Two ceramic bottles. If you can assist with information on this artist or artwork please use the comment link below.ceramics, available

The original lithograph by American artist John Cameron was published by Currier & Ives around 1891.Large monochrome print in guild framed reproduction of John Cameron artwork depicting a harness racing finish in America.A Fair Field and No Favorgraydon, trotting, historic print, america, john cameron

This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Abstract framed painting. If you can assist with information on this artist or artwork please use the comment link below.art, artwork, dayle smithwick, tafe business collection, abstract

Sculpture of a horse's head. If you can assist with information on this artist or artwork please use the email link below.artwork, artist, sculpture, gippsland campus, horse, fauna

In the early 1900s, Mary Sweeney commissioned artist Charles Bertie to paint the main house at Culla Hill. He charged her 5 shillings for the picture and 18 pence for the frame She took this painting with her when she married Michael Carrucan in 1910 and it hung in the Dalton Street farmhouse for many years. At a later time (1960s), the Burstons (the then owners of Culla Hill) had a card printed from the painting. The original sketch was photographed in 1970 for reproduction in the Shire history publication Pioneers & Painters (1971). The very fragile original was kept in the Council strongroom and suffered significant damage to its edges over the years, no doubt it has also yellowed. A comparison of the original as digitised (2022) with the negative taken 50 years earlier also reveals that the left 20% of the sketch has been cut off, probably due to damage. In June 1842 Thomas Sweeney applied to the Superintendent, C.J. La Trobe, asking permission to purchase a portion of the recently surveyed ‘Parish of Nillumbik'. His request was allowed and handed to the sub-treasurer and Land Board. He paid £110 for 110 acres and called the land 'Culla Hill'. He first built a temporary house, a slab hut 12 feet by 10 feet, in which he lived with his wife, an Irish girl whom he had married in 1838. (His first wife had been drowned at Port Jackson.) Some time later he built a permanent residence on the model of a Tipperary farmhouse. It was a rectangular building of hand-made bricks and stone quarried from the Western Hill with a recessed verandah in front, and bore a slate roof. The out-buildings consisted of a detached kitchen, stable and a barn. It was in this house that succeeding generations of Sweeneys were reared. The original slab hut became a washhouse and survived till recent years. 'Culla Hill' became a social centre for the district, church services being held there on various occasions. The first wheat crop in the district was planted by Sweeney who also supplied the first grain for a mill that later was built at Eltham. He took an active interest in the development of the district. At this time travelling people--many of them runaway sailors or convicts--often passed the settlement, and some of them stayed and worked with Sweeney. A tribe of aborigines living on the river below 'Culla Hill' were apparently on good terms with Sweeney, for it is said that they helped him with the building of his house. Very little is known about the aborigines who originally lived in the Eltham district. There must have been many of them; their stone axes, grinding stones, and anvil stones have been found in the gullies around Research and canoe trees and artifacts were found on the Kangaroo Ground hills. Early settlers remembered a tribe that camped on the site of the present railway bridge at Eltham. They held corroborees there and visited settlers for hand-outs of 'flour and bacca’. There was an aboriginal reserve on the Yarra, upstream from Eltham, but most of those who had collected there later went to live on the Pound Reserve at Warrandyte, where the last aborigines in the area finally ended their days. The Pound Reserve, of 1,103 acres, was established at Pound Bend in 1841. The chief protector, George Robinson, and his four assistants, were given instructions to care for the aged and sick, to provide blankets and rations for all who lived there, to train the able-bodied men in agriculture and other trades and to find them jobs. The Yarra blacks, who later came under the protection of William Thomas, have been described as a 'fine race, well made and above the average height'. Thomas Sweeney died on 6 September 1867 and was buried in the Eltham Cemetery. To his wife Margaret and his son John, he left the entire property of 'Culla Hill'. To his other son Patrick, he left 150 acres, including a small two-roomed wooden cottage. He had five daughters: Kate and Margaret (twins) who were born in 1842, Ellen 1846, Annie 1848 and Johanna 1851. John Sweeney farmed 'Culla Hill' until his death in 1909. He had ten children; one of them, Mary, became Mrs M. Carrucan whose son, Mr John Carrucan, still lives at Eltham. 'Culla Hill' passed out of the Sweeneys possession in 1939 and was renamed by its new owners, 'Sweeneys', in memory of its pioneers. - Pioneers & Painters: One Hundred Years of Eltham and its Shire, Alan Marshall 1971, pp10-12 Original colour sketch artwork 4 x 5 inch black and white negative of original colour sketchculla hill, art, charles bertie, drawing, mary carrucan (nee sweeney), sketches, sweeney's cottage

