Ernest Heinrich Marcuse was born on the 1st of December 1900 to Hedwig and Siegmund Marcuse in Berlin Germany. While Marcuse's artistic talent was apparent from a younger age, his earliest existing artwork was from when he was approximately 20 years old. Ernest's formal art training commenced in 1918 with a three year course at the Berlin school of Interior design. After completion he found work until 1924 when Germany's Great Depression took effect. To broaden his career opportunities he undertook a further 12 months study of fashion, drawing and advertising at Berlin's Reiman school of art. From 1925 to 1934 Ernest was primarily a freelance press artist specialising in industrial, architectural and figurative drawing. Prominent newspaper The Berliner Morgenpost was his largest client along with Gross Deutsche Rundfunaustellung (Germany's organisation for major trade shows). During this period he would create many significant works. Two months after Hitler and the Nazi part came to power in 1933, Ernest received a life changing letter stating that being Jewish he could no longer continue employment in Germany. Up until 1938 he would only be able to undertake private commissions and occasional unofficial work as a book illustrator and games designer. This was by arrangement with non Jewish artists who claimed his work as their own, they would then share the income with Ernest. With increasing unrest in Germany during late 1938 Ernest decided to move to London and there he married his girlfriend Lotte. In late 1939 Ernest and Lotte Marcuse embarked on an eight week journey to their new home in Australia where they had been accepted as refugees. Shortly after arriving in Australia Ernest presented his portfolio to an editor at the Argus newspaper and gained employment as a war events illustrator. He soon became well respected and known in particular for his detailed illustrations and cross sections of ships , artillery and aircrafts. His detailed depictions of battles were displayed on the front pages of The Argus newspaper on a number of occasions. In May 1940 as the war intensified Ernest was dismissed from The Argus newspaper due to his Australian government classification of 'stateless person of enemy origin' and was considered a potential security risk. The editor of the time commented "don't blame us, blame Hitler". Marcuse then began to establish himself as a commercial artist. Ernest was de-classified as a 'stateless person of enemy origin' and in early 1942. The Australian army heard of Ernest's artistic abilities and began to utilize his designs for visual training aids and posters. Ernest became Private E.H Marcuse V377746, his first army posting was as staff artist at The infantry officer's training school at Bonegilla. When off duty he was inspired by the beauty of the surrounding area creating the works in North east Victoria 'Kiewa river bridge', 'Hume weir', ' Dried up river bed' and 'Hawksview gold reef mine' from his 1942-1943 period at Bonegilla Victoria. Ernest returned to the area to create drawings and paintings from 1948 to 1983 in locations including Bright, Wandilligong, Bogong High plains and Wallace's Hut, Mt Buffalo, Beechworth, Pretty valley, Kiewa Hydro, Yackandandah and Bontherambo homestead. These sketches were often completed on location, photographs were also taken onsite to assist the works back at the studio. Occasionally Marcuse also painted in the field. Ernest's preferred choice of medium was pencil and ink. Up until 1952 he would often incorporate watercolour into his work. Later into his career he began introducing pastels, acrylic and mixed media. In earlier years Ernest Marcuse often signed his work Mar, later on the signing of works ranged from Marcuse, E.Marcuse, Ernest Marcuse, EHM or simply EM . If a work was considered incomplete or Marcuse did not like the work it would remain unsigned. From Bonegilla Marcuse was transferred to Woodside South Australia before his final posting in Melbourne until the end of 1945. Ernest's work from within his army posting 'Troop Train at Night' from his 1945 exhibition Australia at War are part of the permanent collection at Canberra's War Museum. Between 1946 and 1969 Ernest largely worked from home and concentrated on a career as a freelance commercial artist and graphic designer. During that time he created work for well known household names including CRA/Conzinc, Vacuum oil (Caltex), Cottee's Brand (Schweppes and Heinz), Home Beautiful magazine Fulton garden supplies, International Iveco trucks, Ego pharmaceuticals, QV and Sunsense. After retirement Ernest concentrated on his true love of fine art and focused on painting images of personal interest both across Australia and Internationally. Earnest never drove a car. He would often walk or use public transport or enlist in the help of family or artist friends to drive him. Throughout his career Ernest Marcuse's artworks were purchase by private collectors these included ACTU, Melbourne City council, Holland Constructions, Melbourne Metropolitan Tramways Board, GJ Coles and Australian Resources Bank. Ernest Marcuse permanent collections can be viewed at The National Gallery of Victoria , Sydney Jewish Museum, Jewish Holocaust Centre Melbourne, Canberra's War Museum, City of Melbourne, Shire of Yarra ranges and now the Burke Museum. © 2020 Art by Marcuse https://www.artbymarcuse.com.au/aboutDonated to the Burke Museum through the Australian Government's Cultural Gifts Program by Peter and Evelyn MarcusePen and coloured pencil landscape drawing on paper.Obverse: Marcuse 74 / Courthouse / Visitor Ned Kelly . B'worth Reverse: BEECHWORTH / COURTHOUSE / B5 / 06 ernest marcuse, marcuse, art, artbymarcuse, beechworth, burke museum, indigo shire, landscape, illustration, drawing, pen and pencil, australian army, war events illustrator, the age, the sun, the argus, germany, refugee, industrial drawing, architectual drawing, figure drawing, berliner morgenpost, grosse deutsche rundfunaustellung, berlin’s reiman school of art., cultural gifts program

