Robin Boyd perhaps used this as a reference for his book 'Victorian Modern', published in 1947.victorian history, robert hoddle, victorian rangers, walsh st library

Robin Boyd perhaps used this as a reference for his book 'Victorian Modern', published in 1947.victorian history, robert hoddle, port phillip association, walsh st library

This is a review of Robin Boyd's book 'The Australian Ugliness' in the full page titled "The Red Page'.Full page coloured pinkish red, with cover on one side and reverse titled The Red Page.australian ugliness, geoffrey dutton, walsh st library

This is a comprehensive and erudite review of Robin Boyd's book 'The Puzzle of Architecture' in a leading architectural journal.Photocopy (3 pages) with a photocopy of Cambridge Univ Press (NY) card with Journal and date information. pp 72-73, & 93walsh st library

This article reports on the opening of Tower Hill new history centre, designed by Robin Boyd.Full pagetower hill, walsh st library

This is a receipt for five boxes of manuscripts related to Robin Boyd given to the State Library of VictoriaA fille- in form with blue handwriting

A signed Memorandum of Agreement between Pergamon Press and Robin Boyd for the writing of 'Living in Australia'.Foolscap, 5 pagesSignatures etc

This painting was purchased at an exhibition at Australian Galleries in 1968. It originally hung in Robin Boyd's office in East Melbourne, and was only brought to Walsh St after he died in 1971. The Australian Galleries was established by Tam and Anne Purves in June 1956. Robin Boyd designed the Purves family home in Kew in 1967. Two figures (one seemingly with three hands) partially hidden by an artist's easel.Woods '68 in lower right cornertony woods, purves, australian galleries, robin boyd, walsh st artwork, ohm2022, ohm2022_7

The American Institute of Architects Critic's Medal to Robin Boyd. In 1973 Patricia Boyd went to the AIA Conference in San Francisco to receive this award on behalf of Robin Royd who died in October 1971. The Walsh Street Archive also holds the certificate (item D496) and the event programs (items P1390.1-P1390.3).awards, honours, robin boyd, walsh st

This contains a Boyd article titled ‘These Critical Times’ p.33-36. Prof Albert Bush-Brown from MIT is the Editor of this Journal. This issue appeared the year Boyd was Bemis Professor at MIT. The same issue also has articles by Walter Gropius ('History and the Student') and Sigfried Giedion ('History and the Architect').architecture, education, walsh st library

This is a comprehensive and erudite review of Robin Boyd's book 'The Puzzle of Architecture' in a leading architectural journal. Robin Boyd’s desk cupboard contained two exercise books (item D482.1-D482.2) and assorted articles, essays and other material regarding the building of the Sydney Opera House, inserted inside the front cover of Walkabout magazine, July 1966 (item P1377). This publication is one of those inserts. Many of these were collected by Boyd’s eldest daughter, Mandie, who recalls that her father was writing a book, but was very disillusioned with the way the entire Opera House saga unfolded. A reprint from The Architectural Forum pp 72-73 and 93.walsh st library

Twenty one signatures appeared with the letter. Note Robin Boyd's name is not included. Robin Boyd’s desk cupboard contained two exercise books (item D482.1-D482.2) and assorted articles, essays and other material regarding the building of the Sydney Opera House, inserted inside the front cover of Walkabout magazine, July 1966 (item P1377). This publication is one of those inserts. Many of these were collected by Boyd’s eldest daughter, Mandie, who recalls that her father was writing a book, but was very disillusioned with the way the entire Opera House saga unfolded.Newspaper clippingsydney opera house, utzon, sydney opera house project, walsh st library

This extension table was used as the dining table in the Boyd's Camberwell home. The legs were cut to create a coffee table when it was moved to the Walsh Street house. It was placed along the west facing windowall in the study in Children's Pavilion. Mandie, Penleigh and Suzy Boyd used to watch televison on the set placed on this coffee table.Timber table (expandable). Top surface slides off to reveal two extra flaps.walsh st furnishings, robin boyd, ohm2022, ohm2022_34

This letter is regarding granting permission to authorise reproducing Robin Boyd-copyright material for scholars and researchers.Typewritten on letterhead

This document is a Consent to Construct. It is owned by the Murphy family and were provided to the Robin Boyd Foundation for digitisation.

