Showing 4543 items
matching 1960s
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Kew Historical Society Inc
Postcard, Nucolorview Productions, Melbourne: The biography of a city, 1960s
An item from a diverse collection, assembled by members of the Christian and Washfold families of Kew.A set of picture postcards, printed on light-weight paper, which fold out accordion-style from an outer envelope (folder). These typically contain more than 5 cards.washfold family, postcard folders -- melbourne (vic.), christian-washfold collection -
Kew Historical Society Inc
Card, Sidney Myer Music Bowl : Kings Domain, 1960s
An item from an and diverse collection, assembled by members of the Christian and Washfold families of Kew.Greeting card using a print of the Sidney Myer Music Bowl in the Kings Domainmyer music bowl, christian-washfold collection -
Kew Historical Society Inc
Photograph, Mural, Ballroom, 'South Esk', 1960s
This work forms part of the collection assembled by the historian Dorothy Rogers, that was donated to the Kew Historical Society by her son John Rogers in 2015. The manuscripts, photographs, maps, and documents were sourced by her from both family and local collections or produced as references for her print publications. Many were directly used by Rogers in writing ‘Lovely Old Homes of Kew’ (1961) and 'A History of Kew' (1973), or the numerous articles on local history that she produced for suburban newspapers. Most of the photographs in the collection include detailed annotations in her hand.The Rogers Collection provides a comprehensive insight into the working habits of a historian in the 1960s and 1970s. Together it forms the largest privately-donated collection within the archives of the Kew Historical Society.Very faded photograph of a section of the painted ceiling of the ballroom at Southesk (formerly Ordsall). "Ceiling in Ballroom of "Southesk""southesk, ordsall, historic houses -- cotham road -- kew (vic.) -
Kew Historical Society Inc
Photograph, Mural, Ballroom, 'South Esk', 1960s
This work forms part of the collection assembled by the historian Dorothy Rogers, that was donated to the Kew Historical Society by her son John Rogers in 2015. The manuscripts, photographs, maps, and documents were sourced by her from both family and local collections or produced as references for her print publications. Many were directly used by Rogers in writing ‘Lovely Old Homes of Kew’ (1961) and 'A History of Kew' (1973), or the numerous articles on local history that she produced for suburban newspapers. Most of the photographs in the collection include detailed annotations in her hand.The Rogers Collection provides a comprehensive insight into the working habits of a historian in the 1960s and 1970s. Together it forms the largest privately-donated collection within the archives of the Kew Historical Society.Small, very faded colour photo of a section of the ballroom ceiling at Southesk (formerly Ordsall)southesk, ordsall, historic houses -- cotham road -- kew (vic.) -
Kew Historical Society Inc
Photograph, Mural, Ballroom, 'South Esk', 1960s
This work forms part of the collection assembled by the historian Dorothy Rogers, that was donated to the Kew Historical Society by her son John Rogers in 2015. The manuscripts, photographs, maps, and documents were sourced by her from both family and local collections or produced as references for her print publications. Many were directly used by Rogers in writing ‘Lovely Old Homes of Kew’ (1961) and 'A History of Kew' (1973), or the numerous articles on local history that she produced for suburban newspapers. Most of the photographs in the collection include detailed annotations in her hand.The Rogers Collection provides a comprehensive insight into the working habits of a historian in the 1960s and 1970s. Together it forms the largest privately-donated collection within the archives of the Kew Historical Society.Small, very faded colour photo of a section of the ballroom ceiling at Southesk (formerly Ordsall)southesk, ordsall, historic houses -- cotham road -- kew (vic.) -
Kew Historical Society Inc
Photograph, Mural, Ballroom, 'South Esk', 1960s
This work forms part of the collection assembled by the historian Dorothy Rogers, that was donated to the Kew Historical Society by her son John Rogers in 2015. The manuscripts, photographs, maps, and documents were sourced by her from both family and local collections or produced as references for her print publications. Many were directly used by Rogers in writing ‘Lovely Old Homes of Kew’ (1961) and 'A History of Kew' (1973), or the numerous articles on local history that she produced for suburban newspapers. Most of the photographs in the collection include detailed annotations in her hand.The Rogers Collection provides a comprehensive insight into the working habits of a historian in the 1960s and 1970s. Together it forms the largest privately-donated collection within the archives of the Kew Historical Society.Small, very faded colour photo of a section of the ballroom ceiling at Southesk (formerly Ordsall)southesk, ordsall, historic houses -- cotham road -- kew (vic.) -
