index, ill, maps, p.304.non-fictionA history of the timber and firewood tramways and railway contractors of Western Australiatramways - western australia - history, railroad operations - australia - history

index, ill, maps, p.300.non-fictionA history of the timber and firewood tramways and railway contractors of Western Australiatramways - western australia - history, railroad operations - australia - history

ill, p.32.non-fictionA brief history of some of the timber tramways and tramway locomotives working in New Zealand.railroads - new zealand - north island - history, timber tramways - new zealand - history

Par of "Woolcock Gallery Collection". Exhibited CEMA 1989.Flower stem view on left, with flower details on right, leaf and stepal details on left. On far left are two leaf views of front and back in dark green - back view shows smalls hairs on leaf. On lower left is a side view of the leaf. The stem study depicts leaves up both sides of the central stem and side stems. Two stems have flowers near the top end. The flowers are dark yellow with an orange tinge, with red and purple centres. On right is a detail of stem and leaves, two side views of flower buds, a top view of full flower and a side view of full flower. Mounted in a double matt (off-white on pale tan) in a gold paint and wood glazed frame.Front: Pultenaea humilis (lower left) (pencil) CEW 29/1/77 (signature, lower left) (pencil) Back: 3 (upper left) (pen)cema, botanical, collin woolcock, botanical drawings, woolcock collection

alex bruce

Part of 'Woolcock Gallery Collection' Exhibited CEMA 1989.Colour drawings of flowering stem and detailed leaf and flower views. The largest stem view depicts thin woody stem with small fine green leaves along length of stem. Branching stems at top end in clusters of buds or small orange and yellow pea flowers. At centre left are 3 details of leaves (front, rear and end views). On right are (t-b): top view of yellow pea flower; side view (orange and yellow); rear view (orange) with sepals; sepal detail; side view in full bloom. All views are numbered in pencil and printed on white paper affixed to image surface. Mounted in double matt (white on faun), under glass in wooden frame with gold detail.Front: Pultenaea sub-umbellata (lower right) (pencil). CEW (signature, lower centre in image) (maroon pencil). Back: 37 (upper left) (pen)collin woolcock, botanical, woolcock collection, cema

Part of 'Woolcock Gallery Collection' Exhibited CEMA 1989.Drawings of a flowering plant stem with flower details. On left is a flowering stem, with a woody central stem, small heart-shaped leaves and yellow and orange pea flowers. To right are studies of leaves and flowers: (t-b) top view of flower (yellow); flower detail; side view of flower; top and underside views of leaves; side view of bud. Each view is labelled in pencil and in typed letters affixed to paper. Mounted in double matt (white on faun) in glazed wooden frame with gold detail.Front: Pultenaea scabra (lower left) (pencil) Back: 30 (upper left) (pen)collin woolcock, botanical, woolcock collection, cema, botanical drawings

Part of "Woolcock Gallery Collection". Exhibited CEMA 1989.Flower and stem view on left, depicting two stalks shooting from a central stem. All three stems are brown with small hairs. Green leaves with rounded ends and a brown central vein with a sharp protruding point are staggered up alternatue sides of the stem. One stem has two flower buds and two flower blooms (each are in clusters). On right are (top-bottom) top view of flower, side vire of flower, top leaf vire, stem detail, bud views. Printed numbers on paper are glued to the surface of the image, with the same numbers also written in pencil. Mounted in a double matt white on pale tan) in a gold painted wooden glazed frame.Front: Pultenaea daphnoides (lower left) (pencil). CEW (signature, lower left in image) (purple pencil). Back: 28 (upper left) (pen)collin woolcock, botanical, cema, botanical drawings, woolcock collection

australian bush, painting

Wining piece of the Best Local Artist - any medium of the Rotary Club of Portland Inc 35th Portland Art Show 2017. Judged by Barbara McManus. Judges Comments: There is an interesting contrast in the boldness and simplicity of the subject. Worthy of close inspection as there is more to this than at first appearance.Mixed media on heavy card, from top to bottom thick streaks of blue, green and yellow, with a thicker glossier deep cream paint layered over the meeting point of the yellow and green. Centred very detailed in metallic flecked black and charcoal images of a bank of tree's, shrubbery and grasses with a mirrored water reflection. Framed in a honey toned timber frame, bordered with a bevel cut white matt board. Hand painted signature bottom right quadrant: Roger Hoe

This work is a large structure of stones, a cairn. It is constructed using volcanic rock from the area and has a number of metal plaques set into the sides of the rock structure. On one plaque the wording reads “Remnant Bush”, another says “Urban Push” and the third plaque reads “Machine Axe & Fire”.

