogojov, Anda Barun, Diana Cekovska, Nada Sismanovic, Vieleta Dimitrijecska, Michelle Stewart, Janelle Francis, Rebecca CAmpbell, Natasha Nikolovska, Sonia Dimitrievska, Menka Cyctanovska, Julie Kiriacoudis, Michelle Merceica, Nahida Garibovic 3rd Row: sandra De Sousa, Sifa Bahriyelli, Minushe Demiri, Alicia Cassar, Sonya Karovska, Kathy Debert, Mallorie Allen, Myrna Foentes, Tracey Singh, Meri Gheju, Suzie Mieecie, Stacey Brown, Julie Velevska, Tania Zdravkecska, Phi Tran Tracey Leung, Thao Phuong,, Ly Nguyen, Joanne Darvell, Thao Tran, Antoinette Alemida, Xuan Phan 2nd Row: Karolina Jovaneski, Suzi Ognenovska, Lily Rustemovska, Kirstin Mizis, Michelle Gatt, Phuong Le, Anna Nguyen, Ubanti, Nguy, Kristina Popovacki, Emina Gee, Anda Barisk, Sneza, Nikovski, Vanessa Catania, Front Row: Ngam ngo, Linh Luu, Phuong Lu, Katrina Gatt, Homaira Tawfi, Rosarin Suwuwwakul, Thanh Tran, Alde Lam, Chantha Kindavong, Huong Nguyen, Trang Nguyen, Nhu Ngo Absent: Emirson Allmovski, Stela Bervanakis, Svetlana Micevska, Hang Nguyen, Thang Nguyen, Jack Phillips, Hoang Phan, Phac Truong, Truong Doan, Chi Mai, Maria Oddo, Rosa Marchionda,John Myers, Carmela Vilbni 5536.05 - St. Albans Secondary College 1997 Staff.jpg 5th Row: Nigel tarr, Glenys Stevens, Brian Mundy, John Lacorcia, Rod Bear, Warren Niddrie, Ian Crocker, Andrew Wuttke, Craig Jennings, Maclor Himbury, Andrew McCarter, Peter Sinclair, Surjeet Singh, John Myers 4th Row: David Russell, Carolyn Learmonth, rosemary Banbury, Cinzia Cunningham, Frances Seketa, Trish Lowe, Stavroula Bekiarism, Stewart Fraserm Jon Kortuem, Les Chapman, Michael bowdenm Andrea Federico, Dorothy Coleman, Judy Simpson, Andrew Morrison 3rd Row: Graham Twist. Shayne Rule, Loue Traianou, Carol Greaves, Mark Micallef, Eric Gerqes, Volanda De Santos, John Cowl, Megan Jeffery, George Peart, Leonie McGannon, Kay Williams, Louise Talevska, Athan Theodorou, Denise Kirton, Andrea Miller, Rose Johnson 2nd Row: Janet McKenzie, Laura Gough, Miranda Truong, Stephaine Leontizdes, Michelle Veith, Thu Tran, Linh Dang, Mario Orsini, Roda Marchionda, Gael Meadowcroft Front Row: Vera Mitrovska, sue Brown, Pam Kernohan, ruth Radke, Ruth Hodgson, Kathy Haris, Roger Martin (Assistant Principal), Stewart Homer (Principal), Jo Doherty (Assistant Principal), Marla Oddo, Effie Goulas, Jaune Stephens, Jo Kelly, Amal Seif, Pam Oliver, Bev Davies st. albans high school, main road east, st. albans, st. albans secondary college -
Sunshine and District Historical Society IncorporatedPhotograph - Sunshine Technical School 1991 Class Photographs, Sunshine Technical school
... 1055.01 - Sunshine Technical School 1991 Staff 1055.02 - Sunshine Technical School 1991 Technol Boys 1055.03 - Sunshine Technical School 1991 Art Graphics 1055.04 - Sunshine Technical School 1991 Year 07 07A Boys Girls Names Front Row L2R Elizabeth Kisfalusi Donna Van Boven Tracy Pahlke Kristy Saric Janice McMillan Christina Neacsu Second Row L2R Anthony Bolton Cli8nton Raft Aaron Wright Shannon Nichols Deane OCallaghan Damien Roach Third Row L2R Anthony Dean Chris Simpson Brett Irvine Troy Maskell Teacher C Tung Principal Mr P Forbes 1055.05 - Sunshine College 1991 Year 07 07B Boys Names Front Row L2R Wayne Marinus Paul Ruzeu Dragi Andrevski Lawrence Vellaski Kane Harvard Sean Guilfoyle Second Row L2R Brent Fletcher James Scibberas Justin Busuttil Ricky Wojtala Steven Lutar David Tabban Orban Jasarov Damien Donnelly Teacher Mr A McCarter Principal Mr P Forbes 1055.06 - Sunshine Technical School 1991 Year 08 08A Boys Girls Names Front Row L2R Raymond Lewer Shanahan Dickinson Allison Tedesco Carlie Newman Joshua Masuglia Trevor Mallia Second Row L2R Danielle Oldham Peter Artigas Anne Brown Julie Duncan Narelle Clayton Dorina Neacsu Kylie Laver Third Row L2R Craig Trevorrow Andrew Briffa Jeremy McDevitt David Nuttal Natalee Drake Absent Brett Thompson Kurt Zengin Teacher Peter R Haby Principal Mr P Forbes 1055.07 - Sunshine Technical School 1991 Year 08 08B Boys Girls Names Front Row L2R Tony Ruggieri Mathew Bettin Bradley Mills Daniel Fenech Brett Dyson Paul Kutniewski Second Row L2R Sharon McDonagh Nicole Clayton Bernadette Hauk Maraid Conlon Monica Hauk Julie Harrison gulay Sulamc Third Row L2R Barry Evans Densel Issacs Bob Milic Anthony Lolj Jamie Lutar Lisa Horneij Absent Mathew Gay Adrian Mitchell Teacher Mr F Cini Principal Mr P Forbes 1055.08 - Sunshine Technical School 1991 Year 08 08C Boys Names Front Row L2R Shane Thompson Shane Jackson Hayden Vandemberg Adam Burton Richard Duffin Corey Bentley Scott Marney Rohan Franksen Second Row L2R Aaron Grima Tommy Hedjes Gary Hill Jason Attard Jay Cooper Brendan OLaughlin Adam Berry David Galea Third Row L2R Mark Vella Lee Momcilovic Darren Fenech Mark Phillips Vinh Du Teacher Mr Wayne Wright Principal Mr P Forbes 1055.09 - Sunshine College 1991 Year 09 09A Boys Girls Names Front Row L2R Rodney Vella Paul Grech Aaron Woods Robert Magro Jason Clark Leslie Smith Anthony Krivolabvek Second Row L2R Lee Bakes Shaun Duan Dean Guilfoyle Jason Trevorrow Paul Galea Third Row L2R Michael Doll Aaron Savage Glen Van Boven Absent Peter Matusan Adrian Cohen Kenneth Harrison Adrian Nichols Joey Marsay Ryan Havard Teacher Mr T Gialamatzis Principal Mr P Forbes 1055.10 - Sunshine Technical School 1991 Year 09 09B Boys Girls Names Front Row L2R Shane Caruana Sophie Manith Leah Saric Nicole Stevens Kylie Willett Jason Marinus Second Row L2R Susan Mariott Andela Brown Emmanuel Marabeliotakis Rennie Sultana Darren Grech Paul Marney Harvey Hahne Third Row L2R Stephen Ruzeu Ian Gaffeiro Brett Ross Lisa Hearn Simone Donnelly Absent Penny Evans Michael McGuckin Trevor Spence Teacher Mr Chris Wheat Principal Mr P Forbes 1055.11 - Sunshine Technical School 1991 Year 10 10A Boys Girls Names Front Row L2R Ailleen Greaves Melissa Bezzina Jennifer Owen Belinda Mezzina Jennifer Owen Belinda McVeigh Helen Matejic Lisa Gatt Rose Raffaele Second Row L2R Stavros Kalaitzoglou Christine Smith Lisa Keith Tulay Sulamc Wendy Smith Christine McLachlan Shane McLean Third Row L2R Philip Shaw Enrico De Angelis Troy Grima Kim Van Boven Absent Sharna Donelly Hank Burton Teachers Lesia Davey Faye Villani Principal Mr P Forbes 1055.12 - Sunshine Technical School 1991 Year 10 10B Boys Girls Names Front Row L2R Harley Williams Mark Bakes Martin Artigas Anthony Grinham Tony Doslov Brice Milne Jason Wright Second Row L2R Tracy Brown Kerrie Graham Michelle Gray Amanda Lewer Kellie Thompson Michael Deveson Absent Sindy Lee Moody Cathy Porter Patricia Moore Leigh Maskell Robert Apap Teacher Mr David Doolan Principal Mr P Forbes 1055.13 - Sunshine Technical School 1991 Year 10 10C Boys Names Front Row L2R Rodney Dingley Mathew Armeni Anthony Palm Phillip Rezeu Andrew Hawkins Adrian East Wayne Borg Second Row L2R Gerard Baldacchino Timothy Newton Trevor Isaacs Jamie Howard Brian Minetti Third Row L2R Timothy Kehagias Andrew Grinham Travis Comensoli Mathew McMillan Patrick Vella Teachers M Croker M Tancredi Principal Mr P Forbes 1055.14 - Sunshine Technical School 1991 Year 11 11A Boys Girls Names Front Row L2R Lynette Richards Melissa Alldis Veronica Bailey Leslie Bolton Carla Richards Renea Lyons Second Row L2R Nick Origlia Paul Dalli rocco Logozzo Joseph Cumbo Faruk Sulamc Ricky Vella shawn Sposito Third Row L2R Margaret Bettin Mark Steers Robert Schneider Brendon Dixon Dino Dibra Michael Randall Trudy Gates Teacher Mona Ragldo Principal Mr P Forbes 1055.15 - Sunshine College 1991 Year 11 11B Boys Girls Names Front Row L2R Mellisa Raffaele Kylie De Araugo Deborah Gebert Tammie Ross Renee Craig Pam Hill Second Row L2R Bradley McLean Michelle De Araugo Melanie Carey Kate Barnard Hannah Cracknell Mark Ramsay Steven Hurford Third Row L2R Andrew Ioannou Michael Gay Paul Fox Dion Nichols Peter Bettin Troy Hunt James Adams Teacher Ms Reynolds Principal Mr P Forbes 1055.16 - Sunshine College 1991 Year 11 11C Boys Names Front Row L2R Ben Kim Jason Fowler Peter Dalli Steven Gatt David Micallef Brendon Holland Johnny Cacic Second Row L2R John Dimieri Allan Pamintuan Chris Doll Dean Collis Craig Smith Alessandro Carbonari Steven Montebello Teachers Chris Ferizis Ian Miller Principal Mr P Forbes 1055.17 - Sunshine College 1991 Year 12 12 Boys Girls Names Front Row L2R Julie Balacchino Maria Pancotti Shannon Fowler Melissa Layton Jodie Lindsay Nadina Hall Melainy Fayer Melanie Porter Janet Davis Margaret Tedesco Christie Hearn Second Row L2R Julie Ann Farrugia Elizabeth Fioretti Des Vella Giuseppe Vilardo James Keenan Kellie McMillan Mark Plast Dale Fieldew Joseph Mizzi Maria Palma Third Row L2R Andrew McLachlan David Merciaca Adam Grudzinski Glenn Dyson David Abela Ralph Di Quattro Ibrahm Besim Geoff Chapman Fourth Row L2R Warren Gordon Adam Glazner Graeme Bury Justin Doyle Adam McCarthy Billy Korunovski Craig Roper Fifth Row L2R Robert Leitermann Gary Briffa Jason Dingley Christopher Jordan Shane Donaghy Teachers Robert Sanders Sarino Prinzi Principal Mr P Forbes...Sunshine Technical School Technical School Sunshine Student Class Photo 1055.01 - Sunshine Technical School 1991 Staff 1055.02 - Sunshine Technical School 1991 Technol Boys 1055.03 - Sunshine Technical School 1991 Art Graphics 1055.04 - Sunshine Technical School 1991 Year 07 07A Boys Girls Names