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Ballarat Heritage Services
Photograph - Colour, Launch of "Bullboar, Macaroni and Mineral Water: Spa Country's Swiss and Italian Story", 2005, 17/12/2005
Swiss and Italian descendants (Perini) check out the new book at the launch of "Bullboar, Macaroni and Mineral Water: Spa Country's Swiss and Italian Story" at the Pantechnicon Art Gallery, Daylesford.swiss/italian, swiss and italian, clare gervasoni -
Ballarat Heritage Services
Photograph - Colour, Launch of "Bullboar, Macaroni and Mineral Water: Spa Country's Swiss and Italian Story", 2005, 17/12/2005
Swiss and Italian descendants (Perini) check out the new book at the launch of "Bullboar, Macaroni and Mineral Water: Spa Country's Swiss and Italian Story" at the Pantechnicon Art Gallery, Daylesford.swiss/italian, swiss and italian, clare gervasoni, marie butler -
Ithacan Historical Society
Print, View of Vathi, Ithaca
The reproduction print is of artwork depicting 'old' Vathi. Vathi is the main town and the largest settlement on the island of Ithaca in Greece, possibly established during the period of Venetian rule. The town resembles an amphitheatre, built around the coastline of one of the most natural ports of Greece. Many of the old buildings were destroyed in the catastrophic earthquakes of 1953. The length of the port is 926 m. with an entrance of 300 m. in width. It was once the main port for ferries transporting goods and people to and from the mainland. Ferries now dock at Piso Aetos. In the summer the harbour of Vathi is filled with sailing boats and yachts. During the periods of Venetian (c1500 - 1797) and English (1809 - 1864) rule, the population of Vathi grew significantly, reaching a total of 5,000 residents. During this period Vathi became an important centre for trade and commerce, political activities and legal proceedings.A black and white drawing of the harbour of Vathi . The drawing has a white surround. Printed in Italian across the top of the drawing: LUDRO LITTORICO Printed in Italian underneath the drawing: VISTA DE VATHI IN ITACAlittoricio, luadro -
Waverley RSL Sub Branch
Letters from Italian POW
3 letters from Luio Zenere to his father Attillo Zenere after his capture by partisans, handed to American forces and subesquently to British and his incarceration in a P.O.W. camp in Naples 16/3/1944One letter in english partially readable 2 in Italian faded and difficult to read but letter in English gives insight into the life of one P.O.W.3 letter cards from Italian POW Luio ZenterePrisoner of War Post Service des prisoners de Guerre Kriegsfrngennenpostletter postcard pow -
Bendigo Military Museum
Award - MEDAL, Post 1918
Medal, Italian Victory 1914 -18 with standard Allied ribbon.military, medals victory, italian -
Ballarat Heritage Services
Image, Italian Army on the Move, c1916, No date - c. 1914-17
Colour photographs of Italian soldiers during World War One. costume, world war one, uniform, italian army -
Ballarat Heritage Services
Digital photograph, Lisa Gervasoni, Gnocchi at Pellegrini's, 2017
Colour photograph of gnocchi at the iconic Pellegrini's Italian Restaurant, Melbournemelbourne, bourke street, pellegrini, pellegrini's, italian, food, restaurant, gnocchi, coffee -
Warrnambool and District Historical Society Inc.
