made locally circa 1910. Due to relative long distance to haberdashery stores majority of children's garments were hand made by a local talented seamstress or mother/relativeHistorical significant to the period circa 1900 to circa 1950 when fashion was dictated by long lasting durability, local manufacture, earthy colours and ease of mobility. Photos in the KVHS collection show girls from Tawonga Primary School in a dress that could be this dress which is dated 1910. Dress brown cotton with long sleeves. Dress top and sleeves lined. Back of dress is open with metal hooks for fastening. Hand stitched eyelets and decorative strip down centre front bodice and around hips. Gathered skirt is joined at hip. One pocket on left side 6cm from waist band.Decorative strip at bottom of dress with a pleated hand and machine stitched frill.no inscriptions or markings suggesting locally made.dress, clothing, girl's dress, home made

Included in the photograph are Mrs P. Nixon and her two children, Mary Gilbert, Margaret Irvine, Mrs A. Hossack, Annie Gilbert. they are watching a football match around 1920.This photograph is associated with Mary Gilbert, a well-known Orbost citizen. It is a pictorial record of a social activity of the first half 20th century. It also shows the clothing and transport of that time.A sepia photograph of some women and children sitting in cars. Two of the women are holding babies. Two older girls in school uniforms are seated in the back of the car on the right.cars-1920 gilbert-mary nixon-mrs p. hossack-mrs a. gilbert-annie irvine-margaret

There is no record of which family is in the photograph. The slips at Corringle was a popular picnic area for Orbost people. Corringle Slips is situated at the mouth of the Snowy River Estuary. The Corringle Slips were built by Samuel Richardson and sons during the time when the Orbost Shipping Company was operating. The Slips were washed away in the 1893 floods and reassembled by Martin Jorgensen who then became a part owner of the Slips. In the late 1890's, Corringle was a thriving rural community. (Information from Discovering Marlo brochure)This is a pictorial record of family life in Orbost in the first half of the 20th century. It portrays a typical Orbost family enjoying a leisure activity. The clothing can be seen as more formal than that worn at a family picnic in the present day,A black / white photograph of a group of people (adults and children) seated around a table set with a tablecloth on which are teacups, bottles of drink and cake. in the front is a bucket and two metal boxes. They are well-dressed with the men and boys wearing jackets and ties and some of the women wearing cloche style hats.on back - "Family at Slips"corringle-slips-marlo picnic-recreation

This magazine belonged to Roma Cameron, who was the daughter of Harry Purchase Cameron and Lilian Gladys (nee Harding). Roma married Ronald Richard Smith in 1944 and is the mother of Lorraine (Mrs Peter Coulton) and Margaret Smith. Harry's father, James Cameron, came to Bellagoogan on Majors Creek in 1882. Bellagoogan was on Majors Creek near Orbost and was the site of the first race course. Like many others at the time, the Camerons bred race horses.Harry died in 1964 aged 75. Roma was the youngest of three siblings: Jean (Mrs John Gavin (Jack) Ralston) and James (Jim) (m. Joan Hossack). Women’s magazines during WWII played a “reflecting role,” meaning they cooperated with government agendas while still including topics of readers’ interests Women’s employment rate had skyrocketed during WWII. However, even though the number of women working outside the home grew rapidly most of them were still engaged entirely in homemaking. Therefore women’s magazines centered mostly on the stresses and shortages of wartime. Articles as well as advertisements presented information on “product rationing, tips on keeping the family healthy, guidelines for thrifty shopping and advice on how to look good through it all. This is an example of an English women's magazine published during WW11.It gives practical advice on needlework / knitting and evidences the widespread interest in contemporary fashion. In doing so it shows what were the fashionable, but broadly affordable, women's and children's clothing styles of their day. These magazines also reflect women's interests An English magazine published monthly. It is titled Woman and Home & Good Needlework Magazine, July 1944. On the front cover is a picture of a bride and groom cutting a wedding cake. The groom is dressed in military uniform. the price 9D has been crossed out and 1/- is below it. The magazine contains advertisements, stories, needlework patters and news articles.On front cover handwritten in pen : Miss R. Cameronmagazine-woman-and-home magazines-women's cameron

