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Hume City Civic Collection
Photograph, Late 1980's
The series of seven photographs highlight examples of vandalism within the town centre precinct. Most of the vandalism occurred on public buildings. The toilet block was demolished in the late 1990's to make way for further expansion of the retail shopping centre in Sunbury.A coloured photograph of the Sunbury Comfort Station which was erected on a section of public land in Evans Street between the post office and Sunbury Shopping Square. The brown brick building has an open porch on one side and a curved concrete path leads from the street to the building. A smaller block is in the background and a grassed ared with trees is in the foreground with rubbish thrown across the grass.vandalism, public toilet blocks, evans street, sunbury comfort station, shire of bulla, george evans collection -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Book, Davidson Jan and Smith Heather, Bairnsdale the way we were, 1984
Pictorial history of Bairnsdales beautiful buildings, presented as pen and ink drawings accompanied by description text.township, buildings -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Book, Rogers, J. G. and Hellyer, Nellie, Lonely Graves of the Gippsland Goldfields and Greater Gippsland, 1994
Description of burial sites and details of circumstances of deaths of many persons buried in lonely and out of the way places across Gippsland. Indexed under locality and family name. Contains bibliography and glossary of causes of death.Nelly Hellier, J.G. Rogers. Aug.1994bibliography, cemeteries -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Book, Gippsland Heritage Journal No 12 June 1992, 1992
No 12 of Series contains stories of Sealers Cove, Dargo, biographical details of Edward Lees, Surveyor, Lucy Way, photographer, Leah Liddiard and Buchan Charlie, bushranger also information on early Gippsland Newspapers Photographs and maps included.settlers, bibliography, photography, periodicals -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Book, Rogers, J. G, For King and Country': The 1914-18 War Diaries of J.M. Laidlaw, 1985
An edited version of the War Diaries of J.M. Laidlaw from January 1916 to June 1919.To dear Ruth Clark. This book is a gift to you as a way of saying thank you for your wonderful generosity in gifting me a copy of your late father's publication 'The Church of Our Fathers' 3 May 1997 Jane Gay Rogers.world war 1914-1918, diaries -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Book, The Same Old Way
Pages 3 to 6 only, contains sheet music for The Same Old Way and Along the Old Lake TrailBuff coloured folder sheet music, The Same Old Way, N Symmons, Atawi, Lakes Entrance, photo of sitting room on front covermusic book -
Stawell Historical Society Inc
Photograph, Extensions to Medical Centre 1985, c 1985
7130: Gunnings house prior to removal fro Constuction of Medical Centre. 7130-1: Old home in Wimmera St Remved for McCrackens used car yard. 7130-2: Dr. Andrew Cunningham looking at the constrution of the extensions to the Stawell Medical Centre. 7130-3: New Enterance to the Stawell Medical Centre. 7130-4: A Veiw of the partially completed extension to the SMC from Across the road. 7130-5: Slab Finished building under construction, town hall in background. 730-6 Brickwork and Timber truss's on new additions. 7130-6: Work Just Beginning. 7130-7- Old entrance to the SMC. 7130-8- the new additions to the SMC. 7130-9: 7130-10 & 11 1987 Extension. 7130 15 & 16 c 1980 Stawell Medical Centre Cnr Wimmera Scallan St. 71340-17: C 1985 Back entrance 7130-19 c1985 After removal of Gunnig house. 7130-20 c1985 Extension under way. 7130-21 Preparation of Foundations 7130-22 Medical Centre Extensions 7130-23 Extensions 7130-24 Foundations being dug 7130-25 Building underway 7130-26 Sue Cunningham and Meg in front of Stawell Medical CentreTwo B/W & 13 Colour Photographs in Plastic Pockets.medical -
Nillumbik Shire Council
Print (etching and photo polymer): Imants TILLERS (b.1967 Syd., AUS) in posthumous collaboration with George BALDESSIN (b.1939 Treviso ITA – d.1978 Melb., AUS), Imants Tillers, 'Unsaid + Nameless' from the 'Baldessin & Friends' commemorative folio, 1976; completed 2016
