Number 155/500 of a limited edition print series, of an original oil painting entitled 'Tennis in the Park', by Raymond Sipos, in 1976. The artwork features a number of male and female spectators, in 19th century dress, watching a game of mixed doubles being played on a grass court, in an open park. The print has been personally numbered and signed by the artist, along the lower border. Materials: Paper, Ink, Graphitetennis

Number 156/500 of a limited edition print series, of an original oil painting entitled 'Tennis in the Park', by Raymond Sipos, in 1976. The artwork features a number of male and female spectators, in 19th century dress, watching a game of mixed doubles being played on a grass court, in an open park. The print has been personally numbered and signed by the artist, along the lower border. Materials: Paper, Ink, Graphitetennis

Number 157/500 of a limited edition print series, of an original oil painting entitled 'Tennis in the Park', by Raymond Sipos, in 1976. The artwork features a number of male and female spectators, in 19th century dress, watching a game of mixed doubles being played on a grass court, in an open park. The print has been personally numbered and signed by the artist, along the lower border. Materials: Paper, Ink, Graphitetennis

The interview is one of a series recorded in 2013-2014 to document memories and experiences of the Williamstown Botanic GardensA primary source of information on memories of the Gardens and witness to changes in the Gardens over those years. CD and transcript of interview with Shelley Wood. Shelley was born in Williamstown, as was her mother Margaret McLean. Shelley recalls her mother telling her about spending many hours in the Gardens when she was young with her friend Chic, who was the daughter of the Curator Ernie Anderson. Shelley, who was the first female gardener appointed in the western region, served her apprenticeship at Gardens and is currently the Curator. shelley wood, margaret mclean, tom wood, chic anderson, ernie anderson, 1979, apprentice, fish pond, pinetum, barry heath, golden elm, palms, brian turner, dean splatt, robert anderson, 1988, bicentennial funding, 1987, angela altair, helen page, mary klestadt, mike hirst, john hawker, landscape advisory group, williamstown technical school, gates, buffalo lawn, ian brown, storytime, adam lindsay gordon, statue, archie matthews, aviary, williamstown botanic gardens, hobsons bay city council

One of the boys is believed to be John Reaburn; date is approximate.Black and white photo of a class of 34 children at Surrey Hills Primary School taken outside against a brick wall with a central window. It may be a class of mixed age children. There are 20 boys and 14 girls. One boy holds the class identification board (illegible); several are dressed in 'sailor shirts' and a couple in oriental-looking costumes. The children are flanked by a senior male teacher and a junior female teacher.surrey hills primary school, schools, education, primary education, children, john reaburn

In the Second World War there was only one badge issued to the nearest female relative of members of the RAN, the Australian Imperial Force (including members of the Australian Army Nursing Service), and the Royal Australian Air Force on active service abroad. Stars displayed on a bar suspended below the badge represented the number of relatives involved in the war effort. Authority for the issue of the badge in the Second World War was issued under AIF Order 200 dated 14 February 1941.Metal badge with crown on top & bar underneath with 1 star.'TO THE WOMAN OF AUSTRALIA'. Map of Australia in centre of wreath. On reverse side issued by the Commonwealth Government. No 'A100853' world war two, royal australian air force, australian imperial force, australian army nursing service

Winlaton was established in Springvale Rd., Nunawading in 1956 as the main state-run institution for adolescent girls. Previously (1951-1953) Winlaton was a home run by the Mission of St James and St John for women with venereal diseases. Re-opened in 1956, female offenders were committed to Winlaton by the courts, but there were also many girls and young women in danger who had not committed a crime. Winlaton closed in 1993 and the land is now occupied by the Candlebark Estate.5 black and white photographs (a-e) showing tattoos being removed at the Winlaton Youth Training Centre. This activity was funded by the Australian Schools Commission Innovations Grants. See also 6229winlaton youth training centre