This babies dress was possibly worn by Mrs Cuthbertson nee Hooper, after her birth in 1881,( Mother of Joan Charles) and is approximately 150 years old.It is hand made cream silk with smocking to the front and back of the bodice.and the wrists of the full length sleeves. It was donated by the children of Joan M Charles- Melville J Charles,Joell E Stern, Beth Z Charles and Rhonnie M Dryne.Hand made Baby's dress, depicting the craftmanship and style of dress for the late 19th century.It is only one of two Silk baby's dresses in the Learmonth and District HIstorical Society Inc.collection.Baby's dress hand made of cream silk , with smocking across front, back,and wrists.clothing, babys dress, smocking, family of joan charles, haberdashery, mrs cuthbertson hooper

This file contains 3 items about this property: 1/Print of photo of 39 Park Street, Elsternwick from State Library of Victoria website, more likely to be c1880 than c1903 given clothing of woman and 2 children depicted. 2/Print of email with black and white photo of house dated 16/04/2013 included. Handwritten note 'Property demolished 8 July 2013' also has been added. Likely attachments printed of 2 colour photos of same property date marked 16/04/2013. 3/Photocopy of 1913 Sands and McDougall's Directory page 224 showing likely entry for this property.park street, elsternwick, ferguson geo c, attrill edwin, glenwright j, timber houses, verandahs

An apron is an outer protective garment worn over clothes to cover the front of the body. In Victorian and Edwardian times, women were using aprons for both utility (they were easier to wash than dresses) and fashion and women's magazines and pattern companies were offering patterns to allow women to be to sew their own aprons at home. There are different styles of aprons including bib aprons, waist or half aprons, pinafores, tabards and pinner aprons. The word "apron" comes from the old French word "naperon" which means a napkin or small tablecloth. This apron is one of two similar aprons that were donated from the estate of Susan Henry nee Vedmore (1944 - 2021). It is in very good condition and appears to be more decorative (and possibly used only on special occasions) rather than everyday wear. Susan's family (Harold and Gladys Vedmore) immigrated to Australia from Wales in 1955 and settled in Warrnambool. Susan was well known in the Warrnambool community for her work supporting children and families across the district - particular those with disabilities, or those who were homeless, unemployed or isolated. Susan was the founding trustee of the "Vedmore Foundation" - a Warrnambool philanthropic trust set up in 2010 to support a range of charitable and not-for-profit causes by providing grant assistance. In 2021, she was awarded a Medal of the Order of Australia for services to the community.This item is an example of clothing worn by working women in the late 19th and early 20th centuryShort white cotton apron featuring gathering along the waist band and a gathered frill with scalloped edging along the bottom. The scalloped trim is repeated on the edge of a single pocket on the right hand side. It has ties attached to both ends of the waist band and the main body of the apron is made of of three rectangular pieces of cotton joined with french seams.warrnambool, great ocean road, textiles, lady's garment, apron, parlour apron, waitress apron, half apron, waist apron, handmade, domestic clothing, domestic work, vedmore foundation, susan henry oam

An apron is an outer protective garment worn over clothes to cover the front of the body. In Victorian and Edwardian times, women were using aprons for both utility (they were easier to wash than dresses) and fashion and women's magazines and pattern companies were offering patterns to allow women to be to sew their own aprons at home. There are different styles of aprons including bib aprons, waist or half aprons, pinafores, tabards and pinner aprons. The word "apron" comes from the old French word "naperon" which means a napkin or small tablecloth. This apron is one of two similar aprons that were donated from the estate of Susan Henry nee Vedmore (1944 - 2021). It is in very good condition and appears to be more decorative (and possibly used only on special occasions) rather than everyday wear. Susan's family (Harold and Gladys Vedmore) immigrated to Australia from Wales in 1955 and settled in Warrnambool. Susan was well known in the Warrnambool community for her work supporting children and families across the district - particular those with disabilities, or those who were homeless, unemployed or isolated. Susan was the founding trustee of the "Vedmore Foundation" - a Warrnambool philanthropic trust set up in 2010 to support a range of charitable and not-for-profit causes by providing grant assistance. In 2021, she was awarded a Medal of the Order of Australia for services to the community.This item is an example of clothing worn by working women in the late 19th and early 20th century Long white cotton apron featuring gathering along the waist band and a gathered frill with scalloped edging along the bottom. The scalloped trim is repeated on the edge of a single pocket on the right hand side. It has ties attached to both ends of the waist band and the main body of the apron is made of of three rectangular pieces of cotton joined with french seams.warrnambool, great ocean road, ladies' garment, apron, half apron, waist apron, domestic clothing, domestic work, parlour apron, waitress apron, handmade, sewing, vedmore foundation, susan henry oam

