This item is on display in the gardens of the Bendigo District RSL Sub Branch Havilah Road. Refer photo .1) re its manufacture, history and use..1) Plaque black metal on a stand with white text with details of the item. .2) Scale replica of a Supermarine Spitfire Fighter Mark V111 with markings."Lest we Forget" - "CAL"brsl, smirsl, bdrslinc, replica, spitfire

Large picture of a soldiers an PoppiesRemembrance Lest We Forget

Letter: sent to Bendigo Historical Society 26th. October, 2007 by Beryl Margaret Carson, P.O. Box 39, Culburra Beach, NSW 2540. Re possessions of Mavis Jean Gould that relate to the Lansell family.Beryl Margaret Carsonplace, fortuna, family history, lansell, fortuna, bendigo

Order of Service for ANZAC Day Memorial organised by Greensborough RSL Sub-Branch 25th April 2021; and, short reflection on the Service by Rosie Bray.8 p. text and colour photograph; with "Lest we forget" page of comment by Rosie Brayanzac day 2021, greensborough rsl, rosie bray

This pair of brass altar vases is from the St. Nicholas Seamen’s Church, 139 Nelson Place, Williamstown, Victoria, during religious services there. The Church was operated by the Mission to Seamen organisation. Each vase is inscribed with the donors' names and the year of presentation - Margaret R. Pearson 1944, Mrs B Raybould 1944, - and the maker's name T. Gaunt & Co. The two donors presented the vases to St Nicholas Seamen's Church in Williamstown as part of the furniture and furnishings for the new church that officially opened in 1944. T. Gaunt & Co. engraved on both vases. T. Gaunt & Co. of Melbourne, is a manufacturer, importer and retailer of a wide variety of goods including jewellery, clocks and watches, navigational and measuring instruments, dinnerware, glassware and ornaments. Thomas Gaunt's photograph was included in an album of security identity portraits of members of the Victorian Court, Centennial International Exhibition, Melbourne, 1888. THE MISSIONS TO SEAMEN (Brief History: for more, see our Reg. No. 611, Set of Pews) The Missions to Seamen, an Anglican charity, has served seafarers of the world since 1856 in Great Britain. It symbol is a Flying Angel, inspired by a Bible verse. Today there are centr4es in over 200 ports world-wide where seamen of all backgrounds are offered a warm welcome and provided with a wide range of facilities. In Victoria the orgainsation began in Williamstown in 1857. It was as a Sailors’ Church, also known as ‘Bethel’ or the ‘Floating Church’. Its location was an old hulk floating in Hobson’s Bay, Port of Melbourne. It soon became part of the Missions to Seamen, Victoria. In the year 2000 the organisation, now named Mission to Seafarers, still operated locally in Melbourne, Portland, Geelong and Hastings. The Ladies’ Harbour Lights Guild was formed in 1906 to support the Missions to Seamen in Melbourne and other centres such as Williamstown. Two of the most significant ladies of the Guild were founder Ethel Augusta Godfrey and foundation member Alice Sibthorpe Tracy (who established a branch of the Guild in Warrnambool in 1920). The Guild continued its work until the 1960s. In 1943 a former Williamstown bank was purchased for the Missions to Seaman Club. The chapel was named St Nicholas’ Seamen’s Church and was supported by the Ladies’ Harbour Lights Guild, the Williamstown Lightkeepers’ Auxiliary and the League of Soldiers’ and Sailors’ Friends. It ceased operation in 1966. A Missions to Seamen Chapel and Recreation Room was a significant feature of ports during the late 1800s and into the 1900s. It seemed appropriate for Flagstaff Hill to include such a representation within the new Maritime Village, so the Melbourne Board of Management of Missions to Seamen Victoria gave its permission on 21st May 1979 for the entire furnishings of the Williamstown chapel to be transferred to Flagstaff Hill. The St Nicholas Seamen’s Church was officially opened on October 11, 1981 and closely resembles the Williamstown chapel. This par of vases is significant historically for its origin in the St Nicholas Mission to Seamen's Church in Williamstown, established in 1857 to cater for the physical, social, and spiritual needs of seafarers. It originated in Bristol, England when a Seamen's Mission was formed in 1837. The connection of pair of vases to the original donation to the Mission to Seamen highlights the strong community awareness of the life of people at sea, their dangers and hardships, and their need for physical, financial, spiritual and moral support. Vase: pair of two polished brass altar vases, round, pear-shaped, bulbous body on a round pedestal, two neck rings and flared lips. Inscriptions on both vases in script around the base. Made by T. Gaunt & Co. One was presented to the church by Margaret R Pearson and the other presented by Mrs B. Raybould in 1944 The vases are part of the St Nicholas Seamen's Church Engraved on the 625.1 "Presented By Margaret R. Pearson 1944." Engraved on 625.2 "Presented By Mrs B. Raybould. 1944." Both engraved "T GAUNT & Co"flagstaff hill maritime museum and village, flagstaff hill, warrnambool, maritime museum, maritime village, shipwreck coast, great ocean road, religion, religious service, st nicholas seamen’s church, williamstown, missions to seamen victoria, brass vases, metal craft, brassware, altar vase, church vase, mrs r raybould, margaret r pearson, t gaunt & co, church furnishing

