Showing 41618 items
matching 12-05-1937
-
Ballarat Tramway Museum
Slide - 35mm slide/s, Travis Jeffrey, c1962
Agfa plastic mount (blue base, white cover) with a photo of Bendigo 29 at Charing Cross, with another single truck car behind it (possibly No. 7). Has two SEC crewman (Driver and Conductor) standing at the front of the tram. In the background is the Ezywalkin Shoe Store and the City Club Hotel in the background. Tram has the destination of North Bendigo and has a SEC Briquettes roof advertisement."BES 12" in penciltramways, trams, bendigo, north bendigo, charing cross, city club hotel, tram 29 -
Federation University Art Collection
Work on paper - Artwork - Digital archive print, The Corry (from the series: Cake Walking in Scotland, 2015/2016), 2016
David FERRY (1957- ) Born in Blackpool, United Kingdom. David Ferry studied painting at the Camberwell Schools of Art and printmaking at the Slade School of Fine Art in London. He is currently Professor of Printmaking and Book Arts at the Cardiff School of Art, Cardiff Metropolitan University,Wales. He was Former Associate Professor of Fine Art Media, at the Long Island University, New York, USA, and former Head of Printmaking at the Winchester School of Art, UK. David Ferry was awarded a Fellowship of The Royal Society of Arts for his contribution in the foundation of the Curwen Print Study Centre in Cambridge where he became its first Artistic Director in 2003. In 2010 he was made Professor of Printmaking at the Cardiff School of Art and Design, and a full Fellow of the Royal Society of Painter / Printmakers (RE).Framed screenprint which forms part of a series called ‘Cake walking in Scotland’ which was printed 2015/16. It is a Digital Archive print with gold and silver leaf and glitter and varnish. "Upon entering a strange place, the visitor is disorientated. He looks for key markers that can act as signposts to help him find his way. These markers are taken from his past experiences, giving shape to his perceptions.’…’ Ferry was born in the seaside town of Blackpool and educated at London art colleges during the late 1970s at the height of British Punk. These early foundations continue to assert themselves in the mischievous and disruptive nature of his photomontage. He argues that early understandings of oneself, along with the characters and situations one encounters, shape our viewpoint. These act as familiar signposts that enable us to negotiate our understanding of the world. Employing what he refers to as a collage mentality, Ferry collides and layers fragments to explore his subjects.’ Writes Stephen Clarke on David Ferry’s work in ‘The Double Negative’. (htt05 April 2019)ps://www.roeandmoore.com/shop/the-corrie-by-david-ferry/, accessed One of an edition of 12.david ferry, printmaking, artist in residence, screenprint, art, artwork -
Federation University Art Collection
Work on paper - Artwork, 'Gnarled Gum' by Kenneth Jack, 1961
Framed perspex engraving of an abstract tree. Donated through the Australian Gifts Programme by Katherine Littlewood.Edition 4/12kenneth jack, available, printmaking, landscape, trees, abstract -
Kilmore Historical Society
Tool - Shoe last, Cast iron shoe last, UK
Small foot shoe last with instep slide and groove in foot space. piece missing in cast in instep slide in foot space. 2cast holes on sole. dirty and dusty12 cast on toe -
Federation University Art Collection
Work on paper - Printmaking - Multiplate Etching, Dean Bowen, 'The Car Park' by Dean Bowen, 1994
Dean BOWEN (1957 -) Born Maryborough, Victoria Dean Bowen's work combines humour and gentle irony with technical proficiency to explore the world around him. 