Front Row L2R Elizabeth Kisfalusi Donna Van Boven Tracy Pahlke Kristy Saric Janice McMillan Christina Neacsu Second Row L2R Anthony Bolton Cli8nton Raft Aaron Wright Shannon Nichols Deane OCallaghan Damien Roach Third Row L2R Anthony Dean Chris Simpson Brett Irvine Troy Maskell Teacher C Tung Principal Mr P Forbes 1055.05 - Sunshine College 1991 Year 07 07B Boys Names Front Row L2R Wayne Marinus Paul Ruzeu Dragi Andrevski Lawrence Vellaski Kane Harvard Sean Guilfoyle Second Row L2R Brent Fletcher James Scibberas Justin Busuttil Ricky Wojtala Steven Lutar David Tabban Orban Jasarov Damien Donnelly Teacher Mr A McCarter Principal Mr P Forbes 1055.06 - Sunshine Technical School 1991 Year 08 08A Boys Girls Names Front Row L2R Raymond Lewer Shanahan Dickinson Allison Tedesco Carlie Newman Joshua Masuglia Trevor Mallia Second Row L2R Danielle Oldham Peter Artigas Anne Brown Julie Duncan Narelle Clayton Dorina Neacsu Kylie Laver Third Row L2R Craig Trevorrow Andrew Briffa Jeremy McDevitt David Nuttal Natalee Drake Absent Brett Thompson Kurt Zengin Teacher Peter R Haby Principal Mr P Forbes 1055.07 - Sunshine Technical School 1991 Year 08 08B Boys Girls Names Front Row L2R Tony Ruggieri Mathew Bettin Bradley Mills Daniel Fenech Brett Dyson Paul Kutniewski Second Row L2R Sharon McDonagh Nicole Clayton Bernadette Hauk Maraid Conlon Monica Hauk Julie Harrison gulay Sulamc Third Row L2R Barry Evans Densel Issacs Bob Milic Anthony Lolj Jamie Lutar Lisa Horneij Absent Mathew Gay Adrian Mitchell Teacher Mr F Cini Principal Mr P Forbes 1055.08 - Sunshine Technical School 1991 Year 08 08C Boys Names Front Row L2R Shane Thompson Shane Jackson Hayden Vandemberg Adam Burton Richard Duffin Corey Bentley Scott Marney Rohan Franksen Second Row L2R Aaron Grima Tommy Hedjes Gary Hill Jason Attard Jay Cooper Brendan OLaughlin Adam Berry David Galea Third Row L2R Mark Vella Lee Momcilovic Darren Fenech Mark Phillips Vinh Du Teacher Mr Wayne Wright Principal Mr P Forbes 1055.09 - Sunshine College 1991 Year 09 09A Boys Girls Names Front Row L2R Rodney Vella Paul Grech Aaron Woods Robert Magro Jason Clark Leslie Smith Anthony Krivolabvek Second Row L2R Lee Bakes Shaun Duan Dean Guilfoyle Jason Trevorrow Paul Galea Third Row L2R Michael Doll Aaron Savage Glen Van Boven Absent Peter Matusan Adrian Cohen Kenneth Harrison Adrian Nichols Joey Marsay Ryan Havard Teacher Mr T Gialamatzis Principal Mr P Forbes 1055.10 - Sunshine Technical School 1991 Year 09 09B Boys Girls Names Front Row L2R Shane Caruana Sophie Manith Leah Saric Nicole Stevens Kylie Willett Jason Marinus Second Row L2R Susan Mariott Andela Brown Emmanuel Marabeliotakis Rennie Sultana Darren Grech Paul Marney Harvey Hahne Third Row L2R Stephen Ruzeu Ian Gaffeiro Brett Ross Lisa Hearn Simone Donnelly Absent Penny Evans Michael McGuckin Trevor Spence Teacher Mr Chris Wheat Principal Mr P Forbes 1055.11 - Sunshine Technical School 1991 Year 10 10A Boys Girls Names Front Row L2R Ailleen Greaves Melissa Bezzina Jennifer Owen Belinda Mezzina Jennifer Owen Belinda McVeigh Helen Matejic Lisa Gatt Rose Raffaele Second Row L2R Stavros Kalaitzoglou Christine Smith Lisa Keith Tulay Sulamc Wendy Smith Christine McLachlan Shane McLean Third Row L2R Philip Shaw Enrico De Angelis Troy Grima Kim Van Boven Absent Sharna Donelly Hank Burton Teachers Lesia Davey Faye Villani Principal Mr P Forbes 1055.12 - Sunshine Technical School 1991 Year 10 10B Boys Girls Names Front Row L2R Harley Williams Mark Bakes Martin Artigas Anthony Grinham Tony Doslov Brice Milne Jason Wright Second Row L2R Tracy Brown Kerrie Graham Michelle Gray Amanda Lewer Kellie Thompson Michael Deveson Absent Sindy Lee Moody Cathy Porter Patricia Moore Leigh Maskell Robert Apap Teacher Mr David Doolan Principal Mr P Forbes 1055.13 - Sunshine Technical School 1991 Year 10 10C Boys Names Front Row L2R Rodney Dingley Mathew Armeni Anthony Palm Phillip Rezeu Andrew Hawkins Adrian East Wayne Borg Second Row L2R Gerard Baldacchino Timothy Newton Trevor Isaacs Jamie Howard Brian Minetti Third Row L2R Timothy Kehagias Andrew Grinham Travis Comensoli Mathew McMillan Patrick Vella Teachers M Croker M Tancredi Principal Mr P Forbes 1055.14 - Sunshine Technical School 1991 Year 11 11A Boys Girls Names Front Row L2R Lynette Richards Melissa Alldis Veronica Bailey Leslie Bolton Carla Richards Renea Lyons Second Row L2R Nick Origlia Paul Dalli rocco Logozzo Joseph Cumbo Faruk Sulamc Ricky Vella shawn Sposito Third Row L2R Margaret Bettin Mark Steers Robert Schneider Brendon Dixon Dino Dibra Michael Randall Trudy Gates Teacher Mona Ragldo Principal Mr P Forbes 1055.15 - Sunshine College 1991 Year 11 11B Boys Girls Names Front Row L2R Mellisa Raffaele Kylie De Araugo Deborah Gebert Tammie Ross Renee Craig Pam Hill Second Row L2R Bradley McLean Michelle De Araugo Melanie Carey Kate Barnard Hannah Cracknell Mark Ramsay Steven Hurford Third Row L2R Andrew Ioannou Michael Gay Paul Fox Dion Nichols Peter Bettin Troy Hunt James Adams Teacher Ms Reynolds Principal Mr P Forbes 1055.16 - Sunshine College 1991 Year 11 11C Boys Names Front Row L2R Ben Kim Jason Fowler Peter Dalli Steven Gatt David Micallef Brendon Holland Johnny Cacic Second Row L2R John Dimieri Allan Pamintuan Chris Doll Dean Collis Craig Smith Alessandro Carbonari Steven Montebello Teachers Chris Ferizis Ian Miller Principal Mr P Forbes 1055.17 - Sunshine College 1991 Year 12 12 Boys Girls Names Front Row L2R Julie Balacchino Maria Pancotti Shannon Fowler Melissa Layton Jodie Lindsay Nadina Hall Melainy Fayer Melanie Porter Janet Davis Margaret Tedesco Christie Hearn Second Row L2R Julie Ann Farrugia Elizabeth Fioretti Des Vella Giuseppe Vilardo James Keenan Kellie McMillan Mark Plast Dale Fieldew Joseph Mizzi Maria Palma Third Row L2R Andrew McLachlan David Merciaca Adam Grudzinski Glenn Dyson David Abela Ralph Di Quattro Ibrahm Besim Geoff Chapman Fourth Row L2R Warren Gordon Adam Glazner Graeme Bury Justin Doyle Adam McCarthy Billy Korunovski Craig Roper Fifth Row L2R Robert Leitermann Gary Briffa Jason Dingley Christopher Jordan Shane Donaghy Teachers Robert Sanders Sarino Prinzi Principal Mr P Forbes A collection of 17 coloured photographs of staff, Technical Dept, Art Department, and students of Sunshine Technical School for the year 1991 The Principal was Mr Peter Forbes Teachers C Tung Mr A McCarter Peter R. ...1055.01 - Sunshine Technical School 1991 Staff 1055.02 - Sunshine Technical School 1991 Technol Boys 1055.03 - Sunshine Technical School 1991 Art Graphics 1055.04 - Sunshine Technical School 1991 Year 07 07A Boys Girls Names Front Row L2R Elizabeth Kisfalusi Donna Van Boven Tracy Pahlke Kristy Saric Janice McMillan Christina Neacsu Second Row L2R Anthony Bolton Cli8nton Raft Aaron Wright Shannon Nichols Deane OCallaghan Damien Roach Third Row L2R Anthony Dean Chris Simpson Brett Irvine Troy Maskell Teacher C Tung Principal Mr P Forbes 1055.05 - Sunshine College 1991 Year 07 07B Boys Names Front Row L2R Wayne Marinus Paul Ruzeu Dragi Andrevski Lawrence Vellaski Kane Harvard Sean Guilfoyle Second Row L2R Brent Fletcher James Scibberas Justin Busuttil Ricky Wojtala Steven Lutar David Tabban Orban Jasarov Damien Donnelly Teacher Mr A McCarter Principal Mr P Forbes 1055.06 - Sunshine Technical School 1991 Year 08 08A Boys Girls Names Front Row L2R Raymond Lewer Shanahan Dickinson Allison Tedesco Carlie Newman Joshua Masuglia Trevor Mallia Second Row L2R Danielle Oldham Peter Artigas Anne Brown Julie Duncan Narelle Clayton Dorina Neacsu Kylie Laver Third Row L2R Craig Trevorrow Andrew Briffa Jeremy McDevitt David Nuttal Natalee Drake Absent Brett Thompson Kurt Zengin Teacher Peter R Haby Principal Mr P Forbes 1055.07 - Sunshine Technical School 1991 Year 08 08B Boys Girls Names Front Row L2R Tony Ruggieri Mathew Bettin Bradley Mills Daniel Fenech Brett Dyson Paul Kutniewski Second Row L2R Sharon McDonagh Nicole Clayton Bernadette Hauk Maraid Conlon Monica Hauk Julie Harrison gulay Sulamc Third Row L2R Barry Evans Densel Issacs Bob Milic Anthony Lolj Jamie Lutar Lisa Horneij Absent Mathew Gay Adrian Mitchell Teacher Mr F Cini Principal Mr P Forbes 1055.08 - Sunshine Technical School 1991 Year 08 08C Boys Names Front Row L2R Shane Thompson Shane Jackson Hayden Vandemberg Adam Burton Richard Duffin Corey Bentley Scott Marney Rohan Franksen Second Row L2R Aaron Grima Tommy Hedjes Gary Hill Jason Attard Jay Cooper Brendan OLaughlin Adam Berry David Galea Third Row L2R Mark Vella Lee Momcilovic Darren Fenech Mark Phillips Vinh Du Teacher Mr Wayne Wright Principal Mr P Forbes 1055.09 - Sunshine College 1991 Year 09 09A Boys Girls Names Front Row L2R Rodney Vella Paul Grech Aaron Woods Robert Magro Jason Clark Leslie Smith Anthony Krivolabvek Second Row L2R Lee Bakes Shaun Duan Dean Guilfoyle Jason Trevorrow Paul Galea Third Row L2R Michael Doll Aaron Savage Glen Van Boven Absent Peter Matusan Adrian Cohen Kenneth Harrison Adrian Nichols Joey Marsay Ryan Havard Teacher Mr T Gialamatzis Principal Mr P Forbes 1055.10 - Sunshine Technical School 1991 Year 09 09B Boys Girls Names Front Row L2R Shane Caruana Sophie Manith Leah Saric Nicole Stevens Kylie Willett Jason Marinus Second Row L2R Susan Mariott Andela Brown Emmanuel Marabeliotakis Rennie Sultana Darren Grech