Showing 2872 items
matching for exhibiting or ordinary membership
-
Robin Boyd Foundation
Document - Script, Robin Boyd, University of the Air. Design in Australia 5. Architecture, 1964
Robin Boyd was involved in creating several TV series for the ABC University of the Air. 'Design in Australia' was an eight part series. (Items D184-D193 contain all the manuscripts except part six titled 'Communications'.) In Part 5, Boyd identifies three styles of interior decoration in Australia. The first, Exhibit A is directly influenced by the fashions of Paris, London and New York and does not integrate the interior with the exterior. Exhibit B is the Australian architectural style of the 1960s. Exhibit C is characterised by practical, cheerful and easy to clean up interior fittings based on colourful plastics. Boyd refers to this style as "Australian pop art". He continues by explaining why Exhibit C came to be the preferred Australian style over Exhibit B. He suggests that the Australian public is ill-informed and misguided, ultimately concluding that Australian interior design reflects the public's lack of taste. (Same content as item D193, differing side notes on left side of pages)This is a draft script for the ABC television program 'University of the Air', subtitled 'Design in Australia', broadcast in 1965.Typewritten (c copy), foolscap, 15 pages (compared to D193, 11 pages) (Two copies)One copy has crisper letters typed over on pages 1 and 5.university of the air, design in australia, australian style, interior decoration in australia, frederick ward, lester bunbury, frances burke, grant featherston, modernage fabrics, manuscript -
Robin Boyd Foundation
Document - Script, Robin Boyd, University of the Air. Design in Australia. 5. Interiors. Working Script, 24.11.1964
Robin Boyd was involved in creating several TV series for the ABC University of the Air. 'Design in Australia' was an eight part series. (Items D184-D193 contain all the manuscripts except part six titled 'Communications'.) In Part 5, Boyd identifies three styles of interior decoration in Australia. The first, Exhibit A, is directly influenced by the fashions of Paris, London and New York and does not integrate the interior with the exterior. Exhibit B is the Australian architectural style of the 1960s. Exhibit C is characterised by practical, cheerful and easy to clean up interior fittings based on colourful plastics. Boyd refers to this style as "Australian pop art". He continues by explaining why Exhibit C came to be the preferred Australian style over Exhibit B. He suggests that the Australian public is ill-informed and misguided, ultimately concluding that Australian interior design reflects the public's lack of taste. (Same content as item D188, differing side notes on left side of pages)This is a script for the ABC television program 'University of the Air', subtitled 'Design in Australia', broadcast in 1965. Item D188 is the draft version.Typewritten, foolscap, 11 pages, (compared to D188, 15 pages)university of the air, design in australia, australian style, interior decoration in australia, frederick ward, lester bunbury, frances burke, grant featherston, modernage fabrics, manuscript, ohm2022, ohm2022_30 -
Kew Historical Society Inc
Photograph, Stewart West, Junction of High Street and Cotham Road, Kew, 2001
Photograph taken by Stuart West for an exhibit comparing past and present streetscapes in KewColour photograph by Stuart West of the junction of High Street and Cotham Road, Kew. The photo was shot in 2001. It shows the Kew War Memorial, former Post Office and Court House.kew post office, cotham road (kew), high steet (kew) -
Moorabbin Air Museum
Document (item) - RAAF Mirage A3-45 Ejection Seat Maintenance Record, A3-45 Armament Ejection Seat
Mirage A3-45 is currently preserved as a museum exhibit at the Moorabbin Air Museum. -
Clunes Museum
Photograph, Apr-71
THE CANNON HAS BEEN RESTORED AND IS EXHIBITED IN THIS MUSEUM IN RIVETT H. BLAND ROOMBLACK & WHITE PHOTOGRAPH THE OLD CANNON GUN DATED 1847 HAS CROWN STAMPED ON IT - PROBABLY BRITISH SAID MR.J.R. BLAIR WHO PRESENTED THE PHOTOGRAPH OF THE CANNON. THE CANNON HAS BEEN PHOTOGRAPHED IN A SHADOW AND IS INDISTINCT. PHOTOGRAPH TAKEN FROM GUN OVERLOOKING THE SPORTS FIELD.local history, photography, photographs, civic mementos -