Brief Case, F. Rvnci, Mid 20th century
This satchel belonged to John Malcolm Fraser (1930-2015), the 22nd Prime Minister of Australia from 1975 to 1983. Malcolm Fraser was educated at Melbourne Grammar and Oxford University and lived for many years on the family property, Nareen in the Western District. He was the leader of the Australian Liberal Party and was the Federal member in the seat of Wannon in the Western District, an area which included Warrnambool. As the Prime Minister he took a particular interest in foreign affairs. This satchel was donated by Malcolm Fraser to a charity auction held in Warrnambool in 1997 in aid of the Red Cross and the purchaser of the satchel at that time has since donated the item to the Warrnambool and District Historical Society. This satchel is of considerable significance as it belonged to Malcolm Fraser, the Prime Minister of Australia from 1975 to 1983, the local member in the Federal seat of Wannon and a property owner and resident in the Western District of Victoria. This is a brown leather brief case or satchel. The compartment on one side has a metal catch and holders inside for pencils and pens. This side also has another compartment with a zip fastener and two extra pockets with flaps on the top held by metal catches. There is another compartment on the other side with an extra pocket enclosed with a zip folder. There is a leather handle on the top of the satchel and inside one of the pockets is an extra leather strap to extend the handle length. The handle has a maroon-coloured airways tag attached with information on the satchel’s owner. There is some scuffing near the top handle. The satchel contains a newspaper cutting and an information sheet regarding the charity sale of the item.F. Rvnci Roma QANTAS First Class Rt. Hon. Malcolm Fraser 44th Fl. 55 Collins St. Melbourne Victoria Tel 03 65 41 822 malcolm fraser, australia prime minister, history of warrnambool -
Montmorency/Eltham RSL Sub Branch
Weapon - Italian 75mm Anti-aircraft Round, 1939
Shell for the Cannone da 75/46 C.A. modello 34. This gun fired a 6.5kg shell to an effective range/height 8,500 metres. Australians encountered these weapons in North Africa from 1941 to 1942. Brass shell with cast iron projectile.S M I 14-6-39 L.7 U.T.A.N FIRENZEworld war two, ww2, second world war, italian, north africa, north africa campaign, cannone da 75/46 c.a. modello 34, 75mm anti-aircraft round -
Kiewa Valley Historical Society
Meter Volt, mid to late 1900's
This analog voltmeter is quite a large (industrial type) apparatus which permits the easy monitoring of electrical variations within the large SEC Victoria Hydro Scheme's electrical generators. These generators are powered by the hydro force of "stored" water at a higher altitude. The establishment of both the NSW and Victorian Hydro schemes was achieved from the mid 1900's to the 1960's. At this point in time the need for additional power sources to quench both an industrial and domestic demand for electricity was purely an economic and not and environmental (carbon reduction) factor. This hydro scheme was instigated by "the Government of the day" as a bold move and was the major force of the World War II refugee and "technical" workforce inclusion of skilled and unskilled migration into the Australian environment. Although this mass "invasion" of workers with families was thought of in some circles as intrusive, the expansion of population post war years and its integration into the Australian rural sector, produced the multi- lingual multi-cultural diversity of later years. This voltmeter is very significant to the Kiewa Valley as its use was introduced during the Kiewa Hydro Scheme. Although only a small apparatus it was part of the explosion of human resources into the valley. This influx of population transformed the region from that of a basically quiet rural region to one which evolved into both an industrial and a larger residential community. This evolution in the valley created a change, not only in the "physical" landscape but also the socio-economic expansion which permitted other "tourist" based industries into the valley. This analog volt meter has two metal rods protruding from the "back" of instrument with screw on points for the negative and the positive leads allowing the "current" to flow across the calibrated resistors to indicate on the "face" side the strength of the voltage "power". The "face" of the instrument has a zero point and then five evenly graduated marks from Zero to the "100, 200 and 300" marked points of measures. A large "V" below these pointers indicates that they represent levels of voltage. Three small screws hold the "face" in place. At the back of the meter is an aluminium "clasp" with three protruding screws (positioning fasteners) and a a screw tightening fixture for the correct fastening of the "clasp" into the correction location on the meter "board".Manufacturer's logo "CSG" underneath "ITALIA"kiewa valley tourism, victorian alps, alternate energy supplies, alpine population growth -
