The "Q" Theatre Guild was formed out of the Kew Light Opera Company in 1957. It marked the transition of the company that had initially been directed by Lance Nicholls to one directed by Beatrice Oakley. It continued to perform in the Kew Recreation Hall, but, with its demolition in 1960, and the opening of the new Kew City Hall in Cotham Road, moved its productions to that venue. Productions of the "Q" Theatre Guild included The Geisha (1957), Maritana (1958), They All Do It (1959), Blossom Time (1959), Love's A Luxury (1959), There And Back & The Bohemian Girl (1960), Die Fledermaus (1960), Gay Rosalinda (1961), The Land Of Smiles (1961), Kisses For A Kid & Hansel And Gretel (1961), Die Fledermaus (1962), Monsieur Beaucaire (1964), Macbeath or The Beggar's Opera, and So To Bed.The scrapbook of annotated photographs, programmes, and newspaper reviews of which this item is a part was assembled by Marion Tilley, wardrobe mistress for, and performer in, productions by the Kew Light Opera Company and the "Q" Theatre Guild. It is significant as a remarkably complete document of theatre performances in Kew, Victoria during the 1950s and 1960s. The scrapbook, and the items individually catalogued within it, have artistic and aesthetic significance within the history of performing arts in Victoria in the middle of the 20th Century. They have social significance in that they reveal socio-cultural values and preoccupations during the period. The records also act as a history of arts activities in the Kew Recreation Hall and later in the Kew City Hall as entertainment and community arts and music precincts.Black and white photograph of Stanley Wilson or Howard Bell, who performed on different nights as Frank, the governor of the gaol in the "Q" Theatre Guild's performances of Gay Rosalinda, an arrangement of Johann Strauss' Die Fledermaus. The performance took place in the new Kew City Hall, with scenery created by Robert Jewell and Claud Ward. Costumes were designed and made by Marion Tilley.performing arts -- kew (vic.), scrapbooks, marion tilley collection, 'q' theatre guild, musical comedy -- melbourne -- victoria, kew city hall -- cotham road -- kew (vic.)

Newspaper cutting announcing a one man performance of Macbeth at the Bendigo Town Hall by Alexander Watson. Date unknown. Cutting is probably from the Bendigo Advertiser.entertainment, theatre, one man show, alexander watson, town hall, macbeth, one man show

Document. National Theatre Movement Bendigo. Choral and Orchestral Concert Programme. Performed at Capital Theatre, Friday 9th October 1953 with performances by Gertrude Perry.person, individual, gertrude perry, gertrude perry collection, national theatre movement bendigo choral & orchestral concert programme

Photograph. Black & white photograph of Gertrude Perry in costume for her performance in musical wildflower. In peasant costume. On the back: Wildflower. Copyright. Bendigo Advertiser AG137.Bendigo Advertiserperson, individual, personal/portrait, gertrude perry collection, perry gertrude, bendigo advertiser, wildflower

Document. Personal letter from ''Hag'' ''Hygeia'' Quarry Hill, 30th May 1905 to Alex Hamilton.Letter congratulates Alex on his performance the previous night.performing arts, elocution, personal letter

One compact disc containing performances by school music groups in 1997. Kemcor funded the Kemcor Youth Arts Program of 1997, which resulted in this CD.williamstown high school, 1997, kemcor youth arts program

Bendigo Performance of ''Duo Concertante'' - Elizabeth Sellars (violin) and Alfred Hornung (cello). Two different-sized advertising flyers for concert. Notation on both as ''1994?''.

Bendigo performance of ''Serenade to Sun Loong'' 27/7/1997 at Golden Dragon Museum. Concert presented with AB and Museum in conjunction. Collection of various material related to the concert: Background information re instruments and performers (Shen Pangeng - on the Erhu and Sun Ping - Classical & Folk Dancer); press release information; associated correspondence ; financial details (loss) re the performance; copies of program; tickets.