Kew Historical Society Inc
Photograph, Mural, Dining Room, 'South Esk', 1960s
This work forms part of the collection assembled by the historian Dorothy Rogers, that was donated to the Kew Historical Society by her son John Rogers in 2015. The manuscripts, photographs, maps, and documents were sourced by her from both family and local collections or produced as references for her print publications. Many were directly used by Rogers in writing ‘Lovely Old Homes of Kew’ (1961) and 'A History of Kew' (1973), or the numerous articles on local history that she produced for suburban newspapers. Most of the photographs in the collection include detailed annotations in her hand.The Rogers Collection provides a comprehensive insight into the working habits of a historian in the 1960s and 1970s. Together it forms the largest privately-donated collection within the archives of the Kew Historical Society.Small, very faded colour photo of a section of the dining room ceiling at Southesk (formerly Ordsall)southesk, ordsall, historic houses -- cotham road -- kew (vic.) -
Kew Historical Society Inc
Photograph, J E & B L Rogers, High Street, Looking to Junction, 1960s
This work forms part of the collection assembled by the historian Dorothy Rogers, that was donated to the Kew Historical Society by her son John Rogers in 2015. The manuscripts, photographs, maps, and documents were sourced by her from both family and local collections or produced as references for her print publications. Many were directly used by Rogers in writing ‘Lovely Old Homes of Kew’ (1961) and 'A History of Kew' (1973), or the numerous articles on local history that she produced for suburban newspapers. Most of the photographs in the collection include detailed annotations in her hand.The Rogers Collection provides a comprehensive insight into the working habits of a historian in the 1960s and 1970s. Together it forms the largest privately-donated collection within the archives of the Kew Historical Society.Small, black and white photo of High Street, Kew, looking west towards Kew Junction."High St / Looking towards Junction / Jim's / 4high street -- kew (vic.), shopping strips -- melbourne -
Kew Historical Society Inc
Photograph, J E & B L Rogers, F. Baynes House, Queens Street, 1960s
This work forms part of the collection assembled by the historian Dorothy Rogers, that was donated to the Kew Historical Society by her son John Rogers in 2015. The manuscripts, photographs, maps, and documents were sourced by her from both family and local collections or produced as references for her print publications. Many were directly used by Rogers in writing ‘Lovely Old Homes of Kew’ (1961) and 'A History of Kew' (1973), or the numerous articles on local history that she produced for suburban newspapers. Most of the photographs in the collection include detailed annotations in her hand.The Rogers Collection provides a comprehensive insight into the working habits of a historian in the 1960s and 1970s. Together it forms the largest privately-donated collection within the archives of the Kew Historical Society.Small, black and white photo of a house in Queen Street, Kew."Built 1856. F. Baynes House. Queen St. (Once faced Cotham Rd). Not published. This is side of house - shops now built along frontage".historic houses -- kew (vic.), houses -- queen street -- kew (vic) -
Kew Historical Society Inc
Photograph, Holy Trinity Church, 1960s
This work forms part of the collection assembled by the historian Dorothy Rogers, that was donated to the Kew Historical Society by her son John Rogers in 2015. The manuscripts, photographs, maps, and documents were sourced by her from both family and local collections or produced as references for her print publications. Many were directly used by Rogers in writing ‘Lovely Old Homes of Kew’ (1961) and 'A History of Kew' (1973), or the numerous articles on local history that she produced for suburban newspapers. Most of the photographs in the collection include detailed annotations in her hand.The Rogers Collection provides a comprehensive insight into the working habits of a historian in the 1960s and 1970s. Together it forms the largest privately-donated collection within the archives of the Kew Historical Society.Small black and white photograph of Holy Trinity Church, High Street, Kew."Holy Trinity Church / Jim Bowden / 37"holy trinity church -- kew (vic.), churches -- kew (vic) -
Freemasons Victoria - United Grand Lodge of Victoria
Painting, MWBro. Major General Sir Reginald Dallas Brooks K.C.B., K.C.M.C., D.C.M.C., D.C.V.O., D.S.O.K. St.J. Grand Master 1951-1963, 1960s