Paul Marney Harvey Hahne Third Row L2R Stephen Ruzeu Ian Gaffeiro Brett Ross Lisa Hearn Simone Donnelly Absent Penny Evans Michael McGuckin Trevor Spence Teacher Mr Chris Wheat Principal Mr P Forbes 1055.11 - Sunshine Technical School 1991 Year 10 10A Boys Girls Names Front Row L2R Ailleen Greaves Melissa Bezzina Jennifer Owen Belinda Mezzina Jennifer Owen Belinda McVeigh Helen Matejic Lisa Gatt Rose Raffaele Second Row L2R Stavros Kalaitzoglou Christine Smith Lisa Keith Tulay Sulamc Wendy Smith Christine McLachlan Shane McLean Third Row L2R Philip Shaw Enrico De Angelis Troy Grima Kim Van Boven Absent Sharna Donelly Hank Burton Teachers Lesia Davey Faye Villani Principal Mr P Forbes 1055.12 - Sunshine Technical School 1991 Year 10 10B Boys Girls Names Front Row L2R Harley Williams Mark Bakes Martin Artigas Anthony Grinham Tony Doslov Brice Milne Jason Wright Second Row L2R Tracy Brown Kerrie Graham Michelle Gray Amanda Lewer Kellie Thompson Michael Deveson Absent Sindy Lee Moody Cathy Porter Patricia Moore Leigh Maskell Robert Apap Teacher Mr David Doolan Principal Mr P Forbes 1055.13 - Sunshine Technical School 1991 Year 10 10C Boys Names Front Row L2R Rodney Dingley Mathew Armeni Anthony Palm Phillip Rezeu Andrew Hawkins Adrian East Wayne Borg Second Row L2R Gerard Baldacchino Timothy Newton Trevor Isaacs Jamie Howard Brian Minetti Third Row L2R Timothy Kehagias Andrew Grinham Travis Comensoli Mathew McMillan Patrick Vella Teachers M Croker M Tancredi Principal Mr P Forbes 1055.14 - Sunshine Technical School 1991 Year 11 11A Boys Girls Names Front Row L2R Lynette Richards Melissa Alldis Veronica Bailey Leslie Bolton Carla Richards Renea Lyons Second Row L2R Nick Origlia Paul Dalli rocco Logozzo Joseph Cumbo Faruk Sulamc Ricky Vella shawn Sposito Third Row L2R Margaret Bettin Mark Steers Robert Schneider Brendon Dixon Dino Dibra Michael Randall Trudy Gates Teacher Mona Ragldo Principal Mr P Forbes 1055.15 - Sunshine College 1991 Year 11 11B Boys Girls Names Front Row L2R Mellisa Raffaele Kylie De Araugo Deborah Gebert Tammie Ross Renee Craig Pam Hill Second Row L2R Bradley McLean Michelle De Araugo Melanie Carey Kate Barnard Hannah Cracknell Mark Ramsay Steven Hurford Third Row L2R Andrew Ioannou Michael Gay Paul Fox Dion Nichols Peter Bettin Troy Hunt James Adams Teacher Ms Reynolds Principal Mr P Forbes 1055.16 - Sunshine College 1991 Year 11 11C Boys Names Front Row L2R Ben Kim Jason Fowler Peter Dalli Steven Gatt David Micallef Brendon Holland Johnny Cacic Second Row L2R John Dimieri Allan Pamintuan Chris Doll Dean Collis Craig Smith Alessandro Carbonari Steven Montebello Teachers Chris Ferizis Ian Miller Principal Mr P Forbes 1055.17 - Sunshine College 1991 Year 12 12 Boys Girls Names Front Row L2R Julie Balacchino Maria Pancotti Shannon Fowler Melissa Layton Jodie Lindsay Nadina Hall Melainy Fayer Melanie Porter Janet Davis Margaret Tedesco Christie Hearn Second Row L2R Julie Ann Farrugia Elizabeth Fioretti Des Vella Giuseppe Vilardo James Keenan Kellie McMillan Mark Plast Dale Fieldew Joseph Mizzi Maria Palma Third Row L2R Andrew McLachlan David Merciaca Adam Grudzinski Glenn Dyson David Abela Ralph Di Quattro Ibrahm Besim Geoff Chapman Fourth Row L2R Warren Gordon Adam Glazner Graeme Bury Justin Doyle Adam McCarthy Billy Korunovski Craig Roper Fifth Row L2R Robert Leitermann Gary Briffa Jason Dingley Christopher Jordan Shane Donaghy Teachers Robert Sanders Sarino Prinzi Principal Mr P Forbessunshine technical school, technical school, sunshine, student, class photo -
The Beechworth Burke MuseumDrawing, Ernest Marcuse, Beechworth I, c1972-1976
... Marcuse then began to establish himself as a commercial artist. Ernest was de-classified as a 'stateless person of enemy origin' and in early 1942. ...Marcuse then began to establish himself as a commercial artist. Ernest was de-classified as a 'stateless person of enemy origin' and in early 1942. ...Ernest Heinrich Marcuse was born on the 1st of December 1900 to Hedwig and Siegmund Marcuse in Berlin Germany. While Marcuse's artistic talent was apparent from a younger age, his earliest existing artwork was from when he was approximately 20 years old. Ernest's formal art training commenced in 1918 with a three year course at the Berlin school of Interior design. After completion he found work until 1924 when Germany's Great Depression took effect. To broaden his career opportunities he undertook a further 12 months study of fashion, drawing and advertising at Berlin's Reiman school of art. From 1925 to 1934 Ernest was primarily a freelance press artist specialising in industrial, architectural and figurative drawing. Prominent newspaper The Berliner Morgenpost was his largest client along with Gross Deutsche Rundfunaustellung (Germany's organisation for major trade shows). During this period he would create many significant works. Two months after Hitler and the Nazi part came to power in 1933, Ernest received a life changing letter stating that being Jewish he could no longer continue employment in Germany. Up until 1938 he would only be able to undertake private commissions and occasional unofficial work as a book illustrator and games designer. This was by arrangement with non Jewish artists who claimed his work as their own, they would then share the income with Ernest. With increasing unrest in Germany during late 1938 Ernest decided to move to London and there he married his girlfriend Lotte. In late 1939 Ernest and Lotte Marcuse embarked on an eight week journey to their new home in Australia where they had been accepted as refugees. Shortly after arriving in Australia Ernest presented his portfolio to an editor at the Argus newspaper and gained employment as a war events illustrator. He soon became well respected and known in particular for his detailed illustrations and cross sections of ships , artillery and aircrafts. His detailed depictions of battles were displayed on the front pages of The Argus newspaper on a number of occasions. In May 1940 as the war intensified Ernest was dismissed from The Argus newspaper due to his Australian government classification of 'stateless person of enemy origin' and was considered a potential security risk. The editor of the time commented "don't blame us, blame Hitler". Marcuse then began to establish himself as a commercial artist. Ernest was de-classified as a 'stateless person of enemy origin' and in early 1942. The Australian army heard of Ernest's artistic abilities and began to utilize his designs for visual training aids and posters. Ernest became Private E.H Marcuse V377746, his first army posting was as staff artist at The infantry officer's training school at Bonegilla. When off duty he was inspired by the beauty of the surrounding area creating the works in North east Victoria 'Kiewa river bridge', 'Hume weir', ' Dried up river bed' and 'Hawksview gold reef mine' from his 1942-1943 period at Bonegilla Victoria. Ernest returned to the area to create drawings and paintings from 1948 to 1983 in locations including Bright, Wandilligong, Bogong High plains and Wallace's Hut, Mt Buffalo, Beechworth, Pretty valley, Kiewa Hydro, Yackandandah and Bontherambo homestead. These sketches were often completed on location, photographs were also taken onsite to assist the works back at the studio. Occasionally Marcuse also painted in the field. Ernest's preferred choice of medium was pencil and ink. Up until 1952 he would often incorporate watercolour into his work. Later into his career he began introducing pastels, acrylic and mixed media. In earlier years Ernest Marcuse often signed his work Mar, later on the signing of works ranged from Marcuse, E.Marcuse, Ernest Marcuse, EHM or simply EM . If a work was considered incomplete or Marcuse did not like the work it would remain unsigned. From Bonegilla Marcuse was transferred to Woodside South Australia before his final posting in Melbourne until the end of 1945. Ernest's work from within his army posting 'Troop Train at Night' from his 1945 exhibition Australia at War are part of the permanent collection at Canberra's War Museum. Between 1946 and 1969 Ernest largely worked from home and concentrated on a career as a freelance commercial artist and graphic designer. During that time he created work for well known household names including CRA/Conzinc, Vacuum oil (Caltex), Cottee's Brand (Schweppes and Heinz), Home Beautiful magazine Fulton garden supplies, International Iveco trucks, Ego pharmaceuticals, QV and Sunsense. After retirement Ernest concentrated on his true love of fine art and focused on painting images of personal interest both across Australia and Internationally. Earnest never drove a car. He would often walk or use public transport or enlist in the help of family or artist friends to drive him. Throughout his career Ernest Marcuse's artworks were purchase by private collectors these included ACTU, Melbourne City council, Holland Constructions, Melbourne Metropolitan Tramways Board, GJ Coles and Australian Resources Bank. Ernest Marcuse permanent collections can be viewed at The National Gallery of Victoria , Sydney Jewish Museum, Jewish Holocaust Centre Melbourne, Canberra's War Museum, City of Melbourne, Shire of Yarra ranges and now the Burke Museum. © 2020 Art by Marcuse https://www.artbymarcuse.com.au/aboutDonated to the Burke Museum through the Australian Government's Cultural Gifts Program by Peter and Evelyn MarcusePen and coloured pencil landscape drawing on paper.Obverse: MARCUSE / B.worth (in pen) Reverse: BEECHWORTH NOSTALGIA / BW – 01 (crossed out) / B2 / CORNER CAMP + FORD STREET / (on masking tape) 001 (pencil) ernest marcuse, marcuse, art, artbymarcuse, beechworth, burke museum, indigo shire, landscape, illustration, drawing, pen and pencil, australian army, war events illustrator, the age, the sun, the argus, germany, refugee, industrial drawing, architectual drawing, figure drawing, berliner morgenpost, grosse deutsche rundfunaustellung, berlin’s reiman school of art., cultural gifts program -
