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Wooragee Landcare Group
Photograph, 20th June 2004
This photograph was taken on the 20th June 2004 as part of an event called "Successful Tree Planting!", organised by the Wooragee Landcare Group. It was addressed to all local residents and landholders in the area and involved practical demonstration of techniques suitable for successful planting of native trees and shrubs, as well as information about weed control. In the photograph are illustrated from left to right the following people: Chris Robinson; Tony Prowse; unknown child; Lesley Finedon; Ann Henderson, unknown. Revegetation can improve the condition of remnant vegetation in the area and provide habitat for local animals. Correct species selection, including all layers of vegetation, along with proper weather conditions and adequate site preparation, can maximise the successful outcome. Weed-free conditions and protection from rabbits and kangaroos are two more factors contributing to a quick plant growth. Wooragee Landcare, since its establishment in 1998, has organised a series of events and activities in order to promote weed and pest control, provide assistance and knowledge to landholders and ensure sustainability and protection of natural vegetation.The photograph is an example of the type of events and activities organised by Wooragee Landcare to educate and inform local residents and landholders on the most suitable techniques for successful planting of native trees and shrubs. Wooragee Landcare, abiding by its mission statement, promotes best land management strategies and ensures sustainability through collaboration with local community and council agencies.Landscape coloured photograph printed on gloss paper. Reverse: WAN NA 0ANA0N0 BN1+ 1 1636/ [PRINTED] (No.21)/935/successful tree planting, wooragee landcare group, 20th june 2004, successful planting, native trees and shrubs, weed control, revegetation, remnant vegetation, habitat, local animals, species selection, weather conditions, site preparation, weed-free, rabbits, kangaroos, plant growth, 1998, sustainability, natural vegetation -
Moorabbin Air Museum
Album (Item) - Illustrated Parts List for Armstrong-Siddeley Viper and SNECMA ATAR engines, Viper
This does not appear to be an official copy of the parts list, and may have been a private copy created by engineers or Kevin Kerle for personal use. -
Wooragee Landcare Group
Photograph, 27th February, 2004
This photograph was taken at Wooragee Hall on the Friday 27th February, 2004 as part of an event called Foxy Night Out. This event was about sharing awareness about the impacts of foxes in rural areas and discussing methods to control their populations. There were two mains speakers at this event, the first; Camille Veselsky, a specialist in fox behaviour who worked for the Hume Rural lands Protection Board on pest animal control, and the second; Leanne Wheaton, a nature conservationist. Pictured in this photograph, background (left -right): Graeme Missen, Bob Stelling, Quentin Mansfield, unknown, unknown; Colin Payne. Foreground (left -right): Tony Prowse; Mary Prowse, Digby Race. Also pictured are two taxidermy goannas on top of the tables which were brought in as an example of reptile species that are vulnerable to fox attacks. Regional areas like Wooragee are susceptible to fox attacks due to the availability of food such as rubbish, scraps, native wildlife and livestock. Foxes can have a huge impact on native wildlife and domestic life as they are known to chew through irrigation systems, dig-up and defecate in gardens, raid rubbish bins and harass other domestic animals. (One paragraph about the significance ie: The photograph is an example of the type of events hosted by Wooragee Landcare to inform the general public about potential risks to private and public property. .....)Landscape coloured photograph printed on gloss paperReverse: WAN NA 0A2A0N0 ANN+ 1 6329 / [PRINTED] (No.5a7) / 496wooragee, wooragee landcare, fox, foxy -
Wooragee Landcare Group
Photograph, circa April 2003