Sir Dallas Brooks, was Victoria's' longest serving Governor and Grand Master. Born in Cambridge England in 1896, his interest in becoming a Freemason was expressed whilst in England however he chose to wait until he became Governor of Victoria to be initiated. Sir Dallas Brooks held the position of Grand Master of the United Grand Lodge of Victoria from 1951 to 1963. He was a popular Grand Master and Governor and although he was unable to commit as much time as he would have like to Freemasonry, he participated where possible.This portrait was painted by Joshua Smith and the only painting created by this artist.Framed oil painting on canvas with stretcher/strainer. Frame is wood with a matte bronze paint. Gold-coloured metal placque attached to front of canvas. Signed: 'Joshua Smith'. Placque: 'M.W. Bro. General Sir Dallas Brooks / K.C.B., K.C.M.G., K.C.V.O., D.S.O., K.St.J. / Grand Master 1951 - 63' sir dallas brooks, freemasonry, freemasons, portraits, freemasons victoria -
Tennis Australia
Lawn tennis set, Early 1960s
Racquet set in blue canvas bag. Contains two Dunlop Maxply tennis racquets with screw presses and two badminton racquets. Materials: Canvas/Cotton, Metal, Wood, Ink, Vinyltennis -
Tennis Australia
Black and white transparency, Circa 1960s
Metal plate photographic negative image of unknown man. Metal plate fixed to wood block. Materials: Wood, Metaltennis -
Tennis Australia
Black and white transparency, Circa 1960s
Metal plate photographic negative image of unknown man. Metal plate fixed to wood block. Materials: Wood, Metaltennis -
Tennis Australia
Black and white transparency, Circa 1960s
Metal plate photographic negative image of two female tennis players and another man and woman all standing on a tennis court. Metal plate fixed to wood block. Materials: Wood, Metaltennis -
Tennis Australia
Black and white transparency, Circa 1960s
Metal plate photographic negative image of Donal Ferguson. Metal plate fixed to wood block. Materials: Wood, Metaltennis -
Tennis Australia
Black and white transparency, Circa 1960s
Metal plate photographic negative image of a T.E. Robinson. Metal plate fixed to wood block. Also states 'L. Tennis Annual Report'. Materials: Wood, Metaltennis -
Tennis Australia
Black and white transparency, Circa 1960s
Metal plate photographic negative image of a Mr. Edwards. Metal plate fixed to wood block. Materials: Wood, Metaltennis -
Young Christian Workers (YCW Australia) Archive and Research Centre
Booklet, I Pledge Myself to Save Young Workers, c. late 1950s/early 1960s
This booklet was produced by the national YCW as a means of engaging new and existing members. Divided into sections, the booklet places the Australian movement in an international context and includes pictures of founding chaplain of the Australian movement, Fr. Lombard. 9pp. colour booklet -
Gippsland Art Gallery
Painting, Pilkington, Lena, Birds & Waterlilies—Atherton Tableland QLD. Plumed Egret & Straw-Necked Ibis, c.1960s
Esso Collection of Australian Art. Donated by Esso Australia Pty Ltd, 2018Oil on composition boardgippsland, artwork, permanent collection -
Gippsland Art Gallery
Painting, Salmon, William, Why Hast Thou Forsaken Me, c.1960s
Esso Collection of Australian Art. Donated by Esso Australia Pty Ltd, 2018Oil on canvasgippsland, artwork, permanent collection -
Gippsland Art Gallery
Print, Jack, Kenneth, Cape Schanck, c.1960s
Purchased, 1968Coloured linocut on papergippsland, artwork, permanent collection -
Gippsland Art Gallery
Print, Jack, Kenneth, The Goulburn River, c.1960s
Purchased, 1968Lithograph on papergippsland, artwork, permanent collection -
Gippsland Art Gallery
Print, Jack, Kenneth, Walhalla - Bandstand and Fire Station, c.1960s
Donated by the artist, 1968Coloured linocut on papergippsland, artwork, permanent collection -
Gippsland Art Gallery
Painting, Leslie, John, Sale Scene, c.1960s
Donated from the estate of John Leslie OBE, 2017Oil on boardgippsland, artwork, permanent collection -
Gippsland Art Gallery
Painting, Flower, Cedric, Street in Paddington, c.1960s
Esso Collection of Australian Art. Donated by Esso Australia Pty Ltd, 2018Oil on composition boardgippsland, artwork, permanent collection -
Gippsland Art Gallery
Painting, Friend, Donald, Dead Tree Paddock Monaro, c.1960s
Esso Collection of Australian Art. Donated by Esso Australia Pty Ltd, 2018Oil on composition boardgippsland, artwork, permanent collection -
Gippsland Art Gallery
Ceramic, Sprague, Ian, Covered Jar, c.1960s
The Richard Knight Collection of Australian Ceramics. Donated by Dr James Baxter through the Australian Government Cultural Gifts Program, 2019gippsland, artwork, permanent collection -
Gippsland Art Gallery
Painting, Luxford, Celia Lewis, Still Life with Flowers, c.1960s
Donated from the estate of Pamela J. Barclay, 2015Oil on canvasgippsland, artwork, permanent collection -
Gippsland Art Gallery
Painting, Luxford, Celia Lewis, The Red Beret (Self Portrait), c.1960s
Donated by the artist, 1966Oil on canvas on boardgippsland, artwork, permanent collection