2020, heidelberg theatre company inc, directed by catherine christensen, 435, art space exhibitor david belton, arts space coordinator teresa schipano, mrs bella manningham played by claire benne, mr jack manningam played by liam gillespie, elizabeth the housekeeper played by patricia alcock, nancy the maid played by elysia janssen, rough played by chris mclean, officers played by robert peel and charles field, production coordinator joan moriarty, stage manager melanie belcher, lighting design emma fox, sound design rob wanless, set design/decor costume design props wendy drowley, special props warren lane, scenic artists gaye billing and mal cother, ass. stage manager and rehearsal prompt bobby parish, sound/light operator tasmin mackie, photographer david belton, program/poster design chris mclean, publicity jim thomson & toni tyers, box office toni tyers & june cherrey & jenni purdey & carol farr & brett hunt, front of house jenny gilbert and htc members, set construction owen evens & doug mcnaughton & paddy moriarty & brett hunt &, des harris & norm munks & tim scott & bob tyres & david belton & noel purdey & dean christenssen & htc members, production review cheryl threadgold, foh helpers alicia curry & owen evans & diane dawson, 2019 agm christmas party and awards president john gilbert treasurer bruce akers represented by jim thomson awards adjudicators jill scott & leslie hardcastle & rodney charles, 2019 best male lead actor mark yeates as jake laurents in it's a wonderful life, 2019 best female lean actor catherine christensen as beatrice in a view from the bridge', 2019 best supporting male actor jack kenny as rodolpho in a view from the bridge, 2019 best supporting female actor aimee sanderson as bella in lost in yonkers, 2019 special award for body of work liam gillespie for louis in lost in yonkers & freddie filmore and others in it's a wonderful life, 2019 victorian drama league awards htc's nominated entry lost in yonkers: nominations: best actress in a minor role cat jardine as gert, best properties melanie belcher & maureen mcinerney: best costume design wendy drowley, best production: drama, best supporting actor in a drama liam gillespie as louis & best supporting actress in a drama lindy yeates as grandma, 2019 bill cherrey award john rowe, election of committee: returning committee all elected unopposed joan moriarty & jim tomson & ryan purdey & morgan thomas-connor & melanie belcher

