Pencil drawing from a sketch book by Walter Withers. Photograph of pencil sketchwalter withers, walter withers sketch

Deep Lead Scene Shearing at Farrer’s 1939stawell deep lead

Rural City of Wangaratta Collection. Gift of Leslie Morrison. Donated in memory of Bruce Morrison, Shire Engineer.A realistic pastoral landscape, painted in watercolour using a colour palette of green, blue, brown, yellow, and white.Obverse: VR WATT/ (bottom left corner)wangaratta art gallery, v. r. watt, landscape, pastoral, painting

Deep Lead Scene Shearing at Farrer’s 1939stawell deep lead

Rural life landscape, future townscape.Slightly faded colour photographNonesite of what became federation univercity ., rural landscape

One of fifty one photographs originally in a photo album found in the National Wool Museum’s office. The album was water damaged and the images were removed for conservation. The images follow the process of wool. Beginning in a sheep paddock and finishing as a folded fabric. It includes all the steps in between in this process, including shearing, transporting, selling, washing and the many different steps in the process of turning a single thread of wool into fabric.Black and white image showing sheep in stockyards with two men standing amongst the sheep.W61 / W 61. Yarding at shearing shed.wool industry, working life, women, boonoke station, farming, sheep farming, agriculture, sheep stations, transport, wool processing, shearing, textile industry, wool

Photograph of a flock of sheep being inspected by a party of men, one of whom, on the far right, is wearing an Elders Australia overall. Possibly a consignment of corriedale ewes, exported to Peru c.1972Corriedale sheep being unloaded in Peru, 1972.Australian flock ewes Perucorriedale sheep sheep breeding export - live sheep, australian corriedale association, pettitt, mr r. w., corriedale sheep, sheep breeding, export - live sheep

Used for shearing sheep before shears were electrifiedHand shears for shearing sheep, sprung handle, has points missing on blades"Combination / T / U / S No.1 / Sheffield"shearing, farm work, agriculture, farm tools

This plaque displays the Bank of Australia's Coat of Arms and is significant because is ts the symbol printed on the Bank Notes of the Bank of Australasia. The bank of Australasia was incorporated by Royal Charter of England in March 1834. It had its Australian beginning on 14th December 1835, opening in Sydney. The Acting Superintendent of the bank at that time was David Charters McArthur. He was Superintendent from 1867-to 1876. The Melbourne branch opened on 28th August 1838 in a two-roomed brick cottage on the north side of Little Collins Street, where two huge mastiff dogs were used at night to guard the bank. The government also provided an armed military sentinel. Due to the bank's rapid growth, a new building for the Melbourne branch was opened in 1840 at 75 Collins Street West. By 1879 the bank had been upgraded to a magnificent two-storey building on the corners of Collins and Queens Streets, with the entry on Collins Street. In 1951 the Bank of Australasia amalgamated with the Union Bank to form the Australia and New Zealand Bank, now known as the ANZ. Then in 1970, the ANZ merged with both the ES&A and the London Bank of Australia to form the ANZ Banking Group Limited. The ANZ Banking Group Ltd kindly donated a variety of historic items from the Bank of Australasia. BANK of AUSTRALASIA, WARRNAMBOOL – In 1854 Warrnambool had two banks, the Union Bank and the Bank of Australasia. Later, completely different bank businesses opened; in 1867 the National Bank of Australasia, then in 1875 the Colonial Bank of Australasia. The original Warrnambool branch of the Bank of Australasia was established in July 1854, and operated from a leased cottage on Merri Street, close to Liebig Street. The bank next bought a stone building previously erected by drapers Cramond & Dickson on the corner of Timor and Gibson Streets. Samuel Hannaford was a teller and then Manager at the Warrnambool branch from 1855 to 1856 and the Warrnambool Council chose that bank for its dealings during 1856-57. In 1859 Roberts & Co. was awarded the contract to build the new Bank of Australasia branch for the sum of £3,000; the firm built the Warrnambool Post Office in 1856 and purchased land in Timor Street in 1858. The land was on a sand hill on the northeast corner of Timor and Kepler Streets and had been bought in 1855 from investor James Cust. The new building opened on May 21, 1860. The bank continued to operate there until 1951 when it merged with the Union Bank to form the ANZ Bank, which continued operating from its Liebig Street building. Warrnambool City Council purchased the former Bank of Australasia building in 1971 and renovated it, then on 3rd December 1973 it was officially opened as the Art Gallery by Cr. Harold Stephenson and Gallery Director John Welsh. The Gallery transferred to the purpose-built building in Liebig Street in 1986 and the old bank building is now the Gallery club. Staff at the Bank of Australasia in Warrnambool included the following men but others were also involved: Samuel Hannaford, Teller then Manager from 1855-1856; Hawkins, Manager in 1856, W H Palmer, Manager from January 1857 until November 1869 when the Teller Basil Spence was promoted to Manager; H B Chomley, Manager from April 1873 and still there in 1886; A Butt, Manager in 1895-1904; J R McCleary Accountant and Acting Manager for 12 months, until 1900; A Kirk, Manager 1904; J Moore, staff until his transfer to Bendigo in December 1908; J S Bath was Manager until 1915; C C Cox, Manager until April 1923; Richard C Stanley, Manager 1923 to April 1928. The plaque with the insignia has significance through its association with the Bank of Australasia. The early Australian bank was established in 1834 by Royal Charter and opened in Sydney, Australia, in Sydney in 1835. The bank had many Australian offices in November 1877, particularly on the east and south coasts. Victoria had 45 per cent of all Offices. The plaque is locally significant for its association with the Warrnambool Bank of Australasia, which was established in 1854. It was Warrnambool Council’s first bank. The bank continued to operate until the organisation's merger in 1951 when it became the ANZ Bank Group today. The Bank was an integral part of the growth of local commerce and the community.Insignia of the Bank of Australasia. Cast metal coat of arms within a gold, shield-shaped border, painted gold and red, with blue, black and white details. Decals in each corner; upper left and lower right have a white sheep suspended by a blue ribbon, upper right and lower left have a 3-masted, square-rigged sailing ship with a black hull and red flags flying on each mast, sailing on waves with storm clouds in the sky. Between the emblems are gold stars.Decals; ships, sheep, starsflagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, bank of australasia, boa, union bank, australia & new zealand bank, anz bank, david charters mcarthur, d c mcarthur, currency, banknote, commerce, banking, heraldic shield, insignia, samuel hannaford

