Mack Jost Bequest, 2001oil on canvas

Gift of Mack Jost, 1991oil on canvas

Victoria Anderson Bequest, 1992oil on board

Mack Jost Bequest, 2001oil on canvas

Gift of Mack Jost, 1994oil on canvas

Mack Jost Bequest, 2001.oil on canvas

Donated through the Australian Government's Cultural Gifts Program by Mia Heriot, 2005oil on canvas

Gift of the artist, 2001oil on canvas

Gift of Mack Jost, 1986oil on canvas

Gift of Mack Jost, 1983oil on canvas

Gift of Mack Jost, 1992oil on board

Gift of Mack Jost, 1992oil on board

Mack Jost Bequest, 2001oil on board

Gift of Mack Jost, 1983oil on board

Donated through the Australian Government's Cultural Gifts Program by Mack Jost, 1995oil on canvas

Donated through the Australian Government's Cultural Gifts Program by Mack Jost, 1998oil on board

Purchased through the Horsham Art Gallery Trust Fund, 2006oil on canvaswimmera related

Tadich spends time observing night time phenomena, the light from the moon, street lights and other sources; atmospheric states, fog and dampness and the nature of surfaces, vegetation, road, vehicles and buildings. She uses photographs and sketches before settling on the final idea for a work.This painting is typical of Tadich's recent work. She continues her exploration of the Australian landscape (most often the local, Nillumbik Shire). It is 'a dramatic interplay between narrative, landscape and the binaries of light/dark and the known/unknown of local landscape. The swathes of darkness within the work(s) pose questions about our inscribed fears and tensions, both cultural and existential'. (catalogue, 'Silent Space' Ex. 2006) Tadich's early experiences of fireworks, simple fireworks and bonfire in the surrounding bush of her outer Melbourne home, caught her imagination. She was inspired to investigate the issues surrounding nights in the bush. In this painting the narrative is ambiguous, the pinpricks of light, in this case from the car headlights provide a critical element. We can distinguish familiar features, a road, trees and a car that suggest human presence. However, what is going on is unclear. The resulting tension can leave us unsure, unsettled and anxious.Oil on canvascamilla tadich, nillumbik shire council, kangaroo ground

oil on canvasek prac 2015

Oil on canvasVerso: Signed l.r. scratched "W.B. McInnes". Not datedlandscape. seascape. coastal view.

Oil on canvasSigned l.r. cnr., blue paint "FORBES".boy, river

Oil on canvasSigned lower right corner 'Jungwirth'. Not dated

Oil on canvasSigned, dated and inscribed verso

Oil on canvas

Oil on canvasSigned, titled and dated versofactory, industry, power, landscape, industrial

Oil on canvasSigned R. Forbes in lower left corner. Verso: 1989 upper corner.

Oil on canvas-

Oil on canvasSigned and dated 'Bellany '83' top right corner of painting.

Oil on canvas-