Graduated double strand of small faux pearls joined by a metal and diamanté clasp.costume jewellery, dione mcintyre, neclaces

Silver pendant with stem and ring depicting a woman. The pendant is held by a wheat chain with S and oval clasp.Sticker with 39. Two pin holes at 12 and 6.matcham skipper, pendant, necklace, silver, jewellery

Silver round pendant depicting a bearded male with peaked hat and sculpture, with attached stem and barrel ring. The pendant is held by a cable chain and decorative S hook with curlycues.Intersecting MS mark; sticker with 37; two pin holes at 1 and 7.matcham skipper, pendant, necklace, silver, jewellery

Silver rounded square pendant depicting a male and female to the right and left of a central fruit tree. The pendant has an attached barrel ring and cable chain with decorative S clasp with curlycues. Intersecting MS mark; two pin holes at 12 and 6. matcham skipper, pendant, necklace, silver, jewellery

This unusual jewellery set belonged to the family of Mrs. Jean Raper of Wodonga. It is part of an extensive collection of jewellery items which belonged primarily to her mother and grandmother.This item is from the Raper Collection donated to the Wodonga Historical Society by Mrs. Jean Raper.A set of 40 closed loops forming a chain and featuring a locket like pendant. This item is made from a light material similar to tortoise shell. The central pendant has been carved with a cross and a criss-cross pattern as well as initials and a date. It is held together with a metal pin which is probably not part of the original piece.On central pendant front: "AMM" on reverse side: "14 Jan 1883"fashion accessory, women's jewellery

This kind of beads was commonly worn by women in the early to mid 20th century. This item is from the Raper Collection donated to the Wodonga Historical Society by Mrs. Jean Raper.A long string of mauve faceted beads. Faceted beads have many flattened edges done in such a way as to make them look like a cut gemstone.decorative items, women's jewellery, fashion accessory

This kind of beads was commonly worn by women in the early to mid 20th century. This string of beads belonged to Mrs Alice Yardy, mother of Mrs. Jean Raper. Mrs Yardy died on 2 Dec 1974 in Albury, New South Wales aged 84 years old.This item is from the Raper Collection donated to the Wodonga Historical Society by Mrs. Jean Raper.A short string of black beads of varied sizes. The beads are joined by metal hooks and has a hooked clasp.fashion accessory, decorative items, women's jewellery

Short strand of single size pink faux pearls joined by a white metal clasp.costume jewellery, necklaces

Maree Clarke is a pivotal figure in the reclamation of south-east Australian Aboriginal art and cultural practices and has a passion for reviving and sharing elements of Aboriginal culture that were lost – or lying dormant – as a consequence of colonisation. She a leader in nurturing and promoting the diversity of contemporary Koorie artists through her revival of traditional possum skin cloaks, together with contemporary designs of kangaroo teeth necklaces, river reed necklaces and string headbands adorned with kangaroo teeth and echidna quills. 'River reed necklace' is part of the artist’s practice regenerating cultural practices and strengthening cultural identity and knowledge. Artist Bio Maree Clarke is a Yorta Yorta/Wamba Wamba/Mutti Mutti/Boonwurrung woman who grew up near Mildura along the Murray River in north-west Victoria. Sher had been a practicing artist living and working Naarm/Melbourne for the last three decades. Maree’s continuing desire to affirm and reconnect with her cultural heritage has seen her revification of the traditional possum skin cloaks, together with the production of contemporary designs of kangaroo teeth necklaces, river reed necklaces and string headbands adorned with kangaroo teeth and echidna quills, in both traditional and contemporary materials such as glass and 3D printing. Maree is known for her open and collaborative approach to cultural practice. She consistently works in intergenerational collaboration to revive dormant cultural knowledge – and uses technology to bring new audiences to contemporary southeast Aboriginal arts. Maree Clarke has exhibited widely both nationally and internationally, and in 2021 she was the subject of a major survey exhibition Maree Clarke – Ancestral Memories at the National Gallery of Victoria. Other recent exhibitions include Tarnanthi, Art Gallery of South Australia, Adelaide (2021), The National, Museum of Contemporary Art Sydney (2021), Reversible Destiny, Tokyo Photographic Museum, Tokyo Japan (2021) and the King Wood Mallesons Contemporary Art Prize, for which she was awarded the Victorian Artist award. In 2020 she was awarded the Linewide Commission for the Metro Tunnel project and was the recipient of the Australia Council Aboriginal and Torres Strait Islander Arts Fellowship.