Showing 5193 items
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8th/13th Victorian Mounted Rifles Regimental Collection
Weapon - Bayonet 1907 pattern
This pattern bayonet, which affixed to a .303 Lee Enfield rifle was standard issue to Australian forces in World War 1 ( 1914 - 1918 ), World War 2 ( 1939 - 1945 ) and the Korean War ( 1950 - 1953 ).Part of a collection of edged weapons relevant to Victorian Colonial and Australian Military forces.British pattern 1907 bayonet, with wood hand grips blade 430mm long, with leather scabbard with steel fittings and leather bayonet frog.ON handle " A- 93061 " On blade " 1 - 1922 Lithgow "wwi, wwii, korea, world war one, world war two, lee enfield -
Coal Creek Community Park & Museum
Bottle glass, c. 1934 - c. 2004
Hexagonal clear amber glass bottle, 1/3 full of dark liquid and cork stoppered. Embossed numeral near base of plain wide side, two sides stippled with 'x' pattern either side of panel with embossed text. Letters, numerals and monogram embossed on base.On plain side '5'. On panel between stippled 'x' patterned panels ' NOT TO BE TAKEN'. On base 'M422' over AGM monogram over 'M'.amber glass -
National Wool Museum
Sketch
Sketch from which carpet manufacturing pattern is graphed out, prior to preparation at Jacquard card. Genoese (Axminster) 4/4187.Genoese 4/4187. Consists of large gouache paint sketch and charcoal sketch.Sketch from which carpet manufacturing pattern is graphed out, prior to preparation at Jacquard card. Genoese (Axminster) 4/4187.Genoese 4/4187. Consists of large gouache paint sketch and charcoal sketch. Sketch from which carpet manufacturing pattern is graphed out, prior to preparation at Jacquard card. Genoese (Axminster) 4/4187.Genoese 4/4187. Sketch from which carpet manufacturing pattern is graphed out, prior to preparation at Jacquard card. Genoese (Axminster) 4/4187.Genoese 4/4187. Sketch from which carpet manufacturing pattern is graphed out, prior to preparation at Jacquard card. Genoese (Axminster) 4/4187.Genoese 4/4187. Consists of large gouache paint sketch and charcoal sketch.Genoese 4225weaving, carpet -
National Wool Museum
Book, Knitting, Lincoln Book 28, c.1960
Knitting book produced by the Lincoln Mills, Coburg and containing knitting patterns for women's garments.Knitting book, 16pp. Front cover printed in colour with a photograph of a woman wearing a blue knitted cardigan with a matching blue knitted skirt and blue knitted hair band. Contains photos and patterns for women's knitted garments.Lincoln / BOOK 28 / THREE SHILLINGSknitting, lincoln mills (australia) limited, coburg, patterns, fashion -
Montsalvat
Rubber Mould, Untitled (Centaur)
Rubber mould of oval relief depicting a rearing centaur with bow and arrow. Imbedded weave pattern on reversematcham skipper, mould, jewellery, centaur -
Trafalgar Holden Museum
Functional object - Saddle cart
Used on horse drawn vehicles, agricultural and social Ca 1900Manufactured and sold by Holden and FrostShaped to fit horses back with two straps that fit arond horses girth . Two metal rings for reins Two brackets for strapping and a metal buckle on end of Girth strapPattern etched on saddle surfaceequine, saddle cart, agricultural -
Trafalgar Holden Museum
Accessory - Saddle accessory
Belt used on horses to attach reins and strapping for use on carts and buggiesMade and sold by Holden and FrostBrown leather belt that fits around horses belly two metal rings for reins and two brackets for strappingPattern etched on front of beltleather, belt, equestrian -
Forests Commission Retired Personnel Association (FCRPA)
Instrument - Armstrong Rapid Log Calculator, Late 1970s
Logs were sold to sawmillers from State forest from 1 July 1974 in cubic metres (true volume). Previously sawlogs had been sold on the basis of Hoppus volume. This simple device with two rotating wheels enabled staff in FCV offices to rapidly calculate log volumes from measurements taken in the bush of log girth and length and recorded on paper log dockets. From the early 1980s automated systems became available with the advent of cheap electronic office calculators and simple computers. An early manual device that was superseded by electronic calculatorsOffice Device Twin rollers used to quickly and simply calculate true log volumes using measurements of girth and length. An allowance could also be made for pipe defects. The top roller was for larger diameter logs.forest measurement -
Whitehorse Historical Society Inc.
