Donated through the Australian Government's Cultural Gifts Program by Dr Jonathan Hartley, 2006

Donated through the Australian Government's Cultural Gifts Program by Dr Jonathan Hartley, 2006

Donated through the Australian Government's Cultural Gifts Program by Dr Jonathan Hartley, 2006

Donated through the Australian Government's Cultural Gifts Program by Dr Jonathan Hartley, 2006C-type photograph

Donated through the Australian Government's Cultural Gifts Program by Dr Jonathan Hartley, 2006silver gelatin photograph

Gift of Mack Jost, 1994ink and watercolour on paper

Wellington St, St Kilda Junctionblack and white matt photograph fair condition unmountedCopyright. This photograph may not be reproduced without permission in writing from the Editor of "The Age". 250 Spencer Street, Melbourne and 39/41 York st, Sydney.handwritten on back: Wellington Street, St Kilda Junction, Published The Age, 24.11.1967 L16511 H71

hand written on back: Queen's Road underpass. Photo filed 11.12.1967 Shows a building with a large vertical neon sign 'Recruiting'black and white matt photograph good condition unmountedQueen's Road underpass. Photo filed 11.12.1967 L16514/5 H71. Copyright. This photograph may not be reproduced without permission in writing from the Editor of "The Age". 250 Spencer Street, Melbourne and 39/41 York st, Sydney.

shows constructionblack and white matt photograph good condition unmountedThe Queen's Way underpass. Photo filed 11.12.1967. L15119 H71. Copyright. This photograph may not be reproduced without permission in writing from the Editor of "The Age". 250 Spencer Street, Melbourne and 39/41 York st, Sydney.

Soft cover novel by Arthur Upfield$5 (Op Shop price)novel, upfield, book

Black and silver film (35mm) camera including bottom of case (leather). The lens is Carl Zeiss Jena - Tessar. 2.8/50. The EXAKTA camera is from Dresden and is a pioneer brand camera produced by Ihagee Kamerawerk. This camera is a small format 135 EXAKTA VX1000 camera.EXAKTA VX1000 aus Dresdencamera, film, exakta

Army mess dress is the formal military evening dress worn by Army officers and senior non-commissioned officers in their respective messes or at other formal occasions. Tailor made item belonging to Lieutenant Leonard V. GREAVES 310387. Badges attached to jacket collar indicate GREAVES served with the Royal Australian Electrical and Mechanical Engineers (RAEME). This uniform serves as an example of the military dress worn by the Royal Australian Electrical and Mechanical Engineer during the late sixties.The Royal Corps of Australian Electrical and Mechanical Engineers (RAEME) is a corps of the Australian Army that has responsibility for the maintenance and recovery of all Army electrical and mechanical equipment. RAEME has members from both the Australian Regular Army and the Army Reserve. Prior to being given the title of 'Royal', the Australian Electrical and Mechanical Engineers (AEME) were raised on 1 December 1942. Some 64 years later, on 1 December 2006, the last independent RAEME Workshop was disbanded. RAEME soldiers continue in their role to provide support through attachment to other units in Tech Support Troops, Sections or Platoons.Two piece dark blue/black material suit consisting of long pants with red stripe and jacket with metal buttons and two badges attached to collaraustralian army mess dress, raeme

Colour slide in a mount. Suburban architecture, possibly AustraliaMade in Australia / 3 / MAY 67M6 / 12 (Handwritten)slide, robin boyd

Colour slide in a mount. Drawing by Antonio Sant’Elia. Housing with external lifts and connection systems to different street levels from La Città Nuova, 1914Made in Australia / 22 / JUN 67M1 / Encircled 1A (Handwritten)slide, robin boyd

Colour slide in a mount. 270 Park Ave, New York City, New York, USA, 1960. (Architects: Skidmore, Owings and Meadow.)Made in Australia / 9 / APR 67M4slide, robin boyd

Colour slide in a mount. Princes Domain, land tract, possibly suburban Melbourne, Victoria, AustraliaMade in Australia / 8 / JUN 67M6 / Encircled 28a (Handwritten)slide, robin boyd

Colour slide in a mount. Sydney harbor, with Sydney Opera House and Sydney Harbor Bridge, Sydney, AustraliaMade in Australia / 18 / MAR 67M3 / Encircled 1 (Handwritten)slide, robin boyd

Colour slide in a mount. Image from magazine- featuring Salle Wilfrid-Pelletier (1963), part of Place des Arts, Montreal, Canada. (Architect: Arcop.)Made in Australia / Encircled 31 (Handwritten)slide, robin boyd

Cream cardboard covered booklet with black text and image on cover. non-fictionBooklet issued by the authority of the General Court of Australia and is the companion manual to the Merit Badge Handbook, MOK251, and contains details required to pass the various interest and service awards. methodist order of knights

Small booklet describing the Australian pavilion exhibits at Expo 67 in Montreal, 36 pageswalsh st library