Paperback book

Vassilieff dynamited rock from his own property to build his house. Stonygrad is reminiscent of a grotto and in parts, of a sculpture. Covered under Heritage Overlay, Nillumbik Planning Scheme. Published: Nillumbik Now and Then /​ Marguerite Marshall 2008; photographs Alan King with Marguerite Marshall.; p135 Stonygrad, the home built by Expressionist painter and sculptor Danila Vassilieff, is reminiscent of a grotto and in parts, of a sculpture. Vassilieff, who amongst others influenced painter Sydney Nolan and Albert Tucker, was a member of the artists group the Angry Penguins. He was also a highly regarded art teacher at the nearby Koornong Experimental School and taught at Eltham High School. Art critic Robert Hughes described Vassilieff’s painting as ‘lyrical without social commentary’, and said Vassilieff was ‘the most oddly neglected artist in recent Australian History’. Vassilieff, who was born in 1897 in Russia, had an unusually adventurous life before he settled in Warrandyte. The 12th of 18 children, he lived on a farm in the Don Basin. Vassilieff trained with the Imperial Military Academy at St Petersburg and fought in World War One as an officer in the White Russian Army against the communists. In 1920 he was captured, then escaped from prison, stole a horse and rode bareback 150 miles to the Black Sea, helped at first by Tartar freebooters. He then travelled to India, Shanghai and arrived in Queensland as a refugee in 1923 where he began painting. He and his wife Anisia bought a sugar farm near Ingram, and later he constructed railway lines at Mataranka, in the Northern Territory.4 In 1929 Vassilieff went to Brazil for formal art training from former fellow-officer Dmitri Ismailovich, but he soon left to travel up the Amazon River. He then worked as a sidewalk artist in the West Indies and travelled for two years in England, France and Spain. In 1937 he arrived in Melbourne where he lived until his death in 1958. His first major Australian series was the Carlton streetscapes and from 1951 he sculpted in local hard limestone. Vassilieff rejected all dogma and regarded religious subjects as suitable only for decorative arts. In 1944 he helped defeat a communist attempt to take over the Contemporary Art Society. For a short time, from around 1955, Vassilieff taught at various Victorian schools. The Angry Penguins painted mainly between 1937 and 1947, and included Arthur Boyd, Albert Tucker, Sidney Nolan and Joy Hester. The group formed as they felt isolated from European thought and art (including Surrealism) from which their work was derived. They were also angry at what they considered to be the complacency and insularity of their society. They maintained Australians at first were scarcely aware of the threats of the Wall Street Crash and Hitler and were little interested in the Spanish Civil War. The Angry Penguins also objected to the White Australia Policy. Hughes said although most of the Melbourne Expressionists in the 1940s were unskilled and their work crude in style, they helped jolt Australian painting from its pastoral complacency. Their style influenced nearly every painting produced by significant figurative artists in Melbourne in the 1950s such as Charles Blackman. From 1939 Vassilieff built Stonygrad, mainly with local stone. The house stands at the end of a private road surrounded by trees with the quiet occasionally broken by the sounds of bellbirds. To build his house Vassilieff dynamited rock and cut trees from his own property. The original section of the three-level house is of irregular-shaped pieces of solid stone, exposed inside like the exterior. Vassilieff later built sections with timber and brick. Inside is rustic and cave-like, and several rooms are linked by arched openings with no doors. One undulating wall was carved out of rock from which two sculptured heads protrude. Several ceilings are of rough-hewn logs and the built-in table and bookcase are rough, as is a timber ladder leading to a bedroom. Not for the elderly or unsteady! Yet the general impression in the muted light is beautiful, with artistic originality.This collection of almost 130 photos about places and people within the Shire of Nillumbik, an urban and rural municipality in Melbourne's north, contributes to an understanding of the history of the Shire. Published in 2008 immediately prior to the Black Saturday bushfires of February 7, 2009, it documents sites that were impacted, and in some cases destroyed by the fires. It includes photographs taken especially for the publication, creating a unique time capsule representing the Shire in the early 21st century. It remains the most recent comprehenesive publication devoted to the Shire's history connecting local residents to the past. nillumbik now and then (marshall-king) collection, danila vassilieff, hamilton road, north warrandyte, stonygrad

Vassilieff dynamited rock from his own property to build his house. Stonygrad is reminiscent of a grotto and in parts, of a sculpture. Covered under Heritage Overlay, Nillumbik Planning Scheme. Published: Nillumbik Now and Then /​ Marguerite Marshall 2008; photographs Alan King with Marguerite Marshall.; p135This collection of almost 130 photos about places and people within the Shire of Nillumbik, an urban and rural municipality in Melbourne's north, contributes to an understanding of the history of the Shire. Published in 2008 immediately prior to the Black Saturday bushfires of February 7, 2009, it documents sites that were impacted, and in some cases destroyed by the fires. It includes photographs taken especially for the publication, creating a unique time capsule representing the Shire in the early 21st century. It remains the most recent comprehenesive publication devoted to the Shire's history connecting local residents to the past. nillumbik now and then (marshall-king) collection, danila vassilieff, hamilton road, north warrandyte, stonygrad

Percy Code was the elder son of Edward Thomas Code, one of Australia's foremost bandmasters of the early 1900s. This book was part of Frank Wrigth's collection. Red hard covered book, 100 pages, with gold lettering title on coverEdwd. Code Elsternwick 1891 (left hand side front end paper) 15 27 9 14 33 (right hand front end paper), Some pencil markings inside near textmusic, wright, curwen, orchestration, code, edward code, 1891, percy code, frank wright

These proof sets cover the launch of Carols by Candlelight. In one set, Marina Prior and Santa launch the Carols ticket sales, whilst in the other a group of people stand outside RVIB St Kilda Road building, with glasses in their hands. Rhonda Burchmore and Geoff Harvey smile and laugh for cameras.2 x B/W proof sheets from the 1992 Carols by Candlelight launchcarols by candlelight, marina prior, rhonda burchmore, geoff harvey

A recording of Shire of Diamond Valley Carols, December 1991. This performance is by the Diamond Valley Choral Society. Includes minutes of review meeting.1 audio cassette in clear plastic case, program and minutes.Handwritten on cassette: "Carols master 1991 + 1993".christmas music, carols, shire of diamond valley, diamond valley choral society