The Beechworth Burke MuseumDrawing, Ernest Marcuse, Yackandandah I, 1983
... Marcuse then began to establish himself as a commercial artist. Ernest was de-classified as a 'stateless person of enemy origin' and in early 1942. ...Marcuse then began to establish himself as a commercial artist. Ernest was de-classified as a 'stateless person of enemy origin' and in early 1942. ...Ernest Heinrich Marcuse was born on the 1st of December 1900 to Hedwig and Siegmund Marcuse in Berlin Germany. While Marcuse's artistic talent was apparent from a younger age, his earliest existing artwork was from when he was approximately 20 years old. Ernest's formal art training commenced in 1918 with a three year course at the Berlin school of Interior design. After completion he found work until 1924 when Germany's Great Depression took effect. To broaden his career opportunities he undertook a further 12 months study of fashion, drawing and advertising at Berlin's Reiman school of art. From 1925 to 1934 Ernest was primarily a freelance press artist specialising in industrial, architectural and figurative drawing. Prominent newspaper The Berliner Morgenpost was his largest client along with Gross Deutsche Rundfunaustellung (Germany's organisation for major trade shows). During this period he would create many significant works. Two months after Hitler and the Nazi part came to power in 1933, Ernest received a life changing letter stating that being Jewish he could no longer continue employment in Germany. Up until 1938 he would only be able to undertake private commissions and occasional unofficial work as a book illustrator and games designer. This was by arrangement with non Jewish artists who claimed his work as their own, they would then share the income with Ernest. With increasing unrest in Germany during late 1938 Ernest decided to move to London and there he married his girlfriend Lotte. In late 1939 Ernest and Lotte Marcuse embarked on an eight week journey to their new home in Australia where they had been accepted as refugees. Shortly after arriving in Australia Ernest presented his portfolio to an editor at the Argus newspaper and gained employment as a war events illustrator. He soon became well respected and known in particular for his detailed illustrations and cross sections of ships , artillery and aircrafts. His detailed depictions of battles were displayed on the front pages of The Argus newspaper on a number of occasions. In May 1940 as the war intensified Ernest was dismissed from The Argus newspaper due to his Australian government classification of 'stateless person of enemy origin' and was considered a potential security risk. The editor of the time commented "don't blame us, blame Hitler". Marcuse then began to establish himself as a commercial artist. Ernest was de-classified as a 'stateless person of enemy origin' and in early 1942. The Australian army heard of Ernest's artistic abilities and began to utilize his designs for visual training aids and posters. Ernest became Private E.H Marcuse V377746, his first army posting was as staff artist at The infantry officer's training school at Bonegilla. When off duty he was inspired by the beauty of the surrounding area creating the works in North east Victoria 'Kiewa river bridge', 'Hume weir', ' Dried up river bed' and 'Hawksview gold reef mine' from his 1942-1943 period at Bonegilla Victoria. Ernest returned to the area to create drawings and paintings from 1948 to 1983 in locations including Bright, Wandilligong, Bogong High plains and Wallace's Hut, Mt Buffalo, Beechworth, Pretty valley, Kiewa Hydro, Yackandandah and Bontherambo homestead. These sketches were often completed on location, photographs were also taken onsite to assist the works back at the studio. Occasionally Marcuse also painted in the field. Ernest's preferred choice of medium was pencil and ink. Up until 1952 he would often incorporate watercolour into his work. Later into his career he began introducing pastels, acrylic and mixed media. In earlier years Ernest Marcuse often signed his work Mar, later on the signing of works ranged from Marcuse, E.Marcuse, Ernest Marcuse, EHM or simply EM . If a work was considered incomplete or Marcuse did not like the work it would remain unsigned. From Bonegilla Marcuse was transferred to Woodside South Australia before his final posting in Melbourne until the end of 1945. Ernest's work from within his army posting 'Troop Train at Night' from his 1945 exhibition Australia at War are part of the permanent collection at Canberra's War Museum. Between 1946 and 1969 Ernest largely worked from home and concentrated on a career as a freelance commercial artist and graphic designer. During that time he created work for well known household names including CRA/Conzinc, Vacuum oil (Caltex), Cottee's Brand (Schweppes and Heinz), Home Beautiful magazine Fulton garden supplies, International Iveco trucks, Ego pharmaceuticals, QV and Sunsense. After retirement Ernest concentrated on his true love of fine art and focused on painting images of personal interest both across Australia and Internationally. Earnest never drove a car. He would often walk or use public transport or enlist in the help of family or artist friends to drive him. Throughout his career Ernest Marcuse's artworks were purchase by private collectors these included ACTU, Melbourne City council, Holland Constructions, Melbourne Metropolitan Tramways Board, GJ Coles and Australian Resources Bank. Ernest Marcuse permanent collections can be viewed at The National Gallery of Victoria , Sydney Jewish Museum, Jewish Holocaust Centre Melbourne, Canberra's War Museum, City of Melbourne, Shire of Yarra ranges and now the Burke Museum. © 2020 Art by Marcuse https://www.artbymarcuse.com.au/aboutDonated to the Burke Museum through the Australian Government's Cultural Gifts Program by Peter and Evelyn MarcusePen and coloured pencil landscape drawing on paper.Obverse: MILLS / DISPENSARY / MARCUSE 83 / YACKANDANDAH Reverse: Y 12 / ernest marcuse, marcuse, art, artbymarcuse, beechworth, burke museum, indigo shire, landscape, illustration, drawing, pen and pencil, australian army, war events illustrator, the age, the sun, the argus, germany, refugee, industrial drawing, architectual drawing, figure drawing, berliner morgenpost, grosse deutsche rundfunaustellung, berlin’s reiman school of art., cultural gifts program, yackandandah -
The Beechworth Burke MuseumDrawing, Ernest Marcuse, Beechworth III, c1972-1976
... Marcuse then began to establish himself as a commercial artist. Ernest was de-classified as a 'stateless person of enemy origin' and in early 1942. ...Marcuse then began to establish himself as a commercial artist. Ernest was de-classified as a 'stateless person of enemy origin' and in early 1942. ...Ernest Heinrich Marcuse was born on the 1st of December 1900 to Hedwig and Siegmund Marcuse in Berlin Germany. While Marcuse's artistic talent was apparent from a younger age, his earliest existing artwork was from when he was approximately 20 years old. Ernest's formal art training commenced in 1918 with a three year course at the Berlin school of Interior design. After completion he found work until 1924 when Germany's Great Depression took effect. To broaden his career opportunities he undertook a further 12 months study of fashion, drawing and advertising at Berlin's Reiman school of art. From 1925 to 1934 Ernest was primarily a freelance press artist specialising in industrial, architectural and figurative drawing. Prominent newspaper The Berliner Morgenpost was his largest client along with Gross Deutsche Rundfunaustellung (Germany's organisation for major trade shows). During this period he would create many significant works. Two months after Hitler and the Nazi part came to power in 1933, Ernest received a life changing letter stating that being Jewish he could no longer continue employment in Germany. Up until 1938 he would only be able to undertake private commissions and occasional unofficial work as a book illustrator and games designer. This was by arrangement with non Jewish artists who claimed his work as their own, they would then share the income with Ernest. With increasing unrest in Germany during late 1938 Ernest decided to move to London and there he married his girlfriend Lotte. In late 1939 Ernest and Lotte Marcuse embarked on an eight week journey to their new home in Australia