Ernest Heinrich Marcuse was born on the 1st of December 1900 to Hedwig and Siegmund Marcuse in Berlin Germany. While Marcuse's artistic talent was apparent from a younger age, his earliest existing artwork was from when he was approximately 20 years old. Ernest's formal art training commenced in 1918 with a three year course at the Berlin school of Interior design. After completion he found work until 1924 when Germany's Great Depression took effect. To broaden his career opportunities he undertook a further 12 months study of fashion, drawing and advertising at Berlin's Reiman school of art. From 1925 to 1934 Ernest was primarily a freelance press artist specialising in industrial, architectural and figurative drawing. Prominent newspaper The Berliner Morgenpost was his largest client along with Gross Deutsche Rundfunaustellung (Germany's organisation for major trade shows). During this period he would create many significant works. Two months after Hitler and the Nazi part came to power in 1933, Ernest received a life changing letter stating that being Jewish he could no longer continue employment in Germany. Up until 1938 he would only be able to undertake private commissions and occasional unofficial work as a book illustrator and games designer. This was by arrangement with non Jewish artists who claimed his work as their own, they would then share the income with Ernest. With increasing unrest in Germany during late 1938 Ernest decided to move to London and there he married his girlfriend Lotte. In late 1939 Ernest and Lotte Marcuse embarked on an eight week journey to their new home in Australia where they had been accepted as refugees. Shortly after arriving in Australia Ernest presented his portfolio to an editor at the Argus newspaper and gained employment as a war events illustrator. He soon became well respected and known in particular for his detailed illustrations and cross sections of ships , artillery and aircrafts. His detailed depictions of battles were displayed on the front pages of The Argus newspaper on a number of occasions. In May 1940 as the war intensified Ernest was dismissed from The Argus newspaper due to his Australian government classification of 'stateless person of enemy origin' and was considered a potential security risk. The editor of the time commented "don't blame us, blame Hitler". Marcuse then began to establish himself as a commercial artist. Ernest was de-classified as a 'stateless person of enemy origin' and in early 1942. The Australian army heard of Ernest's artistic abilities and began to utilize his designs for visual training aids and posters. Ernest became Private E.H Marcuse V377746, his first army posting was as staff artist at The infantry officer's training school at Bonegilla. When off duty he was inspired by the beauty of the surrounding area creating the works in North east Victoria 'Kiewa river bridge', 'Hume weir', ' Dried up river bed' and 'Hawksview gold reef mine' from his 1942-1943 period at Bonegilla Victoria. Ernest returned to the area to create