701 Main Road, Eltham Situated originally on the corner of the Dalton Street road reserve west of Main Road (now present-day Wingrove Park Trail), the former Jarrold Cottage (White Cloud) was purchased by Lena Skipper following Thekla Jarrold's death in 1943. It was built by William Jarrold in the early 1850s and was here that he married Hannah Coleman in 1856. The Bootmaker's shop was built by Thekla Jarrold in 1930 for use by her friend, John Clark, a local photographer who had boarded with the Jarrold family since about 1910. In 1930 he changed profession to a bootmaker and leather worker. The shop is one of only three remaining early 20th century shops in what was Little Eltham, the others being present-day San Antionio Barber Shop at 820 Main Road and Cafe Zen Den at 736 Main Road. Craig Price 1988 Entrant No. 148 Ref: Series 34, Items 37, 38, 109, 110 SHIRE OF ELTHAM COMMUNITY PHOTOGRAPHIC SURVEY Photography is an artform which many of us practice, sometimes purely for artistic pursuit, sometimes to record the people and events in our lives. In 1988, as part of a local Bicentennial project, the Shire of Eltham conducted the Eltham Community Photographic Survey. Up to 100 entries were to be selected by a panel of photographers for entry into the Eltham Photographic Survey Exhibition. Entries had to be submitted by May 13, 1988. Entrants whose images were selected for the exhibition were contacted and requested to further submit an entry form providing entrant’s name, area of residence, age, and proposed captions. These details were then used to produce labels for the exhibition mounts. Where negatives had not been supplied, these were requested to support the display of printed enlargements mounted on 10” x 8” cardboard. The mounted prints were made available post exhibition for sale at $8.50 each for colour prints and $7.00 for B&W prints. Residents in the Shire were invited to collect a free roll of film and take a photograph of what they either liked or did not like about the area. A total of 160 entrants submitted multiple entries for the exhibition. Of those selected for exhibition, entrants ranged in age from 9 to 70 years. All custom colour and black and white printing for the exhibition was completed by Wattle Studios of Eltham. The Eltham Photographic Survey was jointly auspiced by the Shire of Eltham and Wattle Studios, of 953 Main Road, Eltham. The project was greatly assisted by: • David McRitchie, Media Studies Lecturer Victoria College, Rusden Campus. • Ian and Annette Toohill of Wattle Studios • Tracy Naughton, Eltham Community Arts Officer • Neville Emerson Pty. Ltd. • Superior Press, Eltham • Kodak Australasia Pty. Ltd. • Agfa Gevaert Ltd. • Townsend Colourtech Pty. Ltd. • The Australian Bicentennial Authority • Eleanor Bowers, Secretary, Eltham Arts Council The exhibition was placed on display in the Woolworths Arcade, Eltham between Monday June 6th and Saturday June 11, 1988. It was also intended to hold the exhibition at a venue in the Shire’s North Riding from Monday, June 20 to Friday June 24. It was then displayed at the Were Street Theatre, Montmorency from Friday, June 24 to Thursday, July 7. Series 34: Eltham Community Photographic Survey 1988 - Prints & Documentation Series consists of 117 photographs of Shire scenes taken by members of the community. Items I - 41 are larger photographs mounted on card, which were exhibited. Items 42 - 117 are unmounted copies, alternative takes and other entries. Corresponding negatives contained in Series 35: Eltham Community Photographic Survey 1988 – Negatives which consists of 267 colour and B&W negatives and one colour slide of Shire scenes taken by members of the community. The negatives are arranged by the entrant number of the photographer. The Eltham Community Photographic Survey collection is significant to the local community as it was curated by the local community - ordinary people of all ages - representing what they liked and did not like in the area where they lived. It represents an unfiltered representation of the Shire of Eltham as it was in 1988. It also represents one of many projects as part of the national programme of events and celebrations to commemorate the bicentenary. It is a time capsule of life in the 1980s of this urban and rural municipality in Melbourne's north. Front: Entrant No. and name on printed label Rear: Entrant No., name and address on printed label; also 'Series 34' and the 'Item No.' in pencilshire of eltham archives, bicentennial project, eltham, eltham community photographic survey, eltham photographic survey exhibition, series 34, series 35, bootmaker's shop, craig price, film - kodak ga 100 5095, main road, scan - 35mm negative