Accessory - Hair Rollers, not known
Belonged to a friend of the donorUsed for styling and perming ladies hair in a style which was a very popular. A popular form of hairdressing.Four rollers - One of blue square mesh in plastic. One of aqua criss cross mesh with spikes in plastic. Two grey plastic solid rollers suitable for perms with cream rubber stretch holding strip.personal effects-toilet requisites, hairdressing -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - inside a conveyor, n.d
Port of Portland Authority Archives.Back: Top right cornerport of portland archives -
Federation University Historical Collection
Drawing Equipment, Ruler, Straight /Parallel Lines
Blue coated brass rule with straight edges. Mounted on grooved roller mounts. brass, ruler, engineers, architects, surveyors -
Tatura Irrigation & Wartime Camps Museum
Rolling Pin, 1940's
Used by internees at Camp 3, Tatura.Wooden rolling pin. Handles go through the centre of the roller. Handmade on lathe.rolling pin, hornung g, frank g, camp 3, cooking utensils, camp cooking utensils -
Kew Historical Society Inc
Photograph, Public Works, Road Construction, 1950s
An original photograph donated to the Kew Historical Society by the City's Engineering Department before the amalgamation of Kew into the City of Boroondara in 1994.While not all of the photographs are of Studley Park, Kew or East Kew, each photo provides a fine snapshot of the work of local government engineering departments of the period. They reveal they types of labour conducted, the techniques used and the equipment and machinery in the possession of the local government authority. Public works. Road making in the 1950s using a steam roller and a mechanical grader. Inscription on reverse: "Road making." city of kew (engineering department), road construction building, road maintenance -
Kew Historical Society Inc
Photograph, Public Works, Road Construction, 1950s
An original photograph donated to the Kew Historical Society by the City's Engineering Department before the amalgamation of Kew into the City of Boroondara in 1994.While not all of the photographs are of Studley Park, Kew or East Kew, each photo provides a fine snapshot of the work of local government engineering departments of the period. They reveal they types of labour conducted, the techniques used and the equipment and machinery in the possession of the local government authority.Public works. Road making in the 1950s using a steam roller and a mechanical grader. Inscription on reverse: "Road making." city of kew (engineering department), road construction -
Whitehorse Historical Society Inc.
Clothing - Jumper, 1970
Hand knitted by Valda Arrowsmith for herself in the 1970s and worn for many years. Knitted to the original pattern (see Supplementary file) with a wide turn back cuff and altered by Betty Tickell to a turn under narrow cuff in 1980s.Pale green (eau de nil) mohair jumper knitted in lattice pattern. It has long sleeves and a round neck. Wool is brushed Carissa.costume, female, handcrafts, knitting -
8th/13th Victorian Mounted Rifles Regimental Collection
Weapon - 1907 Bayonet & scabbard
This pattern bayonet which affixed to a .303 Lee Enfield rifle was standard issue to Australian forces in World War 1 (1914-1918), World War 2 (1939-1945) and the Korean War (1950-1953). Leather bayonet frog might indicate WWI light horse issue.Part of a collection of edged weapons relevant to Victorian Colonial and Australian Military forces.British pattern 1907 bayonet, blade 430 mm long with wood hand grip and leather scabbard and leather frog.Blade " 7. 17 Wilkinson" Frog " Dexxil Don 1917"military, bayonet, world war one, world war two, korea, light horse -
Churchill Island Heritage Farm
Clothing - Lace Trim
This is a length of machine made lace trim (7.6 x 293cm). The body of the lace having no outline on the floral part is Valenciennes in style but with the hexagonal net and outline on the square pattern is Mechlin in nature. It is a fine example of a machine made lace which was very popular and sought after in the late 19th century as a preferred summer lace at the royal courts of Europe.The Amess family owned Churchill Island from 1872 to 1929Length of lace trim with two straight selvage edges, floral pattern interspersed with squares. Machine madechurchill island, lace, janet amess lace collection, trim, amess -
Montmorency/Eltham RSL Sub Branch
Clothing - Trousers, Camouflaged (Auscam)