Square plaster mould depicting a male nude herding sheep.Nonematcham skipper, mould, jewellery, male, nude, sheep

Inventory of Arumpo Sheep Station, 1888, compiled by the manager, Charles E Archer.Inventory of Arumpo Sheep Station, 1888, compiled by the manager, Charles E Archer.animal breeding, archer, mr charles e

Photograph of the Superfine Merino Ewe who was the Champion & Grand Champion at the Melbourne Sheep Show in 1935. The Sheep was bread and exhibited by Trustees Late Yalla-Y-Poora homstead located in Ararat, Victoria.Framed sepia photo of a Merino Ewe with handwritten description in footer of matte.Superfine Merino Ewe Champion & Grand Champion Melbourne Sheep Show 1935. The Sheep was bread and exhibited by Trustees Late Jno. Ware. Yalla-Y-Poora, Vicyalla-y-poora, merino sheep, melbourne sheep show

Made by internees at Camp 3, Tatura. Handpainted by Georg Hoffmann at Camp 1Carved wooden sheep sitting on a green painted wood base. Sheep is a creamy-fawn colour. Highlighted with black.sheep, wood, hoffmann g, kazenwadel k, camp 1, camp 3, tatura, ww2 camps 1 and 3, handcrafts, woodcarving, toys, general

Pin contains the wording "Merinos" (Turkish for Merino) & "Genclik Kulubu" (Turkish for Youth Club)Small round decorative metal pin. Round white face to pin with central yellow section providing background for white sheep. Yellow section has blue border shaped like cog. Wording around outside says MERINOS GENCLIK KULUBU in a circular motionFront, rounded. Wording: MERINOS GENCLIK KULUBU Front, image: Sheepmernio, turkish, youth club

Sheep Bells, we believe were imported by HOLDEN and FROST ca1910 used in agriculture c19105 small metal bells of various sizes attached with twine to be hung around the necks of sheepsheep bells, agriculture

Two images of people in front of a thatched cottage. A man walks with a sheep, and in the other a man and a woman ride a horse.ballarat irish, thatched cottage, sheep, horse

Part of a set of 11 slides depicting scenes relating to sheep pastures.35mm colour slide in a red and white paper slide mount, depicting a rural scene with gum trees and pasturesPrinted: SHEEP PASTURES / Set No. A868 No.9 / Western District Pasturessheep nutrition, wool growing, sheep - nutrition, western district, gum trees, pastures, farm

Presented to Jean Inglis as a prize for winning the textile competition at the 1988 Royal Melbourne Sheep Show. Her entry was a hand spun, woven and dyed wool suit for the Fashions for the Eighties parade competition. Earliest Date: 1988Dark blue felted wool sash with yellow text attached. Test reads "THE AUSTRALIAN SHEEP BREEDERS ASSOCIATION INC. / 1988 WEEKLY TIMES MELBOURNE SHEEP & WOOLCRAFT SHOW / WOOLCRAFT COMPETITION"