1. Jacket, Woollen, blue, 4 darkened buttons in front. RAAF white cloth "wings" on left chest. Sergeants stripes on each arm. Top of each shoulder has a cloth, dark blue eagle. Four pockets, darkened buttons. 2. Trousers, wool, blue. 3. Belt - 2 inch. Blue with metal buckle (dark).1. Written on inside Rt arm = “2E MOORE". Written on label inside Rt collar = "4032 LAC MOORE”. 2. Written inside = “LAC MOORE". Written inside = "3477 2E MOORE” uniform, raaf, passchendaele barracks trust

This is a large army overcoat. Made from wool. It has 3 Officer's pips on each epaulette. It has 8 Aust Mil Forces brass buttons on chest. It has 3 AMF brass buttons on rear waist band. It has 3 pockets, two large ones with flaps. It has a small slot pocket near left arm pit.Inside at neck area is a small label. Printed is “M TX”. Written amongst it are two letters “CS”aust army uniform, greatcoat, passchendaele barracks trust

The Flying Dogtor and the bush children found out where a bushranger had hidden treasure 100 years ago. Unfortunately, Crafty Carson Carpetbag and Old Man Redback found out just a little sooner, dug up the treasure first, and disappeared with it. But there must have been a hole in the chest, for the children found a gold coin on the ground, and then another and another. They set out to follow the trail with their faithful friend, The Flying Dogtor.The Flying Dogtor" series was broadcast on Australian Television Network (later becoming the Seven Network) between February and April 1964 (see item D254 for schedule).Typewritten, carbon copy, foolscap, 2 pagesthe flying dogtor, robin boyd, crawford productions, manuscript

Four page paper fold out brochure with colour photograph on the front and printed black text on other pages. Image shows two children wearing grey, yellow and purple knitwear, one child is using a yo-yo.front: [printed] ALBANY / KNITTING WOOLS / Girl's Sweater and Windcheater / ALBANY SCOTCH KNIT / CHEST .... 24 26 28 30 ins. / SWEATER ... 10 11 13 15 ozs. / WINDCHEATER . 10 11 13 15 ozs. / PRICE 3d.knitting, pattern, fashion, knitwear, albany woollen mills

The Powerful owl is native to south-eastern and eastern Australia and is the largest owl on the continent. It is found in coastal areas and in the Great Dividing Range rarely more than 200 km (120 mi) inland. An apex predator in its narrow distribution, the Powerful owl is often an opportunist like most predators, but generally hunts arboreal mammals, in particular small to medium-sized marsupials. It is a typically territorial raptorial bird that maintains a large home range and has long intervals between egg-laying and hatching of clutches. Unlike most raptorial birds, male Powerful owls are larger and stronger than females and so the male takes the dominant position in the mating pair, which extends to food distribution. This example of a Powerful Owl show lighter brown coloured feathers and slight discolouration. The Powerful Owl has darker colourings and whiter feathers in real life. This example also show discolouration in the feet and they are brighter yellow in colour in real life. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This Powerful Owl has medium brown to dark grey-brown on its wings and back, lighter patterning on its chest lightening with white barring, and off-white front. The eyes are yellow, set in a dark grey/brown facial mask. The legs are feathered with yellow/browning feet and talons. The specimen stands upon a wooden platform and has no identification tags attached. Swing-tag: n/a Metal tag: n/a Mount: wooden with no markings.taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, owl, powerful owl

This plaque is a memento of the famous Victorian jumps jockey, Tom Corrigan. He was Australia’s best-known and best-loved jockey of the 19th century. Born in County Meath, Ireland, son of Thomas Corrigan and his wife Bridget, née Carney, he came at the age of ten with his parents to Woodford, near Warrnambool. He was apprenticed to racehorse owner, Francis Tozer of Wangoom and quickly built up a fine reputation as an accomplished horseman, especially in jumps racing. From 1866 until his death from a racing fall in 1894, he won 239 races with 135 seconds and 95 thirds from a total of 788 mounts. This included seven Grand National race wins and four Warrnambool Grand Annual Steeplechase wins. Corrigan, very small in stature with a huge handlebar moustache, was a popular, genial person. This plaque is an interesting memento of the Woodford-raised jockey, Tom Corrigan. His name is now on the Australian Racing Hall of Fame.This is a silver-coloured metal image (bust) of the jockey, Tom Corrigan. The chest section of the image is attached to the two ends of a horseshoe- shaped frame. The bottom of the horseshoe frame has representations of the reins and two feet of a horse with a jockey cap in the middle. The name of the jockey is embedded into the metal at the top of the plaque. One section of the horseshoe on the edge has been broken. The plaque is slightly stained. ‘Tom Corrigan’tom corrigan, jockey, history of warrnambool