701 Main Road, Eltham Situated originally on the corner of the Dalton Street road reserve west of Main Road (now present-day Wingrove Park Trail), the former Jarrold Cottage (White Cloud) was purchased by Lena Skipper following Thekla Jarrold's death in 1943. It was built by William Jarrold in the early 1850s and was here that he married Hannah Coleman in 1856. The Bootmaker's shop was built by Thekla Jarrold in 1930 for use by her friend, John Clark, a local photographer who had boarded with the Jarrold family since about 1910. In 1930 he changed profession to a bootmaker and leather worker. The shop is one of only three remaining early 20th century shops in what was Little Eltham, the others being present-day San Antionio Barber Shop at 820 Main Road and Cafe Zen Den at 736 Main Road. Andrew Peel 1988 Entrant No. 28 Ref: Series 34, Items 11, 60-63 SHIRE OF ELTHAM COMMUNITY PHOTOGRAPHIC SURVEY Photography is an artform which many of us practice, sometimes purely for artistic pursuit, sometimes to record the people and events in our lives. In 1988, as part of a local Bicentennial project, the Shire of Eltham conducted the Eltham Community Photographic Survey. Up to 100 entries were to be selected by a panel of photographers for entry into the Eltham Photographic Survey Exhibition. Entries had to be submitted by May 13, 1988. Entrants whose images were selected for the exhibition were contacted and requested to further submit an entry form providing entrant’s name, area of residence, age, and proposed captions. These details were then used to produce labels for the exhibition mounts. Where negatives had not been supplied, these were requested to support the display of printed enlargements mounted on 10” x 8” cardboard. The mounted prints were made available post exhibition for sale at $8.50 each for colour prints and $7.00 for B&W prints. Residents in the Shire were invited to collect a free roll of film and take a photograph of what they either liked or did not like about the area. A total of 160 entrants submitted multiple entries for the exhibition. Of those selected for exhibition, entrants ranged in age from 9 to 70 years. All custom colour and black and white printing for the exhibition was completed by Wattle Studios of Eltham. The Eltham Photographic Survey was jointly auspiced by the Shire of Eltham and Wattle Studios, of 953 Main Road, Eltham. The project was greatly assisted by: • David McRitchie, Media Studies Lecturer Victoria College, Rusden Campus. • Ian and Annette Toohill of Wattle Studios • Tracy Naughton, Eltham Community Arts Officer • Neville Emerson Pty. Ltd. • Superior Press, Eltham • Kodak Australasia Pty. Ltd. • Agfa Gevaert Ltd. • Townsend Colourtech Pty. Ltd. • The Australian Bicentennial Authority • Eleanor Bowers, Secretary, Eltham Arts Council The exhibition was placed on display in the Woolworths Arcade, Eltham between Monday June 6th and Saturday June 11, 1988. It was also intended to hold the exhibition at a venue in the Shire’s North Riding from Monday, June 20 to Friday June 24. It was then displayed at the Were Street Theatre, Montmorency from Friday, June 24 to Thursday, July 7. Series 34: Eltham Community Photographic Survey 1988 - Prints & Documentation Series consists of 117 photographs of Shire scenes taken by members of the community. Items I - 41 are larger photographs mounted on card, which were exhibited. Items 42 - 117 are unmounted copies, alternative takes and other entries. Corresponding negatives contained in Series 35: Eltham Community Photographic Survey 1988 – Negatives which consists of 267 colour and B&W negatives and one colour slide of Shire scenes taken by members of