Speech addresses urban planning, points to Canada and New Zealand as possible exemplars, prophetic predictions for the future (2017) like Archigram and the 'electronic era of the anti-city'; Boyd advocates strongly for high density.Speech for the Australian Planning Institute Jubilee ConferenceTypewritten, quarto, 25 pagesExtra handwritten notessydney, monorails, town planning, australia square, perth, melbourne, bernard evans, canada, new zealand, toronto, montreal, expo 67, archigram, los angeles, robin boyd, manuscript

Discusses American technological advancement and American tendency to look forward; Australia is 15 years behind and should be more forward looking; Australian private affluence and public poverty, motor cars, expressways and roads. America is described as looking to a future beyond cars; Boyd proposes that Australia skips expressway building. Discusses tourism, the Australian accent, imagining 2000AD, Archigram's Plug-In City, anti-city, integrate bush into the city - the gumtree aesthetic.Typewritten (c copy), quarto, 29 pages. (Two copies plus one incomplete version with 13p)Incomplete one contains pencil editsfuture, america, henry ford, automobiles, road development, destruction of old buildings, destruction of nature, tourism, great barrier reef, australian accent, globalisation, isolationism, canada, new zealand, archigram, athens, los angeles, suburbia, heidelberg school, diggers, robin boyd, manuscript

Discusses the new brutalism, as a revival of the rebellious spirit of early modern architecture, in the context of Reyner Banham's book "The New Brutalism", with the subtitle ethic and aesthetic. Boyd discusses the arguments of Banham and the new brutalism in the context of the subtitle. It concludes with a code to characterise the modern movement.Original manuscript of an article published in Architectural Review Vol 142, No 845, July 1967. pp. 9–11 and reprinted as ‘El triste fin del Nuevo Brutalismo’ in 'Cuadernos Summa Nueva Vision' (Buenos Aires), No’s 24/25, May 1969, pp. 51-53.Two copies. One typewritten (c/copy) pencil edits Second typewritten (p/copy). Both quarto, 14 pagesle corbusier, reyner banham, smithson, peter and alison smithson, modernism, brutalism, robin boyd, manuscript

Boyd discusses the achievement of Moshe Safdie in the design and dream of Habitat 67. He outlines the history, philosophy and sociological objective of cluster housing.Original manuscript published as 'Experimenting with boxes: Habitat's cluster' in Architectural Forum Vol.126, No.4, May 1967 pp. 35-41.Typewritten (p/copy), quarto, 9 pageshabitat 67, moshe safdie, expo 67, le corbusier, urbanism, unite d'habitation, reyner banham, alison and peter smithson, kenzo tange, clusters, russian apartments, cluster housing, robin boyd, manuscript

Boyd outlines the history of Canberra's design and construction. He argues that Canberra's strength is its planning and axially-based landscaping, but that it lacks the buildings which make the Le Corbusier's Chandigarh interesting. Boyd is highly critical of Chandigarh as an urban environment and concludes that for non-architects, planning and connection to nature is more important than buildings.Original manuscript published as 'Canberra Master Plan: Walter Burley Griffin' in World Architecture 4, John Donat (ed.), Viking Press 1967, pp 202-205.Typewritten (p/copy), quarto, 6 pageswalter burley griffin, canberra, john overall, lake burley griffin, oscar niemeyer, le corbusier, chandigarh, city beautiful, garden city, urban planning, robin boyd, manuscript

Boyd discusses Australia and New Zealand's search for their own 'modern' architectural style. Boyd points out the influence of the natural landscape that affects these designs and architectural decisions. In addition, he argues that the search for 'modern' architecture isn't rushed due to the need of respecting the natural landscape of both Australia and New ZealandOriginal manuscript of an article 'Australia in seclusion’ published in Journal of the New Zealand Institute of Architects, Vol. 34, September 1967, pp.270-275.Typewritten (c copy), foolscap, 21 pages (two copies of page 9)walter burley griffin, harold desbrowe annear, robert haddon, seabrook and fildes, roy grounds, geoffrey mewton, edward f. billson, best overent (overend), modern architecture, sydney opera house, ian mckay's c/b/ alexander presbyterian agriculture college, ernest kump, sydney school, california, robin boyd, manuscript

In this article, requested by Architecture in Australia, Boyd condemns the lack of development in the shaping the identity of Australian architecture, similar to the contents of Texas Quarterly 'Architecture in Australia' Vol.5 (see D092), Boyd writes about the need for designers and architects to create a new design language rather than recycling and reminiscing on old British aesthetics despite wanting to gain international recognition.Original manuscript of an article published in Architecture in Australia, Vol.56, No.3, June 1967 pp.454-465.Typewritten (c copy), pencil edits, quarto, 26 pagesPencil corrections and edits in textaustralian architecture, sydney school, architecture in australia, robin boyd, manuscript