Handwritten letter dated 16th Jan 1893 from H Fitzgerald, of Cherry Mount Glen Thompson to Cohns Secretary re receiving dividend and congratulating their performance.bendigo, industry, cohn bros brewery, h fitzgerald, glen thompson.

Performance by the Drama GroupInvitation to the Cultural performance on Boxing Day in 1960, organised by the Slovenian Club Melbourne. The venue: St Brigid's Hall, 378 Nicholson Street, North Fitzroy, Melbourne.Hand drawn symbolic presentationinvitation, cultural performance

Performance of St Francis Choir and Canzona Brass 9/9/1990 at Sacred Heart Cathedral. (not an AB event) with Tony Way (organist) and John Schmidli (trumpet).

Bendigo Performance of ''Loose Goose & Guests'' - Jazz Concert. Featuring Trumpet, Keyboard, Bass and Percussion (names) and four Special Guests (named). August (1992 notation).

Various documents relating to visit of See Yup Children's Choir , July 1995 presenting ''Chinese Music Rendezvous'' a. Two A4 flyers re the performance; b. PR info re performance; c. various correspondence; d. Correspondence from the See Yup Chinese School (to Ms Hall and ms Jack); e. Correspondence between AB and CoGB re support for the visit; f. financial documents.

The Kew Light Opera Company was formed in 1952, and mounted a number of musical and variety productions each year until it was subsumed in the "Q" Theatre Guild in 1957. A partial record of performances by the company includes: 1952 Florodora, 1953 The Cingalee - San Toy or The Emperor's Own, 1954 While the Sun Shines - A Country Girl - Our Miss Gibbs, 1955 The Toreador - The Arcadians, 1956 The Maid of the Mountains - Whiteoaks - Goodnight Vienna!, 1957 A Country Girl. Most of the Company's performances took place in the Kew Recreation Hall in Wellington Street, Kew. The scrapbook of annotated photographs, programmes, and newspaper reviews of which this item is a part was assembled by Marion Tilley, wardrobe mistress for, and performer in, productions by the Kew Light Opera Company and the "Q" Theatre Guild. It is significant as a remarkably complete document of theatre performances in Kew, Victoria during the 1950s and 1960s. The scrapbook, and the items individually catalogued within it, have artistic and aesthetic significance within the history of performing arts in Victoria in the middle of the 20th Century. They have social significance in that they reveal socio-cultural values and preoccupations during the period. The records also act as a history of arts activities in the Kew Recreation Hall and later in the Kew City Hall as entertainment and community arts and music precincts.Black and white photograph of Lance Nicholls, left, in a performance of Goodnight Vienna! by The Kew Light Opera Company in 1957. Nicholls produced and directed the production as well as performing as Prince Schmettoff. The accompanying programme provides a profile of Nicholls. It states that: Lance Nicholls (Prince Schmettoff), our producer, is a well known personality in the theatre and radio world, having created a reputation as an outstanding character actor through his roles in "Libel", "Streets of London", "Seven Day's Leave", "Village Priest". He was with J.C.W. for many years and a leading player with the late Gregan McMahon, The Roland McCarty Shakespearian Coy., and The Melbourne Little Theatre; also touring with the Council of Adult Education in "Tobias and the Angel" and "The Miser", then in "While the Sun Shines" for the Red Cross. Mr. Nicholls conducted his own Company of players, known as The Modern Theatre, who presented Shakespearian productions to schools and colleges, and has successfully produced many other plays and Musical Comedy. The Kew Light Opera Company has been fortunate in having a producer and player of such high calibre as Mr. Nicholls, and, it has been seen in previous successful shows under his guidance, hopes to go on to further success in the future."Inscribed above the photo in the scrapbook by Marion Tilley: "Lance Nicholls".performing arts -- kew (vic.), scrapbooks, marion tilley collection, kew light opera company, kew recreation hall, musical comedy -- melbourne -- victoria

