UnknownScene of two sailing ships on a harbour at sunset. The ship on the left is in full sail, the ship on the right has furled sails. At front left is a flock of gulls and on front right is a figure in a row boat. At centre right is coastline with structures and several small boats. The sky has clouds reflecting the sunset in pink, yellow and indigo. These colours are reflected on the surface of the water. Framed in gilded wooden frame.Front: A.S. Murray (lower left) Port Phillip Bay (Sunset) (brass plate, l. centre of frame) Back: (no inscriptions) Conservation Centre, Melb. label.sea, seascape, maritime, sailing ships, sailing

From a family who had three generations that worked for Dennys Lascelles. This is the annual financial report for Strachan, Murray and Shannon for the financial year of 1923. Their head office was in Moorabool St, which is now Westfield.Off-white two page paper document. Front cover has a list of the staff responsible for compiling the report. Middle two pages have an overview of the report and a series of numbers describing the finances of the company. Back cover has a short paragraph about the document.

Donors were:- Hepburn, Mrs A.E. Hepburn, Miss E Hepburn, Mr. Hepburn Mr. Zeogh Holman, Mrs. Evalie.The Illustrated Australian News published 1864-1896 was a pictorial newspaper based in Melbourne. It was published by David Syme & Co. The framed etching was copied from a supplement in the newspaper. The State Library of NSW. Search Manuscripts, Oral History, and Pictures Catalogue, has copies of the newspaper.A black and white etching titled 'A Native Funeral. A reminiscence of the Murray River' in a black frame with gold inner edge and grey mount. Picture features six canoes with lead canoe, in centre, carrying a body covered with foliage. April 2012: During restoration it was found under the original mount board the print 'Supplement to the Illustrated Australian News December 1885' First Nations.Supplement to the Illustrated Australian News December 1885illustrations, etchings

Suggested reading - David Mitchell, A Forfar Man - Pamela Vestey. (National Library of Australia ISBN No. 0646104977 Second edition - 1996.A discussion paper by Murray Houghton, Warrandyte Historical Society, on the excavation of Pound Bend tunnel and examination of information sources suggesting David Mitchell's association with gold mining at Warrandyte." ... Just what then was Mitchell's actual association with mining in the Anderson's Creek goldfield? As an initial means to determining this, a number of biographies devoted to the man's lifetime achievements have been consulted. Some two of these were found to contain rather brief references to his involvement at Warrandyte. In the 1992 booklet entitled "David Mitchell a Forfar Man" written by a Mitchell family member, viz., Pamela, Lady Vestey, of Coombe Cottage, there is included a passge which commences "Another of David Mitchell's early interests was gold mining". This is appended by the bald statement "In 1870 he formed the Evelyn Tunnel Gold-Mining Company with a capital of £16,000." The other account of a Mitchell involvement with an unnamed Warrandyte company is contained in Joan Campbell's 1974 biographical article entitled, "Mitchell, David (1829- 1916) builder, contractor and businessman, etc.", in Volume 5 of the "Australian Dictionary of Biogaraphy". Campbell mentions that "In 1890 (sic) Mitchell formed a company to mine a channel and tunnel on the Yarra River at Pound Bend, Warrandyte," i.e., at a period some 18 or so years after it is known that the Evelyn Tunnel Gold-Mining Company had actually ceased operations. She then continues with the bizarre statement that "he employed gangs of Chinese to work three miles of river bed for gold". Neither of these respective excerpts indicate evidence of having been directly referenced from a legitimate original source, from which either author's contained comments might be authenticated. For any historian with an enquiring mind these statements demand further clarification. ..." - Murray Houghton

Groynes were erected to help with erosion on the beach.Small black and white photo of the beach to the east of Cowes, showing groynes. Murray Views No. 4 The Beach Cowes, Phillip Island, Vicphotographs, cowes, cowes beach, erosion, postcards

This letter is from the wool brokers and stock agents Strachan, Murray & Shannon of Geelong to P.E. Hann of Kiata East. It concerns the sale of two bales of cross bred wool owned by Mr Hann. It is dated 3 March, 1925 and is signed by D.A. Milne, one of the directors of Strachan's.Letter, from Strachan, Murray and Shannon to PE. Hann, 1925.[multiple inscriptions]strachan, murray and shannon ltd, milne, mr d. a. - strachan, murray and shannon ltd hann, mr p. e.