This item of underclothing, called a "combination" is one of several linen and clothing items belonging to the deceased estate of Susan Henry OAM (nee Vedmore 1944 - 2021) that was donated to Flagstaff Hill Maritime Museum and Village. Susan's family (Harold and Gladys Vedmore) immigrated to Australia from Wales in 1955 and settled in Warrnambool. Susan was well known in the Warrnambool community for her work supporting children and families across the district - particular those with disabilities, or those who were homeless, unemployed or isolated. Susan was the founding trustee of the "Vedmore Foundation" - a Warrnambool philanthropic trust set up in 2010 to support a range of charitable and not-for-profit causes by providing grant assistance. In 2021, she was awarded a Medal of the Order of Australia for services to the community. Combination undergarments combined the chemise and drawers into one garment. The combination is divided, or bifurcated, from the waist to the crotch for easier urinating. This one-piece type of underwear was worn by females from the 1860s and into the early 1900s. The 19th Century garments had front button closures like this one, and those made in the 1900s more often had back closures. Combination underwear was popular because the all-in-one design had far fewer gathers and bulk, making the other clothing look much smoother. Their primary use was to protect clothing from perspiration and because they were made with cotton or linen, were easy to wash. This particular item is made with lawn (a very lightweight fabric) and is sleeveless, making it suitable for hot weather. Although they were worn under the corset next to the skin (and therefore not meant to be seen), they were often decorated with lace or embroidery. This item is an example of the needlework skills of women in the late 19th century - using machine stitching and lace to personalise and embellish a practical item of clothing. It is also significant as an example of a practical solution to the difficulties that women of this era faced with regard to the washing of clothes and household linens.Lady’s white lawn and lace all-In-one combination undergarment. The handmade underwear is a combined chemise and bloomers. It has four buttons in the front and is trimmed with lace on the neckline, armholes, bodice (in a diagonal design) and legs. The left and right sides are divided from the waist to the crutch. The back of the garment is plain with a gathered section at the lower back.flagstaff hill maritime museum and village, great ocean road, combinations, lady's combinations, undergarment, lingerie, handsewn, underwear, clothing, victorian era undergarments, lady's garment, susan henry oam, vedmore foundation