"The theatre itself was located in a barn close to the village pond. Its location is indicated on the attached 1827 map of Hampton Wick and the Swan arrowed where tickets were to be had. The picture of Ye Swan around 1900 is probably not too dissimilar to how it would have looked in 1797. One of the regular patrons at the theatre is believed to have been William, Duke of Clarence (later King William IV, uncle of Queen Victoria). The Duke lived in Bushy House about a mile away from the village and was a known devotee of theatrical entertainments. The theatre had disappeared by 1865. It would have been a touring company who were playing on the night of 3 October 1797." ( information from Ray Elmitt, historian of Hampton Wick ) The doors were to be opened at 6 to begin precisely at 7 o'clock,. Boxes were 3 shillings, Pit seats were 2 shillings and seats in the gallery were 1 shilling. Tickets could be bought at the printing office in Kingston or from Mr Ansel of Adam and Eve in Kingston or from Mr Pattenden of the Swan in Hampton Wick. "First Love" is a 1795 sentimental comedy play by the British playwright Richard Cumberland. It was first performed at the Drury Lane Theatre in May 1795. Frederick Mowbray becomes the protector of Sabrina Rosny after her abandoment by Lord Sensitive. The Agreeable Surprise is a 1781 comic opera to music by Samuel Arnold and a libretto by John O'Keeffe. The work in two acts was first performed at the Theatre Royal, Haymarket (London), on 3 September 1781. It was one of the most performed works of its kind in London in the last quarter of the 18th century. In England the 18th century saw the flourishing of theatre as a popular pastime. Many theatres were enlarged and new playhouses built in London and the provinces. This item was kept as a souvenir / memento and brought to Australia by an early settler.A very old program from the Richmond Company at the Theatre Hampton-Wick. It is white with black print. There are two performances - First Love and The Agreeable Surprise. There is a cast list for each. theatre hampton-wick-richmond-company

Series of black and white portrait type photographs of actors/actresses who played roles in local productions by the Clocktower Theatre Company. Some photographs of players during performances.Several photographs have names recorded on print.

Photograph. Hand coloured photograph of Gertrude Perry in costume for her performance in musical Wildflower. Mounted on cream card. Multi coloured costume with flowers in hair. On the back: Wildflower.Allan B Martin, 4 Royal Ave, Bendigoperson, individual, personal/portrait, gertrude perry collection, perry gertrude, wildflower, martin allan b

Document. Six sheets of green paper with reviews from newspapers, handwritten beneath the names of local newspapers (Bendigo Region) and towns. Reviews are of the performances of Alex J. Hamilton.performing arts, elocution, newspaper reviews

Black and white photograph. Showing men and women standing in pairs for theatrical performance. Men in white powdered wigs and knee high stockings women in ringlets holding fans.photo, group, theatre performers

4 June 1936 issue of the 'Chicago Herald and Examiner', featuring an article about Helen Fulton, and her performance at the Chicago City Tennis Tournament. Materials: Ink, Papertennis

Arthur Henry Dear was an employee of the City of Kew, acting as Hall Keeper of the Kew Recreation Hall in Wellington Street, and later the new Kew City Hall in Cotham Road. The Arthur Dear Collection contains memorabilia - tickets, programmes, invitations - as well as his identification badge. Items in the collection dates from the 1940s to the 1960s. The Kew Recreation Hall (Wellington Street) and later the Kew City Hall (Cotham Road) were major locations in suburban Melbourne in the postwar period for civic and private events including theatre productions and exhibitions. The Arthur Dear Collection (in conjunction with the scrapbooks compiled by Marion Tilley) provide a comprehensive snapshot of performing arts in Kew during the 1940s, 1950s and 1960s. The collection includes valuable data about performances, performers, directors etc., during this period.Programme for a performance of Enduring As the Camphor Tree by Russell J. Oakes, performed by The Everyman Theatres Company. The programme includes performer and writer profiles as well as a cast list and advertisements.arthur dear collection, performing arts -- kew -- victoria, kew recreation hall -- wellington street, theatre memorabilia, everyman theatres company, 'enduring as the camphor tree' by russell j. oakes