'The car park epitomises qualities found in the best of his post 1990 work. Born out of the daily grind of stop-start commuting by car along Melbourne's Punt Road to and from his former workplace, the feeling of this large work (just over two metres long) is of duality. On the one hand there is the crowded chaos of a relentless number of cars choking the roads; on the other, order is imposed in his aerial view of cars 'parked' around intersecting roads as well as the actual charting of roads and interstitial spaces. Zooming in as though from above, cars are alternately cross-sectioned and flattened in outline. Despite his denial that there is nothing reminiscent of Aboriginal art in this work, to the onlooker there are quite a number of similarities. Not that he presumes anything of the Aboriginal experience or imagery (indeed, that it is unconscious is probably the only reason it works), such qualities are nevertheless present. The aerial perspective, for example, is so like the Aboriginal system of painting song lines and dreaming tracks from above. And as seen in the famous 'X ray' paintings of Arnhem Land, his cars and buildings are cross-sectioned to reveal the objects (usually humans) within. The impression of Aboriginally is further given by his use of earthy browns and by the outlining of shapes (cars, roads, trees).' (Susan McCulloch) This work was selected by the Art Acquisitions Committee (1995) to be placed in the 1870 Founders Hall at Mt Helen Campus. The Federation University Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.A multiprint etching depicting a carpark that won the 1994 Fremantle Print Award;Edition 12/20art, artwork, dean bowen, bowen, etching, multi-plate etching, printmaking, printmaking etching, carpark -
Port Melbourne Historical & Preservation Society
Photograph - Photograph of Archibald McArthur, c. 1865
Photograph taken 1864 - 67.Photograph of Archibald McARTHUR leaning on a column.1995/6/12archibald mcarthur -
Whitehorse Historical Society Inc.
Newspaper - Article, Celebrating old school ties, 1/12/1996 12:00:00 AM
125th anniversary celebrations at Burwood east Primary School. Illustrated. Cutting from Nunawading Gazette. 3/12/96burwood east primary school no. 454, school, anniversary -
Whitehorse Historical Society Inc.
Photograph, Blackburn Post Office, 12/09/1960 12:00:00 AM
Black and white photo of reverse side of brochure for opening ceremony of new Blackburn Post Office 12/9/1960blackburn post office -
Ballarat Tramway Museum
Negative - Set of 2, Campbell Duncan, 28/12/1970 12:00:00 AM
Yields information trams at the depot prior to running out of the depot.Set of 2 photographs taken on 28/12/1970 of trams 38 and 40 on the depot fan, pending running out.trams, tramways, depot, tram 38 tram 40 -
Lara RSL Sub Branch
Newspaper - My War Part 25 Newspaper The Sun dated 9/5/1942 - 10 Japanese Warships Sunk
newspaper reports of The Sun dated 9/05/1942Newspaper The Sun 9/5/194210 Japanese Warships Sunk, Enter , The General - MacAthurnewspaper articles from the the sun dated 9/05/1942 -
National Wool Museum
Letter
Addressed to Robert C. Lloyd (8/4/05)Signature of John Tindallsquatters sheep stations - history, board games, lloyd, mr robert, squatters, sheep stations - history -
Melbourne Tram Museum
Flag - Tramway - set of 12, late 1980s
Set of 12 flags collected by the donor, unused, manufactured during the late 1980s. 1 - Australian flag - see also item 790 for a used example 2 - Support Legacy 3 - March is Red Cross calling month. 4 - 100 years of trams - see also item 2608 5 - Victoria 150 6 - Architecture Week 7 - Energy Week - May 1987 8 - Spoleto festival - blue background 9 - Spoleto festival - purple background 10 - Women 150 art festival 11 - Girl Guides 12 - ESTO '88 Melbourne - ESTO is a world-wide cultural festival for expatriate Estonians which has taken place every four years since its beginning in 1972Demonstrates the type of flags that were made for use on Melbourne trams during the late 1980s.Set of 12 flags made for use on tramcars - unused - nylon woven fabric and printed on various coloured cloths. Sewn with a loop at the left hand end to enable a wooden dowell to be fitted and secured and flown on a W class tramcar.trams, flags, melbourne, tramways, legacy, festivals, 100 years of electric trams, 150th anniversary victoria -
Victorian Harness Racing Heritage Collection at Lord's Raceway Bendigo
Memorabilia - Silver trophy, Maori Miss, 1966 Geelong Trotters Cup