Imants Tillers has been identified as a quintessential postmodern artist in his use of appropriation and quotation. Since 1981 he has used his signature canvas boards to explore themes relevant to contemporary culture, from the centre/periphery debates of the 1980s to the effects of migration, displacement and diaspora. Most recently, his paintings have been concerned with place, locality and evocations of the landscape. Imants Tillers and Baldessin met on their way to the Bienal de Sao Paulo in 1975 and in the following year worked on two collaborative etching plates in Paris that were printed by Pierre Giarudon. 'Unsaid + Nameless' harks back to his experiences with Baldessin in Paris forty years ago. It is a poignant image of absence that can be read in the tradition of the momento mori. George Baldessin (1939-1978) was born in San Biagio di Callalta, in the Veneto in Northern Italy and arrived in Australia ten years later. A printmaker and sculptor he built his bluestone studio at St Andrews (Nillumbik) in 1971 with his partner Tess and the three Hails brothers, Rob, Doug and Don. Made of recycled materials the studio today contains all of George’s equipment including the large press, which he modelled himself with the help of Neil Jeffrey (Enjay Presses). George won many prizes throughout his career and is represented in many of Australia's public art collections including his famous 'Pears' sculpture in front of the National Gallery of Australia, Canberra. In 1975 he represented Australia in the Sao Paulo Biennale, before living and working in Paris until his return to St Andrews in 1977. In 1978 George was killed in a car accident aged 39 years. In 2001 Tess returned to St Andrews to reclaim the run-down studio and reconstitute it as The Baldessin Press & Studio - a printmaking retreat. It operates in George’s memory, so that artists may continue to create, perpetuating the generous spirit of George.'Unsaid + Nameless' is one of eight prints in the 'Baldessin & Friends commemorative folio. The folio was conceived by Tess Edwards as a fundraising initiative in celebration of the The Baldessin Press & Studio's fifteen year anniversary, and as a way to honour George Baldessin's memory. The Baldessin Press & Studio is a not-for-profit organisation created in memory of the late George Baldessin (1939-1978), whose original studio is now open to the public for creative use and as a practical legacy to living artists. The Studio is located in St Andrews, Nillumbik. The folio is a unique coming together of seven very different and acclaimed artists who are connected by their friendship to the missing eighth member, George Baldessin. In 1976 Baldessin and Tillers embarked on the collaborative work 'According to des Esseintes'; a post modern Surrealist game of consequences and sequences. In homage to his friendship and work, Tillers completed an unfinished Baldessin plate from 1976 inspired from their 'des Esseintes' collaboration. The addition of Odilon Redon's 'smiling spider' is indicative of Tiller's broader post-modern approach. Solar plate etching of Odilon Redon's 'Laraignee souriante' (The Smiling Spider) on an incomplete plate etched by George Baldessin in 1976 on Somerset paper. Other images include skewed perspectives of a wooden window frame, 'wooden' floor or table(?) folded sheet of paper and unknown apparatus. In pencil (handwritten): low plate: left '14/25' (edition); centre: 'Unsaid + Nameless' (title); right 'Imants Tillers' (signature); low paper: right emboss 'GB' (Baldessin Press & Studio monogram)solar plate etching, george baldessin, somerset paper, spider, line, ekphrasis2018, odilon redon, appropriation, post modern, surrealism, collaboration, paris, folio -
Emerging Writers' Festival
Emerging Writers' Festival Business Cards
This is a collection of three business sized cards, printed for various uses at various times for the Emerging Writers' Festival.A collection of three business cards printed for use by Emerging Writers' Festival director's and as a way to download the 2013 Emerging Writers' Festival digital showbag.emerging writers' festival, literary programming, the wheeler centre, -
Emerging Writers' Festival
Book, The Reader
The Reader includes articles, essays, poems, stories and artworks that presents highlights from the 2009 Festival and the writing world beyond. Recreating the diversity of writing forms and styles that the Emerging Writers’ Festival showcases, The Reader includes novelists, journalists, screenwriters, comedians, poets, playwrights, spoken word artists, comics writers and others, all talking about or showcasing their particular craft – all talking shop – but in a way that is useful and interesting to all writers. The book was published in 2009 and edited by Dion KaganThe Reader is the first Emerging Writers' Festival book. It has a black and silver cover with circular motifs on the front.emerging writers' festival, 2009, literary programming, the wheeler centre, the reader, books, dion kagan -