where they had been accepted as refugees. Shortly after arriving in Australia Ernest presented his portfolio to an editor at the Argus newspaper and gained employment as a war events illustrator. He soon became well respected and known in particular for his detailed illustrations and cross sections of ships , artillery and aircrafts. His detailed depictions of battles were displayed on the front pages of The Argus newspaper on a number of occasions. In May 1940 as the war intensified Ernest was dismissed from The Argus newspaper due to his Australian government classification of 'stateless person of enemy origin' and was considered a potential security risk. The editor of the time commented "don't blame us, blame Hitler". Marcuse then began to establish himself as a commercial artist. Ernest was de-classified as a 'stateless person of enemy origin' and in early 1942. The Australian army heard of Ernest's artistic abilities and began to utilize his designs for visual training aids and posters. Ernest became Private E.H Marcuse V377746, his first army posting was as staff artist at The infantry officer's training school at Bonegilla. When off duty he was inspired by the beauty of the surrounding area creating the works in North east Victoria 'Kiewa river bridge', 'Hume weir', ' Dried up river bed' and 'Hawksview gold reef mine' from his 1942-1943 period at Bonegilla Victoria. Ernest returned to the area to create drawings and paintings from 1948 to 1983 in locations including Bright, Wandilligong, Bogong High plains and Wallace's Hut, Mt Buffalo, Beechworth, Pretty valley, Kiewa Hydro, Yackandandah and Bontherambo homestead. These sketches were often completed on location, photographs were also taken onsite to assist the works back at the studio. Occasionally Marcuse also painted in the field. Ernest's preferred choice of medium was pencil and ink. Up until 1952 he would often incorporate watercolour into his work. Later into his career he began introducing pastels, acrylic and mixed media. In earlier years Ernest Marcuse often signed his work Mar, later on the signing of works ranged from Marcuse, E.Marcuse, Ernest Marcuse, EHM or simply EM . If a work was considered incomplete or Marcuse did not like the work it would remain unsigned. From Bonegilla Marcuse was transferred to Woodside South Australia before his final posting in Melbourne until the end of 1945. Ernest's work from within his army posting 'Troop Train at Night' from his 1945 exhibition Australia at War are part of the permanent collection at Canberra's War Museum. Between 1946 and 1969 Ernest largely worked from home and concentrated on a career as a freelance commercial artist and graphic designer. During that time he created work for well known household names including CRA/Conzinc, Vacuum oil (Caltex), Cottee's Brand (Schweppes and Heinz), Home Beautiful magazine Fulton garden supplies, International Iveco trucks, Ego pharmaceuticals, QV and Sunsense. After retirement Ernest concentrated on his true love of fine art and focused on painting images of personal interest both across Australia and Internationally. Earnest never drove a car. He would often walk or use public transport or enlist in the help of family or artist friends to drive him. Throughout his career Ernest Marcuse's artworks were purchase by private collectors these included ACTU, Melbourne City council, Holland Constructions, Melbourne Metropolitan Tramways Board, GJ Coles and Australian Resources Bank. Ernest Marcuse permanent collections can be viewed at The National Gallery of Victoria , Sydney Jewish Museum, Jewish Holocaust Centre Melbourne, Canberra's War Museum, City of Melbourne, Shire of Yarra ranges and now the Burke Museum. © 2020 Art by Marcuse https://www.artbymarcuse.com.au/aboutDonated to the Burke Museum through the Australian Government's Cultural Gifts Program by Peter and Evelyn MarcusePen and coloured pencil landscape drawing on paper.Obverse: BEECHWORTH / VIC. / MARCUSE Reverse: BEECHWORTH NOSTALGIA / BW – 03 (on masking tape) 003 (pencil) ernest marcuse, marcuse, art, artbymarcuse, beechworth, burke museum, indigo shire, landscape, illustration, drawing, pen and pencil, australian army, war events illustrator, the age, the sun, the argus, germany, refugee, industrial drawing, architectual drawing, figure drawing, berliner morgenpost, grosse deutsche rundfunaustellung, berlin’s reiman school of art., cultural gifts program -
The Beechworth Burke MuseumDrawing, Ernest Marcuse, Beechworth – Opposite Crown Hotel (Tanswell Hotel), c1972-1976
... Marcuse then began to establish himself as a commercial artist. Ernest was de-classified as a 'stateless person of enemy origin' and in early 1942. ...Marcuse then began to establish himself as a commercial artist. Ernest was de-classified as a 'stateless person of enemy origin' and in early 1942. ...Ernest Heinrich Marcuse was born on the 1st of December 1900 to Hedwig and Siegmund Marcuse in Berlin Germany. While Marcuse's artistic talent was apparent from a younger age, his earliest existing artwork was from when he was approximately 20 years old. Ernest's formal art training commenced in 1918 with a three year course at the Berlin school of Interior design. After completion he found work until 1924 when Germany's Great Depression took effect. To broaden his career opportunities he undertook a further 12 months study of fashion, drawing and advertising at Berlin's Reiman school of art. From 1925 to 1934 Ernest was primarily a freelance press artist specialising in industrial, architectural and figurative drawing. Prominent newspaper The Berliner Morgenpost was his largest client along with Gross Deutsche Rundfunaustellung (Germany's organisation for major trade shows). During this period he would create many significant works. Two months after Hitler and the Nazi part came to power in 1933, Ernest received a life changing letter stating that being Jewish he could no longer continue employment in Germany. Up until 1938 he would only be able to undertake private commissions and occasional unofficial work as a book illustrator and games designer. This was by arrangement with non Jewish artists who claimed his work as their own, they would then share the income with Ernest. With increasing unrest in Germany during late 1938 Ernest decided to move to London and there he married his girlfriend Lotte. In late 1939 Ernest and Lotte Marcuse embarked on an eight week journey to their new home in Australia where they had been accepted as refugees. Shortly after arriving in Australia Ernest presented his portfolio to an editor at the Argus newspaper and gained employment as a war events illustrator. He soon became well respected and known in particular for his detailed illustrations and cross sections of ships , artillery and aircrafts. His detailed depictions of battles were displayed on the front pages of The Argus newspaper on a number of occasions. In May 1940 as the war intensified Ernest was dismissed from The Argus newspaper due to his Australian government classification of 'stateless person of enemy origin' and was considered a potential security risk. The editor of the time commented "don't blame us, blame Hitler". Marcuse then began to establish himself as a commercial artist. Ernest was de-classified as a 'stateless person of enemy origin' and in early 1942. The Australian army heard of Ernest's artistic abilities and began to utilize his designs for visual training aids and posters. Ernest became Private E.H Marcuse V377746, his first army posting was as staff artist at The infantry officer's training school at Bonegilla. When off duty he was inspired by the beauty of the surrounding area creating the works in North east Victoria 'Kiewa river bridge', 'Hume weir', ' Dried up river bed' and 'Hawksview gold reef mine' from his 1942-1943 period at Bonegilla Victoria. Ernest returned to the area to create drawings and paintings from 1948 to 1983 in locations including Bright, Wandilligong, Bogong High plains and Wallace's Hut, Mt Buffalo, Beechworth, Pretty valley, Kiewa Hydro, Yackandandah and Bontherambo homestead. These sketches were often completed on location, photographs were also taken onsite to assist the works back at the studio. Occasionally Marcuse also painted in the field. Ernest's preferred choice of medium was pencil and ink. Up until 1952 he would often incorporate watercolour into his work. Later into his career he began introducing pastels, acrylic and mixed media. In earlier years Ernest Marcuse often signed his work Mar, later on the signing of works ranged from Marcuse, E.Marcuse, Ernest Marcuse, EHM or simply EM . If a work was considered incomplete or Marcuse did not like the work it would remain unsigned. From Bonegilla Marcuse was transferred to Woodside South Australia before his final posting in Melbourne until the end of 1945. Ernest's work from within his army posting 'Troop Train at Night' from his 1945 exhibition Australia at War are part of the permanent collection at Canberra's War Museum. Between 1946 and 1969 Ernest largely worked from home and concentrated on a career as a freelance commercial artist and graphic designer. During that time he created work for well