Showing 288 items
matching federation architecture
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Federation University Art CollectionWork on paper - Etching, Victor Cobb, 'The Approach to the Old Stables of Cobb and Co., Melbourne' by Victor Cobb, 1926
Victor COBB (14 August 1876-02 December 1945) Born Footscray, Melbourne, Victoria Cobb's reputation rests on a large oeuvre of etchings, built up during his lifetime and depicting with meticulous accuracy the architectural splendour of Melbourne's colleges and churches, vistas of the city, the tea-tree patterned foreshore and the outer areas of bush and countryside. State galleries hold many examples of his work. (http://adb.anu.edu.au/biography/cobb-victor-ernest-5698) This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Framed limited edition etching of a street scene where an archway over road leads to the Cobb & Co. stables. These scene depicted is possibly in Elizabeth Street, Melbourne. Gift of the National Trust of Australia (Western Australia)Incised in plate l.l.: "The approach to the old Stables / - of Cobb & Co." / Victor Cobb 1926./ (no relation) inscribed in pencil l.l.: Victor Cobb inscribed in pencil l.c.: "Approach to the old Stables of Cobb & Co. / Melbourne inscribed in pencil l.r.: 3?/85. art, artwork, victor cobb, cobb and co, cobb & co, printmaking, etching -
Federation University Art CollectionDrawing - Pencil on paper, Wes Walters, 'Self Portrait', by Wes Walters, 1980
Wes WALTERS (06 August 1928 - 19 August 2014) Born Mildura, Victoria From 1940 t0 1945 Wes Walters attended the Ballarat High School. He then studied architecture at the Gordon Institute in Geelong, followed by art at the Ballarat School of Mines (a division of the Ballarat School of Mines). During his time at the Ballarat Technical Art School (later Federation University Australia) Walters studied under Neville Bunning and Taylor Kelloch, and was awarded the Ballarat Ladies Art Association Scholarship in 1948. He next moved to Melbourne to work as a commercial artist with the George Patterson advertising agency. Each evening Walters studied life drawing at the Victoria Artists’ Society and taught himself anatomy. Wes Walters excelled in both abstract and realist art. He won the Art Gallery of Ballarat’s Minnie Crouch Prize for watercolour art in 1953 and 1956. He won the prestigious Archibald Prize in 1879 for his portrait of Phillip Adams, and the sketch was completed tin preparation for that portrait. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Framed pencil self portrait by Wes Walters drawn close to the time he completed the Archibald Prize winning portrait of Phillip Adams. Signed and dated lower centre: '1/2/79 Walters' art, artwork, walters, wes walters, portrait, sketch, available -
Federation University Art CollectionDrawing - Charcoal on paper, Wes Walters, 'Study for Portrait of Arthur Boyd' by Wes Walters, 1982, 1982
Wes WALTERS (06 August 1928 - 19 August 2014) Born Mildura, Victoria From 1940 t0 1945 Wes Walters attended the Ballarat High School. He then studied architecture at the Gordon Institute in Geelong, followed by art at the Ballarat School of Mines (a division of the Ballarat School of Mines). During his time at the Ballarat Technical Art School (later Federation University Australia) Walters studied under Neville Bunning and Taylor Kelloch, and was awarded the Ballarat Ladies Art Association Scholarship in 1948. He next moved to Melbourne to work as a commercial artist with the George Patterson advertising agency. Each evening Walters studied life drawing at the Victoria Artists’ Society and taught himself anatomy. Wes Walters excelled in both abstract and realist art. He won the Art Gallery of Ballarat’s Minnie Crouch Prize for watercolour art in 1953 and 1956. He won the prestigious Archibald Prize in 1879 for his portrait of Phillip Adams, and the sketch was completed tin preparation for that portrait. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Charcoal portrait study of Arthur Boyd on Fabriano paper. This sketch is one of several head studies made for the portrait of Arthur Boyd portrait entered into the 1982 Archibald Prize. The painting is in the collection of the Art Gallery of New South Wales. Signed lower right: 'Walters'art, artwork, walters, wes walters, arthur boyd, portrait, available, archibald prize -
Federation University Art CollectionPrint - Etching, Wes Walters, 'Chimpanzee' by Wes Walters, 2008