Maori Miss (Grand Monarch NZ P 2.9.2 - Yendarra Hall NZ - (Loreto)). Brown Mare. Foaled 1960 (2nd Foal). Breeder/Owner: R McD Healy. Trainer G Gath. Maori Miss raced from 1963 (2yo) through to 1967 (6yo). Career: 20 wins 12 seconds 10 thirds 63 starts. 2.10.6 Winning Drivers: G Gath (13) Neville Gath (6) B Gath (1). Won on 8 Tracks: Melbourne Showgrounds (6) Harold Park NSW (2) Ballarat (4) Warragul (3) Geelong (2) Bendigo (1) Stawell (1) Cranbourne (1)Maori Miss won the 1966 Geelong Trotters Cup (also known as G McNamara Memorial Trotters Cup) at a rate of 2-12 1/5, equalling the Track Record, starting off 24 yds over 14 furlongs at Geelong on 13 January 1966 defeating Tamboritha 2nd and Corop McElwin 3rdTwo Handled Cup Shaped Trophy with a LidGeelong Trotters Cup / 1966 / Won by / Maori Miss / Rate 2-12 1/5trophy, harness horse, maori miss, geelong trotting club, geelong trotters cup, 1966, r healy, ric healy, g gath, george gath, neville gath, ng gath, r mcd healy -
Ballarat Tramway Museum
Ephemera - Ticket/s, William Ticket Printer & Brighton Corporation Transport, 2 tickets from the Volks Electric Railway - Wal Jack Collection, 1940's
2 tickets from the Volks Electric Railway - see attached notes for details, have been used. Image of list added 29/9/2013 - see related documents for details.On rear of ticket No. AC 06502 has in pencil "12" with the 12 within a circle.trams, tramways, volks electric railway, tickets, uk -
Ballarat Tramway Museum
Photograph - Colour Photograph/s, Travis Jeffrey, 14/08/1971 12:00:00 AM
Colour photograph of Ballarat No. 43 travelling inbound on the north side of Sturt St. through the Hospital corner junction. Tram has a SEC "Everything's under control in my all electric kitchen" roof advertisement and destination of Mt. Pleasant. Photo taken at Hospital corner. Has the Ballarat Base Hospital buildings in the background. Photo on Agfa Paper and taken on Friday 14 August 1971.Stamps with faded green ink: "Photo by Chris Jeffrey / Number" with number "104PC/05" in blue ink and date stamp "Friday 14 August 1971" also in faded green ink.sturt st, drummond st, hospital corner, tram 43 -
The Beechworth Burke Museum
Drawing, Ernest Marcuse, Beechworth – Opposite Crown Hotel (Tanswell Hotel), c1972-1976
Ernest Heinrich Marcuse was born on the 1st of December 1900 to Hedwig and Siegmund Marcuse in Berlin Germany. While Marcuse's artistic talent was apparent from a younger age, his earliest existing artwork was from when he was approximately 20 years old. Ernest's formal art training commenced in 1918 with a three year course at the Berlin school of Interior design. After completion he found work until 1924 when Germany's Great Depression took effect. To broaden his career opportunities he undertook a further 12 months study of fashion, drawing and advertising at Berlin's Reiman school of art. From 1925 to 1934 Ernest was primarily a freelance press artist specialising in industrial, architectural and figurative drawing. Prominent newspaper The Berliner Morgenpost was his largest client along with Gross Deutsche Rundfunaustellung (Germany's organisation for major trade shows). During this period he would create many significant works. Two months after Hitler and the Nazi part came to power in 1933, Ernest received a life changing letter stating that being Jewish he could no longer continue employment in Germany. Up until 1938 he would only be able to undertake private commissions and occasional unofficial work as a book illustrator and games designer. This was by arrangement with non Jewish artists who claimed his work as their own, they would then share the income with Ernest. With increasing unrest in Germany during late 1938 Ernest decided to move to London and there he married his girlfriend Lotte. In late 1939 Ernest and Lotte Marcuse embarked on an eight week journey to their new home in Australia where they had been accepted as refugees. Shortly after arriving in Australia Ernest presented his portfolio to an editor at the Argus newspaper and gained employment as a war events illustrator. He soon became well respected and known in particular for his detailed illustrations and cross sections of ships , artillery and aircrafts. His detailed depictions of battles were displayed on the front pages of The Argus newspaper on a number of occasions. In May 1940 as the war intensified Ernest was dismissed from The Argus newspaper due to his Australian government classification of 'stateless person of enemy origin' and was considered a potential security risk. The editor of the time commented "don't blame us, blame Hitler". Marcuse then began to establish himself as a commercial artist. Ernest was de-classified as