the community. The negatives are arranged by the entrant number of the photographer. The Eltham Community Photographic Survey collection is significant to the local community as it was curated by the local community - ordinary people of all ages - representing what they liked and did not like in the area where they lived. It represents an unfiltered representation of the Shire of Eltham as it was in 1988. It also represents one of many projects as part of the national programme of events and celebrations to commemorate the bicentenary. It is a time capsule of life in the 1980s of this urban and rural municipality in Melbourne's north. Rear: Entrant No., name and address in blue ink; also 'Series 34' and the 'Item No.' in orange inkshire of eltham archives, bicentennial project, eltham, eltham community photographic survey, series 34, series 35, andrew peel, bootmaker's shop, film - kodak gb 200 5096, main road, scan - 35mm negative

Riverclay Craft Gallery, 573 Main Road, Eltham Riverclay was located along with Ansell and Muir's Chicken shop opposite Eltham Lower Park. The building has since been demolished as it lay within the 1934 flood plain limits Elizabeth Simkin 1988 Entrant No. 149 Ref: Series 34, Items 39, 111-113 The photographer noted that in a sad indictment of the local community, this German Shepherd dog and another had been abandoned by their owners to scavenge through the bins and chase the drunks around the lake at dawn. Both dogs were impounded and the owners never claimed them. As a consequence they were eventually both put down. The photographer noted that in a sad indictment of the local community, this German Shepherd dog and another had been abandoned by their owners to scavenge through the bins and chase the drunks around the lake at dawn. Both dogs were impounded and the owners never claimed them. As a consequence they were eventually both put down. SHIRE OF ELTHAM COMMUNITY PHOTOGRAPHIC SURVEY Photography is an artform which many of us practice, sometimes purely for artistic pursuit, sometimes to record the people and events in our lives. In 1988, as part of a local Bicentennial project, the Shire of Eltham conducted the Eltham Community Photographic Survey. Up to 100 entries were to be selected by a panel of photographers for entry into the Eltham Photographic Survey Exhibition. Entries had to be submitted by May 13, 1988. Entrants whose images were selected for the exhibition were contacted and requested to further submit an entry form providing entrant’s name, area of residence, age, and proposed captions. These details were then used to produce labels for the exhibition mounts. Where negatives had not been supplied, these were requested to support the display of printed enlargements mounted on 10” x 8” cardboard. The mounted prints were made available post exhibition for sale at $8.50 each for colour prints and $7.00 for B&W prints. Residents in the Shire were invited to collect a free roll of film and take a photograph of what they either liked or did not like about the area. A total of 160 entrants submitted multiple entries for the exhibition. Of those selected for exhibition, entrants ranged in age from 9 to 70 years. All custom colour and black and white printing for the exhibition was completed by Wattle Studios of Eltham. The Eltham Photographic Survey was jointly auspiced by the Shire of Eltham and Wattle Studios, of 953 Main Road, Eltham. The project was greatly assisted by: • David McRitchie, Media Studies Lecturer Victoria College, Rusden Campus. • Ian and Annette Toohill of Wattle Studios • Tracy Naughton, Eltham Community Arts Officer • Neville Emerson Pty. Ltd. • Superior Press, Eltham • Kodak Australasia Pty. Ltd. • Agfa Gevaert Ltd. • Townsend Colourtech Pty. Ltd. • The Australian Bicentennial Authority • Eleanor Bowers, Secretary, Eltham Arts Council The exhibition was placed on display in the Woolworths Arcade, Eltham between Monday June 6th and Saturday June 11, 1988. It was also intended to hold the exhibition at a venue in the Shire’s North Riding from Monday, June 20 to Friday June 24. It was then displayed at the Were Street Theatre, Montmorency from Friday, June 24 to Thursday, July 