Engageantes - washable half sleeve that could be tied to the arm inside a bell-shaped , or a 'pagoda' sleeve. They ended at the wrist in closed cuffs or open frill. Engageantes were worn from mid- to the late 19th Century.One pair cream lace undersleeves 33cm long. Frilled around wrist with two hook & eye fastenings. Lace insertion, plus nine narrow lace bands to top of sleeve. As worn in 1880'scostume, female

Folder containing several documents introducing St Kilda Town Clerk WH Greaves on a visit to Europe in 1947Light brown coloured folder containing 7 individual documentswh greaves collection, greaves, credentials, john cain sr, hector bell, francis connelly, ernest allen, ben chifley, william stewart

The Victoria Cross (VC) is a military decoration awarded for valour "in the presence of the enemy" to members of the Australia Armed Forces. It may be awarded to a person of any rank in any service, and to civilians under military command. Being the highest award in the Australian Honours Order of Wearing, the Victoria Cross takes precedence over all other postnominals and Australian orders and decorations.Black metal frame containing image of Victoria Cross Medal with two columns of names either side.Australian Victoria Cross Recipients Certificate of Authenticityhowse, bisdee, wylly, bell, rogers, keysor, maygar, jacka, symons, burton, shout, dunstan, hamilton, tubb, throssell, jackson, dartnell, leak, blackburn, cooke, castleton, o'meara, murray, mcnamara, cherry, jensen, newland, kenny, whittle, pope, howell, moon, greive, carroll, inwood, birks, dwyer, bugden, mcgee, peeler, jeffries, mcdougall, storkey, sadlier, ruthven, davey, axford, dalziel, brown, borella, gaby, beatham, statton, joynt, mccarthy, gordon, cartwright, currey, lowerson, mactier, towner, buckley, woods, wark, ryan, maxwell, ingram, sullivan, pearse, edmondson, cutler, edwards, anderson, kingsbury, french, gurney, kibby, gratwick, middleton, newton, kelliher, derrick, rattey, chowne, mackey, kenna, simpson, starcevich, partridge, wheatley, badcoe, payne

Coburg Railway Gatescoburg, railway, gates, bell street, coburg railway gates

Family history of Josiah Holloway, origins of street names in the subdivision of Eltham History of Eltham and origins of street names connected with pioneers of the area.Newsprint, gray scale. Photograph of Keylock's Bridge on Diamond Creek at ElthamDV Leader April27 2011, p23josiah holloway, jack shallard, susanna maria bible, bradbury, henry brougham, handfield, fay harcourt, violet bank, kangaroo ground, bells hillroad, shalbury avenue, beard street, brougham street, main road, eltham

Part of Old Lintonian Collection ; No. 132.Tintype photograph of a woman with hair drawn back from face, wearing long sleeved gown with large white lace collar.mary wise, mary bell, old lintonian collection, mrs thomas mardling wise

Photo shows the face of a signalling unit, rather like a ships "Engine Order Telegraph" used to signal the engine house from a car house regarding the operation of the cable.Demonstrates a photo showing the face of a cable signalling unit, photographed at Clifton Hill car house or depot.Black and white print with notes on the rear."This was at Clifton Hill sheds"tramways, cable trams, clifton hill, cables

The symbolic egg form at the heart of this design echoes the hope for recovery and new life, and for the rebirth of the land. The piece also references the conservation role of the park and in particular the role this park plays for the many birds that live and nest within. The 4 metre high egg form is made from recycled timbers and is designed to be tactile, organic and peaceful within the environment. (Objective A1455462)

Brown cardboard box with sliding insert containing hypodermic needles. On the front of the box is a buff coloured manufacturer's label with rust coloured print. On the rear of the box is a white coloured manufacturer's label with rust coloured print. The box has a thin strip of rust coloured plastic all the way around it. The insert has allocation for six needles but there are only four present.Stamped in black ink on front of box: EXPLORING / 19 B.W.G. 3 INCH •Stamped into metal at flat of connector: ARNOLD / SShypodermic, needle, syringe, john bell & croydon, arnold & sons

Two small iron alloy container with underneath recessed and perforated to enable matches to be struck on it. Hinged lid/cover. Worn but can see some blue colouring on one and green on the other. Inside of one container the top of a Japanese hand seal.WAX VESTA on top. Other marking worn away.