D G Hamilton's store was located on the North-East corner of Main and High Streets, Rutherglen. It was also referred to as David Hamilton's Clydeside Store. Black and white photograph of D G Hamilton's store with a number of people standing on the veranda.Written on back of photograph: "Copy of 1055.4"d g hamilton, shops, main street rutherglen, david hamilton, clydeside store

Colour photograph of the crowd at Carols by Candlelight held at the Myer Music Bowl. The view is from the rear of the crowd, with a sea of candles visible. The stage is lit up, and the Melbourne city skyline appears behind the shape of the Bowl.1 digital images of crowds during Carols by Candlelightroyal victorian institute for the blind, carols by candlelight

Hamilton and Western District Boys' College was established in 1872 as a private business. It was acquired by the Presbyterian Church in 1911, relinquished in 1919 and re-acquired by the Presbyterian Church of Victoria in 1956. It amalgamated with Alexandra College in the 1962. Alexandra College for Girls was opened in 1872 as a private school and taken over by the Presbyterian Church in 1954.B & W exterior view of the entrance and tower of Hamilton College, Chaucer St. Hamilton.hamilton college, hamilton and western district boys' college, alexandra college, presbyterian church of victoria

Soft cover book. Soft cover, cardboard: white, yellow and black print on front, spine and back. Front cover, background illustration montage of portrait photograph of a soldier in uniform and 2 typewritten letters in sepia tones. Back cover: sepia tones, photograph of a number of women working on typewriters. 440 pages, cut, plain, white paper. Illustrated black and white photographs.Collection of lettters from distressed families during WW1 to "Base Records" and the correspondence in reply signed by J.M. Lean.books, ww1, correspondence, biography

Andrew Campbell No 2053 enlisted in the 3rd reinforcements 38th Batt on 24.3.1916 age 25 years 3 months. Embark for England 25.9.1916, embark for 20.12.1916. WIA 4.3.1917 GSW’s Back and left forearm, return to Australia records stating SW’s left Thorax, left arm, hand and Buttock, discharged from the AIF 21.3.1918.Cardboard cover in light green with 2 inset photographs, Andrew Campbell & Charlotte Egan. The book is re the letters Andrew wrote to his sweetheart Charlotte (Chatty). The book is accompanied by photograph's document, etc.books - correspondence, military history - army

Autographed photograph of the Village People.village people, disco, autograph, jeff olson, davis hado, raymond simpson, felipe rose, eric analone, alex briley

non-fictionA collection of essays from various critics, activists and artists on the phenomenon that is pop-icon Madonna.susie bright, pat califia, cathay che, bell hooks, kirsten marthe lentz, carol a. queen, queer theory, popular culture

Purchased through the Horsham Art Gallery Trust Fund, 1976silver gelatin photographSigned and dated on mount, lower right

A remarkable, thoroughly researched and detailed record of "Dunera" internee artists with examples of their varied styles of water and colour paintings, sketches and cartoons. Vivid reminders of the whole experience of internment in Australia during World War 2 for these men. Launched at the Jewish Museum in St Kilda, Sunday July 8th and Monday July 9th at Readings Books in Melbourne.Visual history of camp life of the Dunera boysBlue soft cover, with front cover painting by Emil Wittenberg. Painted at Tatura on 23rd May 1941, depicts a group of Dunera internees behind barbed wire. B/W and colour photos, sketches, paintings and watercolour.To the memory of Amirah Inglis. A photograph of Kenneth Stanley Inglis, 7 October 1929 - 1 December 2017dunera boys

b&w illustrationsantiquities, material culture, keeping places

Sister Rocks taken from Western side in 2016tourism

4 Colour photographs showing stonemasons buildings in Lower Main street on corner of Napier Street Stawell. On corner of Central Park prior to demolition One photo shows headstones and pallets. Business established in 1864. Demolished March 2018.

Five coloured photographs of grave of William McLachland in Stawell Cemetery 1806-1889 with new headstone. He discovered the first Gold in Stawell in May 1853. Taken 9/3/2018.

Colour photographs of the Infant Welfare Centre Stawell. This was located in the triangular area bordered by Wimmera St, Sloane St and Scotland Place. Now Demolished c2018. Previously on the site was the Stawell Baths opened to public 22/11/1879, then the fish hatchery 1927 until mid 1930's. health, medical, children