152 p.; 23 cmnon-fictionA history of the hospital from 1939; the text is presented in chapters dealing with the five decades to 1980-89. Includes illustrations. Mentioning Matrons Wattie, White, Morris, Easton, Rees, Jones, Goulden, Plumridge, Taylor, and Tooneyberwick (vic.), bush nursing

xi, 192 p.; 24 cmnon-fictionThis book contains 192 pages of historical details about the parish's development and community life. With illustrations and maps. st agatha's parish cranbourne, st michael's parish berwick

Black and white photograph of a family in front of a camp while seeking work Victoriacamping, settlers, housing

non-fictionThis book has over 1000 names listed from the area including 12 Savage's, 10 Wright's, 11 Rundele's, 11 Osborn's, 13 Foley's, 13 Harker's, 13 O'Donell's, 15 Bethune's, 12 Casey's, 14 Hatty's12 McLeod's, and 11 Mundy's koo wee rup (vic.), tooradin (vic.), yallock (vic.), yannathan (vic.)

xvi, 218 p.; 30 cmnon-fictionHistory of St Patrick's Pakenham 1840-2016pakenham (vic.), st patrick's church

xii, 180 p.; 27 cmnon-fictionHear the train blow : Patsy Adam-Smith's classic autobiography of growing up in the bushpatsy adam-smith

non-fictionCranbourne and Clyde soldiers in World War 1clyde (vic.), cranbourne (vic.), world war 1914-1918

non-fictionStories from Doctor Power telling us about his experiences as a Bush Doctor in the 1920'spaddy brennan, pa brown

non-fictionMemories of childhood in the bush in Gippslandj. mcmichell, h. sweetapple, e. riggall, sam turpin, john gell, alister mcfarlan

At the 1978 Festival of Kew, a number of organisations, including the City of Kew, the Kew Historical Society, Trinity Boys Grammar School and local Girl Guides participated in a re-enactment of the expedition of the party of Charles Grimes in surveying the Yarra River as far as Kew in February 1803. The location for the event was Yarra Bend Park near the Studley Park Boat House. The event was organised by the Kew Historical Society. The re-enactment was captured by a number of amateur photographers as well as by a photographer from the local Progress Press.Local communities select events to commemorate according to their shared history and values. Commemorations of colonial exploration were popular with local historical groups such as the Kew Historical Society in the twentieth century. In re-enacting events such as the Grimes survey of the Yarra, students from a local school were encouraged to take on specific roles, including play-acting individuals involved in the survey party as well as members of the local Wurundjeri People. The photographs, taken by amateur and professional photographers, represent a period in time when the dominant values were those shared by the descendants of European settlers in Victoria. Original colour photographic positive of a bush band comprised of students from Trinity Grammar School, performing at the Festival of Kew in 1978..Annotated on reverse: "BUSH BAND TRINITY / FESTIVAL 1978 / PLAYING TO CROWD"kew historical society, trinity grammar school, kew girl guides, city of kew, yarra river, charles grimes, collins expedition, wurundjeri people, yarra bend park, colonial surveys, historic re-enactments, festival of kew, kew festival

The first meeting of the 1st Bendigo Guides was held by Miss Merle Bush on the 22nd of August 1922 in the St Paul' School Room. Twelve girls were present. Miss Bush was given permission to open the Company by Miss R. Hamilton, State Secretary for Victoria, she received her Captain's Warrant on 12th December 1922.Combined Service of Thanksgiving for 70 years of guiding in Australia. Sunday 3rd August 1980 3.00pm IN ST PETER"S ANGLICIAN CHURCH EAGLHAWK - Schedule of ServiceMuriel Bush attended this service and walked home afterwardssgirl guides, guiding, merle bush, trefoil guild, the australian womens register

The Merle Bush Trefoil Guild was registered in Bendigo on 18/06/1981.The decision to disband the Merle Bush Trefoil Guild was made at a General Meeting on 17/02/2016. The group agreed to continue as the Merle Bush Friendship Group. The Australian Trefoil Guilds connect women who are either actively involved in Girl Guiding or have a history with Girl Guiding. The purpose of a Trefoil Guild is to keep alive the spirit of the Promise and Law, carry this spirit into the community and to give support Guiding.Blue Spirax Binder Book - photo in center - "Smile you're in Trefoil" Booklet contains 18 paper clippings. Merle Bush Trefoil Guild - Paper Clippings - Photos etcgirl guides, guiding, merle bush, trefoil guild, paper clippings