The subject item is a vintage Nautical Shipwrights Ship Boat Caulking Hammer Mallet, Unusual Small Size. These mallets were routinely used in the 1800s when ships were made of wood. This mallet was used with caulking irons to drive the oakum (caulk) between the ship's bottom planking to seal them up. The mallet has slots to dampen the vibration of the mallet blows on the user's elbows. The head is made of a very hard wood, possibly Lignum Vitae or another dark tropical wood. The item seems to be of a very early design with the two preened-over metal rods for reinforcing the head. Item appears to be of early manufacture by an unknown maker from the mid to late 19th century and is significant as tools of this era are quite rare. This tool is also significant as it gives an insight into how ships made of wooden planks were made sea-worthy by inserting caulking material between the boards thereby making the vessel watertight. Caulking Mallet Wooden with iron ferrules on each end. Wooden head with two large bolts passing through body. Stamped W Milne. James S Steele tool box.Stamped W Milne & James S Steele tool box.mallet, flagstaff hill, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, caulking mallet, caulking, james steele, shipwrights tools

Viewed from Leslie Street. The Steam Packet Inn continues to operate today. It was the closest hotel for anyone who had just come off a paddle boat. In the background can be seen two cyclists riding along Murray Esplanade, the swing gates are the entry into the railway yards.Digital TIFF file Scan of 35mm Ilford FP3 black and white negative transparencygeorge coop collection, echuca, leslie street, murray esplanade, steam packet inn

Viewed from Leslie Street. The Steam Packet Inn continues to operate today. It was the closest hotel for anyone who had just come off a paddle boat. In the background can be seen two cyclists riding along Murray Esplanade, the swing gates are the entry into the railway yards.Digital TIFF file Scan of 35mm Ilford FP3 black and white negative transparencygeorge coop collection, echuca, leslie street, murray esplanade, steam packet inn

Index, bibliography, notes, ill, maps, p.691.non-fictionIn 1942 and early 1943 Papua New Guinea was 'a bastard of a place' to fight a war. This book gives us the final, all-encompassing story of the five battles that changed Australia forever. The compelling narrative resonates with the voices of both the well-trained AIF volunteer, and the young Militia conscript who triumphed together. The author interviewed hundreds of these soldiers and himself travelled the treacherous terrain and bloody battlegrounds where so many of their mates perished, and reveals the inside story of how Generals MacArthur and Blamey sacrificed many of the senior Australian field commanders as scapegoats to protect their own positions. A Bastard of a Place restores Milne Bay, Gona, Buna and Sanananda to their rightful place beside Kokoda to what they should collectively be for all Australians - sacred ground.world war 1939 – 1945 – campaigns – new guinea, world war 1939 – 1945 – campaigns – kokoda

1968, 119, city of heidelberg repertory group, heidelberg theatre company inc, director eric donnison, royal south street competitions (ballarat) 1968, winner director

Lake Bolac born singer/song-writer Neil Murray wrote the well-known Australian hit song "My Island Home" which was sung and made famous by Christine Anu. Here the pair are depicted receiving an award for their musical contribution to Australian culture at the APRA Music Awards in 1995.lake bolac, neil murray, christine anu, "my island home", apra music awards

One of two photographs donated by Olive Blamey.Black & White photograph taken from the Cowes Pier with Cowes Jetty Shed, Isle of Wight Hotel and Bayview in the background."Murray View No. 9, Cowes from pier, Phillip Island, Vic."cowes pier, cowes jetty, jetty shed cowes pier, phillip island, olive blamey