Glenelg Shire Council Cultural Collection
Artwork, other - Batik, 2005
Exhibited in Malawi Arts and Craft exhibition, Portland Arts Centre, April 2006.Blue, red and green batik-dyed fabric, depicting three women carrying vases on their heads. -
Puffing Billy Railway
Carriage Sign - Puffing Billy Museum Advertising, 1970's
Carriage Sign - Puffing Billy Museum Advertising This board was used to advertise the Menzies Creek Museum after it opened in 1970. This particular sign was displayed inside, on the end of the Puffing Billy NBH type carriages. Historic - Puffing Billy Railway - Carriage Sign - Puffing Billy Museum Advertising fitted to NBH carriages.Carriage Sign - Puffing Billy Museum Advertising metal signVisit the Puffing Billy Steam Museum you can see - Steam Locomotives - Working Exhibits - Early Rolling Stock - Souvenirs available the museum is located at Menzies Creek & opens every Sunday 11am to 5pmpuffing billy, puffing billy museum, carriage sign -
Australian Gliding Museum
Machine - Glider – Sailplane, 1963
The Bocian is a versatile training sailplane that first flew in 1952. The type has been modified in several respects over the course of production by SZD (tailplane and rudder in particular). About 600 have been built; many for export to 27 countries (including Australia). The aerobatic capability and fine performance (best glide ratio of 26) has enabled the Bocian to be used to train competition pilots as well as those of lesser experience. Many world gliding records were set in the 1950s and 1960s in Bocian gliders. The Museum’s example is a type D test flown in Poland on 3 and 4 April 1963. It was imported into Australia in September 1963 by Austerserve Pty Ltd. The first owner was the Alice Springs Gliding Club and the glider had name “Cumulus” painted on the side of the fuselage (since removed). The glider had recorded 726 hours 46 minutes flying time from 2138 launches as at July 1967 when it was transferred to the Darwin Gliding Club. It appears that the glider was damaged in June 1968. The substantial repairs to the fuselage, both wings and tailplane and other minor repairs were completed on 13 October 1968. The glider continued flying with the Darwin Gliding Club until August 1969 at which time the service to that club amounted to 59 hours 7 minutes flying time from 348 flights. Between August 1969 and August 1976 no flights are recorded in the logbook. It is understood that on its last flight at Bachelor, south of Darwin in the Northern Territory (August 1969) it was severely damaged when it crashed after spinning while being auto-tow launched (although this is not expressly mentioned in the logbook). Reg Hancock purchased the damaged glider and rebuilt the port wing and restored it to airworthy condition (September 1976). It was then transferred to Colac, Victoria, and used by the Colac Gliding Group at the Yeo airfield until February 1981, adding another 153 hours from 403 flights to the glider’s record. After airworthy inspection in September 1982 the glider was used by the Geelong Gliding Club until 1983 (logbook details not held). The 20 year survey was then due and the glider fell out of service. In the course of the most recent restoration attempt it was discovered that the glue used in construction had deteriorated and that it was no longer feasible to bring it back to an airworthy condition. Subject to restoration, this exhibit may be representative of the 1950s - 1960s Bocian two seat sailplane typeThis exhibit is a large two seat glider /sailplane of wood and fabric construction. All components are present with the exception of instruments. However, at the time that the aircraft was transferred to the Museum it had been taken apart for major restoration work. As received it is stripped of the top coats of paint and a number of components (including, amongst others, tip fairings, nose cone and cockpit elements) that were removed for facilitating the repair process. The glider, serial number 803, was registered as VH-GNLaustralian gliding, glider, sailplane, bocian, cumulus, alice springs gliding club, darwin gliding club, colac gliding group, geelong gliding club, hancock -
Bendigo Historical Society Inc.