Wes WALTERS (06 August 1928 - 19 August 2014) Born Mildura, Victoria From 1940 t0 1945 Wes Walters attended the Ballarat High School. He then studied architecture at the Gordon Institute in Geelong, followed by art at the Ballarat School of Mines (a division of the Ballarat School of Mines). During his time at the Ballarat Technical Art School (later Federation University Australia) Walters studied under Neville Bunning and Taylor Kelloch, and was awarded the Ballarat Ladies Art Association Scholarship in 1948. He next moved to Melbourne to work as a commercial artist with the George Patterson advertising agency. Each evening Walters studied life drawing at the Victoria Artists’ Society and taught himself anatomy. Wes Walters excelled in both abstract and realist art. He won the Art Gallery of Ballarat’s Minnie Crouch Prize for watercolour art in 1953 and 1956. He won the prestigious Archibald Prize in 1879 for his portrait of Phillip Adams. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Framed limited edition edition depicting a chimpanzee. Donated through the Australian Government's Cultural Gifts Program. Photograph: HStudioart, artwork, walters, wes walters, chimpanzee, animals, available -
Federation University Art CollectionPrint - Etching, Wes Walters, 'Nude/Japan' by Wes Walters, 2008
Wes WALTERS (06 August 1928 - 19 August 2014) Born Mildura, Victoria From 1940 t0 1945 Wes Walters attended the Ballarat High School. He then studied architecture at the Gordon Institute in Geelong, followed by art at the Ballarat School of Mines (a division of the Ballarat School of Mines). During his time at the Ballarat Technical Art School (later Federation University Australia) Walters studied under Neville Bunning and Taylor Kelloch, and was awarded the Ballarat Ladies Art Association Scholarship in 1948. He next moved to Melbourne to work as a commercial artist with the George Patterson advertising agency. Each evening Walters studied life drawing at the Victoria Artists’ Society and taught himself anatomy. Wes Walters excelled in both abstract and realist art. He won the Art Gallery of Ballarat’s Minnie Crouch Prize for watercolour art in 1953 and 1956. He won the prestigious Archibald Prize in 1879 for his portrait of Phillip Adams. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Framed limited edition print. art, artwork, wes walters, walters, etching, printmaking etching, edition, alumni, alumnus, aavailable -
![Painting - Artwork, [Wharf], 1964, 1964](/media/collectors/530576742162ef0fa09a2288/items/534748189821f420f8c03b14/item-media/537ec30a2162ef1a2cc384d1/item-fit-380x285.jpg)
Federation University Art CollectionPainting - Artwork, [Wharf], 1964, 1964
This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Unframed watercolour showing architecture alongside a wharf with three boats. art, artwork, ross, b.g. ross, watercolour, requires framing, boats, wharf -
Federation University Art CollectionWork on paper - Printmaking - Relief Print, Starling, Anne, 'Innerwest' by Anne Starling, 2003
"In my woodblock print I have focused on the architectrure, streetscape and layout of the city. I am itrigued with teh organisation of cities and in teh creation of my own image. In this work I have almalgamated site drawings of buildings, streets and various structures to create a fish eye viewof the inner west of Sydney. By creating such a cityscape I form an historical document and record of the specific place."Anne STARLING (1967 - ) Born Sydney, New South Wales A graduate of the City Art Institute/UNSW College of Fine Arts, Anne Starling completed a Master of Art in 1994 and Master of Fine Arts by Research in 2012. Human interaction with the urban and industrial landscape is central to the work of Anne Starling. She focuses on the neglect that has occurred due to misuse and exploitation by industrial manufacturers, and the social and ecological structures of areas surrounding of Rhodes in Sydney, Fremantle in Western Australia and Port Kembla in New South Wales.Through relief and drypoint prints she examine changes that occur in this environment, presenting a commentary on the degradation and pollution of land by industry and the surrounding urban landscape. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed black and white relief print (woodblock) representing a collage of various Sydney architecture. art, artwork, anne starling, printmaking, woodblock, print council of australia, sydney, architecture, bridge, cityscape -
Federation University Art CollectionArtwork - Printmaking, Geoffrey Ricardo, 'Inner Architecture' by Geoffrey Ricardo, 2009
Unframed limited edition photo etching. Promised gift under the Australian Government's Cultural Gift Program.Signed lower right "Ricardo 09"geoffrey ricardo, framing required, promised cultural gift, printmaking -
![Artwork - Printmaking, [Life Study] by Wes Walters, c1980](/media/collectors/530576742162ef0fa09a2288/items/5d3e913321ea6716b0929ea3/item-media/5dedb84c21ea6706a0c3176b/item-fit-380x285.jpg)
Federation University Art CollectionArtwork - Printmaking, [Life Study] by Wes Walters, c1980
