Murray Comrie Collection. Monochrome photograph depicting the Church of England in Tarnagulla This photograph was probably taken in the late 1960s. tarnagulla, churches, church of england, religion, buildings

Grey felt hat with satin binding on brim. The band is made of Williamstown High School black ribbon with red and yellow strips and an enamelled school badge with logo is sewn to the centre front of the band. This hat was worn by Robyn Leach in the 1960s.williamstown high school, hat, 1960s, school uniform

This dress belonged to Nola Jennings, a long-time Brighton resident. Nola purchased and wore this in the 1960s; she recalls that navy and fluorescent yellow were a popular colour combination at the time.Sleeveless navy blue crepe dress. Scoop neck and high waist. Bodice features three self-covered fluorescent yellow buttons and fluorescent yellow bow. Two fluoresecent yellow stripes around hem. Zip at back. Label, cream with green text: "STYLED BY / Zal Miller / OF MELBOURNE" Two smaller labels attached underneath: "crepe / Finesse / an Alcorso fabric / 100% TRIACETATE / washable" and "XSSW".nola jennings, zal miller, 1960s, melbourne designers, flinders lane

Black and white photograph of burnt out football pavilion Eltham Central Park c.1960seltham, parks, sporting, fires, george w bell collection

Black & white photograph of the home of John & Loise Gearing at 85 Springvale Road Nunawading in the 1960sspringvale road nunawading, no. 85, gearing john, gearing loise

Murray Comrie Collection.Photograph of Commercial Road, Tarnagulla (northern end, looking south). Photo probably taken in the 1960s. tarnagulla, buildings, streets

Murray Comrie Collection. Medium format monochrome negative, image depicting exterior of the Newbridge Hotel with 1960s era carsnewbridge, hotels

This text summarises the differences in architecture and proposes, unlike in other art forms, that architecture has a mainstream which has consistency in it, yet is also ever changing. The term 'modern architecture' is becoming suspect and obsolete. Visual art is inevitably involved with social evolution. It discusses utilitarian and creative architecture. Boyd proposes architecture is between science and art, and that architecture by itself means the architecture of this age.Typewritten, quarto, 11 pages (Note: Mentions the 1960s, possibly implying it was written late 1960s-1970/1971)modern architecture, social evolution, utilitarian architecture, creative architecture, mcluhan era, glutternberg era, henry russell hitchcock, paul rudolph, philip johnson, kenzo tange, archigram, sydney opera house, reston, robin boyd, manuscript

Photo of Bendigo stadium. 1960s.bendigo, sporting clubs, bendigo stadium

Farming at Ferris Road in 1960sagriculture

Old film of Beechy Line shot from Train and from near the line.History of Narrow Gauge Lines in Australia during the 1950s and 1960s. They include the Colac and Beech Forest lines. Shot in the 1960s.beechy line

Murray Comrie Collection. This photograph is an original print.Monochrome photograph depicting view down Commercial Road, Tarnagulla. Circa 1960s vehicle parked at curb.tarnagulla, commercial road, buildings

Murray Comrie Collection. Monochrome photograph depicting a gate post at the Church of England in Tarnagulla This photograph was probably taken in the late 1960s. tarnagulla, churches, church of england, religion, buildings

Lamps standards 46/- Lamps 30/- Purchased November 1968, and first lit Wed 26th 1869. Murray Comrie Collection.Monochrome photograph of the historic lamppost outside the Presbyterian Church in Tarnagulla. This is an original photograph probably taken in the 1960s. tarnagulla, buildings, churches, church, presbyterian, religion, lighting, lamppost, power, energy

lapen pins worn in the 1960s. Gold-plated lapel pin with black/red/gold school crest and motto on headlapel-pin, ballarat-college, 1960s