Booklet - BENDIGO ARTISTS' EXHIBITION
Ten pages booklet. Bendigo Artists' Exhibition, sponsored by Bendigo Special School. On the cover a drawing of the Central Deborah Mine. Artists exhibiting: John Bourke, James Bowman, Neil Bruce, Jenny Carrington, Peter Cheyne, William Delecca, John Foster, Jan Neil, Peter Oliver, Norman Penrose, Paul Shapcott, Wesley Shapcott, Stan Thomas, Don Watson, Peter Webster.event, exhibition, bendigo artists -
Greensborough Historical Society
Newspaper Clipping, Diamond Valley Leader, Passion for weaving, 21/09/2016
Greensborough's Edit Meaklim exhibited her basket craft at "Evolution", the biennial exhibition of Basketmakers of Victoria.News clipping, black text and colour image.edit meaklim, basketmakers of victoria -
National Wool Museum
Quilt, Inside Out
Donated to the NWM by the artist as it was exhibited in the 'invited artists' section of the Expressions 2002:Wool Quilt Prize.Felted woollen quilt.ANNETTE CLAXTON 1991 "Inside Out'...felting, dyeing -
Vision Australia
Photograph - Image, Whittlesea Agricultural Show special prize, 1988
Prize awarded to Vision Australia Foundation as special prize for their success at the Whittlesea Agricultural Show. Unfortunately no records have yet been located to understand what this success involved, however handicrafts would be likely possibly.Image of paper certificate and sash awardedWhittlesea Agricultural Show Special Prize awarded to Vision Australia Foundation Exhibit: Most Successful Group 2003 Group: Sa Founded 1859 I.J. Ewert Esq., President Mrs J Sutherland J.P., Secretaryawards, vision australia foundation -
Kiewa Valley Historical Society
Sketch Tree Bark, Aboriginal - bark removed from tree
This sketch of a tree whose bark was cut, by aboriginal craftsmen, to produce a canoe for fishing in the rivers running through the Kiewa Valley either before or just after the 1800's. The tree trunk depicted in the sketch would have been used at the beginning of European settlement in the Kiewa Valley or just before contact was made.As this sketch was of a tree found along the Kiewa River it indicates that Aborigines lived by the river. This sketch depicts the usage of tree bark by the Aboriginal fisher person in crafting a canoe to cross rivers and to fish in the deeper sections of the river course.This freehand sketch detailing the outline of bark removed to provide a canoe is in ink portraying a tree trunk with one branch which has a plaque in front a gravel section to the right and open fields in the mid background and scattered trees on a hill slope in the far background. The sketch is on thick cardboard with a plastic protective cover over it (fastened on the flip side). It is a sketch of the tree now exhibited at the Kiewa Consolidated School.Written in black ink on the top section (heading) "ABORIGINES CUT CANOE FROM TREE. NOW AT KIEWA SCHOOL"crafted canoe, aboriginal craftsmanship, tree usage, early aboriginal craftsmen, kiewa river. kiewa consolidated school -
Bendigo Historical Society Inc.
Document - GREAT EXTENDED HUSTLERS GOLD MINE: LOST MINERS FLYER FOR CENTENARY OF MINE DISASTER
Advertising flyer for an event held on May 3-4 2014, to mark the centenary of the mine disaster that killed 7 minersat the Great Extended Hustlers mine. Other activities included a Specimen Cottage exhibit; guided walks around the Hustlers Reef Reserve; displays on site and talks by various speakers on the mine disaster and mining technology. Event was organised by the Bendigo Historical Society in conjunction with the Hustlers Reserve committee. -
Bendigo Historical Society Inc.
Document - 'GOLDEN DAYS' EXHIBITION - BENDIGO - AUGUST 1960
Document. Two copies of a foolscap page announcing an Historical Exhibition in the Memorial Hall, Pall Mall, with a brief outline of exhibits. Exhibition arranged by the RSL Bendigo sub-branch and the District Branch of the Historical Society of Victoria. Joint Secretaries : Miss J Parry (107 Wills St) and Mr J.G. Harrison (3 Wolstencroft St) The back of each page was used by someone to make pencilled notes.RSL & Hist. Soc. Vic.event, exhibition, historical, rsl bendigo, royal historical society victoria, 'golden days' exhibition, miss j parry, mr j g harrison -
National Wool Museum
Report, Dalgety's Review (Australasia): 1914
"Dalgety's Review (Australasia): 1914". Part of the NWM Woolbroker's Office exhibit until late 1990's.wool stores wool brokering world war i, dalgety and company limited, wool stores, wool brokering, world war i -
National Wool Museum
Journal, Dennys, Lascelles Limited, Dennys, Lascelles Annual 1928, 1928
"Dennys, Lascelles Annual 1928". Part of the NWM Woolbroker's Office exhibit until late 1990's.Two copies of the report, 114pp: Small booklet, grey soft textured cover illustrations, title and date in black ink. Stapled twice at left. "Dennys, Lascelles Annual 1928". Includes information for woolgrowers.Wording: Graham Rees; Method: handwritten; Location: inside front coverwool stores wool brokering, dennys, lascelles limited, wool stores, wool brokering -