John Allan FLEMING enlisted on 19.1.1916 age 26 years 6 months in C Coy 38th Bn Regt No 873, appointed Cpl 5.3.1916 then Sgt 6.3.1916, appointed CSM 20.4.1916, embark for England 20.6.1916, he was appointed Lieutenant as he was hospitalised with fever on 18.8.1916, rejoin unit 24.8.1916, embark for France 22.11.1916, 28.11.1916 attached to 10th LTMBattery, discharged from the AIF on 5.5.1919. Post War he had a career in the CMF ending in 1945.This is a B & W photo of a boxer in bare fisted fighting stance. He has a tattooed chest which appears to be of a dragon. He is wearing dark coloured trunks and wearing a Championship belt. See Cat 6634, On the rear of the postcard, written in pencil, are the words Championship Boxing Belt (?8) BN 1st AIF. John Flemming. Donated by May John A Flemming.boxing, 38th battalion, 1st aif, passchendaele barracks trust collection

This garment was made by Edith (?) Cowell (Mrs Jim Richardson, nee Cowell) and has been donated by her daughter Esma Richardson.This item is an example of the needlework skills of women in the early 20th century.A full length white cotton night-dress with long sleeves. It has lace around the shoulders and across the chest, broderie anglais collar and cuffs. A ribbon is threaded through the lace at the neckline and cuffs. The bodice also has small pleats or pin-tucks at the front and clear buttons. Pinned to the left shoulder is a blue certificate indicating from the Bombala Exhibition Society of 1913.The certificate from the Bombala Exhibition Society indicates that Alice Cowell won first prize in the 1913 show for having made this night-dress.night-dress bombala-exhibition female-clothing

Frank Wright was a renown resident of Smeaton, where he was born on 2 August 1901. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and was awarded a gold medal for the highest marks in the ALCM examinations in the British Colonies at the age of seventeen years. He became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia.Black and white photograph of two men dressed in band uniforms. One is displaying his war medals on his chest and is resting his tuba on the ground. The other, in a different uniform is standing to the right of the first man. This man is Frank Wright the conductor and the uniform is from the St Hilda's Band. Behind the men are folding seats, a hedge and two floors of a large building.frank wright, st hilda's band, conductor, tuba, brass band uniform

Sepia photograph: male portrait, man is dressed in uniform, wearing tie and Sam Browne belt across chest. Badges on both shoulders. Short haircut, with moustache. Written on back in print: ' to the memory of our friend Maldwyn Leslie Williams, Lt. Col. MBBS, who died of wounds received in France, March, 3rd. 1917.' See Research field for more information.Bartlett Bros.person, individual, m.l. williams, williams, maldwyn leslie. medical practitioners. bendigo base hospital. world war 1. bartlett bros.

Mannequin of SAS soldier fitted out for patrol wearing - US Army camo uniform, replica armalite rifle, replica 40mm grenade launcher, spare 40mm replica grenades, ammo pouches, water bladder on chest, M26 grenade, compass pouch, smoke cannister, bayonet, water bottles, , backpack with rations, sleeping gear, sweat rag on head, GP boots.sas, sas soldier, mannequin

Vietnam conflict.Vietnam conflict00128.1 USA Camouflage jacket 2 chest pockets, black buttons with black buttons down the front. Has Vietnam cloth badge on left shoulder. 00128.2 Medal. Inscribed United States of America (reverse), and Republic of Vietnam service (front) Colours are green, red & yellow. 00128.3 Medal Only inscription, National Defence. Colours, red, white & blue and yellow.