(1) 2 copies and handwritten notes, School of Primary Agriculture and Horticulture Burnley Gardens "Victoria" Jersey Herd Table No 1, Pedigree then Table: No., Name, Sex, Sire, Dam, Dropped, 24 January 1919 -8 August 1947. (2) 3 copies and handwriten notes, "Victoria" Jersey Herd Milk Fat and Butter Records of cows on hand at 8 August 1947 Table 2: Name, Born, Milk Test, Butter Fat, Class, Calved. (3) 3 copies and handwritten notes, "Victoria" Jersey Herd Milk Fat and Butter Records of cows of 1st, 2nd, 3rd, 4th and 5th generations Table No 3. (4) 2 copies Table No 4: Pedigree.(5) 2 copies Table No 5: Sires used Table: Name, For Pedigree see -. (6) Book of Standard Pedigree Certificates, some stubs with a name on them, V. Starbright's Flirt, V. Elizabeth Anne handwritten on outside. Second book unused. (7) File: "Stock Breeding Cattle Herd Book (Jerseys)" dated 27 May 1936 to 13 September 1950 includes Correspondence, Notices, Jersey Herd Society, AGM of The Australian Jersey Herd Society (Victorian Branch). (8) File: Stock Breeding Cattle Burnley 1943, dated 4 February 1943-8 August 1951, Livestock returns, Memoranda, sale notices. (9) File: Completed Correspondence Cattle dating from 2 December 1926, drawing of cow with markings of calf to be filled in, photographs of calves, correspondence re purchases and sales of cattle, Pedigrees.school of primary agriculture and horticulture, burnley gardens, victoria, jersey herd, milk, butter, records, cows, dairy, pedigree, pedigree certificates, stubs, v. starbright's flirt, v. elizabeth anne, stock breeding, cattle, australian jersey herd society, livestock, correspondence, friesian, holstein friesian, wedding bell, patti bell, tinkee bell, pattidale, carroway, oakhall, calf

Object was gifted to Dr Lennard Travers upon his retirement from the Royal Melbourne Hospital, 1964. It was later donated to ANZCA. Lennard Travers, born in Melbourne in 1906, completed his MBBS at the University of Melbourne in 1930. After working for a brief period at the Royal Melbourne Hospital, Travers travelled to the United Kingdom achieving his Fellowship at the Royal College of Surgeons in Edinburgh. He returned to Australia prior to the outbreak of World War II serving as the honorary anaesthetist at the Royal Melbourne Hospital. In 1950, Travers joined the Australian Society of Anaesthetists overseeing the development of the Faculty of Anaesthetists, Royal Australasian College of Surgeons. He was appointed Dean of the Faculty in 1959. Silver plate tray, presented to Dr Lennard Travers on his retirement from Royal Melbourne Hospital, 1964. Embellishments and decorations around the edge of the tray also in silver. The middle of the tray has an inscription confirming the tray was presented to Dr Travers. Around the middle inscription are the signatures of other employees at the Royal Melbourne Hospital. Manufacturer's mark on the reverse of the tray. No other distinguishing features. Inscribed in centre of plate "Lennard G Travers, Anaesthetist, The Royal Melbourne Hospital, 1946 - 1964" •Inscribed around the central inscription are 24 signatures of anaesthetists and surgeons of the Royal Melbourne Hospital •Inscribed on back of tray "Old Sheffield Reproduction, Strachan"travers, lennard, royal melbourne hospital, wilson, patricia, bell, james, cass, noel, newman, herbert, nathan, alf, spinks, betty, russell, irene, cole, russell, houseman, helen, webb, arthur, edwards, n.