7. Series 34: Eltham Community Photographic Survey 1988 - Prints & Documentation Series consists of 117 photographs of Shire scenes taken by members of the community. Items I - 41 are larger photographs mounted on card, which were exhibited. Items 42 - 117 are unmounted copies, alternative takes and other entries. Corresponding negatives contained in Series 35: Eltham Community Photographic Survey 1988 – Negatives which consists of 267 colour and B&W negatives and one colour slide of Shire scenes taken by members of the community. The negatives are arranged by the entrant number of the photographer. The Eltham Community Photographic Survey collection is significant to the local community as it was curated by the local community - ordinary people of all ages - representing what they liked and did not like in the area where they lived. It represents an unfiltered representation of the Shire of Eltham as it was in 1988. It also represents one of many projects as part of the national programme of events and celebrations to commemorate the bicentenary. It is a time capsule of life in the 1980s of this urban and rural municipality in Melbourne's north. Rear: Entrant No., name and address in blue ink; also 'Series 34' and the 'Item No.' in orange inkshire of eltham archives, bicentennial project, eltham, eltham community photographic survey, series 34, series 35, elizabeth simkin, film - kodak ga 100 5095, riverclay craft gallery, scan - 35mm negative

Hilda Hill Collection. Combination of Sepia and Black & White Photos. (Total 16.) two men with arms on each others shoulders, both with legs crossed, background shows large group of people and large trees, Hibernian Picnic November 19th 1919. Elderly lady holding two bird cages with birds therein standing in front of large flowering bush, the lady is dressed in all white and her hat lies on the ground in front of her, the hat appears to have flowers on the brim. Mrs Mc'Rosebower' October 1919. Hilda V. Standing with a background of shrubbery, wearing a dark dress, photo not very clear, 'The Ranche' March 1921. The Pinnacle One Tree Hill, people on the top lookout area and the wooden staircase for access, note the iron roof at the first level to provide shelter at ground level, April 1920. Lady on a ladies bicycle, dressed in geometric patterned dress, in front of an old shed with a corrugated iron roof. The bicycle has a front and rear mudguard, 'The Ranche' January 1920. Three ladies, the lady on the left is wearing a white dress with a black belt and holding in her right hand a small bag with a handle, the middle lady is wearing a dress of another colour with three strips of material at different levels on the front and holding her hands at her waist, also wearing lace up boots, lady to the right is wearing a white blouse and a dark skirt and her hands behind her back, background is garden, 'Durvol' December 1919. Photo of young girl dressed in black standing next to a small bush with her back to a house exterior wall, to the left is a white wall, NO Details.Three ladies standing beneath a large tree arm in arm, left girl is wearing a white top with a black belt and dark skirt, Centre girl is wearing a white top and dark skirt, girl at right wearing coloured? Dress with matching sash belt,'Durvol' December 19th 1919. Two men and three ladies in a rowing boat on lake Weeroona, both men are wearing dark suits and hats, the ladies are all in light coloured clothing and also wearing large brimmed hats. Kath wearing a black dress with a fox skin stole and holding a large bag in her right hand in garden setting, left background is a corrugated iron fence with wooden top rail, to the right is the wall of a building, September 1919 'the Ranche'. Jack wearing a black coat and jodhpurs with a white high neck jumper leaning on a wire and netting farm type fence, Mt. Buffalo July 1923. Photo of a 'Rosebower' in a garden corner, right shows part of a picket fence, wear and tear indicates that a gate may be in the fence accessible through the bower, October 1919. Two ladies holding tennis racquets, dressed in white blouses with one dark dress and the other a lighter shade sitting on stool inside a