Mrs June Hoffman of Mount Beauty recently donated this beautiful picture. It is the original artist impression of the Snowman outside Snowlands. The Snowman was constructed in the 70's after Mr S K Pearce commissioned Polish artist/sculptor Andy Lomini. Mr Lomini is well known for his oil paintings but also created the Big Trout in Jindabyne, one of the 150 'big' things in Australia. The Snowman was carted into Falls Creek in 3 pieces on the back of a truck.This item is significant because it is the artist's impression of a major artwork commissioned for Falls Creek.A photo of the original artist's impression for a statue of a snowman which is located in Falls Creek. The snowman is wearing a scarf and a top hat and has a belt around his waist. A row of five blue buttons go down the middle of his chest. He is smoking a pipe and holding onto a broom. Three people are in the bottom left corner holding up the snowman's broom. snowman at snowlands, s. k. pearce, andy lomini, falls creek attractions

The 1964 Summer Paralympics, originally known as the 13th International Stoke Mandeville Games and also known as Paralympic Tokyo 1964, were the second Paralympic Games to be held. They were held in Tokyo, Japan, and were the last Summer Paralympics to take place in the same city as the Summer Olympics until the 1988 Summer Paralympics. The 1964 Games, although still formally an edition of the International Stoke Mandeville Games, were the first to use the term "Paralympic" in association with the event; the term "Paralympic Games" was approved by the International Olympic Committee (IOC) first in 1984, while the International Paralympic Committee (IPC) was formed in 1989. In contrast with the 1960 Games, many events had more than three participants, meaning that athletes were no longer guaranteed a medal upon completing their eventMetal and enamel badge.Front: Text: THE TOKYO GAMES FOR THE PHYSICALLY HANDICAPPED Image: White dove with silver chevron across its chest, on a red background. Text in border surrounding the image of the dove. Reverse: Unidentified kanji characters; the katakana for the word "sports"; English text "1964 TOKYO"1964 tokyo paralympics, paralympics

This wedding gown was worn by Mary Ann Lawrence at 8.00am on 5 January 1842 at St John's Church, Launceston, when she married Francis Henty. The couple were to catch the tide on their way to Portland two hours later. Francis Henty was the youngest son of Thomas Henty, who with his family, their retainers and property moved to the Australian colonies between 1829 and 1832. In 1834, Francis’ older brother, Edward, sailed from Launceston in Van Diemen’s Land to what was to become Portland in the western part of Port Phillip District [Victoria]. Francis, together with the first flock of Merino sheep [in Victoria], followed some months later. The first and second generations of the Henty family established vast pastoral properties in the Western part of the Port Phillip District. Francis Henty managed ‘Merino Downs’ near Casterton, while also living in his retirement at ‘Field Place' in Kew. The Henty Collection of nineteenth and twentieth century clothing, including outerwear and underwear, was collected, stored and exhibited over time by female family members descended from Francis and Mary Ann Henty. During the twentieth century, items from the collection were modelled in two fashion parades by various descendants [1937, 1959]. The items in the collection are historically and aesthetically significant, with provenance provided by oral and written tradition within or held by the family. A number of the items in the collection are very rare survivors, and provide researchers with the evidence needed to reconstruct the lives of notable women in the Port Phillip District [later Victoria] during the nineteenth and early twentieth century.Mary Ann Lawrence's grey silk wedding gown has a v-line waist and a partly smocked bodice. It is lined with muslin throughout. It has hand-tatted cotton lace and handmade piping around the neck and bodice and pleated short sleeves. There was originally trimming on the skirt which was removed at a later date. Orange blossom made of chamois and tiny coiled springs originally decorated the neckline. The outfit was complemented by a bonnet to which a Limerick lace veil was attached. Measurements (mm): Girth - Neck 914, Chest 812.8, Waist 660.4, Cuff 330.2, Hem circumference 3200.4. Vertical - Front neck to hem 1270, Front waist to hem 1016, Back neck to hem 1320.8, Back waist to hem 1041.4, Sleeve length 114.3. Horizontal - Neck to sleeve head 50.8, Chest back 406.4, Underarm to underarm 406.4.mary ann lawrence, francis henty, wedding dresses, fashion -- 1840s, women's clothing

