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Bendigo Military Museum
Photograph - Print Troop Equipment and Personnel, Lithographic Squadron – Army Survey Regiment, Fortuna, Bendigo, c1970s
This collection of 17 photos was most likely taken in Lithographic Squadron, Army Survey Regiment, Fortuna, Bendigo, c1970s. Although these photos are not annotated most personnel are positively identified. Some photos are cropped enlargements of previous photos. See item 6060.8P for more information and photos of platemaking. There is more information on the Ultra-MAN-III, Komoni and Planeta Printing Presses on pages 71 and 120 of Valerie Lovejoy’s book 'Mapmakers of Fortuna – A history of the Army Survey Regiment’ ISBN: 0-646-42120-4. For additional photos, refer to item 6062.4P for the Heidelberg press, item 6063.5P for the Komori press, item 6064.9P for the Planeta press and item 6065.10P for Ultra-MAN-III presses. In photos .11P to .14P the technician is applying a UV-sensitive pigmented dye emulating one of the map print colours to a white opaque polyester sheet mounted on a rotating table in a whirler. .12P and .14P are enlargements of previous photos. See item 6059.4P for more information and photos on the map proof making process. The Krause Wohlenberg operated by George Austen in photo .17P was a heavy-duty guillotine to trim bulk printed map stock in the c1970s and c1980s. See item 6069.6P for more information and photos of guillotine equipment.This is a set of 17 photographs of Print Troop personnel and equipment from Lithographic Squadron at the Army Survey Regiment, Fortuna, Bendigo, c1970s. The photographs were printed on photographic paper and are part of the Army Survey Regiment’s Collection. The photographs were scanned at 300 dpi. .1) - Photo, black & white, c1970s, Preparing printing plate, SGT Alvan Howard. .2) to.3) - Photo, black & white, c1970s, Preparing printing plate, unidentified technician. .4) - Photo, black & white, 1979, Planeta Polygraph Printing Press., L to R: SPR Peter Breukel, CPL Lance Strudwick. .5) - Photo, black & white, c1970s, Ultra-MAN-III Printing Press. .6) and .7) - Photo, black & white, c1970s, Ultra-MAN-III Printing Press, unidentified technician. .8) - Photo, black & white, c1970s, Newkoni Komori Printing Press, unidentified technician. .9) - Photo, black & white, c1970s, Original Heidelberg Printing Press, unidentified technician. .10) - Photo, black & white, c1970s, MANN flatbed proof press, unidentified technician. .11) to .14) - Photo, black & white, c1970s, applying dye to a whirl-on proof, unidentified technician. .15) and .16) - Photo, black & white, c1970s, applying diazo coat to a scribe sheet, CPL Colin Hardisty. .17) - Photo, black & white, c1970s, Krause Wohlenberg heavy-duty paper guillotine, George Austen.No personnel are annotated. .2P annotated ‘completed development on a negative working plate.’ .3P annotated ‘a wipe-on plate.’ .4P annotated ‘1979’. .12P annotated ‘Re-coating a proof with the next wanted colour on the vertical whirler.’ .13P annotated ‘has hardened (retained) area required. Done on a vertical whirler.’ .15P and .16P annotated ‘Preparing a sheet of scribe material with a Diazo (light sensitive) coating.’royal australian survey corps, rasvy, army survey regiment, army svy regt, fortuna, printing, litho -
Federation University Art Collection
Work on paper - Printmaking, 'Flowers and Leaves' by Nyuwara Tapaya, 1996
Nyuwara Tapaya (5 August 1971-c2005) Born Ernabella, South Australia Pitjantjatjara speaker Nyuwara Tapaya had distinguished career in print media and textiles (batik). She trained at Ernabella Arts and studied dye technique in Indonesia. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Framed limited edition lithograph print. If you can provide information on this artist or artwork please use the comment box below.Edition 11/17art, artwork, nyuwara tapaya, printmaking, ernabella -
Tarnagulla History Archive
News clipping: A Tour Of Tarnagulla, A Tour Of Tarnagulla, October 3, 1977
... dyer ...Murray Comrie Collection. Excerpt from the Wimmera/Mallee Country Bulletin of October 3, 1977 with article titled 'A Tour Of Tarnagulla' by the paper's editor Betty Osborn. Outlines a visit by nine people led by David Haden of the Goldfields Historical Society. Includes image of Miss Mary Renshaw of Strangways, granddaughter of David Renshaw. References the Methodist Church, David and Margaret Hatt, the Bank, Jackson's garden, Baptist Church, Post Offices, Bock's windmill, Bell's Cottage and the Dyer's stone cottage. tarnagulla, bock, dyer, hatt, bell, methodist church, renshaw -
Bendigo Military Museum
Uniform - BATTLE DRESS - ARMY, RETI CLOTHING PTY LTD, 1. 1967. 2. 1968. 3. 1992