This petticoat was one of several items donated from the estate of Susan Henry OAM nee Vedmore (1944 - 2021). It is in very good condition and appears to be from the Edwardian era - early 20th century. A petticoat is a lady's undergarment - worn under a skirt or dress. They provided warmth, modesty and shape to the dress. In the middle of the 19th century, petticoats were worn over hoops, bustles or in layers. Petticoats varied according to the style of the outside skirt or dress. Plain petticoats tended to be worn with everyday wear whilst better dresses (party dresses or silk gowns) were worn with petticoats that often had more trim and embellishments. Edwardian petticoats had less volume than Victorian era petticoats and they had a "dust ruffle" or lining under a lace flounce. The "dust ruffle" protected the lace flounce and gave the petticoat more flare at the bottom, greater freedom when walking as well as saving the flounce (which was often made of finer material) from everyday wear and tear. Tucks are another feature of Edwardian petticoats - when the lace at the bottom became worn, it could be cut off and the tucks released. This extended the life of the petticoat. This petticoat features an intricate trim of broderie anglaise. Although broderie anglaise was a lace that could be made by hand, it was very time consuming to make. St Gallen was a city in Switzerland that had become known for producing quality textiles. At the beginning of the 19th century, the first embroidery machines were developed in St Gallen. Factories used embroidery machines but people also had them in their homes. They were able to produce broderie anglaise for export. By the early 20th century, machine made lace, fabric, ribbons etc. were being sold in drapers shops all over England and Wales to women who were making clothes and furnishings for their families. It is highly likely that the lady who made this petticoat brought the lengths of broderie anglaise already made to embellish and personalise her petticoat. Susan's family (Harold and Gladys Vedmore) immigrated to Australia from Wales in 1955 and settled in Warrnambool. Susan was well known in the Warrnambool community for her work supporting children and families across the district - particular those with disabilities, or those who were homeless, unemployed or isolated. Susan was the founding trustee of the "Vedmore Foundation" - a Warrnambool philanthropic trust set up in 2010 to support a range of charitable and not-for-profit causes by providing grant assistance. In 2021, she was awarded a Medal of the Order of Australia for services to the community.This item is an example of the needlework skills of women in the late 19th century - creating pintucks and adding lace to personalise and embellish a practical item of clothing. It is also significant as an example of a practical solution to the difficulties that women of this era faced with regard to the washing of clothes and household linens.A white lawn petticoat with a 22.5 cm opening that fastens with 2 small buttons and a drawstring tie. It is decorated with two wide pintucks followed by two gathered frills (or flounces) - one decorated with three rows of narrow pintucks and a single row of broderie anglaise and the bottom frilled hem finished with 3 rows of broderie anglaise in a flower design. The two bottom frills are lined with plain white cotton fabric.flagstaff hill maritime museum and village, great ocean road, petticoat, lady's petticoat, undergarment, lady's undergarment, lingerie, edwardian petticoat, broderie anglaise, lace, machine made lace, hand sewn, machine sewn, draper's shop, susan henry oam, vedmore foundation

The inscription "T L" on these early 20th century ladies button-up boots lead to the maker likely to be Tony Lama, a famous USA boot manufacturer, son of Italian immigrants. The "Rome" is the style of boot. The "6" is likely to be the soot size. Tony Lama began work at age 11 years in the leather trade industry, serving an apprenticeship as a shoemaker. He joined the US Cavalry when he was 16, after lying about his age, working as a cobbler to make boots for the soldiers. His workmanship became popular, particularly for the 'Western' style of boot. TONY LAMA boots In 1911 Lama established a company in Texas, first repairing boots, then adapting his shop to manufacture boots in order to meet the many orders he was receiving. He married and he and his wife Esther brought up six children who also went on to work in the family business. The business continued to grow through WWII. Part of the business included custom boot making and Tony's eldest son Joseph presented President Truman with a pair of kangaroo skin boots. The prosperous business became a company and eventually, in 1990, was sold to Justin Industries.This pair of boots is an example of women's footwear dating around the early 20th century. Pair of ladies leather button-up boots. Two-tone style: black bottom strong leather bottom and white, soft kid leather top. Boots have a curved fly fastened by 11 white buttons with metal shanks. Boots are constructed with cork filling. Inscriptions of both boots. "6 101" "TL" " Rome" "Cork Filled"flagstaff hill, warrnambool, maritime-museum, shipwreck-coast, flagstaff hill maritime museum & village, ladies button up boots, footwear, victorian era, granny boots, tony lama, ladie's boots, ladies' fashion, women's clothing, rome, kid leather, two-tone boots, leather boots, button-up boots

This pair of child's white cotton socks once belonged to Mrs W N Barnard of Portland and were worn by her son Robert Barnard.This pair of hand knitted child's socks is representative of children's fashion of the early 1900sA pair of child's white cotton socks, hand knitted, pattern on top of sock. Circa 1910flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, mrs w.n. barnard, w.n. barnard of portland victoria, child’s white socks c. 1910, child’s clothing c 1910, robert barnard