Emerging Writers' Festival
Book, The Emerging Writer
The Emerging Writer is an insider’s guide full of valuable advice from fellow travellers – a resource you can keep within arm’s length, for when you need to consult that map again to help you find your way. The book was published in 2012 and edited by Karen Pickering.A blue, yellow and black book with an image of a fanciful hot air balloon on the cover.emerging writers' festival, 2009, literary programming, the wheeler centre, the emerging writer, books, karen pickering, 2012, -
National Wool Museum
Ceremonial object - 1988 Seoul Olympics Closing Ceremony Paper Lantern, c. 1988
This paper lantern was used by Australian athletes in the ‘Lantern Dance’, the last program of the closing ceremony, the lantern is called “Ch’ong sa ch’orong” and is traditionally used during weddings and festivals.When closed the lantern appears as a large, red spiral bound book with detailed inscriptions describing the way to correctly use the lantern in the ceremony. This description appears in several languages as well as a drawn depiction. When opened latticed crepe paper forms a cylinder. The two thirds of the paper is dyed dyed blue and the last third is dyed red. A small battery pack is used to light the lantern.GAMES OF THE XXIVTH OLYMPIAD SEOUL 1988 o The last program of the Closing Ceremony is called “Lantern Dance”. When all the performers enter the stadium holding lanterns, turn the paper board inside out and press the ends so that they snap shut. This will then allow the lanterns to light up. Hold the lantern by the handle at the centre and gently rock it above your head as shown in the picture. o Listen to the announcements via the ear-phones and follow the signals from the guides for further instructions. o* This lantern is called “Ch’ong sa ch’orong” and was traditionally used during weddings and festivals. This inscription is repeated several times in various languages on the cover of the lantern.1988 seoul olympic games, closing ceremony, lantern dance -
Koorie Heritage Trust
Book, Black, Lindsay, The Bora Ground : being a continuation of a series on the customs of the Aborigines of the Darling River Valley and of Central New South Wales, 1944
... The incised trees at bora grounds have been seen when in use by keen observers... Besides recording the photographs taken in February, 1942, and diagrams of the Banaway Bora Ground, I have added numerous references and reports by explorers, early settlers and others who actually saw these bora grounds in use.The territory of the great Kamilaroi Nation was the centre of the teleteglyphs or incised trees at ceremonial grounds in the same way as the Wiradjuri Nation was for taphoglyphs or monumental trees and the Barkinji Nation for cylcons...64 p. : ill. ; 22 cm.... The incised trees at bora grounds have been seen when in use by keen observers... Besides recording the photographs taken in February, 1942, and diagrams of the Banaway Bora Ground, I have added numerous references and reports by explorers, early settlers and others who actually saw these bora grounds in use.The territory of the great Kamilaroi Nation was the centre of the teleteglyphs or incised trees at ceremonial grounds in the same way as the Wiradjuri Nation was for taphoglyphs or monumental trees and the Barkinji Nation for cylcons...arts -- visual arts - general -- carved and painted trees -- prehistory, early culture contact and history -- activity and resource sites., other: bora ground -
Whitehorse Historical Society Inc.
Article, Needs check on elderly, 1991
A survey to investigate the quality of life of Nunawading's older residents is now under way.A survey to investigate the quality of life of Nunawading's older residents is now under way.A survey to investigate the quality of life of Nunawading's older residents is now under way.aged people, eastern suburbs geriatric centre, city of nunawading, phillips, phillipa, atkinson, bruce, subramanian, chandra -
Whitehorse Historical Society Inc.
Article, We're a young city on our way, says Hamer, 1968
Article on the opening of the Nunawading Civic Offices and Council Chamber by the Minister for Local Government Mr R.J. Hamer on 23 March, 1968.Article on the opening of the Nunawading Civic Offices and Council Chamber by the Minister for Local Government Mr R.J. Hamer on 23 March, 1968.Article on the opening of the Nunawading Civic Offices and Council Chamber by the Minister for Local Government Mr R.J. Hamer on 23 March, 1968.city of nunawading, nunawading civic centre, hamer, rupert j sir, brown, j.h. -
Whitehorse Historical Society Inc.
