Tin box designed to contain two packets of chocolate biscuits. Now empty. Lid printed with a scene of a ca.1860 picnic and cricket match. Materials: Metal, Inktennis

Printed with colourful pyramids, palm trees and camels, this parasol tells a story of the changing society of the 1920s, the growth of the Art Deco movement and a wave of Egyptomania sparked by the discovery of Tutankhamun’s tomb. Parasols such as this one were used by holidaymakers on Brighton Beach, by this time a popular seaside destination.Parasol with a cotton canopy printed with an Egyptian-inspired design of the Sphinx, camels, palm trees and water carriers. Painted handle with plaited cotton tassel with pink wooden bead.parasol, 1920s, egyptomania

A narrow style amber coloured carnival glass vase with an uneven scalloped neck. it has a sunburst design cut on the base. The application of an iridescent shimmer has been applied.vases, containers, ornamental object, functional object

This brooch was typical of those produced at the beginning of the 20th century. It belonged to a member of the family of Mrs Jean Raper who donated a collection of assorted jewellery to the Wodonga & District Historical Society Collection.This item is from the Raper Collection donated to the Wodonga Historical Society by Mrs. Jean Raper.A round silver brooch with natural coloured mother of pearl centre. The surrounding silver edging of 0.4 width is in a leaf design. The mother of pearl centre is 3 centimetres in diameter.fashion accessory, women's jewellery, vintage fashion jewellery

The Council of Adult Education presents 1961 Tour 'The Australian Boys' Choir. Souvenir Programme designed and produced by Freelance Press, 61 - 63 City Road, Sth Melbourne.event, entertainment, music, the australian boys' choir, the council of adult education

492 p. : frontispiece illustration. Orange-brown cover, decorative design in black, red and gold on front cover. Title and author's name embossed in red on cover and spine.fictionA number of wealthy characters confront personal and social dilemmas in 19th century California.fiction, geraldine bonner

Small ceramic spirit bottle with handle, the bottom part is cream coloured with brown colour design depicitng the buildings of a winery, the top part is brown. The bottle comes with a cork.Written in the bottom part: Mildara / Master winemakersmildara, mildara winery, port, spirits, alcohol, merbein

Probably used by staff in the PavilionBrown iron and tin electric foot warmer with art nouveau decorative design surrounding branding inscription 'Hecla Foot Warma,' in centre. Electric cord and plug attached."Hecla Foot Warma" on front. "230/250 volts, 80 watts, cat. no. F28. Hecla Australia" on back.hecla, foot warmer, footwarmer, hecla foot warma

Opened March 1889, centre lifting span unsuccessful so shipping trade up Nicholson River effectivly terminatedPink toned scanned photograph of the first bridge across the Nicholson River. Shows a timber bridge with centre designed as a drawbridge. Woman in rowing boat in foreground. Nicholson VictoriaNicholson River Bridgebridges, waterways

The hand mirror is part of a vanity set owned by a woman who lived in the Harbour Master's house at Warrnambool in the late 1800s and early 1900s. The set was possibly a wedding gift from her mother-in-law, Caroline Edwards, a local business woman who was an importer of 'china and fancy goods' along with her husband Thomas Myers Edwards. The Edwards owned Staffordshire House a business in Timor St (and later Liebig St) from 1876. The hand mirror is an example of a valued possession of women at the time and could signify social standing. It was also a functional accessory used on a daily basis.The item is significant socially as an example of accessories available to and used by women in the late 1800s and early 1900s. Historically, it is linked to a local import business ‘Staffordshire House’ in Liebig St Warrnambool, where it most likely came from. A pewter (or possibly silver-plated) hand mirror that is part of a vanity set. It features a beautiful ornate moulded rose/flower design on the back, handle and front edge of mirrorflagstaff hill, warrnambool, flagstaff hill maritime museum and village, maritime village, maritime museum, shipwreck coast, great ocean road, vanity set, hand mirror, pewter, silver plate, toilet set, harbours master's house, staffordshire house

Black and White Photograph Of East Gippsland Commissioners George Bates and Graeme Pearce and Maggie Fairweather who designed the new EG Shire logo 1995 Bairnsdale Victoriamuincipal history