Built by noted artist Theodore Penleigh Boyd, father of architect Robin Boyd. Covered under National Estate, National Trust of Australia (Victoria) Local Significance and Heritage Overlay, Nillumbik Planning Scheme. Published: Nillumbik Now and Then /​ Marguerite Marshall 2008; photographs Alan King with Marguerite Marshall.; p111 The Robins at Warrandyte,* was once home to a member of a famous family and is also one of the first reinforced concrete houses in Victoria. The builder, Theodore Penleigh Boyd, born in 1890, was a talented painter1 noted for his works of the Warrandyte bush. He was the father of architect Robin Boyd, author of the Australian Ugliness and the uncle of painter, Arthur Boyd. Penleigh Boyd’s great grandfather was Sir William A’Beckett, Victoria’s first Chief Justice. Penleigh Boyd is considered by some to be an ‘unsung hero’ overshadowed by more famous members of his family. Mornington Gallery Director Andrea May said many believed Boyd ‘had never received the national acclaim that he deserved’.2 Classified by the National Trust3 and part of the Australian National Heritage,4 The Robins is set well back near the end of Kangaroo Ground – Warrandyte Road, unobserved by passers-by. Built in 1913, The Robins has some Art Nouveau influences and is a descendant of the Queen Anne style. It is covered in stucco and has a prominent attic, which Boyd used as a studio. Some parts of the house are up to 33 centimetres thick and built in part with pisé (rammed earth) and in part with reinforced concrete. Amazingly, Boyd built The Robins without an accessible driveway, and only a narrow track along which he had to cart building materials. The journey was uphill and Boyd terraced the land with Warrandyte rock5 without the aid of machinery. At only 33 years, Boyd was killed in a car accident in 1923. He was buried in Brighton near the home of his parents. Several people have since owned the house, including political journalist, Owen Webster. Boyd was born at Penleigh House, Wiltshire, and studied at Haileybury College, Melbourne and The Hutchins School, Hobart. He attended the Melbourne National Gallery School and in his final year exhibited at the Victorian Artists’ Society. He arrived in London in 1911 and his painting Springtime was hung at the Royal Academy. He painted in several studios in England and then worked in Paris.6 There he met painter Phillips Fox through whom he met artists of the French modern school and also his wife-to-be, Edith Anderson, whom he married in Paris in 1912. After touring France and Italy, the couple returned to Melbourne. In 1913 Boyd held an exhibition and won second prize in the Federal Capital site competition, then the Wynne Prize for landscape in 1914. In 1915 Boyd joined the Australian Imperial Force, and became a sergeant in the Electrical and Mechanical Mining Company. However he was severely gassed at Ypres and invalided to England. In 1918 in London Boyd published Salvage, writing the text and illustrating it with 20 black-and-white ink-sketches of army scenes. Later that year he returned to Melbourne, and, despite suffering from the effects of gas, he held several successful one-man shows, quickly selling his water-colour and oil paintings. In his short career Penleigh Boyd was recognized as one of Australia’s finest landscape painters. He loved colour, having been influenced early by Turner and McCubbin. His works are in all Australian state galleries, the National Collection in Canberra as well as in regional galleries.7 His wife Edith was also an artist having studied at the Slade School, London, and in Paris with Phillips Fox. After her marriage she continued to paint and excelled in drawing. In later years she wrote several dramas, staged by repertory companies, and radio plays for the Australian Broadcasting Commission, in which she took part. She was the model for the beautiful red-haired woman in several of Phillips Fox’s paintings and the family hold three of his portraits of her. *Possibly named after the Aboriginal words warran, meaning ‘object’ and dyte, meaning ‘thrown at’.This collection of almost 130 photos about places and people within the Shire of Nillumbik, an urban and rural municipality in Melbourne's north, contributes to an understanding of the history of the Shire. Published in 2008 immediately prior to the Black Saturday bushfires of February 7, 2009, it documents sites that were impacted, and in some cases destroyed by the fires. It includes photographs taken especially for the publication, creating a unique time capsule representing the Shire in the early 21st century. It remains the most recent comprehenesive publication devoted to the Shire's history connecting local residents to the past. nillumbik now and then (marshall-king) collection, kangaroo ground-warrandyte road, north warrandyte, the robins