drawings and paintings from 1948 to 1983 in locations including Bright, Wandilligong, Bogong High plains and Wallace's Hut, Mt Buffalo, Beechworth, Pretty valley, Kiewa Hydro, Yackandandah and Bontherambo homestead. These sketches were often completed on location, photographs were also taken onsite to assist the works back at the studio. Occasionally Marcuse also painted in the field. Ernest's preferred choice of medium was pencil and ink. Up until 1952 he would often incorporate watercolour into his work. Later into his career he began introducing pastels, acrylic and mixed media. In earlier years Ernest Marcuse often signed his work Mar, later on the signing of works ranged from Marcuse, E.Marcuse, Ernest Marcuse, EHM or simply EM . If a work was considered incomplete or Marcuse did not like the work it would remain unsigned. From Bonegilla Marcuse was transferred to Woodside South Australia before his final posting in Melbourne until the end of 1945. Ernest's work from within his army posting 'Troop Train at Night' from his 1945 exhibition Australia at War are part of the permanent collection at Canberra's War Museum. Between 1946 and 1969 Ernest largely worked from home and concentrated on a career as a freelance commercial artist and graphic designer. During that time he created work for well known household names including CRA/Conzinc, Vacuum oil (Caltex), Cottee's Brand (Schweppes and Heinz), Home Beautiful magazine Fulton garden supplies, International Iveco trucks, Ego pharmaceuticals, QV and Sunsense. After retirement Ernest concentrated on his true love of fine art and focused on painting images of personal interest both across Australia and Internationally. Earnest never drove a car. He would often walk or use public transport or enlist in the help of family or artist friends to drive him. Throughout his career Ernest Marcuse's artworks were purchase by private collectors these included ACTU, Melbourne City council, Holland Constructions, Melbourne Metropolitan Tramways Board, GJ Coles and Australian Resources Bank. Ernest Marcuse permanent collections can be viewed at The National Gallery of Victoria , Sydney Jewish Museum, Jewish Holocaust Centre Melbourne, Canberra's War Museum, City of Melbourne, Shire of Yarra ranges and now the Burke Museum. © 2020 Art by Marcuse https://www.artbymarcuse.com.au/aboutDonated to the Burke Museum through the Australian Government's Cultural Gifts Program by Peter and Evelyn MarcusePen and coloured pencil landscape drawing on paper.Obverse: MARCUSE / B.worth (in pen) Reverse: BEECHWORTH NOSTALGIA / BW – 01 (crossed out) / B2 / CORNER CAMP + FORD STREET / (on masking tape) 001 (pencil) ernest marcuse, marcuse, art, artbymarcuse, beechworth, burke museum, indigo shire, landscape, illustration, drawing, pen and pencil, australian army, war events illustrator, the age, the sun, the argus, germany, refugee, industrial drawing, architectual drawing, figure drawing, berliner morgenpost, grosse deutsche rundfunaustellung, berlin’s reiman school of art., cultural gifts program

