The plot of the play is concerned with the performance of a play "The snare" at the imaginary Woodford Theatre; a separate, small paper program for this play within a play is included with the program. The play was based on the novel "House of fear" by Wadsworth Camp and was presented at the Athenaeum Theatre by E.J. Carroll Staged by Eric Edgley (Theatrical family); advertisements show cost of living of the period - two course meal for 2 shillings and 3 pence; holiday suggestions by Government Tourist Bureau are to Mt Buffalo and Gippsland Lakes. Paper program for a play performed at the Athenaeum Theatre Saturday September 24 1927; coloured cover; 16 p. includes articles about the film, the actors and advertisementsathenaeum theatre, program, programme, the last warning, e j carroll, richard white, eric edgley, frank talbot pty ltd, thomas f fallon

Paper program for a play performed at the Athenaeum Theatre from 12 September 1970; coloured cover, 16 p. includes articles about the play, the actors and advertisementsathenaeum theatre, program, programme, "oh, sir henry", phiilip productions pty limited, aztec services pty ltd, alan babbage, sheila bradley, peter adams, bob hornery

Paper program for Melbourne Theatre Company performing at the Athenaeum Theatre March to September 1977; coloured cover; 24 p. includes articles about the play and the actorsmelbourne theatre company, season 24, march to september 1977, athenaeum theatre, the school for scandal, juno and the paycock, the wild duck, the merchant of venice, the fall guy, the club, ashes, russell st theatre, rodney fisher, ray lawler, mick rodger, john sumner, university of melbourne

Newspaper of 10 pages. Page 1 has a photograph of 10 students from Williamstown High School who performed in the school production 'Tons of money. in 1948.See images abovewilliamstown high school, 1948, tons of money, school productions, newspapers, williamstown chronicle

8/13 Victorian Mounted Rifles Heritage Troop comprised serving soldiers of the unit, male and female, as extra curriculum activitySeven colour photographs of Heritage Troop performing drill movements at 8/13 Victorian Mounted Rifles Open Day at Buna Barracks 28 February 1982.

Programme of a Legacy Demonstration at the Melbourne Town Hall in October 1953. Throughout the year Melbourne Legacy provided classes for Junior Legatees such as dancing, gymnastics and eurythmics, the Demonstration was an annual event to showcase their skills. Melbourne Legacy conducted Annual Demonstrations / Parades from 1928 through to 1979, usually held at Melbourne Town Hall or Olympic Pool Stadium. The beautiful costumes were made by members of the Junior Legacy Mothers' Club and the Melbourne Legacy Wives' Association. Presented at the Melbourne Town Hall Friday 23rd October and Saturday 24th October 1953.A record of a Junior Legacy Demonstration in 1953.Cardboard program includes running order, acts and names of instructors. Performed at the Melbourne Town Hall Friday 23rd October 1953 and Saturday 24th October 1953.Cardboard 'X' in pen on the bottom left corner. Inside left cover in pen '13 17 6 8 8 23 8'. On back cover MU 6025 WL 2995 Vernon L Leg S. Bates MU 7454 Leg A. Beattie C 4471junior legatee, annual demonstration

Laminated certificate presented to Peter Ellis for performing in the Charlton College Federation Dance. Black and white central photograph of a group of people at a dance, with a gold coloured border.federation celebration, folk dancing, peter ellis

Gate fold program printed in blue ink on two sided colour paper. Includes details of the musical program performed for visiting delegates. July 7th, 1909.Bendigo Agricultural / and Horticultural Society. / Welcome / to / The Delegates / of the / Farmers' Convention / 1909 making a nation exhibition, bolton brothers printers, bendigo town hall, city of greater bendigo commerce, city of greater bendigo events

Black and white photograph of members of the Pioneers Bush Band Tom Higgins, Bill Whelan and Frank Stephenson performing at the Rotunda Main Street Gardens Bairnsdale Victoriaentertainment, performing arts, people