National Wool Museum
Journal, Dennys, Lascelles Limited, Dennys, Lascelles Limited Annual 1930, 1930
"Dennys, Lascelles Annual 1930". Part of the NWM Woolbroker's Office exhibit until late 1990's.Two copies of the report, 80pp: Small booklet, brown, soft textured cover, title and date in black ink. Stapled twice at left. "Dennys, Lascelles Annual 1930". Includes information for woolgrowers.Wording: Graham Rees; Method: handwritten; Location: inside front coverwool stores wool brokering, dennys, lascelles limited, wool stores, wool brokering -
National Wool Museum
Journal, Dennys, Lascelles Limited, Dennys, Lascelles Limited Annual 1929, 1929
"Dennys, Lascelles Annual 1929". Part of the NWM Woolbroker's Office exhibit until late 1990's.Two copies of the report, 104pp: Small booklet, cream, soft textured cover, title and date in black ink. Stapled twice at left. "Dennys, Lascelles Annual 1929". Includes information for woolgrowers.Wording: graham rees; Method: handwritten; Location: on coverwool stores wool brokering, dennys, lascelles limited, wool stores, wool brokering -
Greensborough Historical Society
Card, Heidelberg Historic Society, Heidelberg's Busy Bee Signature Quilt 1895-96, 2019
Invitation to view historic quilt exhibited at Heidelberg Historical Society some Sundays during 2019 and 2020Card, printed in colour both sidesheidelberg historical society, quilts, scots church heidelberg -
Federation University Art Collection
Ceramic - Artwork, [Ceramic Form] by Tony Nankervis, c1986
Tony Nankervis worked in the Lismore area of New South Wales. He exhibited with Owen Rye and Chester Nealie.Woodfired ceramic form by Tony Nankervis. Gift of the Artisttony nankervis, jan feder memorial collection, ceramics, jan feder, woodfire, gippsland campus, churchill, jan feder memorial ceramics collection -
National Wool Museum
Photograph, Stanbury Royal Reserve (Rew. 62.315.260)
Photograph of "Stanbury Royal Reserve" from the Stanbury Stud Farm, Ceres, Victoria, bred and exhibited by RE Wettenhall.Photograph of "Stanbury Royal Reserve" from the Stanbury Stud Farm.awards - sheep corriedale sheep sheep breeding - history export - live sheep, stanbury corriedale stud, wettenhall, mr rupert e., awards - sheep, corriedale sheep, sheep breeding - history, export - live sheep -
Federation University Art Collection
Ceramic - Artwork, [Ceramic Vessel] by Tony Nankervis, c1986
Tony Nankervis worked in the Lismore area of New South Wales. He exhibited with Owen Rye and Chester Nealie.Woodfired ceramic form by Tony Nankervis. tony nankervis, jan feder memorial collection, ceramics, jan feder, woodfire, gippsland campus, churchill, jan feder memorial ceramics collection -
Wodonga & District Historical Society Inc
Photograph - Fred Rochow Railways Collection - Wodonga Centenary Tour Locomotive leaving Wodonga, 24 November 1973
The Fred Rochow Railways Collection incorporates photos related to the operation of the Wodonga Railway Station including different types of trains and railways staff C. 1930 – 1990. It was donated to the Wodonga Historical Society by Fred Rochow, a railwayman who spent many years based in Wodonga. He joined the Victorian Railways on 17th June l947 and retired in 1988. For some time, he was a member of the Australian Federated Union of Locomotive Enginemen and served a term as a member of the Trades Hall Council. He had an extensive knowledge of the struggles that took place to achieve better conditions for railway workers. Fred worked for many years as a fireman and then worked his way up the ranks to driver, experiencing many changes from the days of steam locomotives through to diesel trains, locomotives and even the modern XPT train. He worked throughout Victoria at different stages of his career, with his final working years focused on the northeast of Victoria and the Albury to Melbourne line. After his retirement, Fred continued to share his love of steam miniature trains with the community.This collection has local and statewide significance as it captures images of trains, locomotives and personnel who operated the railway services in Wodonga and throughout Northeast Victoria. The railways played a critical role in opening up Victoria and connecting Australia for trade, business, social communication and transport.Driver George Lynch and Fireman David Brown at the controls of Locomotive R707. This parallel run took place between Wodonga and Wangaratta on 24 November 1973 with 3820 on the standard gauge and R707 double-headed with R761 on broad gauge. This occasion marked the Centenary of the opening of the North Eastern railway from Melbourne to Wodonga. Locomotive 3820 was a NSW Railways locomotive and is now a key exhibit at the Trainworks Museum, Thirlmere, NSW In circle on front of the locomotive on left "NORTH EAST CENTENARY/ WODONGA/ 1873-1973" On front of locomotive on left "R797. On front of locomotive on right "3820"railways wodonga, fred rochow, wodonga centenary locomotive, locomotive r707, locomotive 3820, north east line centenary -
Bendigo Historical Society Inc.