The spraying units were manufactured in Australia by REGA Products. Ltd. in 1926. They established themselves as leaders in the production of agricultural and horticultural spraying machines, including smaller knapsacks. Knapsacks were quickly adapted to a range of applications and were widely used by the C.F.A (Country Fire Authority). They were also widely used for defence during World War II. REGA was later purchased by the Garrard family and still operate as part of Garrads Pty Ltd. This sprayer was one of the units used by the C.F. A. in Wodonga. The Country FIre Authority was established in 1945 following a Royal Commission into the 1939 Black Friday fires which recommended a single firefighting authority for country Victoria, bringing together the Bush Fire Brigades, Country Fire Brigades and Forest Commission. The first fire brigade, the Wodonga Urban Fire Brigade was formed in 1891 and registered in May 1893. Since that time its volunteers have provided ongoing support to the Wodonga and District communities through events such as urban fires, bushfires and other emergency situations. This item is representative of the Wodonga Country Fire Authority and its many volunteers.A knapsack sprayer designed to be used for spraying insects. The unit includes brass fittings, leather straps and a spray arm and nozzle attached. It was also adapted to be widely used by firefighters.On front: REGA / C.F.A. Around lid: REGA SPRAYERSrega sprayers, cfa region 24, cfa volunteers, cfa wodonga, wodonga urban fire brigade, fire fighting equipment

Textiles. This is a beautiful remnant of fine cream silk fabric, with a 3.5 cm deep band of cotton lace, woven with a floral design, stitched around the lower edge. A triangular shape above the lower edge, is formed by the insertion of a piece of 2 cm wide cotton lace, also with a floral design, folded and machine stitched as an insertion. The same lace is also inserted in a 9.5 cm high "frame" over an embroidered panel 7.5 cm x 6 cm wide and featuring a delicate circular embroidered and cut-work floral design. (Perhaps this remnant of beautiful fabric was cut from the lower edge of a camisole, or a baby's gown).textiles, domestic, piece of silk fabric with lace

The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories.This lingerie dress, donated by Jane McIntyre is part of the wider McIntyre Collection. While lingerie dresses were produced for and worn by women between 1900 and 1920, the main period in which they were worn was between 1900 and 1910. This elaborately detailed example is believed to date from 1912-1918.The McIntyre Collection of clothing and clothing accessories forms one of the largest single donations to our Fashion & Design collection. It includes clothing and clothing accessories worn by four women in the Cohen and McIntyre families across three generations. The items worn by Melbourne architect, and Kew resident, Dione McIntyre date from the 1960s and 1970s, and include evening wear, day wear, hats and shoes. As Dione McIntyre often accompanied her husband, fellow architect Peter McIntyre, to formal events, there are a number of pieces of evening wear among the items. The McIntyre Collection also includes items worn by women of an earlier generation: by Lilian Cohen, Dione McIntyre's mother, and by her mother-in-law, the wife of the architect Robert McIntyre. At the other end of the chronological spectrum are a number of outfits belonging to, worn and donated by Annie McIntyre. These include outfits created by notable late 20th century Australian and/or international fashion designers. The McIntyre Collection is significant historically and artistically as it includes examples of design that demonstrate changing tastes in fashion over an 80-year period. The collection is also significant in that it includes the work of a large number of Melbourne designers from the 1960s to the 1990s.Three-quarter-length, white cotton voile lingerie dress. The dress feature extensive embroidery on the bodice and skirt, probably constructed from pre-embroidered fabric, rather than hand embroidered. In addition to the embroiderd panels, there is extensive use of white lace insertions. The dress has short sleeves to teh elbow and lace cuffs. The dress is date after the Edwardian Period due to the absence of tucks and frills. Its high-waisted design is simple and yet elaborately ornamented with embroidery.women's clothing, white muslin dresses, tea dresses, australian fashion 1910-1920, lingerie dresses, annie mcintyre, mcintyre collection, fashion design, fashion -- 1910s

Soft card cover with photograph of the Portuguese Padrao and Lake Pertobe surrounded by gold navy blue text. Back cover has photo of birds flying across the sea in cloudy sky. 36 Pages with text and coloured photographs.non-fictionA photographic history of Warrnambool and surrounds.warrnambool, shipwreck coast, portuguese padrao, southern right whale, lady bay