Ernest Heinrich Marcuse was born on the 1st of December 1900 to Hedwig and Siegmund Marcuse in Berlin Germany. While Marcuse's artistic talent was apparent from a younger age, his earliest existing artwork was from when he was approximately 20 years old. Ernest's formal art training commenced in 1918 with a three year course at the Berlin school of Interior design. After completion he found work until 1924 when Germany's Great Depression took effect. To broaden his career opportunities he undertook a further 12 months study of fashion, drawing and advertising at Berlin's Reiman school of art. From 1925 to 1934 Ernest was primarily a freelance press artist specialising in industrial, architectural and figurative drawing. Prominent newspaper The Berliner Morgenpost was his largest client along with Gross Deutsche Rundfunaustellung (Germany's organisation for major trade shows). During this period he would create many significant works. Two months after Hitler and the Nazi part came to power in 1933, Ernest received a life changing letter stating that being Jewish he could no longer continue employment in Germany. Up until 1938 he would only be able to undertake private commissions and occasional unofficial work as a book illustrator and games designer. This was by arrangement with non Jewish artists who claimed his work as their own, they would then share the income with Ernest. With increasing unrest in Germany during late 1938 Ernest decided to move to London and there he married his girlfriend Lotte. In late 1939 Ernest and Lotte Marcuse embarked on an eight week journey to their new home in Australia where they had been accepted as refugees. Shortly after arriving in Australia Ernest presented his portfolio to an editor at the Argus newspaper and gained employment as a war events illustrator. He soon became well respected and known in particular for his detailed illustrations and cross sections of ships , artillery and aircrafts. His detailed depictions of battles were displayed on the front pages of The Argus newspaper on a number of occasions. In May 1940 as the war intensified Ernest was dismissed from The Argus newspaper due to his Australian government classification of 'stateless person of enemy origin' and was considered a potential security risk. The editor of the time commented "don't blame us, blame Hitler". Marcuse then began to establish himself as a commercial artist. Ernest was de-classified as a 'stateless person of enemy origin' and in early 1942. The Australian army heard of Ernest's artistic abilities and began to utilize his designs for visual training aids and posters. Ernest became Private E.H Marcuse V377746, his first army posting was as staff artist at The infantry officer's training school at Bonegilla. When off duty he was inspired by the beauty of the surrounding area creating the works in North east Victoria 'Kiewa river bridge', 'Hume weir', ' Dried up river bed' and 'Hawksview gold reef mine' from his 1942-1943 period at Bonegilla Victoria. Ernest returned to the area to create drawings and paintings from 1948 to 1983 in locations including Bright, Wandilligong, Bogong High plains and Wallace's Hut, Mt Buffalo, Beechworth, Pretty valley, Kiewa Hydro, Yackandandah and Bontherambo homestead. These sketches were often completed on location, photographs were also taken onsite to assist the works back at the studio. Occasionally Marcuse also painted in the field. Ernest's preferred choice of medium was pencil and ink. Up until 1952 he would often incorporate watercolour into his work. Later into his career he began introducing pastels, acrylic and mixed media. In earlier years Ernest Marcuse often signed his work Mar, later on the signing of works ranged from Marcuse, E.Marcuse, Ernest Marcuse, EHM or simply EM . If a work was considered incomplete or Marcuse did not like the work it would remain unsigned. From Bonegilla Marcuse was transferred to Woodside South Australia before his final posting in Melbourne until the end of 1945. Ernest's work from within his army posting 'Troop Train at Night' from his 1945 exhibition Australia at War are part of the permanent collection at Canberra's War Museum. Between 1946 and 1969 Ernest largely worked from home and concentrated on a career as a freelance commercial artist and graphic designer. During that time he created work for well known household names including CRA/Conzinc, Vacuum oil (Caltex), Cottee's Brand (Schweppes and Heinz), Home Beautiful magazine Fulton garden supplies, International Iveco trucks, Ego pharmaceuticals, QV and Sunsense. After retirement Ernest concentrated on his true love of fine art and focused on painting images of personal interest both across Australia and Internationally. Earnest never drove a car. He would often walk or use public transport or enlist in the help of family or artist friends to drive him. Throughout his career Ernest Marcuse's artworks were purchase by private collectors these included ACTU, Melbourne City council, Holland Constructions, Melbourne Metropolitan Tramways Board, GJ Coles and Australian Resources Bank. Ernest Marcuse permanent collections can be viewed at The National Gallery of Victoria , Sydney Jewish Museum, Jewish Holocaust Centre Melbourne, Canberra's War Museum, City of Melbourne, Shire of Yarra ranges and now the Burke Museum. © 2020 Art by Marcuse https://www.artbymarcuse.com.au/aboutDonated to the Burke Museum through the Australian Government's Cultural Gifts Program by Peter and Evelyn MarcusePen and coloured pencil landscape drawing on paper.Obverse: MILLS / DISPENSARY / MARCUSE 83 / YACKANDANDAH Reverse: Y 12 / ernest marcuse, marcuse, art, artbymarcuse, beechworth, burke museum, indigo shire, landscape, illustration, drawing, pen and pencil, australian army, war events illustrator, the age, the sun, the argus, germany, refugee, industrial drawing, architectual drawing, figure drawing, berliner morgenpost, grosse deutsche rundfunaustellung, berlin’s reiman school of art., cultural gifts program, yackandandah