DCPU is a five colour camouflage pattern developed by the Australian Defence Force and tested during Auscamthe late 1970s. DCPU has been replaced in the Australian Army by Australian Multicam Camouflage Uniform (AMCU) Long Trousers with two large thigh pockets, zip fly. Material is Disruptive Pattern Camouflage Uniform (DCPU) nicknamed Auscam or Jelly Bean Camo. auscam cammo, uniform, australian armed forces -
Churchill Island Heritage Farm
Clothing - Lace Trim
Another example of a machine made lace, this delicate white lace trim with a beautiful undulating pattern on a diamond net background and richly scalloped edge. At 2.4cm in width it is quite a narrow and dainty lace and would have been suitable for a baby’s or a child’s garment or for enhancing nightwear, lingerie or bed linen.The Amess family owned Churchill Island from 1872 to 1929Length white lace trim with selvaged and scalloped edge with picots at outer edge. Undulating pattern on net ground. Machine made.churchill island, lace, janet amess lace collection, trim, amess -
National Wool Museum
Tool - Finishing machine
Variable speed cloth puller, used for tightening and smoothing blanket edges, prior to them being sewn or bound. Used at Collins Bros Mill.Textile finishing machine. Horizontal, made from grey steel with a small encased gear box and two attached rollers. Separate belt drive and nine other rollers. Enclosed in original brown cardboard box, used for shipping.SUISIE / VARIABLE SPEED / VERSATILE CLOTH PULLERtextile machinery, collins bros mill pty ltd, blankets -
Flagstaff Hill Maritime Museum and Village
Ceramic - Meat Dish, 1870-1873
The Asiatic Pheasant pattern on the plate is a transfer design and was the most popular design of the 18th & 19th centuries and is still being produced today. The design was produced as high-quality, decorative dinnerware by the potters in the Staffordshire area of England, from the late 1830s, but no one is sure exactly of the original designer's name. History of the Loch Ard: The Loch Ard got its name from ”Loch Ard” a loch that lies to the west of Aberfoyle, and to the east of Loch Lomond. It means "high lake" in Scottish Gaelic. The vessel belonged to the famous Loch Line which sailed many vessels from England to Australia. The Loch Ard was built in Glasgow by Barclay, Curdle and Co. in 1873, the vessel was a three-masted square-rigged iron sailing ship that measured 79.87 meters in length, 11.58 m in width, and 7 m in depth with a gross tonnage of 1693 tons with a mainmast that measured a massive 45.7 m in height. Loch Ard made three trips to Australia and one trip to Calcutta before its fateful voyage. Loch Ard left England on March 2, 1878, under the command of 29-year-old Captain Gibbs, who was newly married. The ship was bound for Melbourne with a crew of 37, plus 17 passengers. The general cargo reflected the affluence of Melbourne at the time. Onboard were straw hats, umbrellas, perfumes, clay pipes, pianos, clocks, confectionery, linen and candles, as well as a heavier load of railway irons, cement, lead and copper. There were other items included that were intended for display in the Melbourne International Exhibition of 1880. The voyage to Port Phillip was long but uneventful. Then at 3 am on June 1, 1878, Captain Gibbs was expecting to see land. But the Loch Ard was running into a fog which greatly reduced visibility. Captain Gibbs was becoming anxious as there was no sign of land or the Cape Otway lighthouse. At 4 am the fog lifted and a lookout aloft announced that he could see breakers. The sheer cliffs of Victoria's west coast came into view, and Captain Gibbs realised that the ship was much closer to them than expected. He ordered as much sail to be set as time would permit and then attempted to steer the vessel out to sea. On coming head-on into the wind, the ship lost momentum, the sails fell limp and Loch Ard's bow swung back towards land. Gibbs then ordered the anchors to be released in an attempt to hold its position. The anchors sank some 50 fathoms - but did not hold. By this time the ship was among the breakers and the tall cliffs of Mutton Bird Island rose behind. Just half a mile from the coast, the ship's bow was suddenly pulled around by the anchor. The captain tried to tack out to sea, but the ship struck a reef at the base of Mutton Bird Island, near Port Campbell. Waves subsequently broke over the ship and the top deck became loosened from the hull. The masts and rigging came crashing down knocking passengers and crew overboard. When a lifeboat was finally launched, it crashed into the side of Loch Ard and capsized. Tom Pearce, who had launched the boat, managed to cling to its overturned hull and shelter beneath it. He drifted out to sea