The "Q" Theatre Guild was formed out of the Kew Light Opera Company in 1957. It marked the transition of the company that had initially been directed by Lance Nicholls to one directed by Beatrice Oakley. It continued to perform in the Kew Recreation Hall, but, with its demolition in 1960, and the opening of the new Kew City Hall in Cotham Road, moved its productions to that venue. Productions of the "Q" Theatre Guild included The Geisha (1957), Maritana (1958), They All Do It (1959), Blossom Time (1959), Love's A Luxury (1959), There And Back & The Bohemian Girl (1960), Die Fledermaus (1960), Gay Rosalinda (1961), The Land Of Smiles (1961), Kisses For A Kid & Hansel And Gretel (1961), Die Fledermaus (1962), Monsieur Beaucaire (1964), Macbeath or The Beggar's Opera, and So To Bed.The scrapbook of annotated photographs, programmes, and newspaper reviews of which this item is a part was assembled by Marion Tilley, wardrobe mistress for, and performer in, productions by the Kew Light Opera Company and the "Q" Theatre Guild. It is significant as a remarkably complete document of theatre performances in Kew, Victoria during the 1950s and 1960s. The scrapbook, and the items individually catalogued within it, have artistic and aesthetic significance within the history of performing arts in Victoria in the middle of the 20th Century. They have social significance in that they reveal socio-cultural values and preoccupations during the period. The records also act as a history of arts activities in the Kew Recreation Hall and later in the Kew City Hall as entertainment and community arts and music precincts.Black and white photograph of members of the cast of the "Q" Theatre Guild in their 1959 production of Michael Balfe's The Bohemian Girl. Beatrice Oakley was the producer and John Trotter the musical director. The costumes were designed and made by Marion Tilley while the scenery was designed by Claude Ward and Lachlan Stebbins. An annotation, in the corresponding programme, records that Joan Carden (later a star of the Australian Opera) performed in the Ladies of the Chorus.Marion Tilley, the creator of the scrapbook, wrote the following names underneath the photograph: "Fred C., Esme M., Val Breen, Jeanette R., Alan Wilson, B. Meagher, Irene T., Gwen Bolden".performing arts -- kew (vic.), scrapbooks, marion tilley collection, 'q' theatre guild, kew recreation hall, theatre programmes, musical comedy -- melbourne -- victoria

Bendigo Advertiser "The way we were" from Friady, October 10, 2003. Stars: pupils from Gravel Hill Priamry School perform in a play, early 1900s.newspaper, bendigo advertiser, the way we were

Theatre program from 24 December 1927Included in the cast is a young Basil Radford, who subsequently appeared in the Hitchcock classic "The Lady Vanishes" and a number of British films of the 40sPaper program for a comedy performed at the Athenaeum Theatre commencing Saturday December 24 1927; coloured cover; 16 p. includes articles about the film, the actors and advertisementsathenaeum theatre, program, programme, the alarm clock, frank talbot pty ltd, e j carroll, avery hopwood, richard white, eric edgley, athenaeum theatre, program, programme, the alarm clock, frank talbot pty ltd, e j carroll, avery hopwood, richard white, eric edgley

Arthur Henry Dear was an employee of the City of Kew, acting as Hall Keeper of the Kew Recreation Hall in Wellington Street, and later the new Kew City Hall in Cotham Road. The Arthur Dear Collection contains memorabilia - tickets, programmes, invitations - as well as his identification badge. Items in the collection dates from the 1940s to the 1960s. The Kew Recreation Hall (Wellington Street) and later the Kew City Hall (Cotham Road) were major locations in suburban Melbourne in the postwar period for civic and private events including theatre productions and exhibitions. The Arthur Dear Collection (in conjunction with the scrapbooks compiled by Marion Tilley) provide a comprehensive snapshot of performing arts in Kew during the 1940s, 1950s and 1960s. The collection includes valuable data about performances, performers, directors etc., during this period.Programme for a performance of Enduring As the Camphor Tree by Russell J. Oakes, performed by The Everyman Theatres Company. The programme includes performer and writer profiles as well as a cast list and advertisements.arthur dear collection, performing arts -- kew -- victoria, kew recreation hall -- wellington street, theatre memorabilia, everyman theatres company, 'enduring as the camphor tree' by russell j. oakes

Arthur Wilkins was a tireless advocate and campaigner for the AFB, and this centre in Essendon was named in his honour. As demand for more services grew with the aging population, extensions were required, and in 1995, a low vision clinic and rehabilitation facilities were added.Metal plate with black writing and four screw holesThe official opening of the Low Vision Clinic and Rehabilitation Facilties at the Arthur Wilkins Centre was performed by John Moule President Association for the Blind 31 August 1995association for the blind, nameplates