Article, Mitcham Mall is on the way, 1986
Nunawading Council has made a declaration to prepare for the $5 million shopping redevelopment in Britannia Street so by august we will have a new mall.Nunawading Council has made a declaration to prepare for the $5 million shopping redevelopment in Britannia Street so by august we will have a new mall.Nunawading Council has made a declaration to prepare for the $5 million shopping redevelopment in Britannia Street so by august we will have a new mall.shopping centres, city of nunawading, mitcham shopping centre, britannia street, mitcham -
Whitehorse Historical Society Inc.
Article, Coming our way, 1976
... , Mr Hamer to open Nunawading Community Centre. Coming our way ...The Premier, Mr Hamer to open Nunawading Community Centre.The Premier, Mr Hamer to open Nunawading Community Centre.The Premier, Mr Hamer to open Nunawading Community Centre.city of nunawading, baulch. bryan, hamer, rupert j sir, rotary club of nunawading, ymca, nunawading community centre -
Whitehorse Historical Society Inc.
Article, Mitcham plan under way, 1986
Article stating that Edward Street, Mitcham will be closed for redevelopment of Mitcham Shopping Centre and the removal of the Guide Hall in Britannia Street to Halliday Park.Article stating that Edward Street, Mitcham will be closed for redevelopment of Mitcham Shopping Centre and the removal of the Guide Hall in Britannia Street to Halliday Park.Article stating that Edward Street, Mitcham will be closed for redevelopment of Mitcham Shopping Centre and the removal of the Guide Hall in Britannia Street to Halliday Park.edward street, mitcham, mitcham shopping centre, mitcham guides, britannia street, halliday park -
Whitehorse Historical Society Inc.
Article, Paving the way for the future, 1995
... Mitcham melbourne Nunawading Civic Centre. Mourney Hazel Wallace ...50 year history of Nunawading in tiles laid in the amphitheatre.50 year history of Nunawading in tiles laid in the amphitheatre, Nunawading Civic Centre.50 year history of Nunawading in tiles laid in the amphitheatre.mourney, hazel, wallace, marie, city of nunawading -
Whitehorse Historical Society Inc.
Newspaper - Article, Mitcham halls make way for shopping development, 27/11/1985
... of the Mitcham Guide Hall and a weatherboard house to make way... shopping centre development. Mitcham halls make way for shopping ...Article from Nunawading Gazette re the demolition of the Mitcham Guide Hall and a weatherboard house to make way for Mitcham shopping centre development.commercial development, mitcham guide hall -
Whitehorse Historical Society Inc.
Memorabilia - Box - Cigarette silks, 1911 - 1917
These type of cigarette silks were included in WD & HO Wills cigarette packets to induce women in particular to take up smoking.|The Word 'Cartophilic?|It is believed that this unusual word was coined in the 1920s by Col. Bagnall, an Englishman, who was the father of the hobby of cigarette card and trade card collecting. It is thought to be a combination of a Latin word, 'carto' meaning 'card and the Greek word 'philic', meaning 'love'.- lover of cards. The term originally related to the collection of the two types mentioned, however, our Society has included postcards in the range of items collected by our members.|The Cigarette Card|The cigarette card began its evolution in the United States of America, in the early 1880s as a plain piece of cardboard used by tobacconists to protect the cigarettes which were sold in that era, not in packets, but loosely. A purchaser would buy his cigarettes then wrap them in paper around the small piece of cardboard, which acted as a stiffener. In fact, for many decades, cigarette cards were known as 'stiffeners' in the USA.|The card depicting 'The Marquis of Lome' is reputed to be the first known cigarette card issued. This is thought to have been in 1879. It did not take long for an enterprising entrepreneur to recognise the advertising potential of the cigarette card, and, very soon, the cards began displaying popular images, often in sets. This had the effect of youngsters, wishing to complete their sets, harassing their fathers to buy a specific brand of cigarettes. The kids who collected cards in the days when they were being issued in the cigarette packets, would hang around outside the local tobacconist's shop, pestering the men who had just bought a packet of cigarette, with the cry: 'can I have the cig can mister?'|It is a proven fact that, here in Australia during the 1930s, at least one set had one card deliberately withheld and issued very sparingly. This card is No. 86 (Mrs Jack Crawford) in the Carreras 'Turf Personality Series'. Thus, in a set of reasonably easy cards to get, this one card is a constant source of frustration for the collector, and as such, commands a premium when it comes to price. It is not hard to imagine the young collector nagging his to Dad to keep buying 'Turf' cigarettes to enable him to finish the set.