known household names including CRA/Conzinc, Vacuum oil (Caltex), Cottee's Brand (Schweppes and Heinz), Home Beautiful magazine Fulton garden supplies, International Iveco trucks, Ego pharmaceuticals, QV and Sunsense. After retirement Ernest concentrated on his true love of fine art and focused on painting images of personal interest both across Australia and Internationally. Earnest never drove a car. He would often walk or use public transport or enlist in the help of family or artist friends to drive him. Throughout his career Ernest Marcuse's artworks were purchase by private collectors these included ACTU, Melbourne City council, Holland Constructions, Melbourne Metropolitan Tramways Board, GJ Coles and Australian Resources Bank. Ernest Marcuse permanent collections can be viewed at The National Gallery of Victoria , Sydney Jewish Museum, Jewish Holocaust Centre Melbourne, Canberra's War Museum, City of Melbourne, Shire of Yarra ranges and now the Burke Museum. © 2020 Art by Marcuse https://www.artbymarcuse.com.au/aboutDonated to the Burke Museum through the Australian Government's Cultural Gifts Program by Peter and Evelyn MarcusePen and coloured pencil landscape drawing on paper.Obverse: Opposite Crown Hotel / Tanswell Hotel / BEECHWORTH / (on tape) Reverse: BEECHWORTH NOSTALGIA / BW – 05 (on masking tape) 004 (pencil) ernest marcuse, marcuse, art, artbymarcuse, beechworth, burke museum, indigo shire, landscape, illustration, drawing, pen and pencil, australian army, war events illustrator, the age, the sun, the argus, germany, refugee, industrial drawing, architectual drawing, figure drawing, berliner morgenpost, grosse deutsche rundfunaustellung, berlin’s reiman school of art., cultural gifts program -
The Beechworth Burke MuseumDrawing, Ernest Marcuse, Beechworth – Old Court House, 1972
... Marcuse then began to establish himself as a commercial artist. Ernest was de-classified as a 'stateless person of enemy origin' and in early 1942. ...Marcuse then began to establish himself as a commercial artist. Ernest was de-classified as a 'stateless person of enemy origin' and in early 1942. ...Ernest Heinrich Marcuse was born on the 1st of December 1900 to Hedwig and Siegmund Marcuse in Berlin Germany. While Marcuse's artistic talent was apparent from a younger age, his earliest existing artwork was from when he was approximately 20 years old. Ernest's formal art training commenced in 1918 with a three year course at the Berlin school of Interior design. After completion he found work until 1924 when Germany's Great Depression took effect. To broaden his career opportunities he undertook a further 12 months study of fashion, drawing and advertising at Berlin's Reiman school of art. From 1925 to 1934 Ernest was primarily a freelance press artist specialising in industrial, architectural and figurative drawing. Prominent newspaper The Berliner Morgenpost was his largest client along with Gross Deutsche Rundfunaustellung (Germany's organisation for major trade shows). During this period he would create many significant works. Two months after Hitler and the Nazi part came to power in 1933, Ernest received a life changing letter stating that being Jewish he could no longer continue employment in Germany. Up until 1938 he would only be able to undertake private commissions and occasional unofficial work as a book illustrator and games designer. This was by arrangement with non Jewish artists who claimed his work as their own, they would then share the income with Ernest. With increasing unrest in Germany during late 1938 Ernest decided to move to London and there he married his girlfriend Lotte. In late 1939 Ernest and Lotte Marcuse embarked on an eight week journey to their new home in Australia where they had been accepted as refugees. Shortly after arriving in Australia Ernest presented his portfolio to an editor at the Argus newspaper and gained employment as a war events illustrator. He soon became well respected and known in particular for his detailed illustrations and cross sections of ships , artillery and aircrafts. His detailed depictions of battles were displayed on the front pages of The Argus newspaper on a number of occasions. In May 1940 as the war intensified Ernest was dismissed from The Argus newspaper due to his Australian government classification of 'stateless person of enemy origin' and was considered a potential security risk. The editor of the time commented "don't blame us, blame Hitler". Marcuse then began to establish himself as a commercial artist. Ernest was de-classified as a 'stateless person of enemy origin' and in early 1942. The Australian army heard of Ernest's artistic abilities and began to utilize his designs for visual training aids and posters. Ernest became Private E.H Marcuse V377746, his first army posting was as staff artist at The infantry officer's training school at Bonegilla. When off duty he was inspired by the beauty of the surrounding area creating the works in North east Victoria 'Kiewa river bridge', 'Hume weir', ' Dried up river bed' and 'Hawksview gold reef mine' from his 1942-1943 period at Bonegilla Victoria. Ernest returned to the area to create drawings and paintings from 1948 to 1983 in locations including Bright, Wandilligong, Bogong High plains and Wallace's Hut, Mt Buffalo, Beechworth, Pretty valley, Kiewa Hydro, Yackandandah and Bontherambo homestead. These sketches were often completed on location, photographs were also taken onsite to assist the works back at the studio. Occasionally Marcuse also painted in the field. Ernest's preferred choice of medium was pencil and ink. Up until 1952 he would often incorporate watercolour into his work. Later into his career he began introducing pastels, acrylic and mixed media. In earlier years Ernest Marcuse often signed his work Mar, later on the signing of works ranged from Marcuse, E.Marcuse, Ernest Marcuse, EHM or simply EM . If a work was considered incomplete or Marcuse did not like the work it would remain unsigned. From Bonegilla Marcuse was transferred to Woodside South Australia before his final posting in Melbourne until the end of 1945. Ernest's work from within his army posting 'Troop Train at Night' from his 1945 exhibition Australia at War are part of the permanent collection at Canberra's War Museum. Between 1946 and 1969 Ernest largely worked from home and concentrated on a career as a freelance commercial artist and graphic designer. During that time he created work for well known household names including CRA/Conzinc, Vacuum oil (Caltex), Cottee's Brand (Schweppes and Heinz), Home Beautiful magazine Fulton garden supplies, International Iveco trucks, Ego pharmaceuticals, QV and Sunsense. After retirement Ernest concentrated on his true love of fine art and focused on painting images of personal interest both across Australia and Internationally. Earnest never drove a car. He would often walk or use public transport or enlist in the help of family or artist friends to drive him. Throughout his career Ernest Marcuse's artworks were purchase by private collectors these included ACTU, Melbourne City council, Holland Constructions, Melbourne Metropolitan Tramways Board, GJ Coles and Australian Resources Bank. Ernest Marcuse permanent collections can be viewed at The National Gallery of Victoria , Sydney Jewish Museum, Jewish Holocaust Centre Melbourne, Canberra's War Museum, City of Melbourne, Shire of Yarra ranges and now the Burke Museum. © 2020 Art by Marcuse https://www.artbymarcuse.com.au/aboutDonated to the Burke Museum through the Australian Government's Cultural Gifts Program by Peter and Evelyn MarcusePen and coloured pencil landscape drawing on paper.Obverse: Marcuse / Beechworth Old Courthouse / Reverse: B4 / BEECHWORTH OLD COURTHOUSE / BW - 09 (on masking tape) COURTHOUSE / BEECHWORTH / VICTORIA / NATIONAL TRUST / CLASS (A) ERNEST MARCUSE / 17 CADDOCK AVE / CAUFIELD / VIC / 53-7374 001 (pencil) ernest marcuse, marcuse, art, artbymarcuse, beechworth, burke museum, indigo shire, landscape, illustration, drawing, pen and pencil, australian army, war events illustrator, the age, the sun, the argus, germany, refugee, industrial drawing, architectual drawing, figure drawing, berliner morgenpost, grosse deutsche rundfunaustellung, berlin’s reiman school of art., cultural gifts program -
The Beechworth Burke MuseumDrawing, Ernest Marcuse, Courthouse - Beechworth, 1974