This is Suzy Boyd's bed. The beds of both Suzy and Penleigh Boyd (item F086) seem to be made of mountain ash. An advertisement in the Argus (Wed 7 November 1956) by Myer Emporium for the "Meyer Robson" Studio Divan looks to be the same as these beds in Walsh St. This is a new mattress. Suzy's original mattress was 'Royal Slumber Sleeper'.Single bed with timber frame and mattress and sliding timber drawer attachedwalsh st furnishings, robin boyd

This small Clipping has two notices, once from Sydney and one from London, reporting the death of Mr Penleigh Boyd, Robin Boyd's father. He died on 27 November 1923. The Sydney article quotes Mr Sydney Ure Smith , president of the Artist's Society, and Mr Lionel Lindsay, the Australian artist.walsh st library

Most likely the Eltham Springtime Fair run by the Eltham Methodist Ladies Guild and held in the Methodist HallReproduction of black and white photographeltham fair, festivals, eltham, nation, squire, boyd, edwards, carroll, battye, brown

Copy of certificate of Marriage (reg 23) on January 1902 at Bendigo, by licence and according to the rites of the Bible Christian Church, by Francis Rankin and between Mathew John Rodda, age 24, miner and bachelor (whose parents are listed as Harry Rodda (dec) and Mary Jane Sarah), and Sarah Bawden, age 22 domestic spinster whose parents are listed as William Bawden and Elizabeth Lawry. Witnessed by Henry Casley and May Boyd

Colour Photograph of a group of 11 people (5 Seated, 6 Standing) in front of Deep Lead School. Past Students & Teachers of Deep Lead 720 Back Row L to R: Keith Boyd, Dorothy Hatley, Bruce Richard, Bill Cray, Rob Cray, May Chester Front Row L to R: Laurie Bennett, Laura Raeburn, Robert Freeland, Amy Cray(nee Rogers) Lesley Bennettdeep lead school, education

Page 7 and 8 of the Centenary issue of the Ballarat Courier. Page 7 - features In Retrospect, Highlights of Ballarat story (August to December), John Hollway & Sons (Radio Receivers). Page 8 - "Down Times Corridor" by Major General R.E.Williams (photo of VR loco) and an advertisement - "Boyd's" - drapers and outfitters. See also items 198, 199 and 200. Image scans added 14-9-2013 and record checked.trams, tramways, ballarat, centenaries, commerce

BHS CollectionBendigo Advertiser ''The way we were'' from Saturday, December 13, 2003. Hit for six: the 1955 Bendigo Junior Technical School cricket team. Back row from left: Geoff Pierce, Jeff Landry, Bob Ermel, Ivan Gordon, Errol Bovaird and Ron Michell. Sitting from left are Ron Kear, Mel Boyd, Allan Harwood (captain), Doug Keck and Ian Cattanach. The clip is in a foldernewspaper, bendigo advertiser, the way we were

This oil sketch by Donald Laycock is for "Terra Australis", a large (20' X 8') outback desert scene commissioned by Robin Boyd for the Australian Pavilion at Expo 1970. Robin Boyd was the Exhibit Architect of the Australian Pavilions at Expo '70 in Osaka and Expo '67 in Montreal. It is not known what happened to "Terra Australis" after Expo '70.Red toned abstract composition."DL 69" in bottom right corner. Sketch for Terra Australis Exhibition '70" written on canvas around the frame on the rear.donald laycock, expo 70, osaka, robin boyd, walsh st artwork, ohm2022, ohm2022_32

This artwork is thought to have come from Robin Boyd's East Melbourne office after his death in 1971. Robin Boyd was a long time friend of Grahame King and sculptor Inge King and he designed their Warrandyte home and studio in three stages between 1952 and 1964. This artwork may have been a gift from them.Red and black abstract composition.Signature and date on lower right. 3/20grahame king, inge king, robin boyd, walsh st artwork, ohm2022, ohm2022_22

This Beco lamp was designed by Donald Brown, a pre-eminent Australian lighting designer in the '50s and '60s. Robin Boyd often specified BECO lighting, including elsewhere in his own home. This was originally a bedside reading lamp in the upper living room, as seen in the Mark Strizic 1958 photograph in Robin Boyd's book Living in Australia p129.Beco 720 lamp, with black stand base with switch and white glass shadeBrown Evans & Cowalsh st furnishings, robin boyd, ohm2022, ohm2022_25