Black and white postcard showing slab bark house belonging to Northrope family. Photograph shows Mr Northrope sitting in front reading a newspaper, Mrs Northrope sitting in a chair, young mother and baby in doorway, boy with dog on grass. Climbing rose over window. Bark roofing overhanging wall held down with logs. All glass windows. Lake Bunga VictoriaThe Homestead Lake Bunga Vicgenealogy, historic site, houses, settlement

Yields information about the tram track and trams using the Grant St Loop on the Mt Pleasant line.Digital image of No.14? leaving the Grant St loop, on the Mt Pleasant line, Barkly St. The tram has the destination of City. Photo by Chris Phillips, c1970.trams, tramways, grant st, barkly st, mt pleasant, tram 14?

The Wodonga Historical Society Haeusler Collection provides invaluable insight into life in late nineteenth and early twentieth century north east Victoria. The collection comprises manuscripts, personal artefacts used by the Haeusler family on their farm in Wodonga, and a set of glass negatives which offer a unique visual snapshot of the domestic and social lives of the Haeusler family and local Wodonga community. The Haeusler family migrated from Prussia (Germany) to South Australia in the 1840s and 1850s, before purchasing 100 acres of Crown Land made available under the Victorian Lands Act 1862 (also known as ‘Duffy’s Land Act’) in 1866 in what is now Wodonga West. The Haeusler family were one of several German families to migrate from South Australia to Wodonga in the 1860s. This digital image was produced from one of the glass negatives that form part of the collection, probably taken by Louis Haeusler (b.1887) with the photographic equipment in the Wodonga Historical Society Haeusler Collection. This item is unique and has well documented provenance and a known owner. It forms part of a significant and representative historical collection which reflects the local history of Wodonga. It contributes to our understanding of domestic and family life in early twentieth century Wodonga, as well as providing interpretative capacity for themes including local history and social history.Digital image created from the Haeusler Glass negative collection. Two men sitting outside a wood and bark miner's hut at Felltimber Creek near Wodonga.wodonga pioneers, haeusler family, glass negatives, dry plate photography, felltimber creek, mining victoria

Weatherboard Cottage with Bark Roof and garden c1880stawell house

Originally stored at Ringwood Council offices, then taken to PROV.Only source of ratepayers in the Borough of RingwoodDigital imagesBarkly Street, Ringwood. For Constance & William Hall, William Hancock (Allman's Estate), Lilian Gawith, James McDonald & John & Beryl Albert.

Balang [John MAWURNDJUL] (1952 - ) Born Mumeka, Northern Territory Country: Milmilngkan, West Arnham Land, Northern Territory Clan: Na-Kurulk Language Group: Kunwinjku Location: Milmilngkan John Mawurndjul is an Australian indigenous artist. He is a member of the Kuninjku people of West Arnhem Land, Northern Territory. Growing up John had only occasional contact with non-indigenous people and culture. He was tutored in rarrk, a traditional painting technique using fine cross hatching and infill, working on small barks. During the 1980s he started producing larger and more complex works. The artist has painted 'Wayarra', a generic term which can include both malevolent spirit beings which continually inhabit certain sites or objects but can also mean the Spirit of a recently deceased person. These spirits are one of two spirits of the dead, the other being the 'Kun-malng' soul. The 'Wayarra' is the shadow or 'shade' of the dead and may take on the form of the deceased and haunt areas where the deceased recently inhabited. In order to prevent Wayarra spirits from harassing relative of the recently deceased, a smoking ceremont is performed where Ironwood leaves are burnt around the camp of the recently deceased and ochre is rubbed on all objects belonging to the deceased. Ochre may also be rubbed on vehicles, houses and trees. Some Wayarra are a particular Dreaming totem for people of certain clans. This is why many artists depict Wayarra in their bark paintings and sculptures. They are depicting clan totems particular to their lineage and which are celebrated in major regional patrimoiety ceremonies. In 1989 the work of John Mawurndjul was included in the landmark exhibition "Magiciens de la Terra' at the Centre Pompidou and Grande Halle de la Vilette in Paris, France. His works have also been exhibited in numerous solo and group exhibitions in Australia, New York, Paris and Japan. Mawurndjul is one of eight artists whose work in part of the largest inernational commission of contemporary Indigenous art from Australia at the Musee du Quai Branly, Paris. The work was exhibited in the Australian survey "John Mawurndjul: I Am The Old And The New", at the Museum of Contemporary Art, one of the 160-odd works all chosen by Mawurndjul for inclusion in the exhibition. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.This artwork was chosen by John Murwurndjul as on of around 160 works for exhibition in the 2018 Australian Survey of his work at the Museum of Contemporary Art. The artist is known for his rarrk work, which is evident in 'Female Wayarra Spirit'.Aboriginal bark painting featurung rarrk. The artwork is associated with Dilebang, a duwa moiety place that belongs to the Kurulk clan. This work is currently on loan for exhibition in 'John Mawurndjul: I am the old and the new'. The exhibition will be shown at the Museum of Contemporary Art Australia (Sydney) from 6 July – 23 September 2018, and the Art Gallery of South Australia, Adelaide from 26 October 2018 – 28 January 2019.art, artwork, john mawurndjul, aboriginal, bark painting, rarrk, wayarra, kuninjku, maningrida, loan