Wes WALTERS (06 August 1928 - 19 August 2014) Born Mildura, Victoria From 1940 t0 1945 Wes Walters attended the Ballarat High School. He then studied architecture at the Gordon Institute in Geelong, followed by art at the Ballarat School of Mines (a division of the Ballarat School of Mines). During his time at the Ballarat Technical Art School (later Federation University Australia) Walters studied under Neville Bunning and Taylor Kelloch, and was awarded the Ballarat Ladies Art Association Scholarship in 1948. He next moved to Melbourne to work as a commercial artist with the George Patterson advertising agency. Each evening Walters studied life drawing at the Victoria Artists’ Society and taught himself anatomy. Wes Walters excelled in both abstract and realist art. He won the Art Gallery of Ballarat’s Minnie Crouch Prize for watercolour art in 1953 and 1956. He won the prestigious Archibald Prize in 1879 for his portrait of Phillip Adams. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Framed etching showing a nude model lying on drapery.A/P Signed 'Walters,wes walters, printmaking, available, nude, lifedrawing -
Federation University Art CollectionWork on paper - Printmaking - Linocut, [City Scape] by B. Martin, 1930s
Attended the Ballarat Technical Art School.Linocut of high rise buildings through an archwayLino cut, by B. Martinlinocut, printmaking, alumni, architecture, b. martin, requires framing -
Canterbury History GroupBook, K. C. B. Bethell, John Beswicke 1847-1925: Heritage Architect
"John Beswicke was a prolific architect during the Victorian and Edwardian eras. He commenced as an architect 13 years after a competition was called for the design of the first Government House in Victoria, and 10 years after the Victorian Institute of Architects was formed. The majority of Beswicke's designs were built before Federation in 1901. ... Beswicke designed buildings in and around Melbourne ... A dapper and urbane gentleman, he was a keen sporting shooter, motoring enthusiest and inventor, as well as a devoted family man. ... This book cements Beswicke's place as one of Melbourne's formost architects of his era."--Dust jacket gate fold.150 pages. Includes photographs, bibliographical references and indexes of book and architectural worknon-fiction"John Beswicke was a prolific architect during the Victorian and Edwardian eras. He commenced as an architect 13 years after a competition was called for the design of the first Government House in Victoria, and 10 years after the Victorian Institute of Architects was formed. The majority of Beswicke's designs were built before Federation in 1901. ... Beswicke designed buildings in and around Melbourne ... A dapper and urbane gentleman, he was a keen sporting shooter, motoring enthusiest and inventor, as well as a devoted family man. ... This book cements Beswicke's place as one of Melbourne's formost architects of his era."--Dust jacket gate fold.architects, heritage studies, buildings - victoria, biographies, john beswicke -
Federation University Art CollectionArtwork, 'Matador' by Wes Walters, c1970s
Wes WALTERS (06 August 1928 - 19 August 2014) Born Mildura, Victoria From 1940 t0 1945 Wes Walters attended the Ballarat High School. He then studied architecture at the Gordon Institute in Geelong, followed by art at the Ballarat School of Mines (a division of the Ballarat School of Mines). During his time at the Ballarat Technical Art School (later Federation University Australia) Walters studied under Neville Bunning and Taylor Kelloch, and was awarded the Ballarat Ladies Art Association Scholarship in 1948. He next moved to Melbourne to work as a commercial artist with the George Patterson advertising agency. Each evening Walters studied life drawing at the Victoria Artists’ Society and taught himself anatomy. Wes Walters excelled in both abstract and realist art. He won the Art Gallery of Ballarat’s Minnie Crouch Prize for watercolour art in 1953 and 1956. He won the prestigious Archibald Prize in 1879 for his portrait of Phillip Adams. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Framed watercolour behind glass showing a matador and a bull. wes walters, bull, matador, available, bullfighting, spanish -
Federation University Art CollectionPainting - Acrylic on canvas, 'Glade of the Mystique Seductress' by Julie Watkins, 1971
This painting is one of my key early works incorporating the Baroque dualities of theatrical drama and inner emotional worlds. Interpreting the Baroque subject of the Sacred and the Profane, the swirling diagonal composition of crossed figures, transparent and billowing drapery in contrasting colours and dramatically tense gestures, in this work combine to suggest both religious ecstacy and physical sensuality. The glade is portrayed as white light. It is the open space for the drama. One face gazes ambiguously at the viewer, questioning, whether she is - the willing but (guarded OR mysterious?) seductress the title suggests. Julie Watkins, 2015 Julie WATKINS (1949- ) In 1969 Julie Watkins completed an Associateship Diploma Fine Art-Painting at RMIT, and a Fellowship Diploma of Fine Art-Painting the year after. In 1973 she was awarded a Diploma of Education at Hawthorn State College. Julie Watkins worked as a TAFE teacher from1973 to 1978, then as a tutor for the Faculty of Architecture and the Built Environment at RMIT between 1979 and 1992. Between the years 2003 to 2003 she was a tutor at the University of Melbourne (Victorian College of the Arts. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Acrylic on stretched canvas art, artwork, julie watkins, watkins, painting, acrylic on canvas, available, julie meyer -