Australians have lately added lustre, in Vietnam, to their fame as soldiers, and week by week names from among them are added to the lists of the fallen.vietnam war, 1961-1975 - australia, vietnam war (1961-1975), vietnamese conflict

all nurses at the Alfred Hospital were required to use these boxes to send uniforms to laundry, also all hospital staff who had uniforms supplied. (from previous catalogue): All nursing staff wore hospital supplied uniforms for much of the twentieth century. The Royal Melbourne Hospital ran the 'Central Linen Service' for during this time - doing all the laundry for all the public hospitals in Melbourne. Staff uniforms were laundered separately, everyone had their own numbered laundry case. Staff also had a small printed docket book with duplicate copies (complete with a piece of carbon paper) and the number of uniform items were detailed when the case was sent off to the laundry. Cases had to be in the 'laundry room' at a set time each week, clean laundry returned at the same time each week and it usually took 10-15 minutes to find your case in the very full laundry room the day it came back.Significant to the AHNL as all nurses were required to have one (from previous catalogue): The laundry box system shows what a complex and detailed system was required to keep staff clean and tidy.Brown heavy cardboard reinforced case and lid with locks on either end, plastic corner protectors, metal split pins, metal reinforced edges Both ends box identification number. A cross (X) formed by blue and yellow plastic tape and a navy blue round stickerThe Royal Melbourne Hospital Central Linen Service and Group Laundry (printed on white circular sticker) hand written number E171. Also old catalogue number. (from old catalogue)Sticker stating Royal Melbourne Hospital Central Linen Service and on outside number of box E 171 (E was the identifier of the Alfred) for identification purposes.ahnl, alfred hospital, nurses, uniforms, laundry cases, rmh central linen service and group laundry, hospital uniforms

Black and white negative, by Wal Jack, of SW6 915 decorated for the Golden Jubilee of Australia, on a route 20, Coburg service in Elizabeth St, just before crossing Collins St. Has in the background Muraltune and Andrews stores and adverts for Nestle's and Dulux. Mal Rowe advised 23/8/2020 by e-mail: From the draft text of "The W book": "The first SW6 tram to be decorated was No. 915, which was painted and fitted with panels and aprons promoting fifty years of the Federation of Australia, 1901 to 1951. No. 915 ran on all lines from November, 1950 until May, 1951. In November 1951 No. 915 was fitted with roof illuminations for a six week Christmas promotion. "trams, tramways, decorated trams, elizabeth st, sw6 class, route 20, tram 915

.1 - Rule book - 16 pages + card cover, centre stapled, titled "Hawthorn Electric Tramways Club - Constitution and Rules" undated. Club founded 23/10/1916. Notes that the book must be returned if the employee leaves the MMTB. Sets out Membership, Contributions, office bearers, voting, committee, general meetings, duties of offices, auditors, funds, sick and accident benefits, funeral benefits, conduct of members - fines, alterations of the rules and standing orders. .2 - two sheet update to be pasted in the book, has an adhesive area on the rear advising that Camberwell Depot would be included, that the MMTB would collect the levy now 1/- per week and the additional levy of 2/6 per member when a member retired at the age of 65 or was retired by the Board due to ill health or death. Dated 1936 and signed by the Secretary - A Y PorteousOn the inside front cover of .1 and on the rear of .2 has a stamp "Bob Prentice Collection No. B175167A (or B). Reproduction only with consent of B. J. Brooks".trams, tramways, hawthorn depot, camberwell depot, retirements, gratuity scheme, medical

Australians have lately added lustre, in Vietnam, to their fame as soldiers, and week by week names from among them are added to the lists of the fallen.australia. army. royal australian regiment. battalion, vietnam war, 1961-1975 - personal narratives, australian