Yields information about tram services during the reconstruction of the Canadian Creek bridge on the Mt Pleasant line during 1955.Negative and Digital images of the Wal Jack Ballarat Negative file of No. 35 at the Barkly St bridge work at Canadian Creek bridge in Barkly St, Mt Pleasant during the reconstruction of the bridge, during June-July 1955, Has No. 35 providing the connecting service to the City and Drummond St North. No. 32 waits on the other side of the bridge. See Reg items 5157 and 5305 for other associated photos.trams, tramways, mt pleasant, canadian creek, barkly st, bridges, tram 32 tram 35

Bendigo Advertiser "The way we were" from 1999. Elegance: Kisbou Court at 93 Barkly Street, Bendigo, was built in 1869 for Davis Stuart, investor and newspaper owner.newspaper, bendigo advertiser, the way we were

Coloured - Members of the Art in Bark Association displaying their craft at Whitehorse Historical Society's Heritage Day 2003 held at Schwerkolt Cottage and Museum Complex on 13 April 2003art in bark association, whitehorse historical society, heritage day 2003

Yields information about Ballarat's trams during 1971 and the Mt Pleasant line.AGFA blue / white plastic mount, colour slide of No. 18 inward bound in Barkly St Mt Pleasant. Tram has the destination of Gardens via Drummond North."11.4.1971" in ink.tramways, trams, mt pleasant, barkly st, tram 18

Blue Doctor's Certificate dated Nov 30th 1877 certifying that William Hall of Iron Bark was able to follow his usual employment. Signed by H. L. Atkinson.societies, aof, correspondence, ancient order of foresters no 3770 collection - doctor's certificate, court king of the forest, william hall, h l atkinson

Some residents - Nurse Stewart, midwife, 1920's and 1930's, Christina Smith, dressmaker (daughter of Nurse Stewart), Con Coveoulos, Bill Barkas and family.Colour photograph of a weatherboard cottage, corrugated iron roof, front veranda partially enclosed at 16 Barkes Avenue. Brick fence a recent addition. Lakes Entrance Victoriahouses, heritage study

Black and white photograph of pioneer iron bark slab hut typical of early settlers dwellings with chimney and skillion at end with early garden shown East Gippsland Victoriasettlement, housing

Coloured lithographic postcard showing small clearing in bush, bark barn, paling fence, three cattle and one man, small building among trees in Gippsland VictoriaNear Lake Tyersfarming

Barkly Street. Rider & Mercer engravers. Date unknown.ballarat east, ballarat east town hall, ballarat, library, barkly street, excelsior album, rider & mercer

Built on site of Northrope's original bark residence (1890c).Colour photograph of a property known as Bunga Haven at 127 Lake Bunga Road. A timber dwelling with corrugated iron roof overlooking Lake Bunga and Bass Strait. Set in rustic garden and native bushland. Dropped log boundary fence and brush gate. Lakes Entrance Victoriaaccommodation, tourism

No date given, but there is a cable tram and Alfred Hall on Barkly Streetblack and white photograph unmounted good conditionSt Kilda Junction. Serg (?) Boot (?) - J.W. Lindt photograph

