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Kiewa Valley Historical Society
Photo of No. 3 Power Station at Kiewa Hydro Electric Scheme, No. 3 Power Station at Kiewa Hydro Electric Scheme
The State Electricity Commission of Victoria were the employers of the Kiewa Hydro Scheme. The work included building dams, power stations and the infrastructure for the work and their employees. Mt Beauty and Bogong village were the places where this scheme was built and where this photo shows part of its construction being Power Station 3. Originally there were 3 Hydro stations built from the 1930's onwards. The scheme finished being built in 1960 and is the biggest Hydro electricity scheme in Victoria. This photo has good Historic significance: The construction of No. 3 Power Station which was part of the Kiewa Hydro Electric Scheme built by the State Electricity Commission of Victoria. Therefore is picture is very historically significant as it shows the power station at the time of its construction which is an important part of Victoria' development and history. Since Mt Beauty was established due to the Hydro scheme being built this photo has great interpretation capacity. This is a black and white photograph showing the power station and workmen's huts and storage huts, site manager's office and surrounding bush. The photo is mounted on black painted 3 ply board. no.3 power station. kiewa hydro electric scheme. s.e.c.v..electricity. -
Tatura Irrigation & Wartime Camps Museum
Photograph, German Internee Families Camp 3
This photograph was taken on 10 March 1945 of a group of German internees in Camp 3. Back row left to right standing: Grete Renz, Walter Rubitschung, Hermann Schneller, Walter Klink junior, Gisela Rubitschung, Paul Rubitschung. Front row sitting: Ruth Stoll, Hildur Fuchs and Lotte Mueller. Foam backed copy of photograph in file.Black and white photograph of a group of 6 people standing and 3 women sitting. Shrubs directly behind them, a hut to the left and to the right. Tree just in front of the hut on right.847grete renz, walter rubitschung, hermann schneller, walter klink junior, gisela rubitschung, paul rubitschung, ruth stoll, hildur fuchs, lotte mueller -
Tatura Irrigation & Wartime Camps Museum
Photograph, Fortuna Children 1941
Fortuna family were internees in Camp 3A during WW2. Photograph is of (left to right) Mafalda, John and Con Fortuna and taken in 1941. Second copy of picture in file.Black and white photograph of three children standing in the middle of the photograph. One child of to the right. A woman and child to the left. Wall of hut directly behind the 3 children and hut of to the right.john fortuna, con fortuna, camp 3a rushworth, mafalda fortuna -
Darebin Parklands Association
Preparations for Ranger's Hut Rockbeare Park 1980, Rockbeare Park Conservation Group, 1980
Colour photograph.Annotated on back [Start of 1st Ranger's Hut Rockbeare Park 1980] -
Tatura Irrigation & Wartime Camps Museum
Photograph, Sister Patterson, Original 1942, copy 1989
WW2 internment camp 1, Tatura. Army and nursing staff.Sister Patterson standing outside Mess hut, Camp 1.internment camps, tatura internment camps, sister patterson -
Tatura Irrigation & Wartime Camps Museum
Photograph, Matron and Sisters Moore, Asche and Moors, copy 1989 original 1942
WW2 internment camp 1, Tatura, hospital staff, Matron Captain Alice Adcock and Sister Moore, Asche and Moors,4 Army nurses, standing on steps in front of hut doorway.internment camps, tatura internment camps, sister moore, sister moors, sister ashe, matron captain alice adcock -
Tatura Irrigation & Wartime Camps Museum
Photograph - copy, copy 1990 original 1942
WW2 internment camp 1, Tatura. Black and white photograph.Stark rows of unadorned huts. Camp 1.internment camps, tatura internment camps -
Tatura Irrigation & Wartime Camps Museum
Photograph, Singapore Group Camp 3
A group of Singapore internee women and children in Camp 3 during WW2. Sepia photograph of a group of women and children standing in front of a hut.singapore internee, camp 3 internees -
Tatura Irrigation & Wartime Camps Museum
Photograph - Photographs, Camp 13 entrance gates