The "Q" Theatre Guild was formed out of the Kew Light Opera Company in 1957. It marked the transition of the company that had initially been directed by Lance Nicholls to one directed by Beatrice Oakley. It continued to perform in the Kew Recreation Hall, but, with its demolition in 1960, and the opening of the new Kew City Hall in Cotham Road, moved its productions to that venue. Productions of the "Q" Theatre Guild included The Geisha (1957), Maritana (1958), They All Do It (1959), Blossom Time (1959), Love's A Luxury (1959), There And Back & The Bohemian Girl (1960), Die Fledermaus (1960), Gay Rosalinda (1961), The Land Of Smiles (1961), Kisses For A Kid & Hansel And Gretel (1961), Die Fledermaus (1962), Monsieur Beaucaire (1964), Macbeath or The Beggar's Opera, and So To Bed.The scrapbook of annotated photographs, programmes, and newspaper reviews of which this item is a part was assembled by Marion Tilley, wardrobe mistress for, and performer in, productions by the Kew Light Opera Company and the "Q" Theatre Guild. It is significant as a remarkably complete document of theatre performances in Kew, Victoria during the 1950s and 1960s. The scrapbook, and the items individually catalogued within it, have artistic and aesthetic significance within the history of performing arts in Victoria in the middle of the 20th Century. They have social significance in that they reveal socio-cultural values and preoccupations during the period. The records also act as a history of arts activities in the Kew Recreation Hall and later in the Kew City Hall as entertainment and community arts and music precincts.Black and white photograph of Val Breen and members of the cast of the "Q" Theatre Guild production of Michael Balfe's The Bohemian Girl in 1959. Beatrice Oakley was the producer and John Trotter the musical director. The costumes were designed and made by Marion Tilley while the scenery was designed by Claude Ward and Lachlan Stebbins. An annotation, in the corresponding programme, records that Joan Carden (later a star of the Australian Opera) performed in the Ladies of the Chorus.Marion Tilley, the creator of the scrapbook, wrote the following underneath the photograph: "Val Breen in my wedding dress".performing arts -- kew (vic.), scrapbooks, marion tilley collection, 'q' theatre guild, kew light opera company, kew recreation hall, musical comedy -- melbourne -- victoria

The "Q" Theatre Guild was formed out of the Kew Light Opera Company in 1957. It marked the transition of the company that had initially been directed by Lance Nicholls to one directed by Beatrice Oakley. It continued to perform in the Kew Recreation Hall, but, with its demolition in 1960, and the opening of the new Kew City Hall in Cotham Road, moved its productions to that venue. Productions of the "Q" Theatre Guild included The Geisha (1957), Maritana (1958), They All Do It (1959), Blossom Time (1959), Love's A Luxury (1959), There And Back & The Bohemian Girl (1960), Die Fledermaus (1960), Gay Rosalinda (1961), The Land Of Smiles (1961), Kisses For A Kid & Hansel And Gretel (1961), Die Fledermaus (1962), Monsieur Beaucaire (1964), Macbeath or The Beggar's Opera, and So To Bed.The scrapbook of annotated photographs, programmes, and newspaper reviews of which this item is a part was assembled by Marion Tilley, wardrobe mistress for, and performer in, productions by the Kew Light Opera Company and the "Q" Theatre Guild. It is significant as a remarkably complete document of theatre performances in Kew, Victoria during the 1950s and 1960s. The scrapbook, and the items individually catalogued within it, have artistic and aesthetic significance within the history of performing arts in Victoria in the middle of the 20th Century. They have social significance in that they reveal socio-cultural values and preoccupations during the period. The records also act as a history of arts activities in the Kew Recreation Hall and later in the Kew City Hall as entertainment and community arts and music precincts.Black and white photograph of Val Breen and Alan Wilson in the "Q" Theatre Guild production of Michael Balfe's The Bohemian Girl in 1959. Beatrice Oakley was the producer and John Trotter the musical director. The costumes were designed and made by Marion Tilley while the scenery was designed by Claude Ward and Lachlan Stebbins. An annotation, in the corresponding programme, records that Joan Carden (later a star of the Australian Opera) performed in the Ladies of the Chorus.Marion Tilley, the creator of the scrapbook, wrote the following underneath the photograph: "Val Breen in my wedding dress".performing arts -- kew (vic.), scrapbooks, marion tilley collection, 'q' theatre guild, kew recreation hall, musical comedy -- melbourne -- victoria

Mrs Coels was born in Warley Hospital and lived all her life in Ventnor.invitation Card to Switching on of electricity supply to Ventnor District, Friday 13th December 1963. Mrs Edith Coels performed the switch-on ceremony. Card in Presentation Box - Picture FrameCommittee of Ventnor No. 2 S.E.C. Extension Group Switching On Ceremony At Ventnor Hall on Friday, 13th December, 1963 at 8 pm McNabb's Orchestra Good Supper Ticket 7/6switching on ceremony ventnor, mrs coels, cefn & phillis price

Phonograph record with red His Master's Voice label. Side A: Sans Souci. Side B: Tik Tak Polka. Performed by the Boston Promenade Orchestra conducted by Arthur Fiedler.CAT. E.A. 3751

Songs performed by Annie Mason, Cyril Gerard and Cyril Lindsay at Gerard Mission; Sophie and Coral Briggs at Cummeragunja; Aaron Briggs at Barmah; Ralph Day and Dennis Atkinson at Deniliquin.CD, recording notes (for tracks 00191a and 00191b)gerard mission, cummeragunja, barmah, deniliquin, annie mason, cyril gerard, cyril lindsay, sophie briggs, coral briggs, aaron briggs, ralph day, dennis atkinson