Hand painted by Margaret Quayle.Original painting of Heidelberg, Victoria by Margaret Quayle. River scene with house and bridge, in a wooden frame.paintings, artworks

Wedding dress designed by Melbourne designer based on the wedding dress worn by Princess Margaret for the marriage of Miss Evelyn Hancock of Lakes Entrancewedding dress design based on dress worn by Princess Margaretclothing

Small white card with scene of house in circle surrounded with blue flowers and 'Lest We forget' on frontFrom Bertha To Dorisdocuments, cards

Australian flag on pole with embroidered cloth patch dedicated to the memory of Sgt Rodney Parker who died of illness South Vietnam 1971A Field Battery. Lest we forgetsgt rodney (roderick) parker, a field battery

Australian flag on a pole with embroidered cloth patch dedicated to the memory of 2Lt Ian Mathers KIA during operation Overlord 1971A Field Battery. Lest We Forgetflag, 2lt ian mathers, a field battery raa

Hand made quilt commemorating the Vietnam WarHandmade quilt with hand stitched map of Australia, a cross with metal Vietnam badge and a slouch hat on white cloth boarded by camouflage and green material.In hand stitch - Lest We Forget quilt, vietnam

Short overview on the Rats of Tobruk and members of the 9th Division known as the Glorious Ninth who served during the siege of Tobruk during WW2Black timber frame containing white paper with black type.Rats of Tobruk Lest We Forget rats of tobruk, 9th division, siege of tobruk

Image of a Charles Conder painting on front of soft covered book titled The Artists' Camps: Plein Air Painting In Melbourne 1885-1898. FOREWORD by Margaret Plant - Department of Visual Arts, Monash University. The paintings of the 'Heidelberg school" are the best loved group of works in Australian art. The affection is linked in the national mind with a recognition that the authentic Australian landscape had been discovered and colonial bonds broken. The painting activity of the 1880s and 1890s was by no means confined to Heidelberg. Helen Topliss painstakingly presents the variety of sites around Melbourne, in the bush and on the coast, reconstructing their original character and the history of their accessibility. The major figures are well known — Roberts, McCubbin, Streeton and Conder — but there were a number of 'minor' artists associated with the various painting spots that have been too long neglected. A research programme is here initiated in the hope that some of these figures might be more fully returned to us. The restoration of the sites provokes a more extensive roll-call of artists involved in the plein air phenomenon. Various expressions of nationalism in the late nineteenth century have been accorded attention: the painters contributed in varying degrees. But it is, finally, the quality of the painting, the freshness, the particularity of nuance, the calculated aesthetic angles that have governed response and inspired affection. The elegant relaxation themes of many of the paintings have in fact been overlooked in the intellectualization of the quest for 'national identity'. The orchards and the beaches, the ladies promenading a la mode on the beach at Mentone or in the grasses of Box Hill are as important to our artistic tradition and social history as the shearers of rams.