and then on the flood tide came into what is now known as recovered from the wreck of the Loch ArdGorge. He swam to shore, bruised and dazed, and found a cave in which to shelter. Some of the crew stayed below deck to shelter from the falling rigging but drowned when the ship slipped off the reef into deeper water. Eva Carmichael a passenger had raced onto the deck to find out what was happening only to be confronted by towering cliffs looming above the stricken ship. In all the chaos, Captain Gibbs grabbed Eva and said, "If you are saved Eva, let my dear wife know that I died like a sailor". That was the last Eva Carmichael saw of the captain. She was swept off the ship by a huge wave. Eva saw Tom Pearce on a small rocky beach and yelled to attract his attention. He dived in and swam to the exhausted woman and dragged her to shore. He took her to the cave and broke the open case of brandy which had washed up on the beach. He opened a bottle to revive the unconscious woman. A few hours later Tom scaled a cliff in search of help. He followed hoof prints and came by chance upon two men from nearby Glenample Station three and a half miles away. In a complete state of exhaustion, he told the men of the tragedy. Tom then returned to the gorge while the two men rode back to the station to get help. By the time they reached Loch Ard Gorge, it was cold and dark. The two shipwreck survivors were taken to Glenample Station to recover. Eva stayed at the station for six weeks before returning to Ireland by steamship. In Melbourne, Tom Pearce received a hero's welcome. He was presented with the first gold medal of the Royal Humane Society of Victoria and a £1000 cheque from the Victorian Government. Concerts were performed to honour the young man's bravery and to raise money for those who lost family in the disaster. Of the 54 crew members and passengers on board, only two survived: the apprentice, Tom Pearce and the young woman passenger, Eva Carmichael, who lost her family in the tragedy. Ten days after the recovery from the wreck of the Loch Ard tragedy, salvage rights to the wreck were sold at auction for £2,120. Cargo valued at £3,000 was salvaged and placed on the beach, but most washed back into the sea when another storm developed. The wreck of the Loch Ard still lies at the base of Mutton Bird Island. Much of the cargo has now been salvaged and some items were washed up and recovered from the Loch ArdGorge wreck. Cargo and artefacts have also been illegally salvaged over many years before protective legislation was introduced in March 1982. One of the most unlikely pieces of cargo to have survived the shipwreck was a Minton majolica peacock- one of only nine in the world. The peacock was destined for the Melbourne 1880 International Exhibition. It had been well packed, which gave it adequate protection during the violent storm. Today the Minton peacock can be seen at the Flagstaff Hill Maritime Museum in Warrnambool. From Australia's most dramatic shipwreck, it has now become Australia's most valuable shipwreck artifact and is one of very few 'objects' on the Victorian State Heritage Register.The shipwreck of the Loch Ard is of significance for Victoria and is registered on the Victorian Heritage Register ( S 417). Flagstaff Hill has a varied collection of artefacts from Loch Ard and its collection is significant for being one of the largest accumulation of artefacts from this notable Victorian shipwreck. The collections object is to also give us a snapshot into history so we are able to interpret the story of this tragic event. The collection is also archaeologically significant as it represents aspects of Victoria's shipping history that allows us to interpret Victoria's social and historical themes of the time. The collections historically significance is that it is associated unfortunately with the worst and best-known shipwreck in Victoria's history. Serving dish or meat dish; oval with scalloped edges. White Chine plate with a blue flora transfer design called "Asiatic Pheasant". Recovered from the wreck of the Loch Ard. Printed "W & S" (pattern is) "Asiatic Pheasants"flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, loch line, loch ard, captain gibbs, eva carmichael, tom pearce, glenample station, mutton bird island, loch ard gorge, serving dish, asiatic pheasant, meat dish, meat plate, serving plate, crockery, domestic item, dining -
Stawell Historical Society Inc
Memorabilia - Realia
Brown Oblong wooden box with rollers and knobs. - Stawell Butter Factory Commercial Calculatorstawell -
Whitehorse Historical Society Inc.