netted tennis court, both ladies are wearing large brimmed hats, background is a house with a water tank on the left end, three decorative chimneys, tiled roof, decorative panelling below the guttering, 'Kilmuir' October 1919. Lady on dark coloured horse, the lady is wearing a white blouse and jodhpurs and a large brimmed hat, background is house showing a bow window three chimneys and a small portion of the decorative fretwork below the gutter line of the verandah, 'Kilmuir' October 1919. Two young men dressing collar and tie one wearing a coat and three young ladies reclining on the ground, girl on the left is wearing a light coloured dress white blouse and cardigan, middle girl wearing a short sleeved top, right lady is wearing white blouse and dark coat, in foreground there appears to be a pudding meat and a wine bottle, left edge another male can be partially seen lying on the ground with a bottle in his left hand, at 'Monte Video' after dinner 18 July 1924. Ten people sitting and standing on a veranda, 'The Ranche', celebrating an event, small 4 wheel table with food, person front left holding a white cup and saucer, July 1924.australia, history, victoria post war touring boom, http://www.yourbrisbanepastandpresent.com/2012_02_01_archive.html

Written by George E Scott who was born in Creswick March 1900. Moved to Vaughan in 1904. Attended Yapeen State School utill 1913 then to Castlemaine high school and technical schools. Poem written in 1950s.There is a lift to the old boys step tonight, and is feeling young and gay his eyes are bright and his heart is light, and his thoughts are far away. Back in his dear old Castlemaine, or out in the hills around living the days of his youth again feeling his pulses bound. For he's just answered the call that comes to the loyal hearts every year insistent, clear as the beating of drums it falls on the listening ear so the old boy went and his mates went to back home in their hundreds strong and years were bridged in at long day through in story and speech and song. At at the Bush school love so well he gathered with his comrades gay, old Lads and Lassie's with tales to tell of memories tucked away. And bright eyed children had joined them in there happy young faces shone, as they showed old scholars are pride and care in the school that was handed on. Around them the bushland was bright with flowers, and the dear little orchid blue Bloom there with bright, in the sunlit bowers- for it is our emblem true. So the old boy drained through that day again, and it lifted his heart like a song, then Knight came down on the old home town and the hall, with its happy throng. In long brave lines they had mustered there as they had on the days of yore, and as they answered the roll - but the years take toll- there were mates who would come no more. The toast called, and the speeches made, when, trooping into the hall, with faces bright, and their eyes alight, came the girls- the toast of them all. So they broke up and wandered and formed into groups, while many have time for a song, But bashing the ear was permissible here, and they kept at it- steady and long. So the hours flitted by happiest notes of memories sweet old refrain, old friendships renewed - past doing's reviewed, the old boy was feeling strain. For his ears had been punished, his hand had been wrung, his voice was hoarse as a crow, with an ache in his jaw- "I can't take any more, while I'm all in one piece, mates, I'll go." With Auld lang syne is singing a broke up and parted, "next year we will see you again" when the message goes ringing, their thoughts will go winging and calling them back to 'Mainepoem, yapeen