This photograph was taken in the Mount Pilot Chiltern National Park. This park is located near Chiltern in Victoria. It's most notable landmarks include Mt Pilot and Woolshed Falls. It also has many mines from the Gold Rush in the late 1800s. It is home to much flora and fauna, including the tiger quoll. The tiger quoll, also known as the spotted-tail quoll, is a marsupial that gives in the Mount Pilot Chiltern National Park. It is also main land Australia's largest carnivorous marsupial. It can weigh up too four kilograms and looks similar to either a possum or a spotted cat. It has red and brown fur with distinct spots. The tiger quoll is found along the Great Dividing Range, which includes Victoria, New South Wales and also near the border of Queensland. It lives in forests, rainforests and coastal heathlands and woodlands. In 2004 a team of volunteers from the Wooragee Landcare group as well as some of the Department of Sustainability and Environment staff set out to find the tiger quoll following the 2003 bushfires. Since the bushfires, concern had arisen for it because it hadn't been seen since the bushfires. They attempted to find traces of the quoll through finding and identifying their droppings as well as DNA testing. This photograph was taken during this search. This photograph represents the work that goes into protecting a important species like the tiger quoll. The tiger quoll is a significant species because it is main land Australia's largest carnivorous marsupial. As a result of this, there has been much work done to preserve and protect it. This photograph was taken when the Wooragee Landcare group went to ensure the survival of this species, highlighting how the tiger quoll is being protected. This photograph also demonstrates the impacts of the 2003 bushfires in the Mount Pilot Chiltern National Park. This is seen through the burnt trees featured in the picture. Landscape coloured photograph printed on gloss paperReverse: WAN NA 0ANA0N0 NNN 0 1636 / [PRINTED] (No.7) / 921quoll, mount pilot chiltern national park, national park, 2003 bushfires, search, endangered, beechworth, wooragee landcare group, wooragee landcare, wooragee, possum, australia, victoria, department of sustainability and environment, photograph, 2004, spotted-tailed quoll, great dividing range, spots, fur, forests, rainforests, woodlands, coastal heathlands, spotted quoll, spotted quoll habitat -
Wooragee Landcare Group
Photograph, 27/2/2004
This photograph was taken at Wooragee Hall on the Friday 27th February, 2004 as part of an event called Foxy Night Out. This event was about sharing awareness about the impacts of foxes in rural areas and discussing methods to control their populations. There were two mains speakers at this event, the first; Camille Veselsky, a specialist in fox behaviour who worked for the Hume Rural lands Protection Board on pest animal control, and the second; Leanne Wheaton, a nature conservationist. Pictured in this photograph is Camille Veselsky giving his presentation. Regional areas like Wooragee are susceptible to fox attacks due to the availability of food such as rubbish, scraps, native wildlife and livestock. Foxes can have a huge impact on native wildlife and domestic life as they are known to chew through irrigation systems, dig-up and defecate in gardens, raid rubbish bins and harass other domestic animals.This photo is a record of the events that Wooragee Landcare organises in order to raise awareness and educate about environmental conservation issues in the area. It shows practical solutions that have been considered in fox controlLandscape coloured photograph printed on gloss paperReverse: WAN NA 0A2A0N0 NNN+ 1 6329 / [PRINTED] (No.6A) / 495 Camille Veselsky / Foxy Night out / 27/2/04foxy night out, wooragee hall, wooragee landcare group, wooragee landcare's collection, camille veselsky -
Federation University Art Collection
Artwork - Painting, David Alexander, [Landscape] by David Alexander
David ALEXANDER Small framed watercolour depicting an Australian landscape.nonedavid alexander, landscape, available -
Federation University Bookplate Collection
Work on paper - Bookplate, Ex Libris David Fraser
After a quiet period, interest in bookplates in Australia began to increase in the early 1970s, Entrepreneurial art and book collectors such as Edwin Jewell and others commissioned multiple Bookplate designs from a range of well known fine artists. At a 1997 meeting in Melbourne of the Ephemera Society of Australia Edwin Jewell and others announced the formation of the Australian Bookplate Society. The society was instrumental in promoting the art of the bookplate through establishment of the Australian Bookplate Design competition. Silhouette of man sitting beneath tree in a landscape.Signed D Fraser in pencil lower right beneath image. -
Bendigo Historical Society Inc.