The Town Mission was established in Ballarat East by a group of Wesleyans. "Australian Silverpen" wrote an historical sketch about the Town Missioner, Martin Hosking. From miner's tent to mission pulpit : Martin Hosking, Ballarat's town missionary : an in memoriam sketch /​ by The Australian Silverpen. See https://trove.nla.gov.au/work/223253590?q=town+mission+hall+ballarat&c=book&versionId=244807517 See also Dorothy Wickham's Beyond the Wall: Ballarat Female RefugePostcard size black and white photograph of the Ballarat Town Mission Hallmartin hosking, town mission, welfare, charity, ballarat, ballarat east, canadian home, ballarat town mission

Prior to the election of female Councillors and Mayors from the 1960’s onwards the Mayoress role was one of the few ways women could be active in civic life. Mayoresses made important contributions to their local communities through their charity work and as ambassadors for their region on a state and at times, international level. They also undertook some Mayoral duties on occasions when the Mayor was unavailable. Laura Jane Truscott (nee Baxter) born New South Wales (1880-1967).Framed, oval photographic studio portrait. Hand coloured detail. Flat glass and print. ll; Vincent Kelly / Bendigo. lr; Mrs A Truscott / Mayoress 1945 - 46studio photography, city of bendigo mayoress, city of greater bendigo portraits

Prior to the election of female Councillors and Mayors in the 1960’s, the Lady Mayoress role was one of the few ways women could officially undertake civic duties. Mayoresses made important contributions to their local communities through their charity work and as ambassadors for their region on a state and federal level. They also undertook some Mayoral duties on occasions when their husband was unavailable. Phyllis Campbell served as Mayoress from 1975 - 76 and 1979 - 80 and was born in 1916 and died in 1995.Colour photographic studio portrait sitting behind oval mount.Inside lr; Don Semmens / Bendigostudio photography, city of bendigo mayoress, city of greater bendigo portraits, city of bendigo mayor, mayor r campbell, mayoress phyllis campbell., lansell pendant

Jazmina Cininas’ printmaking practice is best known for its technically demanding reduction linocuts. A two-legged dingo stole Lindy’s tears draws on the complex mythologies and rhetoric that have become embedded in the protracted Lindy Chamberlain saga. The work is a critique of the media’s unfair treatment of Chamberlain when the case broke in the 1980s. This is a key work from Cininas' Girlie Werewolf Project, which explores how female 'otherness' has been depicted through history. Donation by the artist

A black and white photograph of the Bendigo Teachers' College staff taken in the year 1945. This is a formal photo in front of what appears to be a stage. It has two columns, curtains and a picture of a landscape in the background. The male staff are dressed in suits with a tie and the female staff are dressed in dresses and stockings with formal shoes. Not all the the names of the staff standing are known. Those known are - Ms. Grace Conole, Ms. Jessie Lamphier, Ms. Joan Stephenson, Ms. Faye Shepherd, Ms. Letti White. Seated - Ms. Mary McGawley, Mr. Michael Morris Miss Jessie Burnett, Mr. George Mills (Principal), Ms. Betts, Mr. Duncan Miss Bennett (Infant Mistress). See 3320.100bendigo, education, bendigo teachers' college staff, la trobe university bendigo collection, collection, bendigo, education, tertiary education, teacher training, teaching, staff, male, female, bendigo teachers' college, photo, photos, photograph, photographs, photography, ms, j.c. burnett, mr. geoff. pryor, costume, attire, clothing, fashion, ms. gracie conole, ms. jessie lamphier, ms. joan stephenson, ms. faye shepherd, ms. letti white, ms. mary mcgawley, mr. michael morris, ms. jessie burnett, mr. george mills, ms. betts, mr. duncan, ms. bennett

Bendigo Preserving Company Weekly Wages Ledger between 5th February 1936 to 10th May 1939 5th Feb 1936: 39 males & 102 females weeks wages £317 10s 7p 10th May 1939: 35 males & 28 females weeks wages £191 4s 10p a-c book d frontice page - attached Amalgamated Food Reserving Employees Union of Australia sheets e-h weeks wages 5/02/1936 (first entry) i-k weeks wages 10/05/1936 (last entry) l-m & q rear pages n-p years wages spreadsheet ending 30th June 1939 (over three loose pages) (scannedd nn-pp) r years wages statement issued to Mrs F. Mottram 14th july 1939 for £82 11s 11p (scanned rr)nil