BHS Collection12 photocopied pages. Page four has acknowledgements, Page five mentions Pen-Portraist by Raly Wallace and Kevin Vallence, Page 14 mentions some rich areas: White Hills, Red Hill (now Virginia Hill), Eaglehawk, Golden Gully, New Chum Gully, Long Gully, Spring Gully, Derwent Gully, California Gully, Sailors Gully and Peg Leg Gully. There are two sketches on the page: Windless, by W. Ralston, Australasian Sketcher 20/12/1879 (D O'Hoy Collection) and a sketch of some miners in a tent with some mining equipment in front of it. There are two men in front of a fire at the front of the tent. Page 16 has a sketch of an old brick house with iron lace on the veranda and a picket fence at the front. Page 17 mentions the school and some Friendly Societies and Church. Page 22 mentions Quartz Mining. There is a Lithograph of a Quartz outcrop, New Chum Gully 1852 by George Rowe and a View of Surface Workings 1861, a Batchelder Photo. Page 23 mentions Edward Nucella Emmett, a pioneer gold digger who became involved in many important public issues. Page 25 mentions Company Mining and Crushing. It has a sketch of a Primitive Quart Crusher. Page 37 Mentions Richard Pope, a Miner who tramped from job to job in Bendigo and eventually followed the rush to Broken Hill. Page 38 mentions the Eaglehawk Brass Band and Friendly Societies in Eaglehawk. Page 39 is headed Miner's Cottage. It mentions stone miners' cottages. Page 40 has a sketch of a Georgian Style Sandstone Cottage Harvey Town. Page 41 mentions men sweeping the road to get gold, Bull Family grocery shop and a blacksmith. Page 42 is headed St. Augustine's. Page 43 has a sketch of St. Augustine's Church. Page 59 is headed Bendigo Amalgamated Goldfields (B.A.G.) Edward Clarence Dyason was largely behind a new company set up in 1917 to work the Bendigo field in an entirely new way. (B.A.G.) wished to take over all existing mining companies, and place them under a single management structure.bendigo, history, long gully history group, the long gully history group - some historical information, mr l hooley, mr l bennetts, mr w watson, mr w heraud, mr d m davies, mr w perry, mr h harvey, mr a llewellyn, mr e oates, chook temple by mr alan llewellyn, mr f cusack, tracey ipsen, ray wallace, bendigo field naturalists' club, eaglehawk tree lovers' society, bendigo historical society, university of melbourne, kevin vallence, monash university, bendigo technical college, south australian writer's fellowship, windlass, w ralston, australasian sketcher 20.12.1879, d o'hoy, mechanics institute, california gully school, bell topper hill, i.o.r. (rechabites), cobden tent, refuge tent, sutton tent, m.u.i.o.o.f.'s loyal darling, bible christian church, california hill wesleyan methodist church, saint jude's anglican church, quartz mining, e n emmett, jonathan harris, haris' claim, j hustler, george rowe, batchelder, la trobe library, cave, amos, new chum line of reef, edward nucella emmett, bendigo city council, all saints, william westgarth, latham and watson, hustler's line of reef, bell and irons, ballerstedt and son, young and company, nicholas and bassit, ensor, thomas carpenter, quartz crusher, goldfields and mineral districts of victoria, richard pope, daniel webster mine, isaac dyason, old chum mine, north old chum mine, young chum mine, george lansell, lazarus, silicosis of the lungs, eaglehawk brass band, victoria hotel, mr williams, eaglehawk branch of the australian natives association, loyal catherine lodge, mr james, odd fellows in the loyal catherine lodge branch no 4935, richard harvey, thomas harvey, moonta copper mines, harvey town, national trust of australia, eaglehawk tree lovers society, saint mungo's methodist church, clark's beehive battery, world war 1, kee-young, lady barkly hotel, prankhurst, bull family, cousin jack, st augustine's, myers, nicholls, john o'brien, around the boree log, the rev dean hayes, st kilian's, bendigo amalgamated goldfields (b.a.g.), edward clarence dyason, r h s abbott, hercules and energetic, south new moon, new chum goldfields, central red white and blue consolidated, brown john, the life and times of long gully, bendigo press, val white, megan snoop