|From small beginnings the cigarette card soon gave rise to a booming industry in itself. Artists and writers were|employed to produce the cards, which were miniature works of art and served as little encyclopaedia's for the children of the day. By the 1930s cards were being issued in the countless millions. It has been stated, in one book on the history of cards; that 450 million sets of a series produced and issued by the prolific issuer of cards in the United Kingdom, WD & HO Wills. As each set contained 50 cards you would need a calculator with a very long result window to see the answer to how many cards of that series were in circulation.|Australia's involvement would appear to have its beginnings with the English and American firms who shipped their tobacco products here and the cards of American Tobacco Company (ATC) are found in great numbers in early Australian collections; many featuring Australian subjects, e.g. 'Australian Parliament a 1901 issue. Earlier U.S. sets depicting Australians included Goodwin & Co's, so called. 'Australian Series' with cricketers and Australian Rules footballers who were on the sporting scene during the 1880s. The caption of one of theses cards reads:|'W.Hannysee. Captain Port Melbourne Football Club' which enables us to pinpoint the year of issue to either 1889 or 1890.|On the Australian scene the first local manufacturer who issued cards seems to have been The National Cigarette Company of Australia Proprietary Limited, whose 'Tally Ho' packets contained cards from a series of thirteen featuring the touring 'English Cricket Team 1897-8' Of the few Australian manufacturers who issued cards, only two companies issued more the two sets.|Undoubtedly the cards issued by the Melbourne firm Sniders & Abrahams (later Sniders & Abrahams Pty Ltd) are the 'jewels in the crown' of Australian card issues. They issued some thirty-three series, with numerous sub-series and allied issues such as metal badges, metal football shields, celluloid flags etc., which ensured that the hobbyist had a vast range from which to collect. Sporting themes – football, cricket, horse racing – dominate, indicating the Australians' love of sport and the outdoors was as strong in those earlier times as it is today. Military, animals and birds themes were also to the fore, with a touch of culture being provided by 'Shakespeare', 'Dickens', actresses and even classical 'Statuary'. Humour was not forgotten with 'Cartoons and Caricatures', 'Naval and Cricket (double meaning) Terms' and the 'Jokes' series. Art and history were covered by the artist, S.T. Gill's 'Views of Victoria in 1857' while the stereoscopic 'Views of the World' expanded the collectors' knowledge of the world as a whole.|The Sniders & Abrahams series began in 1904 and by 1919 the company was in decline and was eventually taken over by G.G. Goode & Co. Ltd. This company produced one set only, the highly collectable 'Prominent Cricketer Series' issued in 1924. During the early to mid-1920s, J.J. Schuh Tobacco Pty Ltd issued eight series, again containing the popular subjects of sport and war. At least two provincial tobacconists, Lentens of Bendigo and Baillies of Warrnambool, issued private football series. The last series of cards issued by a truly Australian firm was Dudgeon & Arnell's '1934 Australian Cricket Team'.|The Australian market was not neglected by the English companies with WD & HO Wills, Godfrey Phillips and Ogdens all making their contributions. By far the most active issuer was the long-established company Wills, whose 'Cricketers' of 1901 heralded the flood of Australian series, which continued into the mid-thirties.|The onset of the 1939-45 World War sounded the death knell of the cigarette card and very few post-war issues were made, certainly not here in Australia.|The Trade Card|The Trade Card is a non-tobacco item used by manufacturers to promote and advertise their products, in the same way that cigarette cards were. It is uncertain exactly when they were first produced, but in the USA, non-collectable cards were issued by firms in the early 1800s. These were more akin to a latter day 'business card'. It was not until the 1850s, when coloured and pictorial cards were issued to advertise and promote products that the Trade Card|became a collectable item. Many beautiful lithographic cards were produced in this early era and they are very mu sought after by collectors. By the 1870s the issues of Trade Cards became more prolific and it is from this era that more cards are seen.