Ribbon is for Efficiency Decoration.1. Battle dress woollen jacket. Khaki colour. Captain's Pips on epaulettes. Royal Australian Ordinance Corps shoulder flashes. Green and Yellow service ribbon above left pocket. 2. Trousers, Khaki. 3. Shirt Polyester, khaki, short sleeved. 4. Tie, Khaki, cotton/polyester. Has had an 'Ad Hoc" modification to stay knotted. Elastic under shirt collar. 5. Belt, black. Brass fittings inside still has signs of a green dye.post ww2, army uniform, passchendaele barracks trust -
Bendigo Military Museum
Equipment - AMMUNITION POUCHES, Unknown
1. Rectangular universal utility ammunition pouch painted matt green. The pouch can be attached to the waistbelt or to over the shoulder webbing harness. There is a press stud closure on the front top flap. 2. Khaki rectangular utility ammunition pouch, has a sewn on blackened slider keeper to replace damaged webbing and brass buckle. 3. Rectangular universal utility ammunition pouch. the khaki has been changed and replaced with a green matt dye. there is a press stud closure on the top flap.1. On the inside of the pouch, “Z.L.& T. Ltd 1941” 2. On the rear side of the pouch “3632038?” 3. No markings.passchendaele barracks trust, ammunition pouch -
Linton and District Historical Society Inc
Photograph, Linton cricket team, c.1895-1900
LINTON CRICKET TEAM 1895: STANDING L-R AJ SMITH, S LEWERS, AC CORK, H ADAMS, DR DONALDSON, I CRAINE, J HOGAN, K DONOVAN, R HISSHION, A NICOL, J GODDEN, J ANGUS, J BROWN; SECOND ROW L-R ED NICHOLLS, P ROBERTS, D CORNISH, R CORNISH, J SEMMENS, R HANSEN, J NICOL; FRONT ROW L-R R HISSHION JNR, S BALL, BEN CORNISH, TED NICHOLLS, JAS WEARNESepia photograph of a group of men wearing sports wear and hats, two with cricket bats, a trophy in front.linton cricket team, sports, a. j. smith, s. lewers, a. c. cork, h. adams, dr donaldson, i. craine, j. hogan, k. donovan, r. hisshion, a. nicol, j. godden, j. angus, j. brown, ed. nicholls, p. roberts, d. cornish, r. cornish, j. semmens, r. hansen, j. nicol, r. hisshion jnr., s. ball, ben cornish, ted nicholls, jas wearne -
Federation University Historical Collection
Photograph - Black and White, Mary Elizabeth Holmes and two children
Probably taken at a Holmes family property: "Launchley' or 'Sauchieburn" at Ascot, Ballarat District or "Launchley Park", Derrinallum in the Western District. The latter property was a property Harry and Edith Holmes purchased in 1938 on the return of their eldest son, John Henry [Jack], from WW2. David looks to be wearing his St Patrick's Christian Brother College, Ballarat school uniform. [Jane Dyer, May 2024]Photograph of three children. L- R Mary Elizabeth Holmes, ? [ nephew David Smerdon Holmes] and ? [ brother David Coghill Holmes]chatham-holmes collection, mary elizabeth holmes, ww2, derrinallum, ascot victoria -
Mission to Seafarers Victoria
Letter - Correspondence, 06/06/1950
The writer states that he is staying with his parents in Holland and that, ".....Holland is good again like before the war." He thanks Allan for his letter and the "Union book" and "....feels his chances are now bigger to get a ship back to Australia."Quinn CollectionThe Netherlands self-folding letter (0840) is addressed to Allan C/- Mongabarra, headed Apeldoorn and dated the 6/06/50. The overall colour of the letter is pale green. There is a fine blue pattern on the outside except for part of the middle section where the address, return address and a printed notice are displayed. There is a brown paper sticker with the printed words 'Firma C. K. Hansen, Kopenhamn K. Denmark' partly obscuring the address. The sender's name and return address, written in tiny writing, are unclear and partly obscured by a fuzzy postmark.The letter commences "Hello Allan!" and is signed "........ from your friend John."letters-from-abroad, quinn, apeldoorn, holland, john holsheim -
Mission to Seafarers Victoria
Letter - Correspondence, 08/08/1951
Quinn CollectionAn account (0883.a) written on one sheet of off-white, unlined business stationery. In the upper left hand corner in large capitals is printed 'EILIV WAHR-HANSEN and underneath in smaller capitals TANNLEGE TLF. 692767. In the right hand corner in small print is OSLO with MAJORSTUHUSET printed below. The date 8/08/51 is hand written in black ink. There are four items listed below Allan's name. Each item has an amount written beside it with a total written below. There is something written in Norwegian under these lists. The matching envelope (0883.b) is blank on the front whilst in the middle of the back Eiliv Wahr-Hansen is printed above Tannlege Majorstuhuset Oslo. Enclosed is an account (0883.c) with a round Norwegian Red Cross stamp in the left upper corner and to the right of this in large capitals RODE KORS RONTGENINSTITUT; below in smaller print Fredrik Stangsgt. 11-13, telefon 44 39 80. The account is written in green ink with what appears to be a signature scrawled near the bottom in blue ink. Also enclosed is a small x-ray (0883.d). This appears to be of several teeth on the lower jaw.Tannlege is Norwegian for Dentist. Rontgeninstitut is Norwegian for X-ray Instituteallan quinn, eiliv wahr-hansen, dentist, norway, oslo -
Bendigo Historical Society Inc.
