On display at History House.Sepia photograph of a cemetery. A tall monument is located in the centre of cemetery. To the right is a path leading towards a small building. Mounted on card within a decorative border bearing photographic company's name. Framed under glass in Tasmanian maple frame.Front: 140 (on emulsion, printed, lower left). Yeoman & CO. (printed, lower left). ROYAL ARCADE, MELBOURNE (printed lower right).portland, cemetery

Photographs taken by Esther Winifred Hall (nee Smallpage) - great grand-daughter of Stephen George Henty. Taken in 1934 Centenary Celebrations in Portland.Black and white photograph showing group of 5 people (4 women, 1 man) posed on studio setting. Women in centre is seated, the others are standing. The women in full-length dresses, the 3 standing are holding open fans.Front: (no inscriptions) Back: (Many inscriptions, including:) "Grand children of Stephen George Henty 1934."portrait photography, esther winifred hall, henty, portland centenary

From original in State Library of South Australia.Black and white photographic copy of earlier image. View of a bluestone building on a corner of an unpaved street. Building has two stories, a wrought iron balcony and front door set in the corner with framing columns and pediment. Three men stand in front, with another mounted on a horse.Back: B21766/103 (pencil, upper left). Bank/History House (typed on white label, top centre). State Library of South Australia Photographic Section Reproduction prohibited except with the permission of the copyright holder. Order No A16493 (stamp).commercial bank, portland, bluestone building, commerce

Part of Graham Collection, donated by the Family of Misses Mary and Edith Maude Graham, of 4 Blair Street, Portland.Cream silk child's dress. Elbow-length gathered sleeves with smocking at wrists. 2-panels of hand crocheted lace forming a 3-panel yoke with central insert of cream embroidery. Full-length dress in silk with two rows of smocking on bodice. At base of dress are two panels of 6 rows of pin-tucking, separated panel of lace over silk backing. Lace at neck. Opening in centre back with 7 button holes and 5 mother-of-pearl buttons with striution carved design. Cream satin ribbon runs under smocking at back and sewn into side seams.clothing, costume, dress, 1900s

Part of Birmingham Collection, donated by the Family of Misses Mary and Edith Graham, of 4 Blair Street, Portland. Displayed at History House.Taffeta and velvet flowers attached to a cotton backing. Wax and wire stamens in centre of arrangement.

State Library of South Australia.Black and white photographic reproduction of earlier photograph. Depicting 2-storey bluestone building on a corner with door in left side, framed by double columns. Lamp on street corner and three figures (children ?) leaning against iron rail fence set in bluestone base.Front: A.N.Z. (Formerly Union) Bank. Cnr Percy & Julia Streets (typed label, top centre). Back: B21766/98 (pencil, upper left). State Library of South Australia Photographic Section. Order No. A16493 (stamp, centre).anz bank, commerce, banking, portland, bluestone building

Black and white reproductive photograph of earlier image. People standing in front of Post Office building - double storey bluestone with decorative stone balcony.Front: Post Office, Portland (on photograph original). Portland Post Office Cnr Bentinck & Cliff Streets c1900 (built 1991) (typed label, lower centre). Back: B21766/98 (pencil, upper left). State Library of South Australia Photographic Section. Order No. A16493 (stamp, centre).portland post office

View over Discovery Bay.Back: Top left: Bridgewater Portland (grey lead) Top centre: B1 (grey lead)portland, bridgewater bay, discovery bay

Photographs taken by Esther Winifred Hall (nee Smallpage) - great grand-daughter of Stephen George Henty. Taken in 1934 Centenary celebrations in Portland.Black and white photograph showing group of people, two men in centre, one on left wearing light coloured coat, one on left wearing dark jacket, white shirt, striped tie.Back: The Duke of Gloucester with the Mayor at Portland during Centenary 1934.portland centenary, 1934, esther winifred hall, henty, duke of gloucester, royal visit

CEMA Art Collection Part of "A Community View" 150 years in Portland Screenprint Exhibition Part of Angela Gee Residency 1983 ans 1984Laminated screenprint with three panels separated by a green border. The panels vary in size and are predominantly various shades of green. Within all panels the foreground illustrates gum tree foliage and the background shows a cloudy sky.Front: Artists Proof (lower left) Urban Gums (lower centre) R.Davies 84' (lower right) Back: 3

Port of Portland Authority archives.Front: (no inscriptions) Back: GOLDEN CASTLE BAGGED RICE 13-4-76 (centre, pencil)port of portland archives

UnknownPrint of a landscape scene in upper half of print. In a blue and orange sky are three roundels with (l-r): an indigenous soldier (c. WWII) overprinted with red and yellow, a depiction of the view of Earth from space, and a curled snake in reds and browns. In the landscape scene are line-drawn figures, a montage of items of modern technology and a child-like drawing of houses and cars in garages.Front: 26/30 (lower left) "Unentitled" (lower centre) Rex Davies Vicki Gordon Bruce Robert Peagram Maria Gibbs P. Tsernjavski Barb Sharrock (lower left) (pencil) Back: (no inscriptions)

