artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses

artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses

artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses

artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses

Photograph of Lil Kuhnle walking through the remains of Camp 3. Copy of photograph original held by R & L. Kuhnle. Duplicate copy on foam.Black and white photograph of a lady remains of Internment Camp 3 site.on back: Lil Kuhnle - internment camp siteinternment camp remains, kuhnle l, dean clark

Camp 3 casualty station. The hospital is fairly high (metre +) of the ground. Probably an annex hospital to the main camp 1. Also larger print.Black and white photograph of the hospital, camp 3, with Gerda Kuebler on the steps. camp 3, gerda kuebler, camp 3 hospital

artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses

Photograph depicts the teachers and children in Camp 3. All were internees during WW2.Sepia photograph of 3 men with a group of children standing in front of them. A hut is at the back of them.camp 3 teachers, camp 3 children

Three volumes. Dark Blue hard covers with dust jackets Author MajGen RR McNicoll CBE. .1) Ubique the royal Australian Engineers 1835-1902 "the colonial Engineers." Blue and While dust jacket with soldier in red and navy uniform standing with sword in right hand 203 PP .2) The Royal Engineers 1902 - 1919 " Making and Breaking." 232 PP. Author Maj Gen RR McNicoll CBE, cream and sepia coloured dust jacket photograph of the building of Watson's Rer Anzac Cove June 1915. .3) The Royal Australian Engineers 1919 -1945 "Teeth and Tail." 432 PP Author Maj Gen RR McNicoll CBE AM. Cream and Sepia coloured dust jacket photograph of sappers disarming anti vehicle mines near Derna, Cyremaica 1941..1) .2) .3) Donated by the Batham Family written in ink on title pages,books, military history

'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020pen and ink architectural drawing on drafting film. Dimension 265x183 Inscription: 3 HARTS PDE, HAWTHORN Margaret Picken ~94 WOODARDS -HAWTHORN3 HARTS PDE, HAWTHORN Margaret Picken ~94 WOODARDS -HAWTHORNartist - margaret picken 1950-

'After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view.' (Margaret Picken, 2020)This property illustration is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c. 1983 and c. 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink property illustration on drafting film of 3/312-316 Barkers Road, Hawthorn by Margaret Picken.Unit 3/312-316 Barkers Road, Haw, Margaret Picken '89. Woodards - Kew.artist - margaret picken 1950-

The Goat Shed was unofficially opened on 3 Dec 1989 as a store room. Following the Stables workshop fire, 8 May 1990, it was refurbished into a proper workshop and officially opened by Cr. Peter Graham, Shire president on 30 May 1991Roll of 35mm colour negative film, 3 stripsKodak GA 100 5095eltham living and learning centre, claire fitzpatrick, gillian barclay, goat shed

The Goat Shed was unofficially opened on 3 Dec 1989 as a store room. Following the Stables workshop fire, 8 May 1990, it was refurbished into a proper workshop and officially opened by Cr. Peter Graham, Shire president on 30 May 1991Roll of 35mm colour negative film, 3 stripsKodak GA 100 5095eltham living and learning centre, claire fitzpatrick, gillian barclay, goat shed

The Goat Shed was unofficially opened on 3 Dec 1989 as a store room. Following the Stables workshop fire, 8 May 1990, it was refurbished into a proper workshop and officially opened by Cr. Peter Graham, Shire president on 30 May 1991Roll of 35mm colour negative film, 3 stripsKodak GA 100 5095eltham living and learning centre, claire fitzpatrick, gillian barclay, goat shed

The Goat Shed was unofficially opened on 3 Dec 1989 as a store room. Following the Stables workshop fire, 8 May 1990, it was refurbished into a proper workshop and officially opened by Cr. Peter Graham, Shire president on 30 May 1991Roll of 35mm colour negative film, 3 stripsKodak GA 100 5095eltham living and learning centre, claire fitzpatrick, gillian barclay, goat shed

The Goat Shed was unofficially opened on 3 Dec 1989 as a store room. Following the Stables workshop fire, 8 May 1990, it was refurbished into a proper workshop and officially opened by Cr. Peter Graham, Shire president on 30 May 1991Roll of 35mm colour negative film, 3 stripsKodak GA 100 5095eltham living and learning centre, claire fitzpatrick, gillian barclay, goat shed