... Marcuse then began to establish himself as a commercial artist. Ernest was de-classified as a 'stateless person of enemy origin' and in early 1942. ...Marcuse then began to establish himself as a commercial artist. Ernest was de-classified as a 'stateless person of enemy origin' and in early 1942. ...Ernest Heinrich Marcuse was born on the 1st of December 1900 to Hedwig and Siegmund Marcuse in Berlin Germany. While Marcuse's artistic talent was apparent from a younger age, his earliest existing artwork was from when he was approximately 20 years old. Ernest's formal art training commenced in 1918 with a three year course at the Berlin school of Interior design. After completion he found work until 1924 when Germany's Great Depression took effect. To broaden his career opportunities he undertook a further 12 months study of fashion, drawing and advertising at Berlin's Reiman school of art. From 1925 to 1934 Ernest was primarily a freelance press artist specialising in industrial, architectural and figurative drawing. Prominent newspaper The Berliner Morgenpost was his largest client along with Gross Deutsche Rundfunaustellung (Germany's organisation for major trade shows). During this period he would create many significant works. Two months after Hitler and the Nazi part came to power in 1933, Ernest received a life changing letter stating that being Jewish he could no longer continue employment in Germany. Up until 1938 he would only be able to undertake private commissions and occasional unofficial work as a book illustrator and games designer. This was by arrangement with non Jewish artists who claimed his work as their own, they would then share the income with Ernest. With increasing unrest in Germany during late 1938 Ernest decided to move to London and there he married his girlfriend Lotte. In late 1939 Ernest and Lotte Marcuse embarked on an eight week journey to their new home in Australia where they had been accepted as refugees. Shortly after arriving in Australia Ernest presented his portfolio to an editor at the Argus newspaper and gained employment as a war events illustrator. He soon became well respected and known in particular for his detailed illustrations and cross sections of ships , artillery and aircrafts. His detailed depictions of battles were displayed on the front pages of The Argus newspaper on a number of occasions. In May 1940 as the war intensified Ernest was dismissed from The Argus newspaper due to his Australian government classification of 'stateless person of enemy origin' and was considered a potential security risk. The editor of the time commented "don't blame us, blame Hitler". Marcuse then began to establish himself as a commercial artist. Ernest was de-classified as a 'stateless person of enemy origin' and in early 1942. The Australian army heard of Ernest's artistic abilities and began to utilize his designs for visual training aids and posters. Ernest became Private E.H Marcuse V377746, his first army posting was as staff artist at The infantry officer's training school at Bonegilla. When off duty he was inspired by the beauty of the surrounding area creating the works in North east Victoria 'Kiewa river bridge', 'Hume weir', ' Dried up river bed' and 'Hawksview gold reef mine' from his 1942-1943 period at Bonegilla Victoria. Ernest returned to the area to create drawings and paintings from 1948 to 1983 in locations including Bright, Wandilligong, Bogong High plains and Wallace's Hut, Mt Buffalo, Beechworth, Pretty valley, Kiewa Hydro, Yackandandah and Bontherambo homestead. These sketches were often completed on location, photographs were also taken onsite to assist the works back at the studio. Occasionally Marcuse also painted in the field. Ernest's preferred choice of medium was pencil and ink. Up until 1952 he would often incorporate watercolour into his work. Later into his career he began introducing pastels, acrylic and mixed media. In earlier years Ernest Marcuse often signed his work Mar, later on the signing of works ranged from Marcuse, E.Marcuse, Ernest Marcuse, EHM or simply EM . If a work was considered incomplete or Marcuse did not like the work it would remain unsigned. From Bonegilla Marcuse was transferred to Woodside South Australia before his final posting in Melbourne until the end of 1945. Ernest's work from within his army posting 'Troop Train at Night' from his 1945 exhibition Australia at War are part of the permanent collection at Canberra's War Museum. Between 1946 and 1969 Ernest largely worked from home and concentrated on a career as a freelance commercial artist and graphic designer. During that time he created work for well known household names including CRA/Conzinc, Vacuum oil (Caltex), Cottee's Brand (Schweppes and Heinz), Home Beautiful magazine Fulton garden supplies, International Iveco trucks, Ego pharmaceuticals, QV and Sunsense. After retirement Ernest concentrated on his true love of fine art and focused on painting images of personal interest both across Australia and Internationally. Earnest never drove a car. He would often walk or use public transport or enlist in the help of family or artist friends to drive him. Throughout his career Ernest Marcuse's artworks were purchase by private collectors these included ACTU, Melbourne City council, Holland Constructions, Melbourne Metropolitan Tramways Board, GJ Coles and Australian Resources Bank. Ernest Marcuse permanent collections can be viewed at The National Gallery of Victoria , Sydney Jewish Museum, Jewish Holocaust Centre Melbourne, Canberra's War Museum, City of Melbourne, Shire of Yarra ranges and now the Burke Museum. © 2020 Art by Marcuse https://www.artbymarcuse.com.au/aboutDonated to the Burke Museum through the Australian Government's Cultural Gifts Program by Peter and Evelyn MarcusePen and coloured pencil landscape drawing on paper.Obverse: Marcuse 74 / Courthouse / Visitor Ned Kelly . B'worth Reverse: BEECHWORTH / COURTHOUSE / B5 / 06 ernest marcuse, marcuse, art, artbymarcuse, beechworth, burke museum, indigo shire, landscape, illustration, drawing, pen and pencil, australian army, war events illustrator, the age, the sun, the argus, germany, refugee, industrial drawing, architectual drawing, figure drawing, berliner morgenpost, grosse deutsche rundfunaustellung, berlin’s reiman school of art., cultural gifts program -
The Beechworth Burke MuseumDrawing, Ernest Marcuse, Beechworth Carriage Museum IV, c1972-1976
... Marcuse then began to establish himself as a commercial artist. Ernest was de-classified as a 'stateless person of enemy origin' and in early 1942. ...Marcuse then began to establish himself as a commercial artist. Ernest was de-classified as a 'stateless person of enemy origin' and in early 1942. ...Ernest Heinrich Marcuse was born on the 1st of December 1900 to Hedwig and Siegmund Marcuse in Berlin Germany. While Marcuse's artistic talent was apparent from a younger age, his earliest existing artwork was from when he was approximately 20 years old. Ernest's formal art training commenced in 1918 with a three year course at the Berlin school of Interior design. After completion he found work until 1924 when Germany's Great Depression took effect. To broaden his career opportunities he undertook a further 12 months study of fashion, drawing and advertising at Berlin's Reiman school of art. From 1925 to 1934 Ernest was primarily a freelance press artist specialising in industrial, architectural and figurative drawing. Prominent newspaper The Berliner Morgenpost was his largest client along with Gross Deutsche Rundfunaustellung (Germany's organisation for major trade shows). During this period he would create many significant works. Two months after Hitler and the Nazi part came to power in 1933, Ernest received a life changing letter stating that being Jewish he could no longer continue employment in Germany. Up until 1938 he would only be able to undertake private commissions and occasional unofficial work as a book illustrator and games designer. This was by arrangement with non Jewish artists who claimed his work as their own, they would then share the income with Ernest. With increasing unrest in Germany during late 1938 Ernest decided to move to London and there he married his girlfriend Lotte. In late 1939 Ernest and Lotte Marcuse embarked on an eight week journey to their new home in Australia where they had been accepted as refugees. Shortly after arriving in Australia Ernest presented his portfolio to an editor at the Argus newspaper and gained employment as a war events illustrator. He soon became well respected and known in particular for his detailed illustrations and cross sections of ships , artillery and aircrafts. His detailed depictions of battles were displayed on the front pages of The Argus newspaper on a number of occasions. In May 1940 as the war intensified Ernest was dismissed from The Argus newspaper due to his Australian government classification of 'stateless person of enemy origin' and was considered a potential security risk. The editor of the time commented "don't blame us, blame Hitler". Marcuse then began to establish himself as a commercial artist. Ernest was de-classified as a 'stateless person of enemy origin' and in early 1942. The Australian army heard of Ernest's artistic abilities and began to utilize his designs for visual training aids and posters. Ernest became Private E.H Marcuse V377746, his first army posting was as staff artist at The infantry officer's training school at Bonegilla. When off duty he was inspired by the beauty of the surrounding area creating the works in North east Victoria 'Kiewa river bridge', 'Hume weir', ' Dried up river bed' and 'Hawksview gold reef mine' from his 1942-1943 period at Bonegilla Victoria. Ernest returned to the area to create drawings and paintings from 1948 to 1983 in locations including Bright, Wandilligong, Bogong High plains and Wallace's Hut, Mt Buffalo, Beechworth, Pretty valley, Kiewa Hydro, Yackandandah and Bontherambo homestead. These