Glen Eira Historical Society
Document - Historic Conservation Areas Project
... Mission Style Californian Bungalow Style Federation Style ...Contains 4 items relating to historic conservation: 1/Five newsletters (one page each newsletter, dated 07/1975, 08/1975, 09/1975, 10/1975 and the final one 12/1975) describing how the project evolved, project funds, progress, study method, project 1 report, project 2 report and summary as no further funds available. Project was to include all of Melbourne but funding did not allow this. Note: newsletters stamped with Caulfield Historical Society. 2/Letter (one page on official city of Caulfield letterhead) from Andrew Rodda (manager planning) to Hazal Ford (dated 13/11/1989) describing ‘council resolved on 18/07/1989 to proceed with preliminary conservation survey’ and mentions that a copy is included. 3/Preliminary conservation survey for the City of Caulfield (nine pages) describing background, study area, budget, purpose, study outline, timeframe, report format, ownership, tasks and background information (mentions number and types of houses and properties as at 1986 and 1988) and a map of City of Caulfield. 4/Booklet (28 pages) titled ‘Heritage Area – Caulfield North Draft Heritage Guidelines July 1999 – City of Glen Eira’, containing Caulfield North Heritage Area, cultural heritage, Heritage Overlay Area, architectural description, common architectural forms and features, development guidelines, key design checklist. It includes a map of the Caulfield North Heritage Overlay Area, two illustrations about the development envelope and many black-and-white photographs of houses and architectural features.historic conservation areas project niven barbara, newsletters, town planning, historic buildings, heritage studies, housing, royal historical society of victoria (rhsv), read michael, plans, local government, historical societies, committee for urban action (cua), national trust, hopkins sherry ms., ford hazel, preliminary conservation survey, town planning, heritage studies, rodda andrew, city of caulfield, housing estates, victoria national estate grants program, australia icomos, burra charter, buildings structures and establishments, land surveys, suburbs, historic buildings, architectural significance, ‘caulfield’s heritage study’, soloman geulah dr., caulfield library, dandenong road, nepean highway, hotham street, iknerman road, orrong road, north road, poath road, ‘plan of the city of caulfield’, north ward, east ward, south ward, west ward, kooyong road, neerim road, bambra road, balaclava road, shire of caulfield, railways, world war 1914-1918, depression 1929-1939, rippon lea, labassa, parks, mansions, community services, ‘caulfield north draft heritage guidelines july 1999’, city of glen eira, caulfield north heritage area, glen eira heritage management plan, mayfield grove, normanby avenue, carnarvon street, glenferrie street, arthur street, malakoff street, normanby road, heritage advisory service, construction materials, victorian style, mediterranean style, spanish mission style, californian bungalow style, federation style, architectural style, architectural features, heritage conservation design, building construction, building regulations, aboriginal peoples, carnarvon road -
Federation University Art CollectionPainting, Allan Bernaldo, 'Sovereign's Escort' by Allan Bernaldo, 1960
Artist's Statement: I spent time visiting the barracks, museums, libraries, gaining information, making special pencil drawings and colour notes, when and where possible. Preparatory drawings for larger paintings were always on detail paper. The reason for this was I could use both sides, correfting mistakes on either side, until a satisfactory end. I use this procedure so that the surface of the painting paper was not effected by erasion. The final drawing was traced on having rubbed a stick of charcoal on the detail paper. I have used this procedure from my early days as a commercial artist. In drawing each horseman fully and tracing each horseman fuly in his place in relation to the whole and rubbibg out the parts covered by the nearer objects. Such essential things as legs and shadows are sure to be in the right place. Most of the pencil drawings of the palace gates, and other features I needed had to be made from a standing position. all these were filed for future reference. Everything had to be in the right proportion to the palace gates. The procedure for the Escort is