Biography. Hard cardboard cover, blue with block spine buckram. Black print on front, white print on spine. Motif in black on front cover. 95 pages, cut, thicker paper, off white, illustrated with black & white photos & illustrations. Grey patterned paper end papers.Printed front cover: “6005 PERCY HENRY DAVENPORT, AUSTRALIAN WAR STORIES” “WORLD WAR I AUSTRALIAN IMPERIAL FORCE 1915 - 1919” Handwritten in black ink on front fly leaf: “Dedicated To The Memory Of Percy Henry Davenport. A Son of The Bendigo Goldfields. Who Gallantly Served His Country In Both The First And Second World Wars. On Loan To The Bendigo Military Museum By His Son Robert Henry Davenport V.Viet Mobile 0419 764 013 April 2015” Cover motif: “Australian War Stories motif inspired by the seven iterations of the Australian military's Rising Sun Badge” Handwritten in black ink on p92: SUGGESTED READING, AS ROUGH AS BAGS THE 6TH BATTALION 1ST AIF”book, biography

A green plastic covered booklet with black details on the front. Top right hand corner reads 7610-66-021-1631.There is OPS written in ink at the top of the page. There is the Australian Coat of Arms and under this read The Soldier's Handbook. The booklet is held together by two metal screws from the inside of the cover. australia - armed forces - service manuals, soldiers handbook

A cream coloured cardboard cover with black information on the front. Top right hand side reads DSN 7610-66-036-6422. There are two rubber stamp marks on the front which are very faint. Under the Australian Coat of Arms is the information of the booklet. The booklet is held together by two metal staples.australia - armed forces - service manuals, coaching, battle shot, rifleman

A blue coloured cardboard cover with black information on the front. At the top right hand corner reads 7610-66-024-7346. Under the Australian Coat of Arms is the details of the booklet. Down the left hand corner there is a white label with 355.540 F4531:M Aus.3 on it. The booklet is covered with a plastic cover.australian military forces, field engineering, mine warfare, mine anti-personnel m18a1

Soft cardboard cover, white / black print on front & back. Background khaki monochrome photo of battle scene with coloured 2/3rd portrait of soldier in uniform - back & front. 96 cut, plain, white pages. Illustrated black / white / colour photos, maps & illustrations. Inscription Title page.Handwritten in black ink on title page: “Donated by Peter Dodd”book, army, brief history

Black & White photo "A group of Australian Army nurses on the Troop Ship Osterley returning to Australia late 1919 Australian War Memorial D00988"A group of Australian Army nurses on the Troop Ship Osterley returning to Australia late 1919

Small Christmas card produced for the Australian Comforts Fund, Christmas 1918. Christmas & New Years Greetings, 1918-19, with scenes of battles at Villers-Brettonneux and Hamel, and views of a captured tank and a 14cm. gun. Produced by Raphael Tuck & Sons, Publishers to the King and Queen.These cards were sent by service personal serving overseas to family members back home.l Sent by J.L.Mcintre while on active service in France to his loved ones back home.Christmas card with blue and black lettering Australian Comforts Fund Christmas & New Years Greetings, 1918-19, Produced by Raphael Tuck & Sons, Publishers to the King and Queen. The card depicts four scenes from the First World War: Australians Advancing from Villers-Brettonneux August 8th 1918, A German tank captured by the Australians near Villers-Brettonneux, Capture of Hamel Village July 4th 1918 by Australians assisted by a detachment of Americans, Captured by The Australians a 14 C.M. German Naval Gun intact with its Train & Equipment.Australian Advancing from Vlllers-Brettonneux.August 8th 1918. From Original specially painted for the Australian Comforts Fund by Captain Will Longstaff.A.I.F.War Artist.