One of a collection of 15 photographs donated by Lois MullinsColoured postcard of Cora Lynn Guest House, Thompson Avenue, Cowes, Phillip Island"Murray Views No. 8. Cora Lynn Guest House, Cowes, Vic."cora lynn guesthouse, guesthouses cowes phillip island, guesthouses, cowes guesthouses, phillip island, lois mullins

One of a collection of 15 photographs/postcards donated by Lois MullinsBlack & White postcard of the Cowes Pier looking towards the Isle of Wight Hotel, Cowes, Phillip Island. One yacht and two boats moored. People on the beach."Murray Views No 14. The Pier and Isle of Wight Hotel, Cowes, Vic."cowes pier phillip island, cowes jetty - phillip island, isle of wight hotel - cowes phillip island, cowes hotels phillip island, lois mullins

Hardcover w/ Dust JacketTo John Davies of Melbourne Murray Bail Canberra 9/2/81walsh st library

Donated by Box Hill Historical Society"Erinmore Flake" tobacco tin - empty. Lid is mustard in colour with red decoration and "Murrays" in red printed on the top. "Erinmore Flake" is in the mustard colour with red background in centre of lid. Below is an outline of a pineapple in red with 'Trade Mark' also in red. 'Made in Northern Ireland by Murray Sons & Co. Ltd Belfast' in small red printing below the pineapple.Vacuum packed to open lever here ---> Net weight when packed 2 Oz/56.7 grammes.tobacco, smoking

The beach where the Penguin Parade is now located.Black and white photo of the beach and dunes at Summerlands Beach.Murray Views No. 13. Summerland Beach, The Home of the Penguins, Phillip Island, Vicpenguins, summerland beach, photographs, postcards

Small black and white photo of War Memorial and Pier at CowesMurray Views No. 22 War Memorial & Pier Cowes, Phillip Island, Viccowes, the cenotaph cowes phillip island, cowes war memorial, cowes pier, jetty cowes

Original AMF Certificate of Discharge certifying VX 142238 Private John Brian Murray born 27/10/1922 at Moyhu 57/60 Australian Infantry Battalion served with CMF 28/5/42 to 29/6/43 and AIF from 30/6/1943 to 8/8/1946 which included overseas service in New Guinea and Solomon Islands.Certificate recognises Private Murray's service in the CMF and AIF during WW2Cream coloured paper with black border with Australian Coat of Arms centre top of page. Certificate of Discharge - No 554111jb murray, 57/60 aust infantry battalion, certificate of discharge, ww2

The photograph depicts a rocking chair, a kerosene lamp, a bottle holder, and two epergnes.The photograph contains historical and research significance of domestic life in Beechworth. Through the depiction of the historical rocking chair, the kerosene lamp, the bottle holder and the epergnes, the picture displays some of the everyday objects that would have been found within a Beechworth house. Although kerosene lamps and bottle holders are no longer in widespread use, this photograph not only acts as historical document and depiction of both, but it also displays the evolution of everyday tools. The interpretive capacity of the photograph extends its significance as it contains the potential to reveal information regarding the domestic life of Beechworth residents. Moreover, it also has protentional to demonstrate the shifting designs of rocking chairs, kerosene lamps, bottle holders and epergnes.Black and white rectangular photograph printed on paper.Reverse: BMM A03328/ 1997.3132/ 28 1/2 ems/ E32k491/ THE OVENS AND MURRAY ADVERTISERrocking chair, chair, lamp, kerosene lamp, bottle holder, burke museum, beechworth

Tourist postcardSmall black & white photo of the Isle of Wight Hotel and War Memorial, CowesMurray Views No. 23 War Memorial & Isle of Wight Hotel, Cowes, Phillip Island, Vic.the isle of wight hotel cowes phillip island, photographs, war memorial cowes phillip island, postcards