Photograph - EASTER FAIR, JUVENILE FIRE BRIGADE, c1890's
Sepia photograph of group of children. Two girls, two boys on hand card. Four shields and banner decoration. Lion statue on right front. One boy in Scottish dress. One with top hat with feather. Girls with coronets. On back - 'Easter Procession Exhibit, 1890's +, probably Juvenile Fire Brigade' . On back - 3cls, p8, A feast', 'Royal Historical Society of Victoria, Bendigo Branch' circular stamp.person, group, easter procession -
Bendigo Historical Society Inc.
Document - HARRY BIGGS COLLECTION: OLD POLICE BARRACKS (9)
Document. Harry Biggs Collection. A letter from an unknown person to Mr. F. G. Menzies, Crown Solicitor, Melbourne. It is in relation to a will of the late Amy M. J. M. Gwilym in which she left funds to a Trust. In the letter the writer undertakes to set a room aside at the Police Barracks & call it the 'Gwilym Room' & in it exhibit articles relating to Maryborough District. If funds from the will are made available to the Bendigo Historical Society.organization, club/society, community, harry biggs collection, old police barracks -
Federation University Historical Collection
Book, John Mawurndjul: I am the Old and the New, 2018
Hardcovered book with an image of a crocodile with rarrk design. The book is a catalogue for an exhibition developed and co-presented by the MCA and the Art Gallery of South Australia (AGSA), in association with Maningrida Arts & Culture, this exhibition presents the work of one of Australia’s leading contemporary artists – master bark painter John Mawurndjul. Bringing forth a tradition shared by generations of Kuninjku artists, Mawurndjul is celebrated for his mastery of rarrk (cross-hatching) and his depiction of djang (sacred sites). Bark paintings and sculptures made over a thirty five year period, from private and public collections, and chosen by the artist, will introduce audiences to the concepts that shape Kuninjku culture and the significant ancestral locations in Central Arnhem Land. Born in 1952, Mawurndjul is a Kuninjku elder and artist. He lives and works in Milmilngkan and Maningrida in Central Arnhem Land. Since his first exhibition in 1982, he has become one of Australia’s most widely recognised artists. In 1989 he was included in the landmark exhibition Magiciens de la Terre at the Centre Pompidou and Grande Halle de la Villette in Paris, and his works have been included in numerous solo and group exhibitions in Sydney, New York, Paris and Japan. Following the presentation of this exhibition at the MCA, it will be presented at AGSA from 26 October 2018 until 28 January 2019 as part of TARNANTHI Festival of Contemporary Aboriginal and Torres Strait Islander Art.(https://maningrida.com/exhibition/john-mawurndjul-old-new/, accessed 05 November 2018) non-fictionjohn mawurndjul, bark painting, exhibition catalogue, rarrk -
Mont De Lancey
Teapot, Circa 1866
Teapot awarded to Mrs Thomas Quayle at the Melbourne Exhibition of 1866 for an exhibit. From the home of the late Mrs. W.J. Sebire.Ornate silver teapot551 on basefood warmers, teapots -
City of Whittlesea Art Collection
Painting - Acrylic on canvas, Michael Von Roehl, Birthing Tree, 2018
"Birthing Trees is culturally significant to Aboriginal people. Women would give birth in the hollowed out trees. Men were not allowed there as this was women's business. This 800 year old tree and other ancient trees are in the way of a proposed new western district highway. Let's find a way to respect cultural diversity as we all share this one land". >Purchased & acquired for the City of Whittlesea Cultural Collection in 2018. The work was exhibited in Council's annual art exhibition that was titled "Seasonal".MVRaboriginal birthing tree and aboriginal woman giving birth. -
Federation University Historical Collection
Article - Article - Women, Ballarat School of Mines: Women of Note; Betty Collier, Artist
Betty Collier was a student of the Ballarat Technical Art School in 1959 and later became a long term teacher at the SMB Arts Academy until 2005. Her work covers many areas of art - painting, drawing, sculpture using various materials and techniques. Examples of her large sculptures are exhibited in the Library at SMB Campus. Betty has also exhibited her work overseas.women of note, betty collier, artist, ballarat technical art school, student, teacher, arts academy, painting, drawing, sculpture, overseas