CEMA Art Collection Part of "A Community View" 150 years in Portland Screenprint Exhibition Part of Angela Gee residency 1983 and 1984Laminated screenprint with two birds (wrens) in the foreground. The birds sit on a branch with multi-coloured leaves and flowers. The background features a coastline with breaking waves and a light blue sky.Front: 5/11 (lower left)(pencil) Remember "Wren" it was like this? (lower centre)(pen) Signature (lower right) (pencil) Back: 5

Port of Portland Authority archivesFront: (no inscriptions) Back: 4 -3/8 (centre left, red pen) P (centre, blue pen) 6½ (lower centre, red pen) 12.12¾ (upper right, pencil) 8036 (upper right, blue pen)port of portland archives

CEMA Art Collection. Part of "A Community View" 150 years in Portland Screenprint Exhibition. Part of Angela Gee Residency 1983 and 1984.Laminated screenprint of six sail shapes. Printed on a blue background the sails all have horizontal stripes. The patterns on the sails alternate from sails with yellow, white and aqua stripes to sails with red, white and blue stripes. The sails are various sizes.Front: 21/60 (lower left) "Sails" (centre) CJ Snook 84 (lower left) (pencil) Back: 38

Port of Portland Authority archives.Front: (no inscriptions) Back: 4 40 cms W_ 1335 cm (?) (centre right, pencil)port of portland archives

CEMA Art Collection. Part of "A Community View" 150 years in Portland Screenprint Exhibition. Part of Angela Gee Residency 1983 and 1984.Laminated screenprint of a landscape with several social comments. The top of the work features a Micky Mouse symbol with dollar signs in his eyes and a speech bubble which says "We'll move the Heathland". To the left is text stating "ALCOA AIMS TO MOVE THE HEATHLAND. "AGE" 5-9-80". In the centre of the work vegetation burns, aboriginal people wave and a tractor drives below the text "THEY BURNT THE HEATHLAND 4-12-80". The lower section of the work shows two men with a red megaphone. A speech bubble comes from the megaphone which states, "I UNDERSTAND YOUR ANGUISH!" To the right of the men is a wreath of native plants with two animals (native mice?).Front: 26 B. Sharrock (lower right, image) (pencil) Back: 36

CEMA Art Collection Part of "A Community View" 150 years in Portland Screenprint Exhibition Part of Angela Gee Residency 1983 and 1984Laminated screenprint of Portland Bay. Wide angle view of the Bay, with water tower / lighthouse on the right, the harbour with a docked ship in the centre, and the end of the peninsular and ocean on the left.Front: "Portland Bay" (lower left) Proof (lower right centre) A Gee '83 (lower right) (pencil) Back: 12

CEMA Art Collection. Part of "A Community View" 150 years in Portland Screenprint Exhibition. Part of Angela Gee Residency 1983 and 1984.Laminated screenprint of high tension electricity towers on top of coastline. The foreground shows the ocean with white rocks and the cliffs of the coastline in gold and various shades of green. The electricity towers are black and gold and printed on a purple and blue background.Front: 40/60 (lower left) "Dawn of an Error" (lower centre) CJ Snook '84 (lower right) (pencil) Back: 29

CEMA Art Collection. Part of "A Community View" 150 years in Portland Screenprint Exhibition. Part of Angela Gee Residency 1983 and 1984.Laminated screenprint of a drawing of a building. The details of the building are done in thick black lines with patches of green, yellow and brown. The background has been left as the plain paper.Front: Darren Pumpa (lower left) Steam Packet Inn (upper centre) (pencil) Back: 50

CEMA Art Collection. Part of "A Community View" 150 years in Portland Screenprint Exhibition. Part of Angela Gee Residency 1983 and 1984.Laminated screenprint of freehand drawing of a two storey building. The building is predominantly made up of numerous black lines and cross-hatching. Sections of the building have blocks of green or brown colour. The background is blue and white and features the text "Portland's 150th" in black at the top of the work.Front: Kingsley (upper centre) Stephen Rietman (lower centre) (pencil) Back: 33

CEMA Art Collection. Part of "A Community View" 150 years in Portland Screenprint Exhibition. Part of Angela Gee Residency 1983 and 1984.Laminated screenprint of females in various landscapes. The top half of the work features the ocean, coastline and breaking waves. Super imposed on this are images of: five seagulls; a blue portrait of a female face; and a female torso and head. In the centre of the work a female stands looking towards a house and the ocean in the distance. The lowest section of the work features the image of a female face in a blue and orange rectangle. To the left of her is a twig.Front: 14/16 Bridgewater Bay. Catherine Taylor '83 Back: 42