Sketch of the entrance gates of Camp 13 Murchison.Black and white photograph of a sketch of the entrance gates to Camp 13 Murchison, with huts to the left, behind the wire, a large tree behind the huts, and two trees on the right inside the yard. On coreflue.camp 13, murchison, camp entrances -
Tatura Irrigation & Wartime Camps Museum
Photograph, 1942
One of several by C. VagariniColour photograph of a painting of 2 huts left hand side. The end of 4 huts right side. One tall post, 7 fence posts and 5 gum trees in the centre.C. Vagarini (bottom right main one)camp 3, templer society, camp artists, c. vagarini -
Tatura Irrigation & Wartime Camps Museum
Painting - Painting - Oil, Camp huts, 1943
Painted by internees C Vagarini at Camp 13.B. FrankBrown wooden frame. 3 huts and the end of a 4th hut in front of which are attractive gardens with a large barrel. Flower pot behind which is a blue cylinder, not unlike a fire extinguisher.Casare Vagarinipainting oil, vagarini c, frank b, camp 3, tatura, ww2 camp 3, oil -
Halls Gap & Grampians Historical Society
Photograph - B/W, C 1902
The dwelling is said to be the store at the Stoney Creek diggings, with some members of the Langley family. From left Alice Maria Langley, Lucy, ?, ?, Charles Langley (old man) & three friends.Photo shows three women and three men standing and sitting outside a slab hut. The roof of the hut appears to be constructed of bark, held in place by saplings. One of the men is sitting against the side of the hut and is holding a dog. Another man is crouched over a gold pan while an onlooker appears happy with the contents of the pan."Store at Stoney Creek diggings ?1902. Alice Maria Langley, Lucy ? ? Charles Langley (old man) & three friends." written on back in blue pen.people, langley, mining, gold mining -
Tatura Irrigation & Wartime Camps Museum
Sketch, 1943
Camp 3. made by Gudrun and Isolde Frank, camp 3 c. Sketches for previous worksheet.Black and white sketch. Top: huts and in foreground a small tent and two youngsters centre front. The bottom sketch would appear to be the end of a hut with the inscription Weihnachtsbaum Mit Lebkuchenhauschen I Spelsesaales wird abend. the figure 9 top right handcamp 3, gudrun frank, isolde frank, frank zimmer, camp calendars, templers -
Kiewa Valley Historical Society
Photograph - Photographs x 13 - Cattlemen
11 of the 13 photos were taken by Tor Holth and used in his book "Cattlemen of the High Country" first published in 1980. Co writer was Jane Holth (Barnaby). Of the other two photos, one was taken by C. Roper (2 old gentlemen of the High Plains) and the other (Fred Roper, Tom Hollonds, Kyran Marum - early cattlemen) unknown photographer. The book tells the story of the lives of the mountain cattlemen of Victoria's high country, the harsh conditions and challenges they faced when they mustered their cattle before winter to bring them down to lower pastures. Huts were built of any materials available and were scattered about the high plains to provide shelter from the elements. Some are still standing despite the many bushfires that have ravaged the area.The photographs are of historic significance as they are of early pioneers in the cattle industry in the Kiewa Valley. The huts are of significant interest as they show different types of construction and materials as does the cattle yard at Bogong Jack's. All 13 photos are black and white and printed on photographic paper and are of varying size. 1.On the back, hand written in pencil - "Bogong Jacks hut on Fainter Spur". 2.15 in top right hand corner and 120% centre of photo and circled. 2.On the back a typewritten label cut out and fixed with sticky tape "45 b.&w. Cope Hut, known also as the Menzies of the high plains." Lower left corner is a handwritten label, written in red biro, COPE HUT (underlined) V circled and Journeys into History. 3. Top right hand corner '2.32(a) and across the back, written in pencil, 'Wallace's Hut 1976' and 'TOR HOLTH' in red biro on small sticker lower R corner. 4.2.32(c) in pencil top R corner. 'Wallaces Hut 1976' in pencil across back of photo. 5. '42.7a' in pencil top R corner. Written in pencil across back of photo 'Remains of the second Tawanga Hut.' 6. 'Jim Edmundson Mt. Beauty' handwritten in blue biro across back of photo. 7. '2.26' in pencil top R corner. 'Cattle yard at Bogong Jack's' handwritten in blue biro across back of photo. 8. 'Jim Edmondson of Edmondsons hut' written in pencil on back of photo. 9. 'Geoff Wallace Kergunyah' written in pencil on back of photo. 10.' Geoff Wallace Kergunyah' handwritten in pencil on back of photo. 11. 2.11 in pencil top R corner. 'Fred Roper & Jack Platt. Ph. C.Roper' handwritten in orange pen and under, in pencil, '2 old gentlemen of the High Plains.' 12. Written in black pen across back of photo 'Left to right Fred Roper, Tom Hollonds, Kyran Marum - early cattlemen' 13. Hand written on back of photo 'Sid Ryder' photos, cattlemen, high plains, huts -