The aim of this handbook is to lay down the basic staff duties to be used by officers al all arms and services. A grey coloured plastic cover with black writing on it. There is the Australian Coat Of Arms in the middle of the cover. Near the top right hand is the code for the item 7610-66-021-5644. Also the date for Notification in ARO's for 31st December, 1966 There is an orange label top right hand corner with the name L B Dawson on it.australia - armed forces - service manuals, staff duties

A blue coloured cardboard cover with the information on the cover in red. Top right hand corner reads 7610-010-5256. Under this is WO Code No. 8903. Under 1955 in brackets reads Reprinted, modified for Australia, 1958. There are three punch holes down the left hand side and the booklet is covered in a plastic cover.australia - armed forces - service manuals, infantry training, rifle and bayonet

"Victorian Members of the Australian Mining Corps 1916 - 1919". The 4 mining units formed by the Royal Australian Engineers for the British Expeditionary Force departed Australia for the United Kingdom 1916. After May 1916 the four constituent companies of the Australian Mining Corps were deployed directly as part of the Tunnelling Companies of the Royal Engineers. list produced by "The Australian Mining Corps Memorial Campaign Inc".1. & 2. Record document - facsimile copy of names. Black print on white paper. Both 8 pages - printed on one side, white paper. Stapled top left corner.records, royal australian engineers, tunnellers, ww1

Ninety six page book with blue cover, titled "Federal Rules of the Australian Tramway and Motor Omnibus Employee's Association" as amended by the Australian Council 1969. Cover - light blue cover, saddle stapled with two staples to the off white printed rules of the Union. Rules printed on 76 pages, with pages 77 to 80 numbered only and the last 16 pages un-numbered. Pages ii to iv has a detailed index giving rule number and page number. 2290.1 - additional copy with "L. Bird" in ink on the top right hand corner. - added 1/2/2008 2290.2 - additional copy with "A. Jeffreys" in ink on the top right hand corner - added 6/8/2016 .1 - On top right hand corner of cover "J. Everett" in blue ink. .2 - ditto for "L. Bird" .3 - ditto for "A. Jeffreys" trams, tramways, unions, atmoea, rules, federal rules

A grey coloured booklet with black information on the cover. In the centre reads Australian Army. The Enemy 1970 Amendment List No 1. Under the 1st black line reads Army Headquarters CANBERRA, ACT. The DSN number at the top right corner is partly erased out. There are two punch holes down the left hand side.australia - armed forces - service manuals, the enemy, army headquarters

A greyish coloured cardboard cover with black information on the front. Top right hand corner is the name of Major A.D. Cran. Under this reads DSN 7610-66-065-9676. There is the Australian Army Insignia with details of the booklet under it. There are two punch holes down the left hand side. The booklet is cover with a plastic coveraustralia - armed forces - service manuals, leadership, major a.d. cran

A gray coloured booklet with black information on it. There is the Australian Coat of Arms above the title of the booklet. Down the left hand side there are two metal staples and a metal slide, At the top right hand side reads 7610-66-026-6594. The booklet is covered with a plastic cover. Part of the cover has been cut off.australia - armed forces - service manuals, infantry platoon weapons, small arms fire

Ticket for an Australian Electric Traction Association tram tour - Geelong Tram Tour, 29 March 1948. C. L. Busch Secretary, L. Marshal Wood - President. On the rear is an advert for "Coles & Garrard Pty Ltd", sight testing, opticians, giving both the Melbourne and Geelong address. Printed in black on grey card.trams, tramways, aeta, tours, ticket, geelong

A green plastic covered booklet with black details on the front. Top right hand corner reads 7610-66-021-1631. Top left hand corner there is the number 23 handwritten.There is the Australian Coat of Arms and under this read The Soldier's Handbook. The booklet is held together by two metal screw from the inside of the cover. The name Glasson is written in black texta on the inside of the coveraustralia - armed forces - service manuals, soldiers handbook

A green plastic covered booklet with black details on the front. Top right hand corner reads 7610-66-021-1631. Top left hand corner there is the number 23 handwritten.There is the Australian Coat of Arms and under this read The Soldier's Handbook. The booklet is held together by two metal screw from the inside of the cover. The name Glasson is written in black texta on the inside of the coveraustralia - armed forces - service manuals, soldiers handbook

A khaki coloured cardboard booklet with black information on the front. Top right hand side reads 7610-66-096-4848. Below the Australian Army Insignia are the details of the Booklet. Yo the left of the Insignia there is a stamp which reads PDW. There are two punch holes down the left hand side. The booklet is covered in plastic.australia - armed forces - service manuals, land warfare

A grey spectacled cardboard cover with a dark blue binding. At the top of the booklet hand written is COY 2 RVR. Under the Australian Military Forces Insigna are the details of the booklet. The booklet is covered with a plastic cover.There are several water stains and damage on the cover and inside the booklet. There is a white sticker with 355.133 A497 AUS:C4 on the front coveraustralian military forces, ambush, counter ambush