Kiewa Valley Historical Society
Pillow Sham, circa 1900
This Item is one of four bedroom items hand made in circa 1900 by Amalihe Pierin. Her Son brought the item when he emigrated to Australia and members of the family still reside in the Kiewa Valley. Historically this item represents the requirement by families to manufacture a whole range of bedroom coverings due to the lack of professionally manufactured goods. Isolation from big towns or cities required local seamstress activities and therefore closer social bonding was a necessity. Although this item was transported from Italy to Australia by the son of Amalihine Pierin the significance still remains the sameLinen (white) cut work and hand embroidered central floral scene with decorative cut work above, leaf shapes 2cm border with triangular hand stitching tatting embroidery, handcrafts, bedroom linen, trimmings, cut work -
Kiewa Valley Historical Society
Bed Runner, circa 1900
This Item is one of four bedroom items hand made in circa 1900 by Amalihe Pierin. Her Son brought the item when he emigrated to Australia and members of the family still reside in the Kiewa Valley. Historically this item represents the requirement by families to manufacture a whole range of bedroom coverings due to the lack of professionally manufactured goods. Isolation from big towns or cities required local seamstress activities and therefore closer social bonding was a necessity. Although this item was transported from Italy to Australia by the son of Amalihine Pierin the significance still remains the samelinen white cut work and embroidered central oval shape with matching floral design at either end with leaf leaf shapes above 2cm border with triangular stitching tattine embroidery, handcrafts, bedroom linen, trimmings, cut work -
Federation University Historical Collection
Book, Lorenzo Roccheggiani, Raccolta de Cento Tavole, 1804
This book was part of the Ballarat Technical Art School Library.Large book, without cover, with copperplate engraved plated. A collection of 100 plates representing religios, civil and military costume of ancient Egypt, Etruscan, Greek and Roman drawings on all the ancient monuments for use of teachers of art. Designed and cut in copper by Lorenzo Roccheggiani. Includes terminology and index.ballarat technical art school library, greek art, roman art, etruscan art, egyptian art, costume, helmuts, uniform, classical antiquities -
Port Melbourne Historical & Preservation Society
Postcard - Toscana, Immigrant ship, 1950s
Black and white postcard of immigrant ship "Toscana" 1950stransport - shipping, jack bolt, toscana -
Coal Creek Community Park & Museum
Bottle, glass, Scott & Browne, c. 1890
Tall clear glass bottle for stopper, rectangular in section, impressed panels on three sides and on base with embossed text in the panels and on base.Front 'SCOTTS EMULSION'. Sides ' COD LIVER OIL', 'WITH LIME & SODA'. On base : '6 (?)24' in a triangle.cod liver oil, lime & soda, scotts emulsion, scott & browne -
Coal Creek Community Park & Museum
Gloves, Ladies' or Child's kid leather gloves, Circa 1900's
One pair of ladies' or child's kid leather gloves with piercing and raised stitching down the top or front of the glove.36 LAVABILE stamped inside the left glove 62/36 stamped inside the right glove. -
Royal Australian and New Zealand College of Obstetricians & Gynaecologists (RANZCOG)
Sculpture - Porcelain figurine of a doctor holding a newborn baby, Pucci
This piece bears an export mark associated with Arnart Imports. Arnart was an importer and distributor, rather than a manufacturer. It is likely that this is a Pucci porcelain piece, distibuted and sold by Arnart.Porcelain figurine of a male doctor holding a newborn baby. The figure has grey hair and is wearing an unbuttoned white surgical gown. Beneath the gown the figure is wearing brown, striped trousers, a blue shirt, a red tie and black shoes. The buttons on the shirt and his belt buckle are golden coloured. The figure is wearing gold framed glasses with round frames, and is smiling. The figure is standing with his left hand in the pocket of his surgical coat, while holding a baby in his right hand by its left leg. The baby is head down and facing away from the doctor figure. The figurine is standing on a oval shaped base and there is a gold coloured, abstract, decorative embellishment at the front of the base. There is a stamp on the underside of the base of the figurine consisting of the letter 'A' below a stylised crown. The number '44/768' is printed on the base below this stamp. A retail sale tag is tied to the right arm of the doctor figure with a small piee of orange ribbon. The tag reads 'TREASURES/TODAY/HEIRLOOMS/TOMORROW'. -