Illustrated book. Front cover has a painting by Cynthia Breusch depicting two female figures carrying a container hanging from a pole on their shoulders. Behind them is a barbwire topped fence. The book title is printed over this painting in red and white ink. The author's name is printed in white below the title, and the publisher's mark is printed in black above the title. The Spine is cream in colour, with abbreviated title printed in red, author's surname and publishers mark printed in black. The back cover has a cream background, with quotes from two nurses and a summary of the book overprinted in blacknon-fictionExperiences of Australian Army nurses who were prisoners of the Japanese during World War twoworld war 1939-1945, australian army nurses, prisoners of war, military nursing, nurses

A newsletter published by The Cumberland guest house in Marysville. The newsletter was published to inform guests of events that had and were happening at The Cumberland as well as any other items of interest regarding the guest house. This newsletter was published for December 1998.A newsletter published by The Cumberland guest house in Marysville.marysville, victoria, australia, the cumberland guest house, accommodation, newsletter, wedding bells, keeping up with change, room upgrading, our next project, another hyland joins the team, 'ruby's restaurant' at the cumberland, the cumberland is 'on the net', free bottle of wine, mid week special

fictionPictures painted depicting scenes from the 1st World War show casing various Artists e shepherd, k dubash, c bell, b stock, c van ee, d polman, z bellini

In 'Me Me Dreaming', the series from which this painting comes, Richard Bell explores the relationship between self-identity and society, referencing Emily Kngwarreye’s art through an intentional beauty that encapsulates how collectivism inevitably leads to capitalism in our society. The series’ notable motif of layers “Me, Me, Me,” relates to ideas of self-obsession and consumerism. Bell further plays with perspective, transforming “Me” into “We” at certain angles, highlighting the importance of community alongside individual identity. Artist Bio Richard Bell (b. 1953, Charleville, Queensland) is a member of the Kamilaroi, Kooma, Jiman and Gurang Gurang communities. Bell grew out of a generation of Aboriginal activists and has remained committed to the politics of Aboriginal emancipation and self-determination. One of Australia’s most significant artists, Bell’s work explores the complex artistic and political problems of Western, colonial and Indigenous art production. In 2003, he was the recipient of the Telstra National Aboriginal Art Award, establishing him as an important Australian artistic figure. Bell is represented in most major National and State collections, and has exhibited in a number of solo exhibitions at important institutions in Australia and America. In 2013 he was included in the National Gallery of Canada’s largest show of International Indigenous art, Sakàhan, and at the Fifth Moscow Biennale of Contemporary Art. In 2014, Bell’s solo exhibition Embassy opened at the Perth Institute of Contemporary Arts, Perth. In 2015, Bell was a finalist in the Archibald Prize, presented a collaborative exhibition of new work with Emory Douglas at Milani Gallery, and exhibited his major work Embassy 2013-ongoing as part of Performa 15, New York City and the 16th Jakarta Biennale, curated by Charles Esche. Bell also premiered a body of new work as part of the Queensland Art Gallery/Gallery of Modern Art’s 8th Asia Pacific Triennial of Contemporary Art, Brisbane. In 2016, BELL invites… an exhibition of Bell and work by friends and collaborators opened at the Stedelijk Museum SMBA, Amsterdam. Bell also presented Embassy as part of the 20th Biennale of Sydney, curated by Stephanie Rosenthal, and premiered a new sculptural commission in Sonsbeek 2016 at the Dutch Art Institute in Arnhem, Netherlands. In 2017, EMBASSY travelled to e-Flux, New York City, in the Toxic Assets exhibition, and the Indigenous New York, Artists’ Perspectives program curated by Alan Michelson at the New School. In 2018, Bell won in the fourth iteration of the biennial painting award, The Gold Award. Bell lives and works in Brisbane, Australia.Contemporary Aboriginal Art