This badge is for a female and has been issued to a Warrnambool Racing Club member in 1956. Horse racing meetings have been held in Warrnambool since the early days of settlement and the Warrnambool Racing Club was formed in 1854. Meetings have been held at the site of the present racecourse since the late 1850s. The chief event on the Warrnambool racing calendar is the annual three-day May Racing Carnival, with the main event being the well-known Warrnambool Grand Annual Steeplechase.This badge is retained as an example of lady’s badge issued to members of the Warrnambool Racing Club in the mid 20th century.This is a silvered-coloured six-sided metal badge with embossed initials and printing and a metal clip at the back.WRC LADY Season 1956-57 B545 Stokes Melb. warrnambool racing club, badge, history of warrnambool

This item was donated by the daughter of Ena Heazlewood, a former Warrnambool resident. Mary Josephine (Ena) Todd was born in Warrnambool in 1920. She worked as a hairdresser at Josephine’s Salon in Warrnambool. In 1942 she married Jack Heazlewood, also of Warrnambool. He was serving on the H.M.A.S. Sydney at that time. Later they moved to Sydney. Pantaloons were worn particularly in the 19th century to cover the legs under voluminous dresses such as crinolines. This item may have belonged to earlier female members of either the Todd or the Heazlewood families.This item is of interest as an example of vintage women’s clothing and as an item donated by the daughter of a former Warrnambool resident. These are white cotton pantaloons or panties, hand-stitched. The waist band has two slits with cotton ties either side. The legs have lace frill ends gathered with elastic insertions. vintage clothing, history of warrnambool

A certificate typed on Melbourne Legacy letterhead to certify that the recipient had completed a leadership training course in August 1979. It meant the junior legatee was qualified to assist in the youth classes. It also mentions the Junior Legatee is entitled to what the 'Leader' badge on her uniform. Hence it was a leadership course for female junior legatees. This uncompleted certificate is unnamed and is not signed by the President, which was L/ W R Mehan in 1979, so it had not been awarded and could be a generic draft of a certificate for the files.A record that Legacy provided advancement opportunities for the girls in the classes. They could train to be leaders and help in running the classes.Certificate on Melbourne Legacy Letterhead acknowledging that a Junior Legatee has attended a Leadership Training course No 16. girls' classes, girls' club

Two women approach to enter Mirridong, with assistance from four others. From the left, the first woman speaks as she places her hand around that of the second woman's grip on a wooden cane. The second woman wears dark glasses, and has both a female and male holding her right arm. The male in the middle also holds the hands of a fourth woman, who has her other hand held by a man holding an envelope and standing behind suitcases.1 B/W photograph of people entering KelastonCK72 1/3 size also head only women 1st and 3rd from leftassociation for the blind, kelaston home (ballarat)

Prior to the election of female Councillors and Mayors in the 1960’s, the Lady Mayoress role was one of the few ways women could be active in civic life. Mayoresses made important contributions to their local communities through their charity work and as ambassadors for their region on a state and at times, national level. Mayoresses were also required to undertake Mayoral duties on occasions when their husband was unavailable. Mayoress Batchelder was born Elizabeth Helen Wilkinson and is recognised for her work among the poor of the district. Art NouveauFramed, oval photographic portraits with convex glass and print, created using a collodion wet plate process. Hand coloured detail.Mrs E.G. Batchelder / Mayoress 1928 - 1929 / Vincent Kelly / Bendigoelizabeth wilkinson, mayoress batchelder, mayor batchelder, vincent kelly photographer, city of bendigo, city of greater bendigo portraits

Antonio Canova’s statue The Three Graces is a Neoclassical sculpture, in marble, of the mythological three charites, daughters of Zeus – identified on some engravings of the statue as, from left to right, Euphrosyne, Aglaea and Thalia – who were said to represent youth/beauty (Thalia), mirth (Euphrosyne), and elegance (Aglaea). The Graces presided over banquets and gatherings, to delight the guests of the gods. The three slender female figures become one in their embrace, united by their linked hands and by a scarf which links them.Ornamental table statue of "The Three Graces" with bowl.ornaments, sculptures, human figures, figures