a 'stateless person of enemy origin' and in early 1942. The Australian army heard of Ernest's artistic abilities and began to utilize his designs for visual training aids and posters. Ernest became Private E.H Marcuse V377746, his first army posting was as staff artist at The infantry officer's training school at Bonegilla. When off duty he was inspired by the beauty of the surrounding area creating the works in North east Victoria 'Kiewa river bridge', 'Hume weir', ' Dried up river bed' and 'Hawksview gold reef mine' from his 1942-1943 period at Bonegilla Victoria. Ernest returned to the area to create drawings and paintings from 1948 to 1983 in locations including Bright, Wandilligong, Bogong High plains and Wallace's Hut, Mt Buffalo, Beechworth, Pretty valley, Kiewa Hydro, Yackandandah and Bontherambo homestead. These sketches were often completed on location, photographs were also taken onsite to assist the works back at the studio. Occasionally Marcuse also painted in the field. Ernest's preferred choice of medium was pencil and ink. Up until 1952 he would often incorporate watercolour into his work. Later into his career he began introducing pastels, acrylic and mixed media. In earlier years Ernest Marcuse often signed his work Mar, later on the signing of works ranged from Marcuse, E.Marcuse, Ernest Marcuse, EHM or simply EM . If a work was considered incomplete or Marcuse did not like the work it would remain unsigned. From Bonegilla Marcuse was transferred to Woodside South Australia before his final posting in Melbourne until the end of 1945. Ernest's work from within his army posting 'Troop Train at Night' from his 1945 exhibition Australia at War are part of the permanent collection at Canberra's War Museum. Between 1946 and 1969 Ernest largely worked from home and concentrated on a career as a freelance commercial artist and graphic designer. During that time he created work for well known household names including CRA/Conzinc, Vacuum oil (Caltex), Cottee's Brand (Schweppes and Heinz), Home Beautiful magazine Fulton garden supplies, International Iveco trucks, Ego pharmaceuticals, QV and Sunsense. After retirement Ernest concentrated on his true love of fine art and focused on painting images of personal interest both across Australia and Internationally. Earnest never drove a car. He would often walk or use public transport or enlist in the help of family or artist friends to drive him. Throughout his career Ernest Marcuse's artworks were purchase by private collectors these included ACTU, Melbourne City council, Holland Constructions, Melbourne Metropolitan Tramways Board, GJ Coles and Australian Resources Bank. Ernest Marcuse permanent collections can be viewed at The National Gallery of Victoria , Sydney Jewish Museum, Jewish Holocaust Centre Melbourne, Canberra's War Museum, City of Melbourne, Shire of Yarra ranges and now the Burke Museum. © 2020 Art by Marcuse https://www.artbymarcuse.com.au/aboutDonated to the Burke Museum through the Australian Government's Cultural Gifts Program by Peter and Evelyn MarcusePen and coloured pencil landscape drawing on paper.Obverse: Opposite Crown Hotel / Tanswell Hotel / BEECHWORTH / (on tape) Reverse: BEECHWORTH NOSTALGIA / BW – 05 (on masking tape) 004 (pencil) ernest marcuse, marcuse, art, artbymarcuse, beechworth, burke museum, indigo shire, landscape, illustration, drawing, pen and pencil, australian army, war events illustrator, the age, the sun, the argus, germany, refugee, industrial drawing, architectual drawing, figure drawing, berliner morgenpost, grosse deutsche rundfunaustellung, berlin’s reiman school of art., cultural gifts program -
Orbost & District Historical Society
newspaper, The Argus, January 12 1946
The Argus was a morning daily newspaper in Melbourne that was established in 1846 and closed in 1957 and was considered to be the general Australian newspaper of record for this period. Widely known as a conservative newspaper for most of its history. Newspapers reflect the contemporary society at the time of print i.e. post-war Australia. This item is a useful reference for that history.A complete 32 pp newspaper, titled The Argus - Melbourne. It is dated Saturday January 12 1946.newspaper-the argus media-print -
Bendigo Historical Society Inc.