‘Seraph Shoes’ possibly manufactured by the Badorf Shoe Company Inc. Pensylvania USA Badorf Shoe Company, Inc. has been producing and distributing the finest children’s footwear brands since 1928. Badorf Shoe Company, Inc. was started in Lititz, PA, by brothers Norman and Paul Badorf. The company was owned and operated by the Badorf family for nearly 40 years until its purchase by Ura Gingerich in 1967. Forty six years later, the family tradition has continued and the company is now operated by Ura’s son Duane Gingerich and grandsons, Justin and Brandon Gingerich. A pair of child's cream leather shoes.SERAPH SHOES / J.E. ROBERTSON / APPROVAL No. 2047boots, shoes, footwear, bootmakers, leatherworkers, early settlers, pioneers, market gardeners, moorabbin, bentleigh, cheltemham

This baby's crocheted outfit is an example of the clothing made for their children by the families who had settled in the Moorabbin Shire c1900. The Blackburn family were early settlers in Moorabbin ShireThis baby's crocheted cape and dress aesethetically significant as an example of the skill of the women of the families who were pioneer settlers and market gardeners in Moorabbin Shire who made their own clothing for their families. It was made by a member of the early settler Blackburn family and passed down through the generations. This is a white cotton baby's two piece, cape and dress outfit, with extensive hand-crotchet lace trim.clothing, moorabbin, crochet, bentleigh, pioneer settlers, baby outfit

The pioneer settlers and market gardeners of Moorabbin Shire were very committed to their religious observances. The meetings and celebrations of religious rites gave them companionship and support during the difficult times of establishing their market gardens. The craftsmanship and skills of the families is shown in the clothing they made. The skill and craftsmanship shown in this christening - baptism - gown is and example of the clothing made by the pioneer settlers and market gardeners in Moorabbin ShireA long, white, cotton, baby's christening gown with lace and inserts and pin-tucking.brighton, moorabbin, pioneers, bentleigh, market gardeners, baptism, clothing childrens, religious rites, dressmakers

This cotton baby's nightgown is and example of the dressmaking skills of the pioneer settlers and market gardeners of the Moorabbin Shire.The pioneer settlers and market gardeners of Moorabbin Shire had to be self reliant and made their own clothing and utnesils. This is one of many items that exhibit the skill and craftsmanship of the women in these families.A long, white cotton baby's nightgown with collar and bodice ties. Lace panel to bodice, and guipure frills and hand embroidery to collar and cuffs.brighton, moorabbin, pioneers, bentleigh, cheltenham, market gardeners, oakleigh, clothing childrens, dressmakers home

This baby's dress is an example of the clothing made for their children by the families who had settled in the Moorabbin Shire in mid 19th CThe skill and craftsmanship shown in this baby's dress is an example of the clothing made by the pioneer settlers and market gardeners in Moorabbin Shire who had to be self reliant and made their own clothing and utensils.Home-made, infant's short, long-sleeved, cream silk dress. With inset machine-made lace panels and ribbon inserts on bodice and on the sleeve cuffs. Small buttons down the back. .clothing, brighton, moorabbin, pioneers, crochet, bentleigh, early settlers, craftwork

Lieutenant General Robert Stephenson Smyth Baden-Powell, 1st Baron Baden-Powell, OM, GCMG, GCVO, KCB, KStJ, DL, was a British Army officer, writer, founder and first Chief Scout of the world-wide Scout Movement, and founder, with his sister Agnes, of the world-wide Girl Guide / Girl Scout Movement Kingston H Pack was a group located in South East Melbourne The Scout and Guide movement was a very popular post war youth movement that taught children self confidence, reliability, outdoor survival skills, with companionship, adventure, fun and discipline.A brown cotton Brownie Guide Uniform with achievement badges sewn on sleeves, shoulder and chest and a yellow tie with buttons and a brass clover badge On Right Sleeve ; 8 Achievement Badges, Right Chest ; Highway, Vent Pack On Left Shoulder ; Kingston H Pack Sth Metro Region , Patch with Star 2 ; Left Sleeve: Venture Triangle , Pack Holiday; Left Chest: Brownie , 2 yellow stripes girl guides, brownies, general baden-powell, baden -powell agnes, kingston h pack brownie guides, scouting, clothing, underwear, petticoats, knitting, dressmaking, theatrical props, craftwork, sequins, beading, early settlers, moorabbin shire, mechanics institute cheltenham, ormond choral society, postworld war 11 settlers, housing estates moorabbin 1950, bentleigh, ormond, moorabbin, cheltenham, drama societies, musical society cheltenham, clark judy, reed gladys, reed george