|Again, it is difficult to pinpoint the exact date of the first Australian Trade Card and it may be that the highly collectable and extremely rare 'American Candy Co's' - 'Pure Caramels' Australian Rules football card, issued i 1891, is the earliest series. This confectionery firm was located in Fitzroy, a Melbourne suburb. To date only two subjects have been seen.|Another early set was 'Flags', issued by F.H.Fauldings & Co. It featured testimonials of seven English cricketers who toured Australia with the 1894/5 Test team. Fauldings was an Adelaide based firm which manufactured medicinal toiletries, soaps and oils, using the distinctly Australian eucalyptus oil. During the 20th century a multitude of Australian businesses issued trade cards, with confectionery manufacturers such as Hoadleys, Allens, Sweetacres and Australian Licorice producing the majority of them. Again sporting themes dominated with the ever popular Aussie Rules football cards being the most numerous. Cricket issues ran a close second.|Apart from sporting cards, almost every subject imaginable was covered by the Trade Card, making it the most diverse and interesting branch of cartophilly. In contrast to the Cigarette Card, which had its demise prior to the Second World War, the Trade Card is still alive and well.|We all are aware of the long running 'Birds of Australasia' series put out by Tuck-fields Tea and 1 doubt if there is a kitchen drawer in Australia that has not got one or two of these informative and attractive cards floating about in it. These cards were first produced in the early 1960s and are still being inserted in that company's packets of tea. Such is also the case with Sanitarium Health Foods, manufacturers of the well known Weetbix, who began issuing cards, with a wide range of subjects, in the early 1940s and continue to do so.|The 1940s and 1950s saw the two breakfast food giants, Kornies and Weeties dominating the card scene. Kornies footballers were in production fora decade from 1948 to 1959. Four years later in 1963, we saw the start of four decades of Scanlens bubble-gum card issues, both football and cricket. In the mid 1990s, with the end of the Scanlens/Stimorol cards, the Trading Card came on the scene. These cards do not fit under the umbrella of the Trade Card, having been produced and marketed purely as a 'collectable' with no connection whatsoever to any product, which of course is necessary for an item to be classified as a Trade Card.|The earliest British postcard was issued in 1870 and was designed to send short messages; the stamp was printed on the card, therefore it did not require an envelope. It was considered by many to be lowering the postal standards because the texts were no longer private. However the cards were a great success as on the first day of issue in 1870, half a million passed through the London postal centre.|The first illustrated postcards are said to be those introduced by a French stationer in 1870. He realized that French troops fighting in the Franco-Prussian War needed to be able to send short messages to their families and designed a 'postcard' to suit the purpose. As many of the soldiers were illiterate they decorated their cards with sketches of their many activities at the front rather than writing; thus creating a picture postcard. Private enterprise soon saw the great financial possibilities of this new easy and attractive way of communication by post; also sending a postcard cost less than postage for letters. It was correctly assumed that postcards were likely to overtake letter writing in many instances.|Between 1875 and 1882 every state in Australia introduced official postcards, N.S.W. first and Tasmania last. Each state produced a simple type of postcard with a pre printed stamp allied to that state. The stamp side stated 'The Address Only To Be Written On This Side'; the reverse side sometimes carried a simple illustration or decoration with space fora short message, each state extolling their own state's virtues. In 1901, with the advent of Federation, the new Government became responsible for all postal services in Australia and produced postcards for sale in every state. With several mail deliveries each day in most towns, postcards were used for many purposes. One 1906 postcard, with an illustration of fruit, was sent from Mrs X in the morning to her greengrocer ordering her fruit and vegetables to be delivered that afternoon. Another lady asks her charlady to 'come this afternoon'.|Australian private enterprise also began selling pictorial postcards, most companies using the very experienced German printing works who were the worlds best in the field of lithography and fine detailed colour-printing. Many of these beautiful German cards still exist today, 100 years later. Australia did have a few fine printers but they were in the minority. Black and white postcards printed in Australia in the early 1900s were often of good quality e.g. postcards printed by 'The Bulletin', illustrating the works of 'The Bulletins' top artists.