This outfit belonged to Mary Ann Henty [nee Lawrence] (1821-81), the wife of Francis Henty (1815-89). Her husband, Francis Henty, was the youngest son of Thomas Henty, who with his family, their retainers and property moved to the Australian colonies between 1829 and 1832. In 1834, Francis’ older brother, Edward, sailed from Launceston in Van Diemen’s Land to what was to become Portland in the western part of Port Phillip District [Victoria]. Francis, together with the first flock of Merino sheep [in Victoria], followed some months later. The first and second generations of the Henty family established vast pastoral properties in the Western part of the Port Phillip District. Francis Henty managed ‘Merino Downs’ near Casterton, while also living in his retirement at ‘Field Place' in Kew.The Henty Collection of nineteenth and twentieth century clothing, including outerwear and underwear, was collected, stored and exhibited over time by female family members descended from Francis and Mary Ann Henty. During the twentieth century, items from the collection were modelled in two fashion parades by various descendants [1937, 1959]. The items in the collection are historically and aesthetically significant, with provenance provided by oral and written tradition within or held by the family. A number of the items in the collection are very rare survivors, and provide researchers with the evidence needed to reconstruct the lives of notable women in the Port Phillip District [later Victoria] during the nineteenth and early twentieth century.A two-piece silk taffeta chalk-striped afternoon dress worn by Mary Ann Henty, aged 49, in the period when she lived at Merino Downs near Portland. The outfit has bands of black silk and rows of fabric covered buttons on the bodice and skirt. Measurements (mm): BODICE: Girth - Neck 355.6, Chest 889, Waist 736.6, Hip 863.6, Cuff 254, Hem circumference 2032. Vertical - Front neck to hem 419.1, Front waist to hem 152.4, Back neck to hem 558.8, Back waist to hem190.5 , Sleeve length 584.2. Horizontal - Neck to sleeve head 165.1, Chest back 330.2, Underarm to underarm 406.4. SKIRT Girth - Waist 609.6, Hip 1270, Hem circumference 4064. Vertical - Front waist to hem 1117.6, Back waist to hem 1371.6.francis henty, fashion -- 1870s, women's clothing, afternoon dresses, mary ann (lawrence) henty

John Fawcett Shawe No 1190 enlisted in the 8th Batt AIF on 17.9.1914 age 32 years. Embarked for Eygpt 22.12.1914, embark for Gallipoli 5.4.1915, WIA 25.4.15 GSW right leg, rejoin unit 31.5.1915, WIA 12.7.1915, GSW's, records state both thighs, sides then finally chest. Return to Australia 17.3.1916, discharged from the AIF 6.8.1916. (The medal was previously used to show awards in a different context, Shawe did not win a MID) Medal, court mounted, (1) re J F SHAWE. Victory medal with metal oak leaf MID.1190 PTE J F SHAWE 8 BN AIFmedals, military, history, passchendaele barracks trust

Blue synthetic dog coat with the words 'SEEING EYE DOG', 'Sponsor a Puppy call 1800 787 797' and '1800 Puppys' in white on both sides of the coat. An L plate, also in white, is located above the words 'Seeing Eye Dog'. Velcro straps secure the coat to the dog across the stomach and chest. Signed by ex-football player Garry Lyon and two other football players (signatures illegible, 09 and 27 against their names). 1 blue and white dog coat"L" SEEING EYE DOG Sponsor a Puppy call 1800 787 797 1800 Puppysseeing eye dogs australia, garry lyon