Document - HAMILTON COLLECTION: THEATRE TICKET, 12 Dec 1902
Document. Paper tickets ''One Night Only'' Friday Dec 12, 1902. Two copies.performing arts, elocution, theatre ticket -
Whitehorse Historical Society Inc.
Photograph, Wisteria Garden Party 2001, 12/10/2001
Coloured photograph of children at Animal Farm at Society's Wisteria Garden Party on 12 October 2001wisteria garden party 2001, nunawading and district historical society, children -
Whitehorse Historical Society Inc.
Photograph, Wisteria Garden Party 2001, 12/10/2001
Coloured photograph of children at animal farm with at Society's Wisteria Garden Party on 12 October 2001wisteria garden party 2001, nunawading and district historical society, children -
Whitehorse Historical Society Inc.
Photograph, Blackburn Post Office, 1/06/1960 12:00:00 AM
Black and white photo of brochure for the opening ceremony of Blackburn Post Office 12/9/1960blackburn post office -
Bendigo Historical Society Inc.
Photograph - CASTLEMAINE GAS COMPANY COLLECTION: PHOTO DEFECTIVE TEE, 12/02/1990
Pall Mall/Williamson Corner Anz Bank - Replace Defective Tee - 12/02/1990Polaroidorganisation, industry, gas and fuel -
Public Record Office Victoria
12 December 1854
VA 466 Governor (including Lieutenant Governor 1851-1855 and Governor's Office)Eureka Stockade:Geelong Advertiser, 12 December, 1854 report on the week in Ballarat (up to Dec 1) -
Bendigo Historical Society Inc.
Book - H.A & S.R. WILKINSON COLLECTION: ADVERTISMENT BOOK
Advertisement book. 156 pages of property advertisement cuttings from 03/12/1986 to 30/12/1987.organization, business, h.a. & s.r wilkinson real estate, yellow label 593. -
Glen Eira City Council History and Heritage Collection
Document (Item) - Newspaper (digital), Caulfield Contact, 1985
The Caulfield Contact was the official newspaper of the City of Caulfield from 1976-1994. The City of Caulfield was the Municipal Council for an area of the South Eastern suburbs of Melbourne, including Brighton East, Carnegie, Caulfield, Elsternwick, Gardenvale, Glen Huntly, McKinnon, Murrumbeena, Ormond and St Kilda East. Following Amalgamation of City of Caulfield and parts of the City of Moorabbin in 1994, the Caulfield Contact was followed by the Glen Eira News.city of caulfield, caulfield -
Bendigo Historical Society Inc.
Document - COHN BROTHERS COLLECTION: NEON SIGNS AGREEMENT
[a] Manilla envelope with handwritten caption, 'Neon Signs Ltd, Agreement dated Dec 2nd 1937 re Neon Sign at Veal's Shop, Ironbark. [b] Neon Electric Signs letter to Cohn's dated 14th December 1937 on printed letterhead paper re installing low tension electric wiring pinned together with Veal's , 5 Alley St, Ironbark agreement.bendigo, industry, cohn bros brewery -
Warrnambool and District Historical Society Inc.