Photograph - ROBERT DENIS KELLY COLLECTION: LANDSCAPE
Black and white photo: landscape view of Biesmes.person, robert denis kelly, world war 1, robert denis kelly collection, france, biesmes -
Nillumbik Shire Council
Video (HD): Ash KEATING, North Park Proposition (from the 'Urban Boundary Proposition' series)
Video of artist painting the facade of a concrete warehouse into a ‘Trompe-l’oeil’ landscape painting using fire extinguishers as paint brushes. The warehouse slowly disappears into the landscape. -
Glen Eira Historical Society
Album - Album page, Ercildoune (576), Inkerman Street, Circa 1972
This photograph is part of the Caulfield Historical Album 1972. This album was created in approximately 1972 as part of a project by the Caulfield Historical Society to assist in identifying buildings worthy of preservation. The album is related to a Survey the Caulfield Historical Society developed in collaboration with the National Trust of Australia (Victoria) and Caulfield City Council to identify historic buildings within the City of Caulfield that warranted the protection of a National Trust Classification. Principal photographer thought to be Trevor Hart, member of Caulfield Historical Society. Most photographs were taken between 1966-1972 with a small number of photographs being older and from unknown sources. All photographs are black and white except where stated, with 386 photographs over 198 pages. Vol 1 Caulfield's Building Heritage by Dr Geulah Solomon states that Ercildoune was the home of Sir Samuel Wilson and later, Arthur Knox. Knox is likely the person who subdivided the land, creating Ercildoune Street.Page 100 of Photograph Album with two photographs (landscape) of Ercildoune and two photographs (one landscape and one portrait) of two other houses on Inkerman Street.Handwritten: "Ercildoune" (576) [top left] / Inkerman Street [top right] / 138 INKERMAN ST [under bottom left photo] / LABASSA GROVE CORNER OF INKERMAN OPPOSITE ERCILDOUNE [under bottom right photo] / 100 [bottom right]trevor hart, east st kilda, ercildoune, mansions, towers, gardens, bloomsbury, inkerman road, labassa grove, attic houses, porches, inkerman street, caulfield north, st kilda east, sir samuel wilson, arthur knox, ercildoune street, house names -
Federation University Art Collection
Oil on primed paper, Whitson, Robert, 'Construction' by Robert Whitson, 2002
Robert WHITSON (1962- ) Born Mortlake, Victoria Robert Whitson studied Fine Art at the University of Ballarat (now Federation University) from 1980 to 1983, returning to undertake Honours. He completed a Masters degree in 2002 at the University of Ballarat. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Framed artwork which forms part of the Robert Whitson's Masters folio "Sacred Landscape: An Unsettling". The project was concerned with a visial exploration of the land of the Western Plains of Victoria and the nature of 'the sacred' in the landscape. The artwork attemts to develop images of layered multiple histories, juxtaposed within the landscape. art, artwork, robert whitson, landscape, oil on paper, alumni -
Glenelg Shire Council Cultural Collection
Painting - Watercolour, Gerhard Inkamala, Untitled (Landscape), n.d
Western Aranda artist, Gerhard Inkamala. Born in 1917, Gerhard was the nephew of Albert Namatjira and grew up being inspired by his artwork and the surrounding landscapes. He became a skilled artist and during the 1940s was one of the founders of the famous Hermannsburg School of Art. In the 1950s Gerhard and his brother Adolf were included in a group exhibition in Alice Springs at the home of Rex Battarbee who was the Warrnambool-born art teacher of Albert Namatjira. He died in 1977.A landscape scene showing the Australian outback. Trees and shrubs in the foreground with rocky hills in the background. The foreground is an ochre/orange colour and the hills and rocks in the background are a blue/grey colour. The sky is clear and blue. Signed bottom right. The work is mounted on cream mountboard and framed in a white timber frame under glass.'Gerhard Inkamala' signed bottom right hand side of the painting. -