as follows: If the Life Guards mount the escort an officer of the Blues rides at the right of the coach by invitation. The Guards officer rides on the left. Then follows the Standard flanked by a commissioned officer on the right. The trumpeter on the left. The trumpeter rides on a white horse. He has a selection of twelve different uniforms. After that follows the unit. The stirrups used by the officers are squarish. The troopers stirrups are a conventional form. All personnel riding and on no account rise in the stirrups as normally they would at the trot. This modifies the ragged impression of heads bobbing up haphazardly - their behinds become acclimatized in time." Gift of the Artist, 1981. Allan BERNALDO (05 August 1898-25 June 1988) Born Creswick, Victoria Allan Bernaldo won a scholarship to the Ballarat School of Mines to study Architecture. He received a certificate of merit in 1917, and the Ballarat School of Mines President's medal for the most meritorious Art student. Allan Bernaldo was editor of the Ballarat School of Mines Magazine in 1918. He became known as a commercial artist, teacher and water-colourist who specialiesd in horses and flowers. He died at St. Ronan’s Nursing Home in Armadale, Victoria and was buried at Springvale Botanical Cemetery, with his wife Florence Victoria May Elliott, who predeceased him in 1966. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Gift of Allan BernaldoFramed watercolour painted from materila gathered while the artist was in London during 1952 showing the queen's guards on horseback. art, artwork, bernaldo, allan bernaldo, royalty, guards, watercolour, available -
Melbourne Tram MuseumBook, Victorian Telephone & Smart Card Collectors Club Inc, "Metcard Catalogue", May 2002
Gives the background to the establishment of Metcard ticket design, standard designs, tickets for events, food series, Millenium series, Comedy Festival, Architecture series, Soccer, AFL clubs, AFT Fair, UITP Conference, Fares Guide, Centenary of Federation, Melbourne Festival, Flower show, 2002 World Masters Games, Federation Square, National Gallery, Student passes and Adult Yearly. Gives examples of tickets between 1999 and 2002. Robert O'Regan the compiler passed away in 2021. He had a very large website that was taken offline in late 2020.Gives detailed information about Metcard tickets late 1990s and early 2000s.Folder, heavy plastic partly opaque front cover, deep blue plastic rear cover, 43 plastic sleeves each with two printed in colour, A4 sheetsmetcard, tickets, students, collections -
Federation University Art CollectionDrawing - Artwork, Wes Walters, [Untitled] by Wes Walters, 1998
Wes WALTERS (06 August 1928 - 19 August 2014) Born Mildura, Victoria From 1940 to 1945 Wes Walters attended the Ballarat High School. He then studied architecture at the Gordon Institute in Geelong, followed by art at the Ballarat School of Mines (a division of the Ballarat School of Mines). During his time at the Ballarat Technical Art School (later Federation University Australia) Walters studied under Neville Bunning and Taylor Kellock, and was awarded the Ballarat Ladies Art Association Scholarship in 1948. He next moved to Melbourne to work as a commercial artist with the George Patterson advertising agency. Each evening Walters studied life drawing at the Victoria Artists’ Society and taught himself anatomy. Wes Walters excelled in both abstract and realist art. He won the Art Gallery of Ballarat’s Minnie Crouch Prize for watercolour art in 1953 and 1956. He won the prestigious Archibald Prize in 1879 for his portrait of Phillip Adams. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Framed artwork behind glass.wes walters, pastel, abstract, landscape, available -
![Plan, Improvements on the Camp Reserve Ballarat, 1870, 26/4/1870 (exact); Traced by Henry [Mornes?], district surveyor, on the above date](/media/collectors/4f729f6797f83e0308601707/items/4f72a4fa97f83e0308602508/item-media/59b79d3921ea680200c6b8a7/item-fit-380x285.jpg)
Federation University Historical CollectionPlan, Improvements on the Camp Reserve Ballarat, 1870, 26/4/1870 (exact); Traced by Henry [Mornes?], district surveyor, on the above date
The Ballarat Camp housed the Goldfields administrators. It was from this site that the troopers left on the morning of 3 December 1854 to attack the Eureka Stockade. Much of the area shown in on the west side of Camp Street is now used by the Federation University Arts Academy.Hand-drawn plan on white linen showing the camp reserve in what is now known Ballarat's Camp Street. The plan shows allotments in an area bounded by Mair, Sturt and Lydiard Streets. The plan has colours indicating wooden buildings, stone buildings, brick buildings, Wood & zinc buildings, and wood & brick buildings.ballarat, camp street, horace walker, henry mornes, goldfields architecture, reserve for public, buildings, goldfields administration, eureka stockade