Book - ALEC H CHISHOLM COLLECTION: BOOK ''THE SCREAM OF THE REEL'' EDITED BY JACK POLLARD
Book. ALEC H CHISHOLM COLLECTION. 316 page hardcover book of a collection of fishing stories by various authors, Australian and overseas, with drawings by Australian cartoonists and B & W photos of fish. Published in 1966 by Lansdowne Press, Melbourne and printed by the Speciality Press, Clayton, Victoria. Contributors include - Bob Dyer, Arthur Upfield, Russell Drysdale, Zane Grey, Nino Culotta, Ion Idriess. Catalogue sticker ''2173 POL'' on spine. Handwritten in biro on flyleaf ''For Alec, with kind regards, Jack Pollard''.Jack Pollardbooks, collections, fishing, alec h chisholm collection, fishing, angling, jack pollard, australian authors -
National Wool Museum
Beret
Knitting by Joyce Hucker. She began working with unspun wool and making dyes from the natural sources from her garden and the farm trees around her. From knitting and croceting articles, she progressed to felting and a 'wrapping' technique, always using unspun wool. She was a successful exhibitor at many craft shows and was always willing to pass on her experience and knowledge to others, often travelling widely to help groups requiring a demonstration.Knitting by Joyce Hucker.knitting, hucker, mrs joyce -
Bendigo Historical Society Inc.
Newspaper - GOLDEN SQUARE P.S. LAUREL ST. 1189 COLLECTION: NEWSPAPER CUTTINGS
Green laminated card with two photos. The first is Bill Thirwell and Bert Symons at the Centenary Celebrations 1973. The second photo is the Golden Square Primary School Inter-school softball premiers. They are, from left, front row: Lisa Hollis, Kerry Clayton, Jan McConville, Vicki Robson. Second row: Kayleen Baker, Sharon South, Judy Latwell, Susan McConville, Kerrie Pattison. Back row: Karen Hargreaves, Wendy Nixon, Rhonda hansen, Kerry Sutton, Suzanne Jones, Leanne Doyle and teacher, Mrs J Raeburn,education, primary, golden square laurel st p.s., golden square primary school 1189 collection - newspaper cuttings, bill thirlwell, bert symons, centenary celebrations 1973, lisa hollis, kery clayton, jan mcconville, vicki robson, kayleen baker, sharon south, judy latwell, susan mcconville, kerrie pattison, karen hargreaves, wendy nixon, rhonda hansen, kerry sutton, suzanne jones, leanne doyle, mrs j raeburn -
Surrey Hills Historical Society Collection
Photograph, Chatham students support the Empire, Surrey Hills, c 1947, 1947
The billycart was possibly decorated for celebrations associated with Empire Day. Image was originally copied by Chatham Primary School for inclusion in their pictorial history "A Patchwork of People - Chatham Past and Present" [ISBN 0 646 29370 2], by Susan Barnett and Julia Ashby, published in 1996 for the school's 70th anniversary. Copied for the SHNCHC with the school and donor's permission. There is also a laminated copy of it for display purposes.Black and white image of four boys and their billycart. Two are identified as Bruce Hansen, standing behind the flag and Jimmy Boyd, seated in the billycart, which is decorated with streamers, an English flag and advertising signs promoting Australian sultanas and the export of Australian dried fruit to the [British] Empire. The photo was taken in the grounds of Chatham Primary School. In the background can be seen some of the cypress trees that were planted along the side of the oval, a remnant eucalypt from the time when the land was part of J B Maling's farm and part of the shelter shed.chatham primary school, billycarts, advertising signs, empire day, bruce hansen, jimmy boyd -
Bendigo Historical Society Inc.