The Goat Shed was unofficially opened on 3 Dec 1989 as a store room. Following the Stables workshop fire, 8 May 1990, it was refurbished into a proper workshop and officially opened by Cr. Peter Graham, Shire president on 30 May 1991Roll of 35mm colour negative film, 3 stripsKodak GA 100 5095eltham living and learning centre, claire fitzpatrick, gillian barclay, goat shed

artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses

Army personnel assigned to Camp 3 Tatura during WW2. Sergeant Allan Timms is standing at the centre of row 2nd from the front. Black and white photograph of 4 rows of men: 3 standing at back, 3 standing next row down; 6 men standing 3rd row down and 4 men seated. All in Army uniform and in front of a hut.army personnel, camp 3 army personnel, garrison personnel camp 3, sergeant allan timms, wendy hicks

Kew achieved independence from the Boroondara Roads Board in 1860. As a new municipality, its first three leaders were designated as chairmen. On becoming a borough in 1863, its leaders were identified as mayors. The earliest photographs date from ca.1906, when the Town of Kew commissioned the noted local photographer Josiah E Barnes to produce standardised portraits of former mayors to be displayed in the Mayoral Chamber of the Town Hall. The collection also includes photographs by other well-known photographic studios such as Burlington Studios, Melba – Melbourne, Stuart Tompkins, Spencer Shier and Talma & Co. The majority of mounts identify the photographer. Eighty photographs are housed in their original frames.This portrait is one of a series of mounted and framed photographic portraits of mayors and town clerks of the former Borough, Town and City of Kew. The portraits were transferred by the City of Kew to the Kew Historical Society in March 1989. A Significance Assessment in 2018, funded by the National Library of Australia confirmed the historic, and often artistic significance of the series.Framed portrait of John Marshall, Mayor of Kew 1872-3. The mounting and framing of the photograph follows a typical layout or style in that each is framed in dark wood, glazed, and laid down on an inscribed board. The inscription identifies the name of the mayor and the year/s that he/she served.John Marshall / Mayor 1872-3marshall, john, mayors of kew (vic), photographers - kew (vic) - josiah earl barnes, kew (vic.) — municipal collection

Material collected relating to Camp 3. Material relating to Palestine Group of Internees in Camp 3 Theatre Programs & lists of cast.. Wilhelm Fugmann, Director. Coloured sketch of stage with setting presented to Prompter, Julia Mueller, autographed by the Theatre Group. 1945 Christmas Greetings from the Camp Leaders. "Templers in Israel" by Yossi Ben-Artzi. "Loyalties at Swordpoint - Lutheran Missionaries in Wartime New Guinea" by H.N. Nelson. Records of Resi, Maria, Erich & Friedrich Haering; Rudolf Hoefer, Willy & Else Groezinger, Ruth Stoll, Gisela Stellar. Copies of letters written by Wilhelm Stoll in 1946 seeking employment in S.A. Recollections from Ted Stoll. Obituary of Ruth Stoll. Play (in German) "Prinzess Chiu", written by Fritz Prager for his daughter in Camp 3. Prager, a German businessman in Sydney, Australia, interned with his brother, Hans in Camp 1. Fritz and Hans were later joined by their families in Camp 3. Copy of "FHP Communications", in which Fritz describes how his company, F.H. Prager & Coy. became established. Letter from Ursula Grimsdale describing how the two brothers came to be interned. Prager Company Newsletter from Ursula Grimsdale. Birth certificate of Heidi Wennagel, born in Camp 1 Hospital. Painted backdrop and theatre scene presented to Julia Mueller.Black 3 ring folder with printed material in plastic sleevesdocuments, reports

artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses

Plan of Camp 3 Tatura layout as in 1945. Camp contained members of Palestine, Singapore/Straits Settlement & New Guinea Groups.Laminated coloured A4 plan showing layout of buildings and perimeter fencing of camp 3 Tatura. palestine group, singapore group, new guinea group, camp 3 layout

Soccer matches were held with the internees in Camp 3Black and white photograph of 12 men playing soccer in camp 3. Water tower in background left and fence on right hand side.camp 3, camp 3 soccer, internees soccer matches

Kuebler family were German internees at Camp 3.Sepia tone photograph of Mr Kuebler and 3 daughters at their mothers grave at the newly established German Cemetery at Tatura. One of 5 graves.camp 3, german internees, kuebler, german cemetery tatura victoria, internee graves

The USB is a copy of a 16mm format film labelled TATURA LAGER 1942 with the name G RUFF on it. This nine minute film shows three folk dances performed by young girls at the Temple Society during their internment in Camp 3 Tatura, Victoria. Copy given to the Museum by Doris Frank when the Templers visited the Museum in November 2022 for a Templer reunion.HistoricPink covered USB with black writing on front. In a glad bag. Also sheet of paper with the story of the folk dancing.Camp 3 Folk Dancing 194216 mm film, tatura lager 1942, g ruff, camp 3 tatura, folk dancing, templers, usb, doris frank