This collection of photographs shows various scenes around Marysville and surrounds such as waterfalls and rivers. Valentines snapshots were done of many places world wide, and packaged in a convenient size to be posted.An envelope with 6 black and white photographs of scenic attractions taken in and around Marysville in Victoria.VALENTINE'S/ SNAPSHOTS/ 6 REAL PHOTOGRAPHS/ FOR YOUR/ ALBUM/ MARYSVILLE, Victoria/ Published by The VALENTINE PUBLISHING CO.,/ PTY., LTD., Melbourne. To From Design 539/ PRINTED IN GT BRITAINtaggerty river (image 1), acheron way (image 2), nicholl's lookout (image 3), main street marysville (image 4), stevensons falls (image 5), cora lynn falls (image 6), valentine publishing co, marysville, victoria, souvenir

Print was part of "A Community View, 150 years in Portland Screenprint Exhibition." Part of CEMA Art Collection. Part of Angela Gee residency workshops, 1983 and 1984.Image of approximately 125 people's faces and two dogs, surrounded by a border of line-drawn flowers, leaves and stems. At top centre are the words "1834 Portland 1984" with a decorative underline in bold alluding to the shape of the Portland Bay and Cape Nelson. Background colours are in vertical swathes: aqua, pale green, apricot, blue, mauve, pink, turquiose.Front: (no inscriptions) Back: Portland C.S.P. (Community Screen Print) Design Studio 1983-1985. Initiated by C.E.M.A., Portland Access Printshop and Anne O'Kane, C.A.O. Purpose - an employment project to train 5 people in print-making, costume and design. A grant of $200,000 was obtained from the Commonwealth Employment Program; the products - costumes, flags, posters, banners - were used for Portlands 150th Anniversary Celebrations.angela gee, portland centenary, 1984, screenprint, cema, female artist, female artists

Stanley Couzens, a Gunditjmara man and long-time Geelong resident, painted this story upon commission from the Geelong Wool Combing Company. It depicts hunting in the You Yangs, the distinctive granite peaks that overlook the region. In 1993, Couzens’ painting was translated into a pattern by textile designer Jenifer McMahon. It was then turned into a jumper using wool sourced entirely from the region. It was fully processed, from fleece to fabric, in Geelong. The jumper was given to attendees at the opening of the Geelong Wool Combing company on 10 December 1993. Among the many guests, was the Prime Minister Paul Keating. The painting was acquired with the permission of the Couzens family.Framed acrylic painting on board, showcasing the You Yangs mountain range, people, and local flora and fauna in warm earth tones. The painting is signed 'S. Couzens 93' in the bottom right hand corner. The painting is framed in a dark wooden frame.Bottom right corner - 'S. Couzens 93'you yangs, gunditjmara, aboriginal art, jenifer mcmahon, design, geelong wool combing company, jumper

Dye is forced through perforations, thus evenly dyeing the yarn. Three cylindrical metal dyeing spools, each with circular perforations. dyeing, yarn, manufaturing, textile, design, colouring, wool

Twenty four page knitting pattern book featuring black and white text and colour images. The colour cover features a woman wearing a black and red knitted top and a black hat with a large red feather.front: [printed] Patons / Leading / Lady / 689 / PRICE / CODE / D / EASY / TO FOLLOW / PATTERNS / 1fashion, design, knitwear, home made, wool, pattern book, patons

Sixteen page knitting pattern book featuring black and white text and colour images. The colour cover features a woman wearing a knitted jumper.front: [printed] Patons / The Magic of / Charm / 12ply / 684 / PRICE / CODE / F / 1 / EASY / TO FOLLOW / PATTERNSfashion, design, knitwear, home made, wool, pattern book, patons

Twenty four page knitting pattern book featuring black and white text and colour images. The colour cover features a woman sitting on a ladder with a spray can, wearing pink pants and a pink knitted top.front: [printed] Patons / PURE NEW WOOL / 629 / PRICE / CODE / F / Patonsfashion, design, knitwear, home made, wool, pattern book, patons

Twenty four page knitting pattern book featuring black and white text and colour images. The colour cover features a woman standing on train tracks holding a coat and wearing a knitted jumper.front: [printed] PATONS / 8 PLY HERDWICK / 621 / PRICE / CODE / E /1fashion, design, knitwear, home made, wool, pattern book, patons

Twenty page knitting pattern book featuring black and white text and images. The colour cover shows a woman leaning on a chair and holding a stick, wearing a crochet top and silk skirt.front: [printed] Patons / charm / BOOK No. 756 / COMING FASHIONS / Knit and crochet a dress, / top and bonnet - an / evening blouse (or beach / cover-up) - a cable- / trimmed jumper - and / three collar and cuffs sets. / 2'6 / 25 CENTSfashion, design, knitwear, home made, wool, pattern book, patons