Robin Boyd was invited to be a judge on the AIA-Sunset Western Home Awards Program (see correspondence item D416). Robin and Patricia Boyd travelled to California in July 1965. They also visited Japan.Colour slide in a mount. Performing Arts Center of Los Angeles County (Music Center), North Hope Street, Los Angeles, 1964-67. (Architects: Welton Becket & Associates.)Made in Australia / 65california, slide, robin boyd

Paper program for a comedy drama performed at the Athenaeum Theatre commencing Saturday May 23 1925; coloured cover, 16 p. includes articles about the film, the actors and advertisementsathenaeum theatre, program, programme, j c williamson, e j carroll, john d o'hara, winchell smith, tom cushing, athenaeum theatre, program, programme, j c williamson, e j carroll, john d o'hara, winchell smith, tom cushing

Paper program for a play performed at the Athenaeum Theatre 17 August until 5 September 1970; coloured cover; 16 p. includes articles about the film, the actors and advertisementsathenaeum theatre, program, programme, emlyn williams as charles dickens, centenary tour 1970, emlyn williams, charles dickens, robert crawley, phillip productions pty ltd, aztec services pty ltd

Paper program for a play performed by the Melbourne Theatre Company at the Athenaeum Theatre commencing 1 November 1977; coloured cover; 16 p. includes articles about the play and the authorathenaeum theatre, program, the university of melbourne, melbourne theatre company, eugene o'neill, ray lawler

A concert with all proceeds going to the Victorian Bushfire Appeal. The bushfires in Victoria during 2009 were catastophic. The performers, visual artists and organisers gave their time free of charge for this concert that was held at WCPA, Wendouree.12 page booklet with maroon cover with white text.Wendouree Centre for Performing Arts Sunday the 15th of March 2.30pm ART remEMBERS Supporting the Victorian Bushfire Appeal All proceeds going to the Victorian Bushfire Appealconcert, performing arts, victorian bushfire appeal, jacqueline dark, jason wasley, simon maiden, vox, peter tulloch, university of ballarat, entertainment, artists, loris button, peter pilven

The "Q" Theatre Guild was formed out of the Kew Light Opera Company in 1957. It marked the transition of the company that had initially been directed by Lance Nicholls to one directed by Beatrice Oakley. It continued to perform in the Kew Recreation Hall, but, with its demolition in 1960, and the opening of the new Kew City Hall in Cotham Road, moved its productions to that venue. Productions of the "Q" Theatre Guild included The Geisha (1957), Maritana (1958), They All Do It (1959), Blossom Time (1959), Love's A Luxury (1959), There And Back & The Bohemian Girl (1960), Die Fledermaus (1960), Gay Rosalinda (1961), The Land Of Smiles (1961), Kisses For A Kid & Hansel And Gretel (1961), Die Fledermaus (1962), Monsieur Beaucaire (1964), Macbeath or The Beggar's Opera, and So To Bed.The scrapbook of annotated photographs, programmes, and newspaper reviews of which this item is a part was assembled by Marion Tilley, wardrobe mistress for, and performer in, productions by the Kew Light Opera Company and the "Q" Theatre Guild. It is significant as a remarkably complete document of theatre performances in Kew, Victoria during the 1950s and 1960s. The scrapbook, and the items individually catalogued within it, have artistic and aesthetic significance within the history of performing arts in Victoria in the middle of the 20th Century. They have social significance in that they reveal socio-cultural values and preoccupations during the period. The records also act as a history of arts activities in the Kew Recreation Hall and later in the Kew City Hall as entertainment and community arts and music precincts.Black and white photograph of Thelma Hiscock in Vincent Wallace's opera Maritana. The performance was produced by Beatrice Oakley for The "Q" Theatre Guild in 1958. Music was provided by the Kew Philharmonic Society conducted by John Trotter. Marion Tilley, the creator of the scrapbook in which the photo is pasted is given credit for designing and making the costumes. Set design was by R. Jewell. The photograph was taken on the night of 24 or 27 June when Hiscock was performing the role of Lazarillo.Marion Tilley, the creator of the scrapbook, wrote the following underneath the photograph: "Thelma Hiscock."performing arts -- kew (vic.), scrapbooks, marion tilley collection, 'q' theatre guild, kew recreation hall, musical comedy -- melbourne -- victoria

An Investigation into Performing Arts Activity in Bendigo - A Study Report (Frank Small and Assoc) prepared for Ministry for the Arts, Victoria July 1976. Index includes Summary and Conclusions and the following 'Current Activity Profiles' - Bendigo Arts Council, other Bendigo-based groups, touring companies, notes on facilities, activity projections. The Appendix lists performing arts activities published in the 'Bendigo Advertiser' from July 75 - June 76. Handwritten annotations throughout.