A photo of a group of female junior legatees in an elocution class. The photo appeared in the July 1954 Legacy Newsletter with the caption. "Here is a group of Intermediate Girls being tutored in Speech training by Miss Winifred Williams. Though not spectacular Speech Training is an important part of class work." Miss Williams also wrote a piece in a newsletter about the benefits of speech training. Melbourne Legacy ran many classes for boys and girls in their care. The speech training or elocution was one aspect.A record of an aspect of the classes provided for the girls.Black and white photo of Miss Williams speaking to a class of young ladies.junior legatee, girls' classes, miss williams

Victorian Railways Tram Monthly Periodical with conditions of travel on the inside. See reference page 125/126 and Figure 6-31. All tickets were available for 60-only tram trips, with space for the name of the holder Not numbered. 1 - St Kilda and Vautier St - 2 sections, 9/-, Male 2 - St Kilda and Dickens St, fare 6/- Male 3 - St Kilda and Dickens St, fare 6/- Female - printed with a red cross.Demonstrates a Victorian Railways Tram monthly ticket for a specific section or trip on the St Kilda Brighton tramway. May have been used as a training sample.Printed card ticket, card, with a crease in the middle so it could be folded.tickets, vr, vr trams, victorian railways, st kilda brighton tramway, monthy

Believed to have been made by Tilly Aston, this tray cloth is an example of the type of skills the Royal Victorian Institute for the Blind school taught its female students. Handicrafts was a possible method of income, and the emphasis was on producing usable pieces rather than highly decorative ones. It is a rectangular shaped tray cloth made from cotton and silk thread. The centre piece is cream coloured and consists of 2 layers of pulled thread work The cloth is edged with a beige coloured lace border. Linen cloth with crocheted edgingtilly aston, royal victorian institute for the blind

The Rainbow Bee-Eater is native to Australia, living across the mainland, except in desert areas. Male and female birds are both brightly coloured, the primary difference being the length of their tail streamers. Male Bee-Eaters have longer streamers than the females. They are insectivores and use techniques to remove threats to themselves; eg. they will remove wasp's stingers to avoid the poison. They nest in sand and dig a long tunnel, at the end is a 'chamber' where they lay the eggs. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century. The Rainbow Bee-Eater is a uniquely beautiful species of bird with strikingly bright colouring. The plumage is green, blue, chestnut and yellow. The build of this specimen is small and graceful and the bill is slender and curved. This Bee-Eater has two distinct streamers that extend from the base of the tail. The glass eyes provided to this specimen are dark black in colour; however, in life, this specimen has red eyes which contrast with the black stripe of colour that is located from the base of the bill to the ears. Below the black stripe, is a smaller pale blue colour. The throat is orange-yellow and the breast is green. The tail is black with a blue tinge to the plumage closer to the rear of the torso. The colouring on this particular specimen has faded significantly, but it provides a good example of what this specimen looked like while alive.Label: 5a / Australian Bee-Eater / See catalogue page 7 / taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, rainbow bee-eater

.1) Book. Hard cover. Printed images of WWII women in armed forces, nursing & land army. Bottom image is photo of modern females in RAN. Red & blue printing. 108 pages, illustrated photos & maps. .2) DVD - Australian Government Department Veterans Affairs. Changing roles of women, 1899 - today. Images identical to front cover. .3) CD Rom identical cover to .2) above.books reference/military, audio-visual technology - audio/visual accessories, illustrations-prints, military history

Black and white photo of 6 people - 3 females front row, 3 males back row, all wearing white t-shirts with the words ''Gas people are good sports''. Same photo as 11518.344 Kevin Shuttleworth and Bryan Baker, others unknown. In this photo the 3 males are standing. Date and location unknown. Back row; Kevin Shuttleworth, unknown, Brian Baker. Girls in front row unknown.00person, group, employees