National Vietnam Veterans Museum (NVVM)
Weapon - Field gun, L5 Pack Howitzer, 1960 approx
105mm L5 Pack Howitzer: field artillery piece.nilhowitzers, field gun, artillery, pack howitzer, l5 -
National Vietnam Veterans Museum (NVVM)
Model, M108, 2014 (estimate)
A plastic model of a M108 Howitzer, an American self-propelled 105mm howitzerATALERI No.6518m108, howitzer gun, model m108 howitzer 105mm -
Tatura Irrigation & Wartime Camps Museum
Folio, Bruno Simon, Tatura Dreams, 4/11/1987
Artwork by Bruno Simon, Dunera internee 1941-1943, 8th Employment Company A.M.F 1943-1945Grey card folio containing cream coloured folder with 6 listed Bruno Simon artwork prints and 1 single typed page/frontispiece. Interleaved with tissue paper.Bruno Simon To Philipp Simon in remembrance of the common experience.bruno simon, dunera, artwork -
City of Ballarat
Artwork, other - Public Artwork, Carlo Benzoni, The Flight From Pompeii, Circa 1885
The Flight from Pompeii was designed by Professor Carlo Benzoni and carved by Charles Francis Summers, one of five white marble statues housed in the Statuary Pavilion, Ballarat Botanical Gardens.The Pavilion and its statues were unveiled in 1888 by Premier Duncan Gillies, a former colleague of James Russell Thompson whose bequest to the City enabled the purchase, in Italy, of the statues. The Flight from Pompeii and the four accompanying statues are housed in the Statuary Pavilion in the Ballarat Botanical Gardens. The Flight from Pompeii, in the centre, was designed by Professor Carlo Benzoni and carved by Charles Francis Summers while the four accompanying statues were all designed and carved by Charles Francis Summers. The octagonal Pavilion was specially designed by T.E. Molloy in 1887 to house the statuary. The five statues and Pavilion are believed to be unique in Australia. The Flight from Pompeii, Modesty, Rebekah, Ruth and Susannah are aesthetically significant as they are a group of statues, which are a fine example of the design of Professor G.M. Benzoni [Flight from Pompeii] and the design and carving of Charles Francis Summers. The carving of the Flight from Pompeii is both sensitive and finely done and both the design and carving of Modesty, Rebekah, Ruth and Susannah is sensitive and delicate with great attention to detail. The group is historically important as it epitomises the 'beautification' of the city in the 1880s by men who made their money from gold and who wished to give to the city money for projects such the statuary Pavilion and its contents. The Flight from Pompeii group is located in the Botanical Gardens, which were then also being developed in the Victorian style. This also illustrates the social feeling of the time in which the wealthy had made their money and were wanting to develop in a most substantial way, as well as to 'beautify' the city in which they lived. The Pavilion, designed by the major Ballarat architect T.E. Molloy, is unusual for its top-lit central lantern and curved roofs. The statues are seen to their best advantage because of the provision of all-round and top natural lighting. Classified: 03/03/2003 Victorian Heritage Database.White marble statue of a male, female and baby (family) in flight.The Flight From Pompeii by Charles Summersflight, pompeii, benzoni, summers -
City of Ballarat
Artwork, other - Public Artwork, Rebekah by Charles Summers, Circa 1885
Rebekah was designed and carved by Charles Francis Summers, one of five white marble statues housed in the Statuary Pavilion, Ballarat Botanical Gardens.The Pavilion and its statues were unveiled in 1888 by Premier Duncan Gillies, a former colleague of James Russell Thompson whose bequest to the City enabled the purchase, in Italy, of the statues. The Flight from Pompeii and the four accompanying statues are housed in the Statuary Pavilion in the Ballarat Botanical Gardens. The Flight from Pompeii, in the centre, was designed by Professor Carlo Benzoni and carved by Charles Francis Summers while the four accompanying statues were all designed and carved by Charles Francis Summers. The octagonal Pavilion was specially designed by T.E. Molloy in 1887 to house the statuary. The five statues and Pavilion are believed