The Northern District School of Nursing opened in 1950 in to address the issues around nurse recruitment, training and education that had previously been hospital based. The residential school was to provide theoretical and in-house education and practical training over three years. The students would also receive practical hands-on training in the wards of associated hospitals. The Northern District School of Nursing operated from Lister House, Rowan Street, Bendigo. It was the first independent school of nursing in Victoria and continued until it closed in 1989. The book "The First of its Kind" was published in 2015. Printed in Bendigo by "Bendigo Modern Press". Memories compiled by Peter Rosewall; who attended the last NDSN school PTS 108 between 1986 - 89.Original page from the Bendigo Advertiser on 19 November 1970. Includes photograph of three nurses with a skeleton with the caption " The skeleton came out of the closet this week at Northern District School of Nursing - but it was all in a good cause - for the edification of nurses attending the refresher course at the school. Pictured are Sisters V.Mills Mincha, J. Gourley, Inglewood and P. Byrne, Bendigo. In the accompanying information is about nurses undertaking a six week refresher. Seventeen nurses attended from Rochester, Kerang, Campbell Town, Mincha, Swan Hill, Mildura, Heathcote, Inglewood, Kamarooka and Bendigo. Original page from the Bendigo Advertiser folded. memoir, nursing, ndsn, mr norm phillips, nancy winifred long mbe

RVIB Auxiliaries raised monies for the organisation at a grassroots level, via a variety of meetings, fundraisers and events. To keep them in touch with head office and to let branches what other branches were doing across the state, regular newsletters were sent out. Presentation of lifetime achievement awards by Governor John Landy, launch of the Feelix Early Childhood Braille Book Library, staff profile of Patsy Vizents, RVIB Gold Ball, RVIB for Sight Week, reports from Auxiliaries around the state and obituaries.32 pages of text and imagesroyal victorian institute for the blind, auxiliaries

The Ironmonger Diary 1894 is titled on top of the inner pages "The Ironmonger Diary and Text Book". The inner pages contain blank diary pages, two weeks to an opening, with a light weight, blank pink page between the weeks. There are also Cash Book pages. The front and back sections of the diary contain product advertisements for ironmonger's wares, hardware, household goods, farm machinery, bicycles and even some clothing. There are Tables of measurements, a green-aged section called Classified List of Trade Marks and Brands, The Buyer's Guide and a list of Hallmarks on Plate (such as gold) and the years of manufacture.The Ironmonger Diary 1894 is a hard covered book bound book with gold lettering on the front cover and spine. The front cover includes an index to the information inside. It is titled on top of the inner pages "The Ironmonger Diary and Text Book". The inner pages contain blank diary pages, two weeks to an opening, with a light weight, blank pink page between the weeks. There are also Cash Book pages. The front and back sections of the diary contain product advertisements for ironmonger's wares, hardware, household goods, farm machinery, bicycles and even some clothing. There are Tables of measurements, a green-aged section called Classified List of Trade Marks and Brands, The Buyer's Guide and a list of Hallmarks on Plate (such as gold) identifying the years of manufacture.Pencilled letters on the Hallmarks on Plate page beside some of the letters, identifying the letter on the Hallmark. On the cover is also stamped in gold lettering "OFFICES: 42 CANNON ST, LONDON. E.C./MELBOURNE AND SYDNEY, AUSTRALIA"flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, ironmonger diary, 1894, hardware catalogue, hardware diary

The item is a hard cover book recording weekly work of T.J. Connolly, Ironmongers, Sandhurst. A list of names is written inside the front cover. An alphabetical index at the front of the book, lists types of goods and equipment. The index is followed by handwritten pages recording each week's work including goods, fittings and equipment types, client surname or business name and a numbering system. The work records have also been checked off with ticks or crosses separately. The hard cardboard cover is green with red marbling, which is worn and torn. The leather binding has peeled away from the pages and front cover but is attached to the back cover. The pages are fragile with many loose pages due to the state of the binding. The book is full and includes the date range of 29 May 1886 to 12 October 1888. This item is part of the Margaret Roberts Collection.Business stamp on torn loose page inside front cover. margaret roberts collection, ironmongers, forest street, bendigo businesses

Contains the record of police activity from 1927 to 1956.This is ultimately a record of the chances within Broadmeadows through thirty years of the twentieth century.Book, with blue cover and brown leather spine. Pages are divided into 19 columns, used to record, by Police Officers, occurrences in an area of note. Week to a page.On spine: Occurrence Record Bookpolice, broadmeadows, occurrence records, 1927, 1956