30 min colour and sound 16mm film, severely faded, beginning with an interview with a Vietnam widow and going on to explain the help Sydney Legacy gave to bereaved families including outings, health, etc. Lionel Long, who was a Legacy ward, is interviewed and sings one of the ballads he was famous for in the 1960s. A Widow's Club meeting is shown and a party of the Northern Suburbs Progressive Twenties who raised money for Legacy. They were smoking, drinking, and eating what looks like cheerios and slices of bread in a large room hung with streamers and balloons and dancing to pop music. Junior Legatee Karen Miller was interviewed about her experience travelling to Switzerland to represent Australia at the Swiss Bank Centenary, Switzerland, with a boy from NSW, going on to stay with a Legacy family in London for a week. The functions of Legatees are explained as a Legatee is shown with one of his families. Also interviewed is a practising solicitor who attributes his qualification to the help he got from Legacy. Girls are shown rehearsing for their debutante presentation and the film segues to the actual presentation with the Governor Sir Roden Cutler, Governor of NSW, and his wife. Legatees are shown cutting, trucking and delivering firewood to widows. Photography by Frederick Richardson; sound by Peter Willesee; Executive Producer Michael Willesee; produced and edited by Bob Lawson. A Trans Media Production. This film has been digitised to preserve its content. Melbourne Legacy gratefully acknowledges the support of the Victorian Government and Public Record Office Victoria for making this possible.A visual record of Sydney Legacy in the 1960s giving an overview of the work they did.A film in a blue plastic canister produced about the activities of Sydney Legacy in the 1960s.Label of 'Colour Film Pty Ltd, client Trans Media Colour print' handwritten 'Copy No 3'activities, widows club, junior legatee, operation firewood, sydney legacy

This is a set of three photographs of an Open Day held at the Army Headquarters Survey Regiment, Fortuna Villa, Bendigo, circa 1960s. Although most of the photos were taken outdoors, a technical tour may have been conducted through the production areas of the unit. It is likely the band performing next to Fortuna’s lake in photo .3P was the 3rd Military District Band.This is a set of three photographs of an Open Day held at the Army Headquarters Survey Regiment, Bendigo c1960s. The photographs were printed on photographic paper and are part of the Army Survey Regiment’s Collection. They were scanned at 300 dpi. .1) & .2) - Photo, black and white, 1960s. Unidentified civilian visitors. .3) - Photo, black and white, 1960s. The 3rd Military District Band, unidentified civilian visitors..1P to .3P – no annotationsroyal australian survey corps, rasvy, army survey regiment, army svy regt, fortuna, asr

This is a collection of four photographs taken in the 1960s of Royal Australian Survey Corps displays promoting its role and technical capability to acquire, process and disseminate topographic information to the Australian Defence Force. Map products formed a large part of this topographic Support. The photos may have been taken at a Careers Expo or a Department of Defence promotion. It is possible the photos were taken at separate events. This is a collection of four photographs taken in the 1960s of Royal Australian Survey Corps displays promoting its role in Defence and technical capabilities. The black and white photographs were printed on photographic paper and are part of the Army Survey Regiment’s Collection. The photographs were scanned at 300 dpi. .1) to .4) - Photo, black & white, 1960s. Royal Australian Survey Corps Display at unknown location.There are no annotations.royal australian survey corps, rasvy, army survey regiment, army svy regt, fortuna, asr

Paul Leonard wore this shirt and vest to a Brighton Primary School fundraiser in the late 1960s. His wife Heather wore a matching yellow and orange dress, with hand painted yellow and orange shoes. Paul and Heather lived together in Male Street for forty years until his death in 2002. Paul worked in advertising and later became a painter, mainly of Australian icons.Cotton men's shirt (.1), mustard yellow with purple collar, cuffs and buttons. Men's knit vest (.2) featuring yellow and navy blue horizontal stripes and trimmed with narrow red stripe.paul leonard, heather leonard, brighton primary school, 1960s

B&W photo of Bob SKILTON, Tom LAHIFF, Paul GOSS (left), Peter GOSS (right), 1960ssport - australian rules football, tony cannatelli, port melbourne football club, pmfc, bob skilton jnr, tommy lahiff, paul goss, peter goss

Colour photo of Gladys Coghlan and two policemen in front of police car at Port Melbourne Police Station in 1960s.police, gladys coghlan

Photograph of students and staff at an unknown event, c. 1960s. Appears to be a shabbat celebration. Please contact [email protected] to request access to this record.1960s, judaism

Played by Lou Silbereisen for recordings with Graeme Bell and His Australian Jazz Band in the late 1940s and 1950s. Played by Brian Carter from 1958 to the mid 1960s.Boosey & Hawkes is a British music publisher. Until 2003, it was also a major manufacturer of brass, string and wind musical instruments. Recording Brass Bass manufactured by Boosey & Hawkes circa 1930s. Played by Lou Silbereisen for recordings with Graeme Bell and His Australian Jazz Band in the late 1940s and 1950s. Played by Brian Carter from 1958 to the mid 1960s.lou silbereisen, recording brass bass, boosey hawkes, graeme bell and his australian jazz band, brian carter