to be unique in Australia. The Flight from Pompeii, Modesty, Rebekah, Ruth and Susannah are aesthetically significant as they are a group of statues, which are a fine example of the design of Professor G.M. Benzoni [Flight from Pompeii] and the design and carving of Charles Francis Summers. The carving of the Flight from Pompeii is both sensitive and finely done and both the design and carving of Modesty, Rebekah, Ruth and Susannah is sensitive and delicate with great attention to detail. The group is historically important as it epitomises the 'beautification' of the city in the 1880s by men who made their money from gold and who wished to give to the city money for projects such the statuary Pavilion and its contents. The Flight from Pompeii group is located in the Botanical Gardens, which were then also being developed in the Victorian style. This also illustrates the social feeling of the time in which the wealthy had made their money and were wanting to develop in a most substantial way, as well as to 'beautify' the city in which they lived. The Pavilion, designed by the major Ballarat architect T.E. Molloy, is unusual for its top-lit central lantern and curved roofs. The statues are seen to their best advantage because of the provision of all-round and top natural lighting. Classified: 03/03/2003 Victorian Heritage Database. White marble statue of a woman standing with left arm raised to her head and draped in cloth to form a robe tied at the front.Rebekah -
Nillumbik Shire Council
Domenico De CLARIO (b.1947 Trieste, ITA - emigrated AUS 1956), Domenico de Clario, Cenacolo (The Supper Room), 1984-85
This was the first work de Clario painted during his Australia Council residency in Paretaio, Arthur Boyd's studio in Tuscany. It was painted in an old stable with a vaulted ceiling that reminded de Clario of a cenacolo or supper room. Domenico de Clario has an international reputation, gained particularly through his installation work and collaboration with composers and musicians. De Clario made many irregular shaped, un-stretched paintings during this period. He was involved with Arte Povera, a socialist based art movement where the 'poverty' was reflected in the choice and use of materials. This work was entered into the 1986 Shire of Eltham Art Awards. Painting: oil on canvas mounted on stretched canvas. Semi abstract painting containing out of focus objects within a room.de clario, painting, semi abstract, expressive, painterly, personal, arte povera, paretaio -
Woods' Farming and Heritage Museum
Small Banner, Alitalia
Gold stand, with hanging bannerBanner named ALITALIA -
Slovenian Association Melbourne
Goodbye Camp Latina, photo, Goodbye camp Latina, Sept 1960, September 1960
Moving on from refugee campLeaving the refugee camp for a new startBlack and White photo of a group of Slovenians waving goodbye to camp Latina prior to moving on to Australia. . . . Lojze Markic, Karlo Strancar, . . Rudi Koloini.celebration, immigration, refugee -
Slovenian Association Melbourne
Rome, photo, Rome 1960, M Krsevan, L Markic, F Saule, R Koloini, K Strancar, Florjan, D Ziberna and I Mihelj, 31/7/1960
A group of Slovenian friends on a sightseeing trip from refugee camp Latina to the eternal city of ROMERefugees to Italy, Slovenian riends exploring RomeBlack and white photo of a group of Slovenian refugees from Latina on a visit to Rome. Miro Krsevan, Alojz Markic, Franc Savle, Rudi Koloini, Karlo Strancar, Florijan Vidmar , Darjo Ziberna and Ivo Miheljslovenians visiting rome, slovenian association melbourne -
Slovenian Association Melbourne
Flaminia, photo, Slovenians ready to board Flaminia, 1960, September 1960
Next step Slovenian refugees moving on from refugee camp in Latina to a new start in Australia end of September 1960 with the ship FlaminiaSlovenian refugees ready to leave Latina camp, ItalyBlack and white photo of a group of Slovenian refugeesslovenian refugees in italy, slovenian association melbourne -
Slovenian Association Melbourne
Ready, Slovenians ready to go to Australia, Sept 1960, september 1960
Slovenians on the move to a new countryMoving onBlack and white photoimmigration -
Whitehorse Historical Society Inc.
Memorabilia - Bookmark Barry Dobyn Chemist
Red leather bookmark, gold line all around. Rampant lion and a fluer-de-lea with two thistles, and wording Barry Dobyn, Chemists, Mitcham North.Barry Dobyn, Chemists, Mitcham North.books, bookmark, commerce, advertising -
Whitehorse Historical Society Inc.
Card, 1933
Child's Birthday postcard with photo of curly haired child in green jumper on frontmessage written to Colin from aunts, uncle and grandmotherdocuments, cards