|Between c1903-09 The Melbourne company Osboldstone and Atkins etc. printed coloured reproductions of 46 J.A. Turner bush/rural life paintings, which were generally of good quality and became hugely popular and still sought after today. Like thousands of homes in Europe, Britain and U.S.A., many Australia homes had albums of cherished postcards, which were given pride of place for visitors to see and enjoy.|Postcard collecting remained popular but was changing with the times. About 1912 the Australian photographer George Rose of Melbourne began to produce topographical B/W real photographic postcards covering most of Australia and other photographers began to do likewise. These cards soon found their way into collections as well.|WWI and the horrors of war suddenly changed the world; postcards were still in great demand but the subject matter was far more serious. Thousands of postcards from the trenches in European war zones arrived in Australia to be included in family albums. Propaganda and recruitment messages were produced to encourage enlistment. Australian postcard producers began to create cards decorated with gum leaves, boomerangs, wattle etc., which were designed for sending to Australian troops serving overseas. Very few 'pretty' cards were available, as access to the Gentian printing works was no longer possible and exporting of postcards from Britain was very limited. By the end of WWI people had other more serious problems to contend with and the avid postcard collecting hobby declined, fold greetings took over and topographical photographic postcards became a small but steady income for the producers and newsagents etc. in every town.|Fortunately many of these old postcards still exist and are avidly collected by a new generation or postcard collectors. The Australian Cartophilic Society Inc. is one of four postcard/cigarette card organizations in Australia. They are, N.S.W. Post Card Collectors Society; Queensland Card Collectors' Society Inc. and West Australian Card Collectors|Society, and across the Tasman there is a New Zealand Postcard Society.|References:|Picture Postcards of the Golden Age A Collector's Guide by Toni & Valmai Holt. Picture Postcards in Australia 1898 - 1920 by David CookBox of Cigarette Silks ( 10 ) depicting animal motifs, which were placed in cigarette packets as an incentive for women in particular to smoke.|WD & HO Wills|Produced 1911 - 1917personal effects, smoking accessories, recreations, collections -
Whitehorse Historical Society Inc.
Photograph, Our Lady of Fatima Parade, C.1950's
Black and white photo of Our Lady of Fatima Parade passing through Mitcham Shopping Centre, Whitehorse Road, Mitcham, on its way to Whitefriars Monastery, Park Road, Park Orchards C.1950's.H.S. Beckwith Authorised Newsagent (located at far right of photo) is number 503 Whitehorse Road, Mitcham. Note Mitcham Primary School (Junior School) at rear of Whitehorse Road shops.our lady of fatima parade -
Whitehorse Historical Society Inc.
Photograph, Mitcham State school
Coloured photo of demolition of Mitcham State school (junior school) Mitcham Road, Mitcham to make way for construction of Safeway shopping centre and carparkmitcham state school no. 2904 -
Dandenong/Cranbourne RSL Sub Branch
Memorabilia - Pendant " Cross of Mother" Der Deutschen Mutter, Circa 1938
The Cross of Honour of the German Mother (German: Ehrenkreuz der Deutschen Mutter), referred to colloquially as the Mutterehrenkreuz (Mother's Cross of Honour) or simply Mutterkreuz (Mother's Cross), was a state decoration conferred by the government of the German Reich to honour a Reichsdeutsche German mother for exceptional merit to the German nation.Eligibility later extended to include Volksdeutsche (ethnic German) mothers from, for example, Austria and Sudetenland, that had earlier been incorporated into the German Reich. The decoration was conferred from 1939 until 1945[5] in three classes: bronze, silver, and gold, to Reichsdeutsche mothers who exhibited probity, exemplary motherhood, and who conceived and raised at least four or more children in the role of a parent. A similar practice, that continues to this present day, was already established in France since 1920, by conferring the Médaille de la Famille française (Medal of the French Family), a tribute to the French mother who raised several children in an appropriate way.The cross design is a slender elongated form of the Iron Cross or cross pattée and very similar in design to the Marian Cross of the Teutonic Knights Order (Marianerkreuz des Deutschen Ritterordens), enamelled translucent-blue with a slim opaque-white border. Resting on the centre radiant starburst rays is a metal roundel decorated with the words ”DER DEUTSCHEN MUTTER” (In English: TO THE GERMAN MOTHER) around an enamelled black straight centred “swastika” symbol, infilled white enamel. Der Deutchen Mutter on front 16 Dezember 1938 by H...… ??german medal, the cross of honour of the german mother, ehrenkreuz der deutschen mutter, mutterehrenkreuz, reich, third reich, german reich, mutterkreuz -