These photographs were taken at the Corps Day parade at the Army Survey Regiment, Bendigo in July 1983. This was the Director of the Survey Corps – COL John Hillier’s last parade at Fortuna before his retirement. COL Hillier, often referred to as ‘NRJ’ (his initials) was Director for five years. COL Alex W. Laing attended the parade as his successor, seen in the foreground of photos .5P and .6P. COL Hillier was appointed a couple of years later to the honorary position of Colonel Commandant of the Royal Australian Survey Corps from 1989 to 1993. COL Laing was Director of RASvy from July 1983 to November 1988. Corps Day Parades were held to commemorate the formation of the Royal Australian Survey Corps in July 1915.This is a set of 19 photographs of a Corps Day parade at the Army Survey Regiment, Bendigo in July 1983. The negatives of the photographs were scanned at 96 dpi. .1) - Photo, black & white, 1983, L to R: CPL Di Chalmers, CPL Dave Cook, unidentified, SGT Bob Bright, unidentified, SPR Dave Wright, SGT Josh Degroot, SPR Chad Hardwick. .2) - Photo, black & white, 1983, L to R: LT Karen (Adams) Byrne, CAPT Roger Rix, RSM WO1 Bob Mason, MAJ Bob Roche, CO LTCOL Jorge Gruszka, CAPT Mick Byrne, Director COL John Hillier, CPL Terry Danger, CPL Paul Richards, CPL Greg Sulman, CPL George Holland, CPL Roger Pearson, LT Terry Lord, CPL Warren ‘Wah’ Hall. .3) - Photo, black & white, 1983, L to R: unidentified personnel, Director COL John Hillier, SPR Ben Tarasenko, CAPT John Bloor, unidentified, RSM WO1 Bob Mason, CPL John Bettridge, SPR Tom Bloxham. .4) - Photo, black & white, 1983, L to R: unidentified, MAJ Bob Roche, CO LTCOL Jorge Gruszka, Director COL John Hillier, MAJ Stan Vote. .5) - Photo, black & white, 1983, L to R: Colonel Alex W. Laing – foreground, CO LTCOL Jorge Gruszka, MAJ Bob Roche. .6) - Photo, black & white, 1983, L to R: Director COL John Hillier, MAJ Jim Mitchell – background, Colonel Alex W. Laing - foreground, CO LTCOL Jorge Gruszka, unidentified, SGT Kevin Boehm, SGT Jim Beard, unidentified, CAPT Dave Sankey .7) - Photo, black & white, 1983, L to R: CAPT John Bloor, CAPT Andy McLeod, SGT Kevin Boehm, MAJ Bob Roche, SGT Jim Beard, CO LTCOL Jorge Gruszka, Director COL John Hillier, SSGT Bill Kemp, CPL Peter (Jack) Elvard, SGT Bob Croxton, CAPT Dave Sankey, CPL Mick Minchin, SGT Bruce Wetzig, CPL Ken Talbot-Smith. .8) - Photo, black & white, 1983, L to R: CAPT John Bloor, RSM WO1 Bob Mason, Director COL John Hillier, CO LTCOL Jorge Gruszka, MAJ Graham Baker. .9) - Photo, black & white, 1983, L to R: CAPT John Bloor, RSM WO1 Bob Mason, Director COL John Hillier, MAJ Bob Roche, CO LTCOL Jorge Gruszka, MAJ Graham Baker. .10) - Photo, black & white, 1983, L to R: CAPT Chris Mazur, CAPT John Bloor, CO LTCOL Jorge Gruszka, MAJ Graham Baker, SPR Steve Coulson, SGT Harald Mai, Director COL John Hillier, SPR Viv (Hawkins) Doherty, unidentified, SPR Tony Grivell, SPR Ross Collishaw, SGT Phil Meagher, SSGT Brett ‘Dutchy’ Van Leeuwen. .11) - Photo, black & white, 1983, L to R: CO LTCOL Jorge Gruszka, MAJ Graham Baker, SPR Tony Grivell, SPR Ross Collishaw, Director COL John Hillier, SGT Phil Meagher, SPR Peter Peterson, SSGT Brett ‘Dutchy’ Van Leeuwen, SGT Bruce Bowers, SGT Mick Davy, SPR Gerry Gates. .12) - Photo, black & white, 1983, L to R: SSGT Bruce ‘Stretch’ Gordon, SGT George Timmins, CO LTCOL Jorge Gruszka, Director COL John Hillier, MAJ Graham Baker, CAPT John Bloor, MAJ Bob Roche, WO2 Ted Burgess, RSM WO1 Bob Mason, WO2 Peter Biorac, WO1 Graeme Birrell. .13) - Photo, black & white, 1983, L to R: CO LTCOL Jorge Gruszka, CAPT John Bloor, Director COL John Hillier, inspecting rank R to L: SSGT Peter Barrett, CPL Gary Drummond, SPR Peter Breukel, CPL Ian Nichols, unidentified personnel. .14) - Photo, black & white, 1983, L to R: CO LTCOL Jorge Gruszka, Director COL John Hillier, MAJ Stan Vote, SSGT Peter Barrett, RSM WO1 Bob Mason, CPL Gary Drummond, SPR Peter Breukel, CPL Ian Nichols, unidentified. .15) - Photo, black & white, 1983, L to R: SGT John Cain, SSGT Jim Cook, CAPT John Bloor, CO LTCOL Jorge Gruszka, MAJ Stan Vote, Director COL John Hillier, CPL Keith Quinton, CPL Mick Gillham, CPL Kim Reynolds, SPR Paul Baker, WO1 Ken Slater, SPR Brian Fauth, SPR Jim Ash, WO2 George Graham, SGT Gavin Neilson. .16) - Photo, black & white, 1983, L to R: MAJ Bob Roche, MAJ Stan Vote, CPL Kim Reynolds, CO LTCOL Jorge Gruszka, Director COL John Hillier, WO2 George Graham, CPL John ‘Flash’ Anderson, SPR Gary Tremain, WO1 Ken Slater. .17) - Photo, black & white, 1983, L to R: MAJ Stan Vote, CO LTCOL Jorge Gruszka, Director COL John Hillier, WO1 Noel ‘Nesty’ Coulthard. .18) - Photo, black & white, 1983, L to R: LTCOL Jorge Gruszka, Director COL John Hillier, unidentified civilians. .19) - Photo, black & white, 1983, L to R: Director COL John Hillier, LTCOL Jorge Gruszka, RSM WO1 Bob Mason..1P to .19P – There are no personnel identifiedroyal australian survey corps, rasvy, army survey regiment, army svy regt, fortuna, asr