Contents: Eltham War Memorial Trust, Official Opening - Baby Health Centre, 15th November, 1952; Timetable of proceedings Eltham Baby Health Centre; Official Opening - Baby Health Centre: Address by President, 15 November 1952 Program; Eltham War Memorial Trust: Opening of the Second Unit of the War memorial, The Pre-school Centre, on Saturday, December 1st, 1956 at 3 p.m. Eltham War Memorial: Address by Mrs Stanley Addison at the Annual Meeting of the Infant Welfare Centre, Thursday 21st October, 1965 Newspaper clipping: Infant Welfare Centre as War Memorial, 15 November 1952 Newspaper clipping: Eltham War Memorial Trust by Stanley Addison, 1953 Newspaper clipping: Eltham: Memorial Baby Health Centre Opening Newspaper clipping: Minister to open Eltham Pre-school Tomorrow Newspaper clipping: War Memorial Trust Who is this man? By Stanley Addison (M.B.E., B.A., B.Sc., J.P.) Stanley Simpson Addison biography (b. 14/10/1880 d. 1/1/1972) Eulogy: Stanley Simpson Addison (14 Oct 1880-1 Jan 1972) Photograph: Stanley S. Addison, B.Sc., The Australasian Intercollegian, April 1, 1916 Letter, Eltham High School Advisory Committee re pending retirement of Cr. Addison from the Eltham Shire Council, 8 June 1956 Behind and Before by Stanley S. Addison, The Way, September 1956, pp 6-7 Newspaper clipping: Eltham Shire's President is Cr. S. Addison, Heidelberg News, Friday September 12, 1952 Newspaper clipping: Mr S. Addison Honored, Heidelberg News, Friday September 21st, 1956, p13 Additional information about Stanley Simpson Addison from Bill Glasson, 15 March 2014 Additional information about Stanley Simpson Addison's Naval Service record and MBE (National Archives) Opening of Lower Plenty Memorial Chapel, 30 November 1952 Letter from Brigadier H.H. Hammer, HQ 2 Armed Brigade to Cr. S. Addison, President, Shire of Eltham giving thanks for Coronation Celebrations parade support, June 1953 Newspaper clipping: Eltham President's Advance Programme Newspaper clipping: Coronation Festivities; Eltham Shire President's Notes Newspaper clipping: Hurstbridge: Coronation Day Ceremony Draft of letter by Stanley S. Addison, President, Kangaroo Ground Advancement League regarding electricity connection for Kangaroo Ground - Panton Hill, 1954 Electricity connection, Kangaroo Ground - Panton Hill, 1954 Electricity connection, Kangaroo Ground - Panton Hill, 1955 Newspaper clipping: Light for Diamond Valley; Kangaroo Ground and Panton Hill, Friday 20th May, 1955 Electricity connection, Kangaroo Ground - Panton Hill, 1955 Electricity connection, Kangaroo Ground - Panton Hill, 1956 Electricity connection, Panton Hill - Smitrhs Gully, 1958 100th Anniversary Services, Kangaroo Ground Presbyterian Church, 17 March 1957 Early History of Kangaroo Ground compiled by Neville Haughton in March, 1959 Newspaper clipping: Eltham Community Chest, Heidelberg News, 12 September 1958 Newspaper clipping: Proposed Eltham Community Chest by Stanley Addison, Heidelberg News, 29 January 1959 Newspaper clipping: Community Chest With Wider Objectives, Heidelberg News, 5 February 1959 Newspaper clipping: Community Chest for Eltham, 1959 Newspaper clipping: Council Protest on Community Chest, c.1959 Newspaper clipping: Community Chest Outlined at Small Meeting, c.1959 Newspaper clipping: Treasure in the Diamond Valley by Stanley Addison, Heidelberg News, 19 February 1959 Newspaper clipping: Diamond Valley Chamber of Commerce, c.1959 Approx. 89 pages of varying types; photocopies, newsclippings, hand written notes, invitations, lettersa.c. ring, a.s. davis, adult education, biography, brigadier h.h. hammer, centenary celebrations, coronation, d. dureau, d. scales, d.a. lyon, d.s. pepper, diamond creek, diamond valley chamber of commerce, diamond valley community hospital, electricity supply, eltham chamber of commerce, eltham community chest, eltham high school advisory committee, eltham high school, eltham infant welfare centre, eltham pre-school, eltham shire council, eltham war memorial trust, eulogy, f.f. durham, f.h. buckwell, f.v. squire, g.c. waring, g.w. smith, h. thompson, h.f. thorpe, j. north, j.l. ryan, j.r. stuber, j.w. burgoyne, j.w. middleton, k.w. smith, kangaroo ground advancement league, kangaroo ground presbyterian church, kangaroo ground, l.r. bassett, lower plenty memorial chapel, miss j. humphreys, montmorency girl guides, montmorency tennis club, montmorency, mrs. b. harrington, mrs. stanley addison, n.h. baxter, opening ceremony, panton hill, parade, r. t. harrap, r.s. leeson, s.a. hick, shire president, smiths gully, st faiths anglican church, stanley s addison collection, stanley simpson addison, stevenson family, vera addison (nee staley), vera addison, w. stephenson