Bendigo Military Museum
Photograph - GROUP PHOTOGRAPH, c.1917 - 19
Some of the soldiers are wearing up to 4 Service Chevrons, one has a “”MM” ribbon on.Possibly taken at or near Wars end. Collection re Mrs May Burns.Group photo in sepia tone of 19 soldiers outside Hut No 30.photography, group portraits, military history, souvenirs -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Craftwork, heavily carved calling card case, c1900
A visiting card, also known as a calling card, is a small paper card with one's name printed on it, and often bearing an artistic design. Visiting cards became an indispensable tool of etiquette, with sophisticated rules governing their use. The essential convention was that one person would not expect to see another person in his own home (unless invited or introduced) without first leaving his visiting card for the person at his home. Upon leaving the card, he would not expect to be admitted at first, but might receive a card at his own home in response. This would serve as a signal that a personal visit and meeting at home would be welcome. On the other hand, if no card were forthcoming, or if a card were sent in an envelope, a personal visit was thereby discouraged. As an adoption from French and English etiquette, visiting cards became common amongst the aristocracy of Europe, and also in the United States. The whole procedure depended upon there being servants to open the door and receive the cards and it was, therefore, confined to the social classes which employed servants. Some visiting cards included refined engraved ornaments, embossed lettering, and fantastic coats of arms. However, the standard form visiting card in the 19th century in the United Kingdom was a plain card with nothing more than the bearer's name on it. Sometimes the name of a gentlemen's club might be added, but addresses were not otherwise included. If a card was left with a turned corner it indicated that the card had been left in person rather than by a servant. Visiting cards were kept in highly decorated card cases.A timber calling card case, heavily carved with flowers, leaves and huts.craftwork, woodwork, visiting cards, early settlers, moorabbin, bentleigh, cheltenham, market gardeners -
Tatura Irrigation & Wartime Camps Museum
Painting - watercolour - photocopy, Hay Flood 1943, 1943
Drawn by Theo Engel after a flood at Hay war camp 8 in 1943.Photocopy of a watercolour of Hay Flood 1943. 6 Army huts and pathwaystheo engel, hay war camp flood -
Tatura Irrigation & Wartime Camps Museum
Photograph - copy, copy 1989
Early stage of Camp 13.B & W. Pre fabricated huts under construction. Trees in background.camp 13, murchison victoria, internment camps, ww2 -
Tatura Irrigation & Wartime Camps Museum
Photograph, POW Camp 13 - Tents
Painted by Klober at Camp 13.Photograph of watercolour depicting tents, army huts and 11 gum trees.Klober ? 41klober, gus pohlig, camp 13 art, watercolour paintings, pow camp 13, internment camp tents, internment camp accommodation -
Tatura Irrigation & Wartime Camps Museum
Photograph
Drawings by Herschfeld Mack during internment at Camp 1 Tatura. Originals at Shepparton Art Gallery.Photograph of drawings of camp hut army guard in foreground. Abstract drawing.ww2 artists, herschfield mach, camp 1 tatura, shepparton art gallery -
Tatura Irrigation & Wartime Camps Museum
Photograph
Black and white photograph of pre fab huts and construction of fences, etc.camp 13, camp 13 pre fab huts, camp 13 construction of fences -
Tatura Irrigation & Wartime Camps Museum
Photograph
Singapore POW'sBlack and white photos of Singapore men outside hut for roll call.singapore pow's, h. seefeld -
Wangaratta RSL Sub Branch