Document - THEATRE PROGRAMMES: MERRY WIDOW AND FLORODORA, C1920's
Two theatre programs: J. C. Williamson Ltd Present Musical Comedy: 1 'The Merry Widow' - Music; Franz Lehar Lyrics: Adrian Ross, Produced by George A. Highland. Cast: Eric Bush, Phil Smith, Nellie Barnes, Don Nicol, Herbert Browne, Marie Stuart, Romala Hansen. 1953 production. presented by Bendigo Operatic Society. . 2 ' Florodora' - Music Leslie Stuart, libretto: Owen Hall, Lyrics E. Boyd-Jones & Paul Reubens. Produced by George A. Highland. Cast: as above. C1920's. Cass & Sons Print.event, entertainment, theatre, theatre programmes x 2, j c williamson, the merry widow, franz lehar, adrian ross, george a highland, eric bush, phil smith, nellie barnes, don nicol, herbert browne, marie stuart, romola hansen, leslie stuart, owen hall, e boyd-jones, paul reubens, cass & sons print -
National Wool Museum
Bag, Costume
Crochet example by Joyce Hucker. Hucker began working with unspun wool and making dyes from the natural sources from her garden and the farm trees around her. From knitting and croceting articles, she progressed to felting and a 'wrapping' technique, always using unspun wool. She was a successful exhibitor at many craft shows and was always willing to pass on her experience and knowledge to others, often travelling widely to help groups requiring a demonstration.Crochet example by Joyce Hucker.crochet, hucker, mrs joyce -
National Wool Museum
Balaclava
Knitting example by Joyce Hucker. Hucker began working with unspun wool and making dyes from the natural sources from her garden and the farm trees around her. From knitting and croceting articles, she progressed to felting and a 'wrapping' technique, always using unspun wool. She was a successful exhibitor at many craft shows and was always willing to pass on her experience and knowledge to others, often travelling widely to help groups requiring a demonstration.Knitting example by Joyce Hucker.Late J. Hucker 1972 Ski Capknitting, hucker, mrs joyce -
National Wool Museum
Puppet
Knitting example by Joye Hucker. Hucker began working with unspun wool and making dyes from the natural sources from her garden and the farm trees around her. From knitting and croceting articles, she progressed to felting and a 'wrapping' technique, always using unspun wool. She was a successful exhibitor at many craft shows and was always willing to pass on her experience and knowledge to others, often travelling widely to help groups requiring a demonstration.Knitting example by Joye Hucker.knitting, hucker, mrs joyce -
National Wool Museum
Hat
Crocheted example by Joyce Hucker. Hucker began working with unspun wool and making dyes from the natural sources from her garden and the farm trees around her. From knitting and croceting articles, she progressed to felting and a 'wrapping' technique, always using unspun wool. She was a successful exhibitor at many craft shows and was always willing to pass on her experience and knowledge to others, often travelling widely to help groups requiring a demonstration.Crocheted example by Joyce Hucker.crochet, hucker, mrs joyce -
National Wool Museum
Collar
Crocheted example by Joyce Hucker. Hucker began working with unspun wool and making dyes from the natural sources from her garden and the farm trees around her. From knitting and crocheting articles, she progressed to felting and a 'wrapping' technique, always using unspun wool. She was a successful exhibitor at many craft shows and was always willing to pass on her experience and knowledge to others, often travelling widely to help groups requiring a demonstration.Crocheted example by Joyce Hucker.N.F.S. samplecrochet, hucker, mrs joyce -
National Wool Museum
Hat
Crocheted example by Joyce Hucker. Hucker began working with unspun wool and making dyes from the natural sources from her garden and the farm trees around her. From knitting and croceting articles, she progressed to felting and a 'wrapping' technique, always using unspun wool. She was a successful exhibitor at many craft shows and was always willing to pass on her experience and knowledge to others, often travelling widely to help groups requiring a demonstration.Crocheted example by Joyce Hucker."Jaunty Pair" Cap. J. Hucker Lake Bolac Viccrochet, hucker, mrs joyce -
National Wool Museum
Muff
Crocheted example by Joyce Hucker. Hucker began working with unspun wool and making dyes from the natural sources from her garden and the farm trees around her. From knitting and croceting articles, she progressed to felting and a 'wrapping' technique, always using unspun wool. She was a successful exhibitor at many craft shows and was always willing to pass on her experience and knowledge to others, often travelling widely to help groups requiring a demonstration.Crocheted example by Joyce Hucker.crochet, hucker, mrs joyce -
National Wool Museum
Collar