Ballarat Heritage Services
Photograph - Colour, Tower Hill, 2016, 31/12/2016
Tower Hill is a volcanic formation believed to have erupted about 32,000 years ago. Its formation is known as a "nested maar" and it is the largest example of its type in Victoria. During formation, molten lava pushed its way up through the Earth’s crust and encountered a layer of water-bearing rock. Violent explosions followed creating a shallow crater which later filled with water to form the lake. Further eruptions occurred in the centre of this crater, creating the islands and cone shaped hills. In 1892 Tower Hill became Victoria’s first National Park. In 1961, Tower Hill became a State Game Reserve under the then Fisheries and Wildlife Department and a major re-vegetation program began. (https://www.towerhill.org.au/index.php/about-reserve/history, accessed 23 December 2019)A number of photographs taken at Tower Hill, including the lakes, volcanic ash layer, and koala.tower hill, ash layer, volcano -
Ballarat Heritage Services
Photograph - Image, Tower Hill, Victoria, c1918, c1918
Tower Hill is a volcanic formation believed to have erupted about 32,000 years ago. Its formation is known as a "nested maar" and it is the largest example of its type in Victoria. During formation, molten lava pushed its way up through the Earth’s crust and encountered a layer of water-bearing rock. Violent explosions followed creating a shallow crater which later filled with water to form the lake. Further eruptions occurred in the centre of this crater, creating the islands and cone shaped hills. In 1892 Tower Hill became Victoria’s first National Park. In 1961, Tower Hill became a State Game Reserve under the then Fisheries and Wildlife Department and a major re-vegetation program began. (https://www.towerhill.org.au/index.php/about-reserve/history, accessed 23 December 2019)Black and white image of Tower Hill, near Koroit, Victoria.tower hill, volcano, crater -
Ballarat Heritage Services
Photograph - Colour photograph, Tower Hill, 2016, 23/12/2015
Tower Hill is a volcanic formation believed to have erupted about 32,000 years ago. Its formation is known as a "nested maar" and it is the largest example of its type in Victoria. During formation, molten lava pushed its way up through the Earth’s crust and encountered a layer of water-bearing rock. Violent explosions followed creating a shallow crater which later filled with water to form the lake. Further eruptions occurred in the centre of this crater, creating the islands and cone shaped hills. In 1892 Tower Hill became Victoria’s first National Park. In 1961, Tower Hill became a State Game Reserve under the then Fisheries and Wildlife Department and a major re-vegetation program began. (https://www.towerhill.org.au/index.php/about-reserve/history, accessed 23 December 2019)Panaramic view of Tower Hill, Victoria.tower hill, volcano, crater -
Whitehorse Historical Society Inc.
Photograph, Rangeview Shopping Centre, 1998
Coloured photograph of some of the shops in the Rangeview Shopping Centre. Rangeview Chemist is in the centre. A strip shopping centre it runs along the western side of Mitcham Road approximately half way between Canterbury and Whitehorse Roads.rangeview shopping centre, shopping centre, shops -
Whitehorse Historical Society Inc.
Photograph, Britannia Mall, Mitcham looking south - view from Enterprise way, c1989
Britannia Street Mitcham was closed to traffic on August 1st 1986 to make way for the Britannia Mall developmentColour photograph taken c1989 of the Britannia Mall, Mitchambritannia mall, mitcham, shopping centres -
Ballarat Heritage Services
Photograph - Photograph - Black and White, Tower Hill, Victoria
Tower Hill is a volcanic formation believed to have erupted about 32,000 years ago. Its formation is known as a "nested maar" and it is the largest example of its type in Victoria. During formation, molten lava pushed its way up through the Earth’s crust and encountered a layer of water-bearing rock. Violent explosions followed creating a shallow crater which later filled with water to form the lake. Further eruptions occurred in the centre of this crater, creating the islands and cone shaped hills. In 1892 Tower Hill became Victoria’s first National Park. In 1961, Tower Hill became a State Game Reserve under the then Fisheries and Wildlife Department and a major re-vegetation program began. (https://www.towerhill.org.au/index.php/about-reserve/history, accessed 23 December 2019)Black and white photograph of Tower Hill devoid of trees.tower hill, crossley, volcano