Robin Boyd Foundation
Painting, Kevin Connor, Metung, 1964
“Metung” by Kevin Connor was a birthday present from Robin Boyd to his wife Patricia circa 1964.Predominantly blue and green landscape of trees, sky and river.Signature and date on lower right.kevin connor, patricia boyd, robin boyd, walsh st artwork, ohm2022, ohm2022_26 -
The Dunmoochin Foundation
Oil Painting, Firts Building at Dunmoochin, 1955
Painting of a wooden building with brick fireplace and wagon in the landscape. Signed (L.r) 'Clifton Jan 52'clifton pugh, painting, landscape, dunmoochin -
The Dunmoochin Foundation
Gouache Painting, Painting with Clif, 1979
Painting depicting an old man with pipe painting in the landscape. Signed (L.r) 'Howley 79'. On reverse: Label (L.r) '37 Out painting with Clif Pugh by John Howley'. john howley, painting, portrait, clifton pugh, landscape, dunmoochin -
The Dunmoochin Foundation
Gouache Painting, Nude with Banksias, 1976
Gouache painting of a reclining female nude in landscape with banksias.Dated (L.r) '11.8.76'clifton pugh, painting, gouache, female nude, banksias, landscape -
Benalla Art Gallery
Painting, Eugene VON GUERARD, Cutting out the cattle, Kangatong, 1856
Born: Vienna, Austria 1812; Arrived Victoria 1852; Died: 1901ColonialBennett Bequest, 1998 Rural landscape with trees, figures, animals, rocks and sky.Recto: Signed and dated "Eugene von Guerard/ Melbourne 1856." in orange paint l.r.c of composition; Not titledlandscape, animals, figures, trees, cattle, mustering cattle, colonial, australian art -
Benalla Art Gallery
Painting, Ethel CARRICK, Beach scene, Sydney (Manly Beach), c. 1910
Born: Uxbridge, Middlesex, England 1872; Active Australia from 1908; Died: Melbourne, Victoria, Australia 1952ImpressionismGift of Pamela Davies, 2005Seaside landscape with seated figure and figures on sand and in the water.Recto: Not signed; Not dated; Not titledbeachscape, figures, summer, sand, waves, umbrella, australian art -
Port Fairy Historical Society Museum and Archives
Photograph
Entrance to Port Fairy Botanical Gardens. The Port Fairy Botanical Gardens were formed in 1856 making it one of the earliest gardens in Victoria. The first curator was James Prior, he was paid fifty-two pounds per annum. He was an outstanding curator having been apprenticed to the trade in England at the age of 12, his brother Edward in later years was the Curator of the Koroit Gardens. Prior retired in 1903. During the years of his curatorship Port Fairy was said to have the best gardens outside the city of Melbourne, he was constantly in touch with Baron Von Mueller and later Guilfoyle of the Royal Botanical Gardens of Melbourne. In the early years plants from all over the world were planted here with varying rates of success many of them sent by Baron Von Mueller. In the 1930’ and 40’s the gardens were still very beautiful, and the curator was Roy Manuell. The beautiful iron gates at the entrance were destroyed in the 1946 floods and were replaced in 1989 using some of the material from the original gates. From the 1950’s on the gardens went into a state of decline, much being taken up by the caravan park until in 1986, after a public meeting ‘Friends of the Gardens’ was founded when the entrance section was restored. Sepia landscape of the gates to the Botanical Gardens (taken on a slant)Post card - correspondence-Addressbotanical, garden, park, griffith street, gates -
Wangaratta Art Gallery
Painting, Ailsa Seargent, The Junction, 1969
Rural City of Wangaratta Collection.A rural river landscape painted in blues, greens and browns.wangaratta art gallery, ailsa seargent, painting, landscape, river -
Wangaratta Art Gallery
Painting, Doris Flockart, Meriwa Park Wangaratta, 1916
Rural City of Wangaratta CollectionA landscape painting of cows grazing at Merriwa Park, Wangaratta.Obverse: D. H. Flockart/ (bottom left corner)wangaratta art gallery, doris flockart, painting, pastoral, landscape -
National Wool Museum