sketches were often completed on location, photographs were also taken onsite to assist the works back at the studio. Occasionally Marcuse also painted in the field. Ernest's preferred choice of medium was pencil and ink. Up until 1952 he would often incorporate watercolour into his work. Later into his career he began introducing pastels, acrylic and mixed media. In earlier years Ernest Marcuse often signed his work Mar, later on the signing of works ranged from Marcuse, E.Marcuse, Ernest Marcuse, EHM or simply EM . If a work was considered incomplete or Marcuse did not like the work it would remain unsigned. From Bonegilla Marcuse was transferred to Woodside South Australia before his final posting in Melbourne until the end of 1945. Ernest's work from within his army posting 'Troop Train at Night' from his 1945 exhibition Australia at War are part of the permanent collection at Canberra's War Museum. Between 1946 and 1969 Ernest largely worked from home and concentrated on a career as a freelance commercial artist and graphic designer. During that time he created work for well known household names including CRA/Conzinc, Vacuum oil (Caltex), Cottee's Brand (Schweppes and Heinz), Home Beautiful magazine Fulton garden supplies, International Iveco trucks, Ego pharmaceuticals, QV and Sunsense. After retirement Ernest concentrated on his true love of fine art and focused on painting images of personal interest both across Australia and Internationally. Earnest never drove a car. He would often walk or use public transport or enlist in the help of family or artist friends to drive him. Throughout his career Ernest Marcuse's artworks were purchase by private collectors these included ACTU, Melbourne City council, Holland Constructions, Melbourne Metropolitan Tramways Board, GJ Coles and Australian Resources Bank. Ernest Marcuse permanent collections can be viewed at The National Gallery of Victoria , Sydney Jewish Museum, Jewish Holocaust Centre Melbourne, Canberra's War Museum, City of Melbourne, Shire of Yarra ranges and now the Burke Museum. © 2020 Art by Marcuse https://www.artbymarcuse.com.au/aboutDonated to the Burke Museum through the Australian Government's Cultural Gifts Program by Peter and Evelyn MarcusePen and pencil landscape drawing on paper.Obverse: B'worth / Marcuse Reverse: B6 / Beechworth Nostalgia / BW - 07 (crossed out)ernest marcuse, marcuse, art, artbymarcuse, beechworth, burke museum, indigo shire, landscape, illustration, drawing, pen and pencil, australian army, war events illustrator, the age, the sun, the argus, germany, refugee, industrial drawing, architectual drawing, figure drawing, berliner morgenpost, grosse deutsche rundfunaustellung, berlin’s reiman school of art., cultural gifts program -
The Beechworth Burke MuseumDrawing, Ernest Marcuse, Beechworth Carriage Museum III, c1972-1976
... Marcuse then began to establish himself as a commercial artist. Ernest was de-classified as a 'stateless person of enemy origin' and in early 1942. ...Marcuse then began to establish himself as a commercial artist. Ernest was de-classified as a 'stateless person of enemy origin' and in early 1942. ...Ernest Heinrich Marcuse was born on the 1st of December 1900 to Hedwig and Siegmund Marcuse in Berlin Germany. While Marcuse's artistic talent was apparent from a younger age, his earliest existing artwork was from when he was approximately 20 years old. Ernest's formal art training commenced in 1918 with a three year course at the Berlin school of Interior design. After completion he found work until 1924 when Germany's Great Depression took effect. To broaden his career opportunities he undertook a further 12 months study of fashion, drawing and advertising at Berlin's Reiman school of art. From 1925 to 1934 Ernest was primarily a freelance press artist specialising in industrial, architectural and figurative drawing. Prominent newspaper The Berliner Morgenpost was his largest client along with Gross Deutsche Rundfunaustellung (Germany's organisation for major trade shows). During this period he would create many significant works. Two months after Hitler and the Nazi part came to power in 1933, Ernest received a life changing letter stating that being Jewish he could no longer continue employment in Germany. Up until 1938 he would only be able to undertake private commissions and occasional unofficial work as a book illustrator and games designer. This was by arrangement with non Jewish artists who claimed his work as their own, they would then share the income with Ernest. With increasing unrest in Germany during late 1938 Ernest decided to move to London and there he married his girlfriend Lotte. In late 1939 Ernest and Lotte Marcuse embarked on an eight week journey to their new home in Australia where they had been accepted as refugees. Shortly after arriving in Australia Ernest presented his portfolio to an editor at the Argus newspaper and gained employment as a war events illustrator. He soon became well respected and known in particular for his detailed illustrations and cross sections of ships , artillery and aircrafts. His detailed depictions of battles were displayed on the front pages of The Argus newspaper on a number of occasions. In May 1940 as the war intensified Ernest was dismissed from The Argus newspaper due to his Australian government classification of 'stateless person of enemy origin' and was considered a potential security risk. The editor of the time commented "don't blame us, blame Hitler". Marcuse then began to establish himself as a commercial artist. Ernest was de-classified as a 'stateless person of enemy origin' and in early 1942. The Australian army heard of Ernest's artistic abilities and began to utilize his designs for visual training aids and posters. Ernest became Private E.H Marcuse V377746, his first army posting was as staff artist at The infantry officer's training school at Bonegilla. When off duty he was inspired by the beauty of the surrounding area creating the works in North east Victoria 'Kiewa river bridge', 'Hume weir', ' Dried up river bed' and 'Hawksview gold reef mine' from his 1942-1943 period at Bonegilla Victoria. Ernest returned to the area to create drawings and paintings from 1948 to 1983 in locations including Bright, Wandilligong, Bogong High plains and Wallace's Hut, Mt Buffalo, Beechworth, Pretty valley, Kiewa Hydro, Yackandandah and Bontherambo homestead. These sketches were often completed on location, photographs were also taken onsite to assist the works back at the studio. Occasionally Marcuse also painted in the field. Ernest's preferred choice of medium was pencil and ink. Up until 1952 he would often incorporate watercolour into his work. Later into his career he began introducing pastels, acrylic and mixed media. In earlier years Ernest Marcuse often signed his work Mar, later on the signing of works ranged from Marcuse, E.Marcuse, Ernest Marcuse, EHM or simply EM . If a work was considered incomplete or Marcuse did not like the work it would remain unsigned. From Bonegilla Marcuse was transferred to Woodside South Australia before his final posting in Melbourne until the end of 1945. Ernest's work from within his army posting 'Troop Train at Night' from his 1945 exhibition Australia at War are part of the permanent collection at Canberra's War Museum. Between 1946 and 1969 Ernest largely worked from home and concentrated on a career as a freelance commercial artist and graphic designer. During that time he created work for well known household names including CRA/Conzinc, Vacuum oil (Caltex), Cottee's Brand (Schweppes and Heinz), Home Beautiful magazine Fulton garden supplies, International Iveco trucks, Ego pharmaceuticals, QV and Sunsense. After retirement Ernest concentrated on his true love of fine art and focused on painting images of personal interest both across Australia and Internationally. Earnest never drove a car. He would often walk or use public transport or enlist in the help of family or artist friends to drive him. Throughout his career Ernest Marcuse's artworks were purchase by private collectors these included ACTU, Melbourne City council, Holland Constructions, Melbourne Metropolitan Tramways Board, GJ Coles and Australian Resources Bank. Ernest Marcuse permanent collections can be viewed at The National Gallery of Victoria , Sydney Jewish Museum, Jewish Holocaust Centre Melbourne, Canberra's War Museum, City of Melbourne, Shire of Yarra ranges and now the Burke Museum. © 2020 Art by Marcuse https://www.artbymarcuse.com.au/aboutDonated to the Burke Museum through the Australian Government's Cultural Gifts Program by Peter and Evelyn MarcusePen and pencil landscape drawing on paper.Obverse: ABBOT BAGGY / B'WORTH / CARRIAGE MUSEUM Reverse: B7 / Beechworth Nostalgia / BW - 07 B (crossed out) / 008ernest marcuse, marcuse, art, artbymarcuse, beechworth, burke museum, indigo shire, landscape, illustration, drawing, pen and pencil, australian army, war events illustrator, the age, the sun, the argus, germany, refugee, industrial drawing, architectual drawing, figure drawing, berliner morgenpost, grosse deutsche rundfunaustellung, berlin’s reiman school of art., cultural gifts program