Souvenir - Post Card 12 views of Warrnambool, Nucolorvue Productions, 1950's
This type of folded postcards was popular with tourists in the 1940s, 50s, and 60s and often kept by them for many years afterwards. The views of Warrnambool here, taken about the 1950s, were typical of the Warrnambool postcards available at the time and were mass-produced as many examples survive today. They include photographs of Hopkins Falls, the beach and harbour, Liebig Street, Hopkins River, coastal scenery and the Botanical Gardens. These postcards are of some historical interest, though the photographs appear frequently in many publications. They also have a social significance showing what tourists bought 60 or more years ago.This is a packet in envelope form containing 12 coloured postcards of views of Warrnambool about the 1950s. The photographs are printed on buff-coloured paper and fold up to envelope size so that they can be sent by post. The front cover includes three dotted lines for the address and the back cover has a space to include the name of the sender. One page gives some general information on Warrnambool. Front cover: ‘A Souvenir of Beautiful Warrnambool’, ’12 Specially Selected Views in Full Color’ Back cover: ‘From…’ , ‘Published by Nucolorvue Productions, Elwood, Victoria’ tourism, warrnambool -
National Vietnam Veterans Museum (NVVM)
Photograph, Gibbons, Denis, Lt Col Khan
Denis Gibbons (1937 – 2011) Trained with the Australian Army, before travelling to Vietnam in January 1966, Denis stayed with the 1st Australian Task Force in Nui Dat working as a photographer. For almost five years Gibbons toured with nine Australian infantry battalions, posting compelling war images from within many combat zones before being flown out in late November 1970 after sustaining injuries. The images held within the National Vietnam Veterans Museum make up the Gibbons Collection.A black and white photograph of Lt Col Khan CO 5 RAR as he advises the Duc Thanh District Chief Maj Tram Van Ngo that the placement of the dead VietCong bodies around the 'Gallia' rubber plantation was not acceptable to the Australians. 29/12/1969photograph, lt col colin khan, duc thanh district chief, maj tram van ngo, viet cong, rubber plantation gallia, 5 rar, gibbons collection catalogue, denis gibbons, photographer, vietnam war -
Phillip Island and District Historical Society Inc.
Photograph - Photographs of Phillip Island, 1920s and 1940s
Photographs associated with Public Schools camp, that started in the 1930s. Some boys worked on chicory at McFee's farm. 314-05 was possibly located at Trenavin Farm, Ventnor. (Source Jan Andrews ) Photo of people on cart with tank stand was off to a 7 picnic at the Nobbies 1917. [See 1124-01] Keeston Sambell driving, behind him is Betty Parker. on side from left is May Lambert, Jim Patterson, Jim Blake, Carmen Sambell and Bill Sambell.[ Source Jim Blake] Eight black & white photographs. 314-01. Photograph of horse and cart with 2 women, 2 girls and 5 boys. 314-02. Photograph of a mixed group of 7 people on a horse and drag. 314-03. Photograph of 3 young adult males and a dog standing in front of a wooden building. 1926 “Campers Rest” Labelled The Immortal camp at Ventnor. Poss. Trenavin Park 314-04. Photograph of 5 boys and 1 woman swimming in rock pool. 1 boy watching. 314-05. Photograph of old wooden hut with tank and chimney. Appears to have been used by boys when camping. 314-06. Photograph of 4 boys - 2 in swimming costumes - on the beach. 314-07. Photograph of 3 women and 1 girl sitting on sand dunes. 314-08. Photograph of 3 boys in uniform and 1 man sitting on bench - maybe watching sporting event?scotch college camp phillip island, scotch college boys, s j mcfee, c.k. newman, f. r. newman, trenavin park phillip island, sambell family, jim blake, betty parker -
Melbourne Tram Museum
Document - Tender Document, Melbourne & Metropolitan Tramways Board (MMTB), "Supply and delivery of passenger check tickets", 6/12/1919 12:00:00 AM
Tender form, duplicated foolscap sheet, titled "Supply and delivery of passenger check tickets", headed MMTB, closing 11/12/1919 for 19 million tickets - gives details of the delivery, paper, printing and samples. Dated 6/12/1919. Has a tender response form. two copies held.trams, tramways, mmtb, tickets, tenders, specification