A blue coloured cardbaord cover with black information on the front. Top right hand corner reads DSN 7610-66-048-1126. There is a handwritten circle in blue ink on the left hand side of the Australian Army Insignia. Details of the booklet are under the Insignia. There are two punch holes down the left hand side of the booklet.australia - armed forces - service manuals, engineer range practices

Over 1,400,000 Australians have served in times of conflict, from the Boer War to Afghanistan. Receiving awards on recognition of their service, some Australians have earned prestigious awards for their valour and gallantry. These are soldiers that have overwhelmed their opponents. They've gone over the wall or held the line, at huge personal cost. They've contributed to landmark events that history will long remember.The Australian Defence Medal (ADM) has been established to recognise Australian Defence Force Regular and Reserve personnel who have demonstrated their commitment and contribution to the nation by serving for an initial enlistment period or four years service whichever is the lesser.Rectangular shaped glass covered Picture frame showing Decorations and Medals of The Australian Armed Forces.Decorations and Medals awarded to members of the Australian Armed Forces

1. Musical and linguistic perspectives on Aboriginal song Allan Marett and Linda Barwick Song brings language and music together. Great singers are at once musicians and wordsmiths, who toss rhythm, melody and word against one another in complex cross-play. In this paper we outline some initial findings that are emerging from our interdisciplinary study of the musical traditions of the Cobourg region of western Arnhem Land, a coastal area situated in the far north of the Australian continent 350 kilometres northeast of Darwin. We focus on a set of songs called Jurtbirrk, sung in Iwaidja, a highly endangered language, whose core speaker base is now located in the community of Minjilang on Croker Island. We bring to bear analytical methodologies from both musicology and linguistics to illuminate this hitherto undocumented genre of love songs. 2. Iwaidja Jurtbirrk songs: Bringing language and music together Linda Barwick (University of Sydney), Bruce Birch and Nicholas Evans (University of Melbourne) Song brings language and music together. Great singers are at once musicians and wordsmiths, who toss rhythm, melody and word against one another in complex cross-play. In this paper we outline some initial findings that are emerging from our interdisciplinary study of the musical traditions of the Cobourg region of western Arnhem Land, a coastal area situated in the far north of the Australian continent 350 kilometres northeast of Darwin. We focus on a set of songs called Jurtbirrk, sung in Iwaidja, a highly endangered language, whose core speaker base is now located in the community of Minjilang on Croker Island. We bring to bear analytical methodologies from both musicology and linguistics to illuminate this hitherto undocumented genre of love songs. 3. Morrdjdjanjno ngan-marnbom story nakka, ?songs that turn me into a story teller?: The morrdjdjanjno of western Arnhem Land Murray Garde (University of Melbourne) Morrdjdjanjno is the name of a song genre from the Arnhem Land plateau in the Top End of the Northern Territory and this paper is a first description of this previously undocumented song tradition. Morrdjdjanjno are songs owned neither by individuals or clans, but are handed down as ?open domain? songs with some singers having knowledge of certain songs unknown to others. Many morrdjdjanjno were once performed as part of animal increase rituals and each song is associated with a particular animal species, especially macropods. Sung only by men, they can be accompanied by clap sticks alone or both clap sticks and didjeridu. First investigations reveal that the song texts are not in everyday speech but include, among other things, totemic referential terms for animals which are exclusive to morrdjdjanjno. Translations from song language into ordinary register speech can often be ?worked up? when the song texts are discussed in their cultural and performance context. The transmission of these songs is severely endangered at present as there are only two known singers remaining both of whom are elderly. 4. Sung and spoken: An analysis of two different versions of a Kun-barlang love song Isabel O?Keeffe (nee Bickerdike) (University of Melbourne) In examining a sung version and a spoken version of a Kun-barlang love song text recorded by Alice Moyle in 1962, I outline the context and overall structure of the song, then provide a detailed comparative analysis of the two versions. I draw some preliminary conclusions about the nature of Kun-barlang song language, particularly in relation to the rhythmic setting of words in song texts and the use of vocables as structural markers. 