Famous French artist Jean Baptiste Camille Corot, 1796-1875, was trained in the classical landscape style. His inspiration came from his travels around France and Italy. He developed a soft poetic or romantic style of work which became very popular. He had the skills to bring'light' into his paintings. The original oil on canvas painting by Corot is held at The National Gallery in the United Kingdom. It is titled 'Souvenir of a Journey to Coubron' and is one of twenty-seven of his works at the Gallery. Corot visited Coubon, east of Paris, many times. In 1873 during his stay there he sketched the scene that became the basis of this painting. This reproduction print was made by The Medici Society Ltd., founded in England 1908. The Society's aim was to make artwork affordable and available to the general public. The name Medici was chosen to honour the support and encouragement given to artists in the 15th century by Lorenzo de' Medici (1449 - 1492), known as Lorenzo the Magnificent, and his family. His profile is on the company's trademark. The Medici Society still produces Fine Art reproduction prints as well as selling original works. The print was framed by Westminster Art Gallery in Camperdown, London. The handwritten text on the back of the artwork adds some background to the artist: Corot was apprenticed to a Draper but changed to his profession at the age of 22 years. When he went from a poor artist to achieving wealth and fame he generously supported his less fortunate fellow artists. Corot found that the light and shade in a natural scene meant more to a landscape painter that what could be learned by following the principles of the academies. Corot was 51 years old before he sold his first picture. He though that he was the only artist that could really paint 'light'. The National Gallery, Victoria, has an original oil on canvas by Corot "the bent tree", created 1856-1860. It is in a similar style to this print "Souvenir of a Journey to Coubron", which was likely to have been painted around the same time.This high quality reproduction print was produced in the early-to-mid 1900;'s. This advancement in technology allowed everyday people to own and enjoy the fine art that was previously only accessible to the wealthy. The print is significant for its association with the famous 19th century artist Jean Baptiste Camille Corot.Print of a painting by Jean Baptiste Camille Corot, depicting a landscape with two buildings amongst trees and a boatman in the marshy foreground. The print is famed in carved timber with a cream matt, behind glass. there is an inscription on bottom right of print and further stamped and handwritten inscriptions of the reverse paper. The is a genuine Medici Society Fine Art reproduction print and was framed by Westminster Art Gallery.Original artwork painted and signed by artist "COROT" White sticker with"32" Reproduction print by the Medici Society, London Stamp "Westminster Art Gallery / 91 CAMBERWELL RD. / CAMBERWELL E.6." Text on Corot's history Underlined statement "GENUINE MEDICI PRINT "flagstaff hill, flagstaff hill maritime museum and village, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, jean-baptiste-camille corot, french artist, jean corot, camille corot, print, souvenir of a journey to coubron, coubron, 19th century artist, medici society, reproduction print, westminster art gallery, fine art

Artwork, on thick cream coloured paper Print,Catholic College Bendigo by W Beasley '90 Building name is 'Coolock.'W. Beasleyartwork, print, building

Photograph of an artwork (drawing ?) of the Presbyterian church, Bridge Street in 1853. Stamped on the rear ' From the original in the Mitchell Library, Sydney. 'buildings, church, presbyterian church, bridge street, presbyterian church, bridge street

Artwork. Norman Penrose collection: 1 page from an exercise book with notes on Military Architecture. The notes are handwritten in pencil.person, bendigo, norman william penrose, norman penrose collection, military architecture

Councillor John Gray admires children's artwork at a festival in Mooroopna, c1980s. Children and womann dressed in olden day clothes.tatura, council, gray j, festivals

Artwork on technical drawing paper from unidentified Methodist Order Knights Court. The back has pencil technical drawing.On front: "live pure speak true" "right wrong follow christ the king elsewhere born" On back: "I.R.JEBRAMEK WILL LETTER NEATLY IN 5/32" CAPITALS DURING 1972"methodist order of knights

A multimedia presentation showcasing Dreaming Stories belonging to the Yorta Yorta People, featuring artwork by Indigenous artist Zeta Thomson.CD-ROMyorta yorta, aunty zeta thomson, dreaming stories, folklore, artwork

Framed streetscape with people in a shopping precinct. If you can provide information on this artist or artwork please use the link below. LRS G.H. Raza 77."painting, townscape, streetscape

Original landscape watercolour artwork of a vase of flowers with olive backing and a gold frame by R. E. Thompson (former teacher).

Paul Borg is a local artist who lives and works in the area. In 2014 he was short listed for the Rick Amor drawing prize at Art Gallery of Ballarat.Dimensional artwork, oil and mixed media, with view of thistles growing in suburbia. Collage has real thistles incorporated into the foreground.

Sketch by J. Grigg. If you are able to assist with information on this artist or artwork please contact us via the comment below.artwork, artist, j. grigg, drawing

This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Framed edition (3 of 5) If you can assist with information on this artist or artwork, please use the comment link below.art, artwork, woodcut, printmaking

Louise KELLETT Louise Kellett was the Grand Final winner of the 1984 Age/Nikon School Photographic Contest. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed photograph featuring an eye.. If you can assist with information on this artist or artwork please use the comment box below. art, artwork, louise kellett, dr curry, the age nikon photographic award, available, alumni

This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed painting of red flowers. If you can provide information on this artist or artwork please use the email link below.art, artwork, jennifer duffy, horsham campus, flora, horsham campus art collection, alumni

This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Blue glazed ceramic jug. If you can assist with information on this artist or artwork please use the comment box below.art, artwork, anne cogger, ceramics, available, tafe ceramics collection

This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Large handbuilt ceramic pot. If you can assist with information on this artist or artwork please use the email link below. art, artwork, tracey holden, horsham campus art collection, ceramcis, horsham available

This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Sculpture of a human form in timber. If you can provide information on this artist or artwork please use the email link below. art, artwork, andrew malcolm, sculpture, horsham campus art collection

This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed abstract mixed media. If you can provide information on this artist or artwork please use the email link below.art, artwork, meg gray, alumni, horsham campus art collection, horsham available

This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.An orange woman with blue hair. If you can assist with information on this artist or artwork please use the email link below. art, artwork, figure', alumni, horsham campus art collection

Framed drawing. If you are able to assist with information on this artist or artwork please make contact via the comment link below.artist, artwork, gippsland campus, drawing, alumni