Nylon became a very popular dressmaking material in City of Moorabbin c1960 as the new settlers established their families in the new estates post World War 11 in Ormond, Bentleigh, Moorabbin These Baby feeding Bibs x 2 with ribbon ties were made by a local resident of City of Moorabbin for her child c 1960 Women in City of Moorabbin were accomplished knitters, dressmakers and craft workers who made the clothes for their families while settling in to the new estates that opened up in Ormond, Bentleigh,and Moorabbin after World War 11 Baby Bibs, x 2 made by a local resident for her children. a) towel, nylon, lace trim, with an appliqued flower and ribbon ties b) flannel, nylon, lace trim and ribbon ties clothing, baby, nylon, machine pressed designs, layette, knitting,craftwork, wool, early settlers, city of moorabbin, bentleigh, ormond, moorabbin, post war settlers, world war 11 1939-40 sharp valma,

Fine white cotton, embroidered cotton. Cap type shoulder/sleeve.Totally embroidered. Yoke has Vshaped panel of finely embroidered cotton, edged with a cotton panel, edged in fine embroidery. These strips are repeated down the long organdie skirt. A deep panel of embroidered cotton organdie type fabric reaches from the hemline to the yoke. Handsewn, extremely fine seams. White cotton tape tie at back neckline, and back yoke. Garments from the Executor of Estate of late Frieda Kahland. See also 11400.122, 11400.363, 11400.364, 11400.365.costume, children's, babies christening gown

White muslin,babies bonnet embroidered with french knots. Circle of embroidered cotton at crown. Main section of bonnet gathered onto the circular crown. Two bands of pintucks 2 x 2 around the front of the bonnet.Garments from the Executors of Estate of late Frieda Kahland. See also 11400.122, 11400.363, 11400.364, 11400.366.costume accessories, children's, muslin babies bonnet

Black and white photograph: clothing display, dresses on models. Children in foreground.bendigo, history, golden days historical exhibition

Black and white photograph: image shows clothing on display at the Golden Days Historical Exhibition 1960. Children in foreground. Poor quality image.bendigo, history, golden days historical exhibition

black and white photograph: image shows group of children at Golden Days Historical Exhibition 1960. Children are dressed in winter clothing, teacher (?) standing LH side back.

Baby's long cotton nightdress.Bodice has diagonal overlay of lace and diagonal pintucks. Gathered skirt attached. White cotton tie, (lace at ends) to tie at rear. Back opening. Tie at rear neckline, one covered button on bodice - 4 rows of tucks at hemline. Old Box 346.costume, children's, christening long gown

Baby's shirt/chemisette cream cotton with lace edging at neck and armholes. Gusset under arm holes. Back opening. Machine stitching along hem. Old Box 160.costume, children's, chemisette

Cream coloured hand knitted woollen baby booties. Garter stitch on feet. Patterned cuffs. Satin ribbon ties.This collection of knitted and sewn garments were made in the early 1940s and were intended for a baby that was stillborn. Donor wishes to remain anonymous.costume, children's, baby booties

Cream coloured hand knitted woollen baby bonnet. All over pattern. Single cream coloured satin ribbon tie.This collection of knitted and sewn garments were made in the early 1940s and were intended for a baby that was stillborn. Donor wishes to remain anonymous.costume, children's, baby bonnet

Cream coloured hand knitted woollen baby booties. All over pattern. Satin ribbon ties at ankle. Long cuff.To be rolled at top.This collection of knitted and sewn garments were made in the early 1940s and were intended for a baby that was stillborn.costume, children's, baby booties