Contains biographies of the last surviving ANZACS. In addition, included is a brief overview of the Gallipoli campaign.Book, soft cover with black & white illustration. Title in white letters. Illustrated end papers. 44 cut edge pages with colour & black & white illustrations.book, gallipoli, the pain of, biographies

Ringbound publication of 212 pagesnon-fictionBev Chatham suggested tha tCommerlghip referes to Wtering holes and underground springs found in the Little Woady Yallok and Mt Misery Creeks. Rokewood Junction was proclaimed a township in 1885, originally known as a gold-mining township called Paddy's Gully Diggings. rokewood, rokewood junction, chatham, kurus-a-ruc, henry pitman, elizabeth pitman, william henry pitman, rokewood junction state school, commeralghip, paddy's gully bridge, illabrook, conereyalk, woady yalloak creek, mt misery creek, paddy's gully diggings., dereel, pitfield, wadawurrung, william rutland, squatters, aborigines, aboriginal, charlotte walsh, maurice walsh, julie pitman, ben liston, sheep and wool, george hawkins, natthew wakeling, christopher moody, mt misery goldfield, john bower, mary bower, hyslop's hotel, cumberland store, jane hyslop, edward collyer, jospeh gladstone, lucas's bakery, henry batty, william young, ellen rigby, chinese, joseph anguey, eliza anguey, murder of thomas ulick burke, william achultze, william schiltze, nicholas grenfell, tomas bramley murder, emily malhoff, drowning, ah lin, eliza richards, luisa bupell, eleanor holmes, rachel holmes, joseph holloway, noah holloway, thomas faulkner, robert eli hearn, george todhunter briggs, john robinson fairweather, rokewood common, edward bussell, louisa bussell, irving rachinger, john chatham, doris chatham, peter chatham, jack chatham, imogen chatham, domenico rizzoli, mary rizzoli, rokewood junction railway line, illabrook football and netball club, cape clear, red cross, keith annear, fire brigade, rokewood junction post office, len aarons, dereel pre-emptive right, rokewood junction avenue of honour

MEDIUM: Acrylic on paper. DESCRIPTION: Image ranges from dark brown to pale brown with white. Light colored timber, outer frame with glass covering, white board and an inner frame. A very busy piece full of activity, starting from the bottom left we have an areoplane which is perhaps how this vacation begins, the sun sits above it and a bikini clad woman who has arrived to her destination is placed above the sun. There is cruise ship, a martini glass and a whale embracing the outer scene. Waves, a surfer, a marlin and a small guitar sit at the lower right. A large car takes the viewer to the centre of the picture where we come across a giant guitar. The music is what matters, this piece dances about the canvas in mushroom pinks and chocolates. Little outlines of fish fill the gaps. A very beachy scene. The image lyes quite flat to the eye, rough stick outlines of the images above. Signed proper left hand corner of image.bowers holiday, yardage, mambo acrylic

Stories from C. E. W. Bean and photographs from Phillip Schuter.324p., illus., maps.world war 1, anzac legend, c e w bean, phillip schuter

The musical portion of the service was led by the United Choirs and Orchestra I conducted by Mr E Bright. At 9 August 1925 Cr Benjamin Abbey was the Mayor of the Town of Warrnambool. The service consisted of hymns, prayers, anthems, a lesson, an address and benediction with a official opening. The funds from the offering were given to the Warrnambool Hospital.The re-opening of the Town Hall United Citizen's Service Town Hall Committee Offering for the Warrnambool Hospital Cream A4 size approximately, folded into four pages. Logo of City of Warrnambool, two decorative borders and print in black ink.warrnambool, united citizen's service, cr b. abbey.-mayor, mr edward bright-conductor, rev a simms, cr wj pearson, rev wg bower, capt collishaw, rev geo. king