Envelope Art
One of several illustrated envelopes, without letter, sketched by soldier/s during the second world war sent to Mrs MacDonald of WangarattaVictoria's 2/24th Infantry Battalion was raised in Wangaratta in July 1940. They were welcomed with open arms by the local community as they rapidly built up their numbers. The people of Wangaratta adopted the Battalion and they became known as "Wangaratta's Own" because of the time the battalion spent in the town during its formative period prior to deployment overseas. Many of the soldiers maintained life long friendships with the people of Wangaratta. Even though the Battation was disbanded in 1946 members and their families return each year, in November, for a commemorative service at the 2/24th Battalion Memorial Wall at the Wangaratta Cemetery.Cream paper envelope with sketch of palm trees and hut on left of scroll.Top left - AIR MAIL Top right - postage stamp Top left - AIF Censor stamp Right side Mrs M MacDonald "Monald" 32 Grey Street Wangaratta Victoria Australia ww2, envelope art -
Tatura Irrigation & Wartime Camps Museum
Photograph, Camp 13 AWAS girls
AWAS girls, from Murchison Camp 13JBlack and white photograph of 8 AWAS girls standing in front of hut.awas, joyce montgomery, camp 13 murchison -
Stawell Historical Society Inc
Book - Biography, Catherine McMahon: A Remarkable Convict Woman
Biography of Convict Women 'free by servitude' with 1'st husband selected land at Jallukar. After his death, she fought and won her land. Land sold 1888. Remarried with 2nd Husband had a shop in Stawell. After his death Catherine Eventually moved to W.A.. 2nd Husband left her is from Catherine died in Menzies W.A.Soft Cover: Large Sepia Photo of a hut in bush. Top PinkCatherine McMahaon: A remarkeable Convict Woman. Damian King & Liz Schroeder -
Whitehorse Historical Society Inc.
Photograph, Campbell's Croft, 1/11/1971 12:00:00 AM
6 views of Ti-tree and mud hut on the property of Miss Campbellcampbell, daisy, john, campbells croft -
Bendigo Military Museum
Photograph - PHOTOGRAPHS, GRINTON COLLECTION, FRAMED, 2008 - 2009
Frame 2. Photo 1. Jack in a billet which appears to be part of a barn. In writings it seems this was a Visme-au-Val in France. He had written "At my washing". Photo 2. Accommodation in an old Army hut, place unknown. Photo 3. "Tucker Time", place unknown. Photo 4. Group of diggers with some locals, they may have been billeted with them. Refer Cat No 5880P for exhibition details. Refer Cat No 1280 for Jack GRINTON Service Records.Photographs - black and white on paper. Four photographs top to bottom. 1. Soldiers in a billet. 2. Accommodation in an old Army hut, 3. 4 soldiers with mess tins. 4. 4 soldiers with 4 local people. Frame - timber with black colour paint, glass front, mount black cardboard, backing cardboard with handwritten notation.Backing cardboard - handwritten black felt tip pen "2."framed photographs, grinton collection, ww1, 38th -
Bendigo Historical Society Inc.
Photograph - SANDHURST, c1867
Sepia photograph: Diggings Myers Creek. Slab huts on left side. Man standing in front of hut, barrels and timber outside hut. Carriage with two horses, on right buck board and one horse, horse and cart on left. Discovery of gold at Myers Creek 1867, vic. Australia. Letter from Kerry Carroll included.Batchelderplace, land, mining, kerry carroll (for dolly carroll), 9 brooke street, eaglemont vic 3084 -
Australian Commando Association - Victoria
Work on paper, Sketch "Sistew" Timor 1942, 1942
Drawing done on location by Francis John " Curly" Papworth in Timor on the second day of his deployment with 2/2 Independent Company.This work of soldiers is significant as a work produced by a serving soldier on location during WWII and is a unique example of an artistic work showing the men and their surroundings at the time. Pencil drawing on white paper in landscape Diary entry of the second day on Timor with drawing of cooking with local huts in backgroundww2, world war 2, independent company, 2/2 commando squadron, francis john papworth, timor, 2/2 independent company. -
Darebin Parklands Association
Opening of Rangers Hut 1980, Rockbeare Park Conservation Group, 1980
Colour photograph.Annotated on back [Opening of Ranger's Hut 1980. Sir Rupert Hamer on left]