Sepia image mounted on board: group of seven men, dressed in military-type uniform. Four standing, three seated. Men on either side front have sash across chest, man in middle holding a sword. Rifle brigade ? On bottom of image written in black pen ' H. Friswell, S. Walton, Theo (?) Shearer, - Barber, Corp. Keck, Lieu. Pendlebury, Serg Miller.person, group, military, sandhurst, bendigo, military, friswell, walton, shearer, barber, keck, pendlebury, miller.

Kharki Green 'Flying Suit', shirt with collar and pockets name 'Smith 'on the right chest area above the zippered pockets.Four badges- Red, Black,Yellow and White.Left to Right ; Red, Yellow, Beige - Snoopy on the tank.Red, White, Black horse in centre; Red, Yellow, White,and Black - 86 The Good, The Bad , The Ugly,Vietnam,Red, Yellow, Black tank,crossed swords above boomarang.M. Pennisi.1969. size 2 Code 8415 66 013 1556.flying suit, clothing

This sculpture was a commissioned artwork made by Victora Chancellor (nee Simcock), a Sydney artist.Ceramic sculpture, depicting a reclining mother holder her newborn baby. The mother is lying on her back, with knees drawn up and feel flat on the ground, protectively cradling a newborn baby on her chest. The umbilical cord between baby and mother is still attached. The mothers upper back is resting against a rock, holding her partially upright. Sculpture is mounted on a rectangular wooden base.obstetric delivery

Timber frame containing Appeals badges, tokens, ribbons for various commemorative days including Red cross, War Chest, YMCA, St John's, Relief Organisation, Lord Mayor's Patriotic Fund, Liberty Loan, food For Britain, Medical Aid, Anzac Memorial Bursaries, Tin Hat, Return Soldiers Fund, Soldier's Dependant, Home For Soldiers, Legacy, ANZAC, Poppy Day etc.

Sergeant Neil Grant died from bullet wounds in the chest during the battle in Rensburg on 10 February 1900. Private Willson, quick to go to his aid, was killed instantly as he bent over the wounded man. He was well known in Ballarat for his military career and also as an auctioneer. He was 45 years of age, married and father of eight children. Other soldiers from Ballarat who were killed are Corporal Ross, Private Duncan Stock and Private Thomas Stock.Digital portrait from "In Memory of the Gallant Officers and Men of Victoria in Transvaal War, 1899-1900".sergeant neil grant, rensburg, private willson, ballarat, corporal ross, private duncan stock, private thomas stock

Framed black and white photograph of Tilly Aston. Tilly sits with one hand resting against a table, and the other in her lap. She is wearing a black collared dress with a white lace neck ruff held with an opal pin. Two medals (the Jubilee medal and Coronation medal) are pinned to the chest (one a red bowtie, the other is a brass medallion). At the base is a handwritten inscription: Miss Tilly Aston/ Founder of Assocation for Advancement of the Blind / in 1895 and Leader until 1947.B/W photograph in black frametilly aston, coronation medal