Photograph, Spinning Machine, Unknown
Photographs were most likely used for promotional purposes. Black and white photograph of a spinning machine in landscape format.textile machinery, wool manufacture, wool, spinning -
National Wool Museum
Quilt, Kim Gordon, Les rochers de mon desir, 2010
Winner of the 2010 Expressions Wool Quilt Prizeartistic quilt with a landscape and a picture of rocks at Malacoota, Vic.quilt -
Robin Boyd Foundation
Slide, Robin Boyd
Colour slide in a mount. Huts in landscape, unknown locationDate: / Subject / Encircled 33F (Handwritten)slide, robin boyd -
Robin Boyd Foundation
Slide, Robin Boyd, 1967
Colour slide in a mount. Landscape, possibly Montreal, CanadaMade in Australia / 7 / MAY 67M6slide, robin boyd -
Robin Boyd Foundation
Slide, Robin Boyd, 1964
In 1964, Robin and Patricia Boyd spent several weeks on a world tour - Boyd took a leading role at the International Design Conference in Aspen and he also visited Chicago, Yale University, and New York’s World Fair. The Boyds then travelled on to England, Finland (especially to see Tapiola), Russia and India to see Le Corbusier's Chandigarh, and also Hong Kong and Thailand.Colour slide in a mount. Landscape, Aspen, Colorado, USAMade in USA / US PAT No. 3013354 / 16 / JUN 64Wcolorado, slide, robin boyd -
City of Ballarat
Artwork, other - Public Artwork, Peter Corlett, The Grieving Mother by Peter Corlett, 2017
The Garden of the Grieving Mother is an acknowledgement of the trauma, grief and anxiety felt by the families of Australian servicemen and women. Of the 3,801 WWI service men and women commemorated in the Ballarat Avenue of Honour, 1 in 5 made the ultimate sacrifice, giving their lives. At the centre of the memorial space is a bronze sculpture of a mother clutching a photograph of her son by sculptor Peter Corlett who has created many war memorial public artworks. The memorial was unveiled on 15 February 2017 by Governor General Sir Peter Cosgrove and Mrs Kaye Baird, mother of posthumous Victoria Cross recipient, Corporal Cameron Baird.Bronze sculpture installed in landscaped garden on lit plintha mother grieving the loss of her child at war -
Hume City Civic Collection
Photograph
A b/w photograph of a landscape view possibly the Nook.Handwritten on back: McMahon Handwritten on front: in front of housemcmahon, landscapes, sunbury, george evans collection -
Federation University Art Collection
Bookplate, 'This book belongs to Samara Sweeney'
After a quiet period, interest in bookplates in Australia began to increase in the early 1970s, Entrepreneurial art and book collectors such as Edwin Jewell and others commissioned multiple Bookplate designs from a range of well known fine artists. At a 1997 meeting in Melbourne of the Ephemera Society of Australia Edwin Jewell and others announced the formation of the Australian Bookplate Society. The society was instrumental in promoting the art of the bookplate through establishment of the Australian Bookplate Design competition. The competition includes a design award for secondary schools students.Australian native animals are depicted amongst a hilly landscapebookplate, printmaking, australian bookplate design award, keith wingrove memorial trust -
Federation University Art Collection
Bookplate
After a quiet period, interest in bookplates in Australia began to increase in the early 1970s, Entrepreneurial art and book collectors such as Edwin Jewell and others commissioned multiple Bookplate designs from a range of well known fine artists. At a 1997 meeting in Melbourne of the Ephemera Society of Australia Edwin Jewell and others announced the formation of the Australian Bookplate Society. The society was instrumental in promoting the art of the bookplate through establishment of the Australian Bookplate Design competition. The competition includes a design award for secondary schools students.An animal is depicted between two trees in a hilly landscape Name at bottom Krystal Stylesbookplate, printmaking, australian bookplate design award, keith wingrove memorial trust