An early black and white photograph of George Locke's hut in the Cumberland Valley near Marysville in Victoria.An early black and white photograph of George Locke's hut in the Cumberland Valley near Marysville in Victoria. George Locke was a well-educated young man and had some success prospecting in the Cumberland area before partnering with William Chester with whom he opened the Golden Bower gold mine in 1896. George and William then discovered a second reef which they named the Silver Bower mine. George lived in a log cabin in the Cumberland reserve and was known to be a loner. He was clever with his money and chose not to have a bank account in Marysville, where everyone would learn about his financial status. He banked at the ES&A in Fitzroy and at the time of his death in 1941 he had accumulated the princely sum of three hundred and sixty pounds. George Locke was known as "the Hermit of Cumberland Valley" and lived in his humpy until his last few days during which he moved into a Forest Commission's patrol hut because his old humpy had started to fall to pieces. When George passed away at the age of 81 years he had not visited Marysville for over 14 years. Today (2022) George Locke's hut is part of the Cumberland Reserve.Mr Lock hermit Joy Marysville 392george locke, cumberland valley, marysville, victoria, william chester, golden bower mine, silver bower mine, cumberland reserve, hermit of cumberland valley

An early black and white photograph of George Locke's hut in the Cumberland Valley near Marysville in Victoria.An early black and white photograph of George Locke's hut in the Cumberland Valley near Marysville in Victoria. George Locke was a well-educated young man and had some success prospecting in the Cumberland area before partnering with William Chester with whom he opened the Golden Bower gold mine in 1896. George and William then discovered a second reef which they named the Silver Bower mine. George lived in a log cabin in the Cumberland reserve and was known to be a loner. He was clever with his money and chose not to have a bank account in Marysville, where everyone would learn about his financial status. He banked at the ES&A in Fitzroy and at the time of his death in 1941 he had accumulated the princely sum of three hundred and sixty pounds. George Locke was known as "the Hermit of Cumberland Valley" and lived in his humpy until his last few days during which he moved into a Forest Commission's patrol hut because his old humpy had started to fall to pieces. When George passed away at the age of 81 years he had not visited Marysville for over 14 years. Today (2022) George Locke's hut is part of the Cumberland Reserve.george locke, cumberland valley, marysville, victoria, william chester, golden bower mine, silver bower mine, cumberland reserve, hermit of cumberland valley

Stapled yellow covered annual report. Includes a list f students who graduated in 1973. Includes information on the Union Building on the Mt Helen Campusunion building, mt helen campus, ballarat school of mines, annual report, m.g beanland, m.b. john, j.v. robertson, r.j. dobell, r.h. hollioake, h.a. patterson, w.j.c. north, j.j. smail, a.e. stohr, j.k. sutton, e.j. tippett, arthur nicholson, ken c. webb, k.j. neerhut, campus development, mount helen campus development, e building, electrical engineering building, applied science building, student residences stage 2, great hall architect, founders hall, h.j. trudinger retirement, l.f.j. hillman retirement, e. phillips, derek woolley, victorian institute of colleges, b.r. granger, edith lawn retirement, j. finkelstein, w.s. carthew, g. strickland, b. white, d.e. madden, s.m. scott, k. sturmfels, d. miller, t. davison, a.j.morgan, b.m. lees, alan bethune, i.j. pratt, j.l. smyth, n.w. grose, r.o. jelleff, g.b. love, helen burgess, i.f.c. richardson, n. worswick, j.a. cue, e. notaras, j. van dreven, g. beattie, e. bowers, b.a. byrne, g.r. harbridge, d.j. kingdom, c. murray, j. vagg, l. vickery, w.c. davis, j.c. hannah, m.a. hyde, e. jeffery, n.w. rowe, g. braybrook, l. braybrook, l. brayshaw, v. bunting, e. hanrahan, v. allan, a. williams, craftmanship awards, mt helen library, student residences, fourth university