Uniform in the collection re “M. ANGUS" 6 RAR Vietnam. Refer Cat. No. 669. Coat - green colour cotton twill fabric with green plastic buttons, front metal zipper and metal press studs. Collar, shoulder epaulettes, four front pockets with metal stud closure flaps, green cotton lining throughout garment. Collar with concealed hood with zipper closer. Hood and waist draw strings. White cotton manufacturers label inside back below collar.Manufacturers label with black ink print. "LARGE REGULAR/ Chest from 41 to 45 inches/ Height from 67 to 71 inches/ Stock No. 8415-782-2942/ COAT, COLD WEATHER, MAN'S FIELD/ P.O. 51365-C-647005/ JHN OWNBEY COMPANY INC."uniform, army coat, m.angus

For Service History Refer Cat No. 7877.61. Jacket - white colour polyester viscose fabric, mess dress style - Summer. Collar and long lapels. Shoulder tapes for epaulettes. Gold colour plastic buttons with shank and metal pin. Raised emlem, crown and wings - RAAF. Lining - white colour polyester fabric. White cotton manufacturers label inside right side of jacket. 2. Shirt - white colour polyester/cotton fabric, dress shirt, collar, stiff front with buttonholes for studs and long sleeves with double cuff and buttonholes for cufflinks. White colour plastic buttons. White colour polyester manufacturers label, below collar inside. 3. Bowtie - black colour polyester/cotton fabric. Bowtie is prefolded and stitches on ribbon with black metal hook and ring closer.Manufacturers information - black ink print. 1. "ADI/ VICTORIA/ 1993^/ 8405-66-131. 8010/ SIZE 110R/ TO FIT CHEST 110/ SERVICE NO/ NAME/ 65% Poly 35% Visc/ Dry Clean Only". 2. "RA/ PHILIPPE ANTON/ MADE IN AUSTRALIA/ 44".uniform, raaf, mess dress, summer

The Common pheasant is a gregorious, colorful bird renowned for the striking plumage of the male. It is native to Asia and parts of Europe but has been widely introduced elsewhere as a game bird, including Australia. In their natural habitat, Common pheasants live in grassland near the water with small copses of trees, but can also be found in can be found in woodland, farmland, scrub, and wetlands. Common pheasants are diurnal and spend most of their time on the ground. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This male Common Pheasant is colourful and has striking plumage. It has a small white crest, greenish/blue neck and a pinkish/brown chest. The rest of its feathers are brown, black, white with hints of light grey, where a variety of speckled patterns are apparent on its belly, legs and back feathers. This specimen stands upon a wooden perch attached to platform, facing forward and leaning slightly to the right.taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, common pheasant, phasianidae

The Australasian Grebe is a small duck-like bird with a hyperactive nature. These birds reside in small, shallow, freshwater lakes and ponds, small waterways or sheltered caves and bays. They can be found throughout Australia and the Pacific region and New Zealand. The Australasian Grebe eat mainly small freshwater fish, crayfish, shellfish and leeches which they catch by diving underwater. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum and the National Museum of Victoria, as well as individuals such amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century. This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This Australasian Grebe is in a standing position on a wooden platform with identification tags tied to the right leg. It has dark glass eyes and pale grey bill and legs. The plumage of this specimen consists of dark greys and browns on the rear with lighter colours on the underside. These colours align with those of the non-breeding season. This species has rufous red colouring on the chest and neck and darker colouring on the head during the breeding season. Paper tag: "34a Dabchick Catalogue, page, 64" Metal Tag: "4496"taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, grebe, australasian grebe, dabchick

Northern District School of Nursing trainee nurse's base uniform from 1972Nurse's one piece dress in yellow with yoke and central front chest panel in white. Dress fastens with full back zip to waist and metal hook and eye. There are two pockets at sides below waist. There is a gusset to each side of back to sleeve. There is a long sleeved, waist length jacket, satin lined, with round neck with five yellow buttons and button holes at front. The fabric is of stretch cotton. Dress has a white label with 'Florgale Uniforms, Permanent Press' and washing instructions printed in red and blue and stitched to left rear neck facing. A trade mark, a ball in red and blue with the word 'Koratron' is also on this label. The jacket has a white label stitched to the lining at base of neck with 'Florgale Uniforms, Melbourne, Sydney" in gold. 'SW' and a female figure in long dress is embroidered in navy blue on the label.nurses uniform, northern district school of nursing, dress, jacket