McColl Rankin & Stanistreet solicitors electronic ledger entries for various Bendigo Gold Mining Companies 6994.1 Wages sheet - Nell Gwynne Reef Mine; manila folder containing one sheet of paper with wages entry for week ending 9th December 1979 6994.2 Ledger of names in alphabetical order, undated !!! 6994.3 Bound ledger, noted as Central Comet G. M. Co (Gold Mining Company), No Liability. handwritten entries by many hands. dated 11 March 1898 to 4 December 1899. reporting on payments not authorised by the Directors. Entries over five double pages majority of the ledger is unused. 6994.4 Deborah Gold Mines, No Liability, electronic ledger sheets dated from 1945 to 1950, for supplies, etc. 6994.5 Forfeited Share Sales. Exercise book with unreadable cover notation, listing sales of forfeited shares in various companies managed by McM R & S. 6994.6 South Deborah Gold Mines, No Liability. Paper pages containing ledger entries. Dated 1940s. 6994.7 East Clarence Gold Mining Company, No Liability. Paper pages of electronic ledger cards. Dated 1940s for wide range of company expenditures. 6994.8 Forbes Carshalton G. M. Co. No Liability paper pages with ledger entries. Dated 1940s. 6994.9 South Nell Gwynne G. M. Co. No Liability paper pages with ledger entries. Dated 1940s. 6994.10 Napoleon Reef G. M. Co. No Liability paper pages with ledger entries. Dated 1940s. 6994.11 Deborah United G. M. Co. No Liability paper pages with ledger entries. Dated 1940s. 6994.12 Central Napoleon G. M. Co. No Liability; paper pages with ledger entries. Dated 1940s. 6994.13 Golden Carshalton G. M. Co. No Liability; paper pages with ledger entries. Dated 1940s. 6994.14 North Virginia G. M. Co. No Liability; paper pages with ledger entries. Dated 1940s. 6994.15 New Monument G. M. Co. No Liability; paper pages with ledger entries. Dated 1940s. 6994.16 South Nell Gwynne G. M. Co. No Liability; paper pages with ledger entries. Dated 1940s. 6994.17 New Don G. M. Co. No Liability; paper pages with ledger entries. Dated 1940s. 6994.18 Red White & Blue Extended G. M. Co. No Liability paper pages with ledger entries. Dated 1940s. Company stamp at the top of the electronic ledger pagessocial history, mining company records, mining companies

Peter Ball was conscripted for two years National Service beginning on 23.4.1969 Regt No 3796117. Postings, Recruit Training Puckapunyal Vic, Infantry Corp Training Singleton NSW, Infantry Corp Reinforcement Wing Ingleburn NSW, Jungle Training Centre Canungra QLD 3 weeks, ankle injury 5.9.69, return to Ingleburn, Basic Signals Course Ingleburn 5.11.69 - 10.12.69, Volunteered for service Vietnam, passed medically fit, fly out 3.3.1970 for Saigon, posted to Reinforcement Wing Nui Dat for 3 weeks acclimatisation training, posted to 6 Pl B Coy 8 RAR 25.3.70, embark HMAS Sydney for Australia 1.11.70, disembark Brisbane 12.11.70, posted to Enogerra Barracks Brisbane, posted to Vic Barracks Melbourne 5.3.1971 for discharge, posted to Sale 2 weeks with CMF fortnight Camp, discharged from the Army 23.4.1971 with the rank of PTE. Enlist in the CMF Geraldton WA in A Coy 16 RWAR on 24.6.1978 same Regt No, discharged re interstate transfer on 18.2.1981, rank L/Cpl.Pay Book No C 23443, brown covers with green tape on binding, print in black on front, hand written in black texta, white label on with hand writing in blue pen, 40 pages with entries in blue & red hand writing, large purple “DISCHARGED” stamp on many pages, rear page has a yellow envelope taped on with 3 X “Pay Book variation Authority” slips in, off white, layout in green, typing in black with red hand written items on, rear page cover has photo of a soldier with name, rank and date onFront cover in texta, “3796117 BALL PETER CHARLES”, date stamp on page 1 “23 APR 1969”, rear page photo date has ,”26.4.69”. Pay book Variations Authorities dated, “14.12.70, 14.12.70, 15.12.70” pay books, administrative record, soldiers