Margaret Ellen Holloway married William Hugh Hooke in 1892. Margaret is the daughter of James Charles Holloway and Mary Bennett. She was born in 1864 in Indigo,via Rutherglen at the gold lead. Her father James came out from Somerset England with a large family group to settle in the North East of Victoria and to try their fortune at gold mining. The Holloway’s and their descendants then went on to farm in the district including Rutherglen, Chiltern, Springhurst, Barnawartha and Browns Plains. Black and white portrait photograph of Mrs Hooke nee Margaret Ellen Hollowayhooke family, holloway family, margaret holloway

The collar is from a wedding dress worn by Margaret Anderson when she married William Henderson in Ireland in 1864. It was donated by Mrs Joan McDonald, the great granddaughter of William and Margaret Henderson.Beige Irish Lace collar from 1864 wedding dress for wedding of William Henderson and Margaret Anderson. Joan McDonald Collection. wedding dress, lace

Commemorative $2 coin mounted on card with the words "Returned & Services League - Lest We Forget - $10 Certificate of Donation"

'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink property illustration on drafting film of ? Elphin Grove, Hawthorn by Margaret Picken.? Elphin Grove, Haw - Realtor - Picken c2002. artist - margaret picken 1950-

artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses

artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses

artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses

artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses

Front row: Ian McGrath, Jeff Bell, ?, Peter Dingey, ?. 2nd row: Annette Xydias, Janette Ashworth, Jill Creasy, Janine Cameron, Sally Olver, Janie Winter, Judy Falloon, Judith?, Gaye Lester, Margaret Hick. 3rd row: Kerry Waghorn, ?, Vicky Peterson, Linda Sahar, Miss Blanche. 4th row: ?, Trevor Hall, Peter Krombach, ?, Bruce Lester, Alan Almond, John Vermulen, Steven Vasil, ?, Peter Kriptopolous, Neil Saker.Laminated copy of black and white photograph of Williamstown High School form 4A of 1972.class photographs, williamstown high school, form 4a, 1972

Photograph of Margaret Hooper who was in charge of the Unity Club which was situated in Malop Street. Mrs Alsop was a mill worker from early 1930s till early 1970s. She worked at Federal and Foster Mills in Geelong District and Yarra Falls, Melbourne.Margaret / Hoopertextile mills sporting teams, textile mills staff, federal woollen mills ltd, sport, textile mills - sporting teams, textile mills - staff

Girl Guide Leaders Margaret Whelan and Barbara Curtis at the reunion East Gippsland VictoriaBlack and white photograph of two Girl Guide Leaders Margaret Whelan and Barbara Curtis at the reunion East Gippsland Victoriaguide group

Charles George Darvall (letter re him from Mrs Margaret Stevens, great grand-daughter). Reference to painting of Darvall being at Dudley House, Bendigo and that author stated that she would supply a 'short history' on GDV. Reference in letter to the Society having in its collection 'two examples of C G Darvall's illumination work'. This painting was evidently presented in November 1976 (newpaper article re this evidently - Advertiser??).Margaret Stevensperson, individual, george darvall, charles george darvall mrs margaret stevens, dudley house.

2 Postcards. Picturesque Rocky Valley Tintagel. Rear. Both addressed to Miss Alice Absalom, Lester Street, Eaglehawk, Bendigo.

"For the children, Sunday School is a happy place. St Margaret's is fortunate to have a group of young men and women parishoners who conduct the school, especially as accommodation is cramped, drab and uncomfortable. Class in picture is conducted in shack from motor car case"Digital scan of photograph - Original Source Copy: St Margaret's Parish Archives. church of england, churches, eltham, st margarets church