Born in 1903, Norman Penrose studied at the Bendigo School of Mines. A painter and a teacher, he lived in Bendigo most of his life.Watercolour painting by Norman Penrose titled "Bendigo Mining Country." It shows a barren landscape of green shrubs and reddish dirt under a cloudy sky. A single poppet head and a chimney with smoke coming out can be seen on the right hand side with two houses further away. The painting is signed on the bottom left-hand side. The painting is under glass in a light brown wooden frame. Norman Penrose Collection On the back "Norman W. Penrose" ("Bendigo Mining Country') 14 Barkly Terrace, Bendigo. phone: 36420. In red chalk No 4 within a circle. bendigo, mining, norman penrose, artist, teacher

Owned by William Albert HARRISON (Service Number VX41478; above Link ["WW2 Record"] Sent home to his mother from Liban on 25-10-41 Soldier's name known. Items donated (date unknown) by brother-in-law who was living in Montmorency and was a committee member of MERSL when item donated.Oval shaped slice of wood from the cedar tree in Lebanon. (Liban) Stained with light brown varnish. Original bark from tree all around trhe edge of plateStamp in French possibly where it was made, Artiols bois des cedres. Becharry Liban. Salim Kabalan. Hand written message;- Edna with all the best to you Bill. Dated 25-10-41

One of a collection of over 400 photographs in an album commenced in 1960 and presented to the Phillip Island & Westernport Historical Society by the Shire of Phillip IslandPhotograph of a Pen Drawing of First Dwelling of White People on Phillip Island. Thatched or Bark Hut. Group of Sealers in foreground. Possibly situated at Sealers Cove (now Cat Bay)local history, photography, historic, dwelling, huts, sealers, building - historic, john jenner, bryant west

Note from E. Goehler to Court King of the Forest mentioning that he has removed his residence from Hospital Hill to Iron Bark near Mr. Sterry's Machine.societies, aof, correspondence, ancient order of foresters no. 3770 collection - correspondence, court king of the forest, mr sterry, e goehler

Blue paper dated July 19th 1876. I hereby certify that Augustus Luffsman of Iron Bark is unable to follow his usual employment. Signed by H. L. Atkinson.societies, aof, correspondence, ancient order of foresters no 3770 collection - medical certificate, court king of the forest, augustus luffsman, h. l. atkinson

Blue paper dated July 29th 1876. I hereby certify that A. Sapasser of Iron Bark is unable to follow his usual employment. Signed by H. L. Atkinson per ?societies, aof, correspondence, ancient order of foresters no 3770 collection - medical certificate, court king of the forest, a sapasser, h l atkinson

Blue paper dated Nov 7th 1868. I hereby Certify that Abraham Lake of Iron Bark is able to follow his usual employment. Signed H. L. Atkinson.societies, aof, correspondence, ancient order of foresters no. 3770 collection - medical certificate, court king of the forest, abraham lake, h l atkinson

Blue paper dated Nov 18th 1869. I hereby Certify that Abraham Lake of Iron Bark is unable to follow his usual employment. Signed H. L. Atkinson.societies, aof, correspondence, ancient order of foresters no. 3770 collection - medical certificate, court king of the forest, abraham lake, h l atkinson

Colour photograph of signs on tree marking Childs grave of Willie Humphrey. Died 1857 aged 8 son of pioneers Joseph & Francis Humphrey. Frenchmans - Navarre Road Barkly

Print - see 8991 - gives details on the rear - Football grand final 3-10-1953. Wal notes that it was the first time he had seen trams crossing at the loop.Yields information about the Grant St loop on the Mt Pleasant line.Negative and Digital images of the Wal Jack Ballarat Negative file of Ballarat No. 20 (Mt Pleasant) and No. 26 (Gardens) crossing at the Grant St loop in Barkly St, Mt Pleasant.trams, tramways, grant st, barkly st, mt pleasant, tram 20

Yields information about Ballarat's trams during 1969, the Mt Pleasant line.AGFA blue / white plastic mount, colour slide of No. 35 outward bound in Barkly St Mt Pleasant, alongside Pearce Park. Tram has the destination of Mt Pleasant."5.4.1969" in ink.tramways, trams, mt pleasant, barkly st, tram 35