Machine - Crimping Machine
Black painted iron machine with wooden handle to turn rollers. Clamps onto bench'Crown'/Pat Nov 2 1875/July 3 1877/Reissued Mar 23 1880'domestic items, irons -
Numurkah & District Historical Society
Hair dryers
3 x Hair dryers, curlers (hot rollers, curling wand) (1960's)ladies, hair dryers, curling wand, hot rollers -
Federation University Art Collection
Bookplate, 'John Gartner'
John Gartner was a fine printer and publisher, an author, a noted philatelist, and also collector of Australian banknotes and coins. He was born on 16 July 1914 and was largely self-educated, leaving school at fourteen for work following the death of his father. Gartner developed a strong interest in the history of typography and printing and was apprenticed at the Advocate where his father had been a linotype operator. Aged 17, Gartner bought a hand press and some fonts of type, and in 1937 acquired a platen press from which he set and printed his private press books, published under the imprint of The Hawthorn Press. Gartner had a strong collection of Australian bookplates. He also looked at the work of artists overseas and commissioned personal plates. He subsequently built an international collection with preference for artists who printed from wood. His initial searches were in Belgium and Holland.(http://www3.slv.vic.gov.au/latrobejournal/issue/latrobe-84/t1-g-t7.html) Inside a room a large printing press is depicted alongside a bench with ink rollers on top Nonebookplate, keith wingrove memorial trust, printmaking -
Federation University Historical Collection
Plan - Student's Technical Drawings, Technical drawings, 1960s
Pencil on paper student's technical drawings Turf Roller: .1) Assembly .2) Components technical drawing, mechanical engineering, turf roller -
Clunes Museum
Functional object - TYPEWRITER
.1 UNDERWOOD STANDARD PORTABLE TYPEWRITER PATENTED IN U.S.A. COMPLETE WITH RIBBON .2 BLACK LEATHERETTE COVERED WOODEN BOX WITH LEATHER CARRY HANDLE WHICH SITS OVER TYPEWRITER FORMING CASEON BAR AT FRONT: UNDERWOOD STANDARD PORTABLE TYPEWRITER BEHIND ROLLER: UNDERWOOD Made in USAlocal history, commerce, office equipment, typewriter -
Kew Historical Society Inc
Clothing - Evening Dress, Norma Tullo, c.1968
Norma Tullo began her dressmaking business in 1956. At the age of 20, she rented a small shop in the Metropole Arcade, initiating a career that included manufacturing, designing and retailing. In 1965, she became the first Australian to be selected by Butterick Company Inclusive to join their pattern making company. The stylish Tullo ‘look’ in the first half of the 1960s was young, colourful, feminine and most importantly had a strong American appeal. The patterns were distributed worldwide except to Russia and Germany. At this time, she had a collection of 300 garments. In the second half of the 1960s, she developed a new design range, influenced by the American 'hippie' style, featuring floor length dresses with long narrow sleeves, high round collars, and ruffles on the hems and at the cuffs. Patterns and colours became brighter to match prevailing tastes.The dress was owned, worn and donated to the collection by Dione McIntyre.The McIntyre Collection of clothing and clothing accessories forms one of the largest single donations to our Fashion & Design collection. It includes clothing and clothing accessories worn by four women in the Cohen and McIntyre families across three generations. The items worn by Melbourne architect, and Kew resident, Dione McIntyre date from the 1960s and 1970s, and include evening wear, day wear, hats and shoes. As Dione McIntyre often accompanied her husband, fellow architect Peter McIntyre, to formal events, there are a number of pieces of evening wear among the items. The McIntyre Collection also includes items worn by women of an earlier generation: by Lilian Cohen, Dione McIntyre's mother, and by her mother-in-law, the wife of the architect Robert McIntyre. At the other end of the chronological spectrum are a number of outfits belonging to, worn and donated by Annie McIntyre. These include outfits created by notable late 20th century Australian and/or international fashion designers. The McIntyre Collection is significant historically and artistically as it includes examples of design that demonstrate changing tastes in fashion over an 80-year period. The collection is also significant in that it includes the work of a large number of Melbourne designers from the 1960s to the 1990s. Long sleeved black cotton dress the fabric of which includes a pattern of small beige and cream polka dots. The ends of the sleeves and the base of the dress include ruffled trims of the same fabric. Label: TULLOnorma tullo, australian fashion - 1960s, women's clothing, day wear, mcintyre collection -
Maldon Vintage Machinery Museum Inc
Motor Mower, Mid 20th century
Atco cylinder mower with catcher and rollers. Large metal back roller, wooden small front roller. Foot operated starting mechanism. British coat of arms on catcher featuring lion and unicorn signifying royal appointment of mower manufacturer Mower painted green with green cylindrical petrol tank mounted above the engine between the handles. Engine controls on right side of handle. Makers name on catcher and petrol tank in gold paint.machinery., cylinder motor mower -
Montmorency/Eltham RSL Sub Branch
Weapon - Sword-bayonet with Hooked Quillon (Copy)
Standard pattern bayonet for Short, Magazine Lee Enfield Rifle Mk III from 1907 until 1915 . Pattern 1907 Sword bayonet Mk1 with hooked quillon, wooden grips and steel grip screws/nuts. LITHGOW and 7 '19 markings are spurious - hooked quillons were removed from bayonet production in 1915 (Lithgow) and 1913 (England). Crown stamp (King Edward VII Cypher) E R (Edwardus Rex) 1907 7 '19 LITHGOW