Crocheted example by Joyce Hucker. Hucker began working with unspun wool and making dyes from the natural sources from her garden and the farm trees around her. From knitting and croceting articles, she progressed to felting and a 'wrapping' technique, always using unspun wool. She was a successful exhibitor at many craft shows and was always willing to pass on her experience and knowledge to others, often travelling widely to help groups requiring a demonstration.Crocheted example by Joyce Hucker.N.F.S. samplecrochet, hucker, mrs joyce -
National Wool Museum
Scarf
Crocheted example by Joyce Hucker. Hucker began working with unspun wool and making dyes from the natural sources from her garden and the farm trees around her. From knitting and croceting articles, she progressed to felting and a 'wrapping' technique, always using unspun wool. She was a successful exhibitor at many craft shows and was always willing to pass on her experience and knowledge to others, often travelling widely to help groups requiring a demonstration.Crocheted example by Joyce Hucker.crochet, hucker, mrs joyce -
National Wool Museum
Dress
Crocheted example by Joyce Hucker. Hucker began working with unspun wool and making dyes from the natural sources from her garden and the farm trees around her. From knitting and crocheting articles, she progressed to felting and a 'wrapping' technique, always using unspun wool. She was a successful exhibitor at many craft shows and was always willing to pass on her experience and knowledge to others, often travelling widely to help groups requiring a demonstration.Crocheted example by Joyce Hucker.crochet, hucker, mrs joyce -
National Wool Museum
Bonnet
Knitted example by Joyce Hucker. Hucker began working with unspun wool and making dyes from the natural sources from her garden and the farm trees around her. From knitting and croceting articles, she progressed to felting and a 'wrapping' technique, always using unspun wool. She was a successful exhibitor at many craft shows and was always willing to pass on her experience and knowledge to others, often travelling widely to help groups requiring a demonstration.Knitted example by Joyce Hucker.knitting, hucker, mrs joyce -
National Wool Museum
Cape
Crocheted example by Joyce Hucker. Hucker began working with unspun wool and making dyes from the natural sources from her garden and the farm trees around her. From knitting and croceting articles, she progressed to felting and a 'wrapping' technique, always using unspun wool. She was a successful exhibitor at many craft shows and was always willing to pass on her experience and knowledge to others, often travelling widely to help groups requiring a demonstration.Knitted example by Joyce Hucker.crochet, hucker, mrs joyce -
National Wool Museum
Layette
Crocheted example by Joyce Hucker. Hucker began working with unspun wool and making dyes from the natural sources from her garden and the farm trees around her. From knitting and croceting articles, she progressed to felting and a 'wrapping' technique, always using unspun wool. She was a successful exhibitor at many craft shows and was always willing to pass on her experience and knowledge to others, often travelling widely to help groups requiring a demonstration.Crocheted item by Joyce Hucker.crochet, hucker, mrs joyce -
National Wool Museum
Bag, Costume
Crocheted example by Joyce Hucker. Hucker began working with unspun wool and making dyes from the natural sources from her garden and the farm trees around her. From knitting and croceting articles, she progressed to felting and a 'wrapping' technique, always using unspun wool. She was a successful exhibitor at many craft shows and was always willing to pass on her experience and knowledge to others, often travelling widely to help groups requiring a demonstration.Crocheted item by Joyce Hucker.crochet, hucker, mrs joyce -
National Wool Museum
Dressing Gown
Crocheted example by Joyce Hucker. Hucker began working with unspun wool and making dyes from the natural sources from her garden and the farm trees around her. From knitting and crocheting articles, she progressed to felting and a 'wrapping' technique, always using unspun wool. She was a successful exhibitor at many craft shows and was always willing to pass on her experience and knowledge to others, often travelling widely to help groups requiring a demonstration.Dressing gown crocheted by Joyce Hucker. Detail from crocheted dressing gown by Joyce Hucker. Detail from crocheted dressing gown by Joyce Hucker.crochet, hucker, mrs joyce -
Melbourne Legacy
Document, Benalla, Euroa, Violet Town Group - Change Over Dinner, 2007
A copy of a speech given by President Bill Rogers to the Benalla, Euroa, Violet Town Group change over dinner in 2007. He was installing Legatee Leon Dyer as President of the Group. He mentions the 141,000 widows receiving DVA benefits. He mentions Younger Veterans Forum for veterans post 1975. Document was from a folder of documents donated to the archive by Legatee Bill Rogers that related to his time as President (March 2006 - March 2008).A record of the branches and groups at the time.Print out x 1 page of a speech given by President Bill Rogers to a Group dinner on 24 March 2007.benalla, euroa, violet town, changeover dinner