One of two photographs donated by Olive BlameyBlack & White photograph of the War Memorial in front of the Isle of Wight Hotel, Cowes, Phillip Island."Murray Views No. 23. War Memorial & Isle of Wight Hotel, Cowes, Phillip Island, Vic."isle of wight hotel phillip island, war memorial cowes phillip island, phillip island, olive blamey

Colour slide of red gum trees in a forest near the Murray River. It was during Operation Firewood. Legatees would organise collection of wood from the country and distribute it to widows in metropolitan Melbourne. More photos show the cutting and loading of wood and delivery to widows in metropolitan Melbourne. Was with many other slides taken in the 1950s and 1960s. The slides have been photographed to make digital images and moved to archive quality sleeves. In many cases the original images were not well focussed and the digital image the best available.A record of Legacy helping widows by sourcing, supplying and delivering firewood. When open fires were the main source of heating, a load of firewood and help moving it, would have been very important to the widows.Colour slide of trees in a Red Gum forest during Operation Firewood in brown Anscochrome cardboard mount. Printed on reverse in red ink 'Processed by Verycolor photo labs. Melbourne, Victoria'.Printed on front in red ink 'Anscochrome / View from this side / Made in Australia'. Hand written on front 'Red gum trees / River Murry' in blue pen.operation firewood, trees, forest

Nicholas Caire was born on Guernsey in the Channel Islands in 1837. He arrived in Adelaide with his parents in about 1860. In 1867, following photographic journeys in Gippsland, he opened a studio in Adelaide. From 1870 to 1876 he lived and worked in Talbot in Central Victoria. In 1876 he purchased T. F. Chuck's studios in the Royal Arcade Melbourne. In 1885, following the introduction of dry plate photography, he began a series of landscape series, which were commercially successful. As a photographer, he travelled extensively through Victoria, photographing places few of his contemporaries had previously seen. He died in 1918. Reference: Jack Cato, 'Caire, Nicholas John (1837–1918)', Australian Dictionary of Biography.An original, rare photograph from the series 'Views of Victoria: General Series' by the photographer, Nicholas Caire (1837-1918). The series of 60 photographs that comprise the series was issued c. 1876 and reinforced a neo-Romantic view of the Australian landscape to which a growing nationalist movement would respond. Nicholas Caire was active as a photographer in Australia from 1858 until his death in 1918. His vision of the Australian bush and pioneer life had a counterpart in the works of Henry Lawson and other nationalist poets, authors and painters.albumen silver photograph on boardprinted in ink on support l.c.: VIEW ON THE RIVER MURRAY, NEAR ECHUCA, SHOWING THE RAILWAY WHARF WITH STEAMERS UNLOADING. / COPYRIGHT REGISTERED. printed in ink on support reverse c.: VIEWS OF VICTORIA. / (GENERAL SERIES.) / No. 7. / VIEW ON THE RIVER MURRAY, NEAR ECHUCA, SHOWING THE RAILWAY WHARF WITH STEAMERS UNLOADING. / The rapidly increasing traffic on the River Murray, with wool, timber, and other colonial produce, has called / into requisition no less than 400 steamers and over 1000 barges. To meet this growing emergency the Victorian / Government has expended several thousand pounds in the erection of a Railway Wharf which during the wool- / season presents a very busy scene, the crowded steamers laden with precious clip taxing to the utmost the / powers of the Railway Department in the process of unloading. The River here is about a quarter of a mile wide, / and is from 60 to 70 feet deep. printed in ink on support reverse l.c.l.: J.W. FORBES, Agent, printed in ink on support reverse l.c.: ANGLO-AUSTRALASIAN PHOTOGRAPHIC COMPANY, MELBOURNE. printed in ink on support reverse l.c.r.: 10 Temple Court, Collins Street West.nicholas caire (1837-1918), landscape photography, river murray, echuca