5. Simplifying musical practice in order to enhance local identity: Rhythmic modes in the Walakandha wangga (Wadeye, Northern Territory) Allan Marett (University of Sydney) Around 1982, senior performers of the Walakandha wangga, a repertory of song and dance from the northern Australian community of Wadeye (Port Keats), made a conscious decision to simplify their complex musical and dance practice in order to strengthen the articulation of a group identity in ceremonial performance. Recordings from the period 1972?82 attest to a rich diversity of rhythmic modes, each of which was associated with a different style of dance. By the mid-1980s, however, this complexity had been significantly reduced. I trace the origin of the original complexity, explore the reasons why this was subsequently reduced, and trace the resultant changes in musical practice. 6. ?Too long, that wangga?: Analysing wangga texts over time Lysbeth Ford (University of Sydney) For the past forty or so years, Daly region song-men have joined with musicologists and linguists to document their wangga songs. This work has revealed a corpus of more than one hundred wangga songs composed in five language varieties Within this corpus are a few wangga texts recorded with their prose versions. I compare sung and spoken texts in an attempt to show not only what makes wangga texts consistently different from prose texts, but also how the most recent wangga texts differ from those composed some forty years ago. 7. Flesh with country: Juxtaposition and minimal contrast in the construction and melodic treatment of jadmi song texts Sally Treloyn (University of Sydney) For some time researchers of Centralian-style songs have found that compositional and performance practices that guide the construction and musical treatment of song texts have a broader social function. Most recently, Barwick has identified an ?aesthetics of parataxis or juxtaposition? in the design of Warumungu song texts and musical organisation (as well as visual arts and dances), that mirrors social values (such as the skin system) and forms 'inductive space' in which relationships between distinct classes of being, places, and groups of persons are established. Here I set out how juxtaposition and minimal contrast in the construction and melodic treatment of jadmi-type junba texts from the north and north-central Kimberley region similarly create 'inductive space' within which living performers, ancestral beings, and the country to which they are attached, are drawn into dynamic, contiguous relationships. 8. The poetics of central Australian Aboriginal song Myfany Turpin (University of Sydney) An often cited feature of traditional songs from Central Australia (CA songs) is the obfuscation of meaning. This arises partly from the difficulties of translation and partly from the difficulties in identifying words in song. The latter is the subject of this paper, where I argue it is a by-product of adhering to the requirements of a highly structured art form. Drawing upon a set of songs from the Arandic language group, I describe the CA song as having three independent obligatory components (text, rhythm and melody) and specify how text is set to rhythm within a rhythmic and a phonological constraint. I show how syllable counting, for the purposes of text setting, reflects a feature of the Arandic sound system. The resultant rhythmic text is then set to melody while adhering to a pattern of text alliteration. 9. Budutthun ratja wiyinymirri: Formal flexibility in the Yol?u manikay tradition and the challenge of recording a complete repertoire Aaron Corn (University of Sydney) with Neparr? a Gumbula (University of Sydney) Among the Yol?u (people) of north-eastern Arnhem Land, manikay (song) series serve as records of sacred relationships between humans, country and ancestors. Their formal structures constitute the overarching order of all ceremonial actions, and their lyrics comprise sacred esoteric lexicons held nowhere else in the Yol?u languages. A consummate knowledge of manikay and its interpenetrability with ancestors, country, and parallel canons of sacred y�ku (names), bu?gul (dances) and miny'tji (designs) is an essential prerequisite to traditional leadership in Yol?u society. Drawing on our recordings of the Baripuy manikay series from 2004 and 2005, we explore the aesthetics and functions of formal flexibility in the manikay tradition. We examine the individuation of lyrical realisations among singers, and the role of rhythmic modes in articulating between luku (root) and bu?gul'mirri (ceremonial) components of repertoire. Our findings will contribute significantly to intercultural understandings of manikay theory and aesthetics, and the centrality of manikay to Yol?u intellectual traditions. 10. Australian Aboriginal song language: So many questions, so little to work with Michael Walsh Review of the questions related to the analysis of Aboriginal song language; requirements for morpheme glossing, component package, interpretations, prose and song text comparison, separation of Indigenous and ethnographic explanations, candour about collection methods, limitations and interpretative origins.maps, colour photographs, tablesyolgnu, wadeye, music and culture

A bluish coloured booklet with black information on it. There is the Australian Coat of Arms above the title of the booklet. Down the left hand side there are two punch holes and two metal staples, At the top right hand side reads 7610-66-026-6594. Loosely placed on the inside there is an Infantry Training amendment. The booklet is covered with a plastic cover.australia - armed forces - service manuals, infantry platoon weapons, small arms fire